明, 董其昌, 倣倪瓚山水圖, 軸, Landscape with Trees in the Manner of Ni Zan (1301–1374), Ming dynasty (1368–1644), ca. 1622–25, China, Hanging scroll; ink on paper, Image: 45 1/2 x 18 in. (115.6 x 45.7 cm), Paintings, Dong Qichang (Chinese, 1555–1636), Dong Qichang revived the tenets of the scholar-painter: to follow the ancient models and to apply the principles of calligraphy to painting. In proposing a 'great synthesis' of all ancient landscape idioms, Dong turned landscape forms into calligraphic abstractions
Keywords:
明, 董其昌, 倣倪瓚山水圬 軸, Landscape, Trees, Manner, Ni Zan, 1301–1374, Ming dynasty, 1368–1644, ca, 1622–25, China, Hanging scroll, ink, paper, Image, 45 1/2 x 18, 115.6 45.7 cm, Paintings, Dong Qichang, Chinese, 1555–1636, revived, tenets, scholar-painter, follow, ancient models, apply, principles, calligraphy, painting, proposing, great synthesis landscape, idioms turned, landscape, forms, calligraphic abstractions
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