Rue de la Montagne-Sainte-Geneviève, 1924, Matte albumen silver print from glass negative, Image: 17.4 x 22.1 cm (6 7/8 x 8 11/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), In his early work, Atget often photographed in full midday sun so that his “documents” would record all the details of architectural or ornamental subjects. In his late work, such as this view of the Pantheon, he often photographed in the early morning, when the absence of people and the presence of a softly luminous light suffused his scenes with quietude
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Rue de la Montagne-Sainte-Geneviève, 1924, Matte albumen silver print, glass negative, Image, 17.4 x 22.1 cm, 6 7/8 8 11/16, Photographs, Eugène Atget, French, Libourne, 1857–1927, Paris, early work, Atget, photographed, full midday sun, documents, record, details, architectural, ornamental subjects, late, view, Pantheon, morning, absence, people, presence, softly luminous, light, suffused, scenes, quietude
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