Modern Versions of the twenty-four Paragons of Filial Piety: Guo Zhu, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 7 5/8 in. (26.4 x 19.4 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790), As his young wife watches raptly, a young man is taking boiling water with a bamboo ladle from an iron tea cauldron in a square hearth set into the tatami mat floor. Behind him a Chinese-style painting of a bird in bamboo is hung before a bird-shaped incense burner in the tokonoma alcove
Keywords:
Modern Versions, twenty-four Paragons, Filial Piety, Guo Zhu, Edo period, 1615–1868, ca, 1770, Japan, Polychrome woodblock print, ink, color, paper, 10 3/8 x 7 5/8, 26.4 19.4 cm, Prints, Isoda Koryūsai, Japanese, 1735–ca., 1790, young wife watches, raptly man, taking boiling, water, bamboo ladle, iron tea, cauldron, square hearth, set, tatami mat, floor, Chinese-style painting, bird, bamboo, hung, bird-shaped incense, burner, tokonoma alcove
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