Man of Sorrows, ca. 1480, Made in Strasbourg, Upper Rhineland, Germany (present-day France), German, Pot-metal glass and vitreous paint, 19 1/2 x 16 3/8 in. (49.5 x 41.6 cm), Glass-Stained, Lautenbach Master (German, active late 15th century), Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft) (active Southern and Central Germany, ca. 1470–1500), Christ as the Man of Sorrows stands within a lush network of leafy branches known as Astwerk, a translation of architectural canopies and tracery into a vegetal vocabulary. Among the most innovative artists of the late fifteenth century, Peter Hemmel and the group of stainedglass painters he worked with known as the Strasbourg Workshop Cooperative executed glazing programs throughout southern Germany and into Austria
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Man, Sorrows, ca, 1480, Strasbourg, Upper Rhineland, Germany, present-day France, German, Pot-metal glass, vitreous paint, 19 1/2 x 16 3/8, 49.5 41.6 cm, Glass-Stained, Lautenbach Master, active late 15th century, Circle of Peter Hemmel von Andlau, Strassburger Werkstattgemeinschaft, Southern and Central Germany, ca., 1470–1500, Christ, Sorrows stands within, lush network, leafy branches, Astwerk, translation, architectural canopies, tracery, vegetal vocabulary, innovative artists, late fifteenth, century, Peter Hemmel, group, stainedglass painters, worked, Strasbourg Workshop, Cooperative, executed, glazing, programs, southern, Austria
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