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'Manteau D'Auto', 1912, French, linen, silk, cellulose, From just before World War I to the closure of his maison de couture in 1929, Poiret's strongest narrative thread was his fantasy of the seraglio and his orientalizing evocations of the Near, Middle, and Far East, which earned him the sobriquet 'Pasha of Paris
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Manteau D'Auto, 1912, French, linen, silk, cellulose, World War I, closure, maison de, couture, 1929, Poiret, strongest narrative, thread, fantasy, seraglio, orientalizing evocations, Middle, Far East, earned, sobriquet, Pasha, Paris
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