清, 王原祁, 倣吳鎮山水圖, 軸, Landscape after Wu Zhen, Qing dynasty (1644–1911), dated 1695, China, Hanging scroll; ink on paper, Image: 42 3/4 x 20 1/4 in. (108.6 x 51.4 cm), Paintings, Wang Yuanqi (Chinese, 1642–1715), According to his inscription, Wang Yuanqi did this landscape in the manner of the Yuan painter Wu Zhen (1280–1354). But in Wang's interpretation, Wu Zhen's distinctive idiom of dragged texture strokes and dotting has been used to create a densely patterned scene in which foreground and distant mountains are fused into a continuous 'dragon vein' of abstract compositional energy
Keywords:
清, 王原祁, 倣吳鎮山水圬 軸, Landscape, Wu Zhen, Qing dynasty, 1644–1911, dated 1695, China, Hanging scroll, ink, paper, Image, 42 3/4 x 20 1/4, 108.6 51.4 cm, Paintings, Wang Yuanqi, Chinese, 1642–1715, According, inscription, landscape, manner, Yuan painter Wu, Zhen, 1280–1354, But, Wang, interpretation, distinctive idiom, dragged texture, strokes, dotting, create, densely patterned, scene, foreground, distant mountains, fused, continuous, dragon vein, abstract compositional, energy
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