清 王翬 倣李成雪霽圖 軸 紙本, Snow Clearing: Landscape after Li Cheng, Qing dynasty (1644–1911), dated 1669, China, Hanging scroll; ink and color on paper, Image: 44 3/8 x 14 1/8 in. (112.7 x 35.9 cm), Paintings, Wang Hui (Chinese, 1632–1717), Defying the dictum of the authoritative theorist Dong Qichang (1555–1636) that 'in painting it is better to be descriptively obscure rather than to be obvious,' Wang Hui regarded calligraphic abstraction and mimetic representation as 'the two wings of a bird
Keywords:
清 王翬 倣李成雪霽圬軸 紙本, Snow Clearing, Landscape, Li Cheng, Qing dynasty, 1644–1911, dated 1669, China, Hanging scroll, ink, color, paper, Image, 44 3/8 x 14 1/8, 112.7 35.9 cm, Paintings, Wang Hui, Chinese, 1632–1717, Defying, dictum, authoritative theorist Dong, Qichang, 1555–1636, painting, better, descriptively obscure, obvious, regarded, calligraphic, abstraction, mimetic representation, two wings, bird
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