Noboto Bay (Noboto no ura), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景 登戸浦, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 3/8 in. (24.8 x 36.5 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)), Men and women gather shellfish under torii, entrance gates to shrines, which mark the transition from secular to religious spaces. Hokusai has cleverly used the torii to frame Fuji, suggesting, in turn, the mountain's sacred, iconic nature
Keywords:
Noboto Bay, Noboto no ura, series, Thirty-six Views, Mount Fuji, Fugaku sanjūrokkei, 冨嶽三十六景 登戸浦, Edo period, 1615–1868, ca, 1830–32, Japan, Polychrome woodblock print, ink, color, paper, 9 3/4 x 14 3/8, 24.8 36.5 cm, Prints, Katsushika Hokusai, Japanese, Tokyo, Edo, 1760–1849, Men, women gather shellfish, under, torii, entrance gates, shrines, mark, transition, secular, religious spaces, Hokusai, cleverly, frame Fuji, suggesting, turn, mountain, sacred, iconic nature
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