Images at Librifly

Glass network mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, H.: 1 5/16 x 1 3/16 in. (3.4 x 3 cm), Glass, Rim fragment., Translucent turquoise blue, purple appearing opaque brick

Limestone statuette of a temple boy, Classical, 4th century B.C., Cypriot, Limestone, Overall: 9 1/2 x 5 15/16 x 2 1/16 in. (24.1 x 15.1 x 5.2 cm), Stone Sculpture, The body of the seated boy is flat and very awkwardly rendered. A pleated

Bronze statuette of Herakles, Hellenistic, ca. 3rd–1st century B.C., Italic, Bronze, H. 2 15/16 in. (7.5 cm), Bronzes, Nude and beardless, with short hair

江戸高名会亭尽　両国, The Aoyagi in Ryogoku, Edo period (1615–1868), ca. 1835–42, Japan, Polychrome woodblock print (surimono); ink and color on paper, H. 9 15/16 in. (25.2 cm); W. 14 7/16 in. (36.7 cm), Prints, Utagawa

Lieven Willemsz van Coppenol (born about 1599, died 1671 or later), Oil on wood, 14 3/8 x 11 3/8 in. (36.5 x 28.9 cm), Paintings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Jérusalem, Fontaine Arabe, 3, 1854, Salted paper print from paper negative, Image: 33.1 x 23.5 cm (13 1/16 x 9 1/4 in.), Photographs, Auguste Salzmann (French, 1824–1872

Mrs. Tō, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 7 1/8 in. (18.1 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Miniature Tunic, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 9 x W. 8 in. (22.9 x 20.3 cm), Textiles-Featherwork

Miss Binney, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Stingray and Gurnard, Edo period (1615–1868), probably 1815, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 5/8 x 7 9/16 in. (14.3 x 19.2 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

O Ateri Kyogen Uchi, Wild Words - a Play, Edo period (1615–1868), 1786–1864, Japan, Polychrome woodblock print; ink and color on paper, 14 7/8 x 9 7/8 in. (37.8 x 25.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

The Mass of Saint Basil, 1746, Oil on canvas, transferred from canvas, 54 x 31 1/8 in. (137 x 79 cm), Paintings, Pierre Hubert Subleyras (French, Saint-Gilles-du-Gard 1699–1749 Rome), The rare subject concerns Saint Basil the Great (ca.

Terracotta lekythos (oil flask), Classical, ca. 430–420 B.C., Greek, Attic, Terracotta; red-figure, white-ground, H. 12 1/2 in. (31.7 cm), Vases, Horseman and tomb. Horsemen and chariots have a long tradition in Greek funerary iconography.

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/4 x 1 5/8 in. (3.1 x 4.1 cm), Glass, Deep translucent purple, appearing brown, light honey yellow, blue, and opaque

[Men By Carriage in Street], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Terracotta skyphos (deep drinking cup), Hellenistic, ca. 330–310 B.C., Greek, South Italian, Apulian, Gnathian, Terracotta; applied color, H. 4 1/4 in. (10.8 cm), Vases, Theatrical mask. The courtesan's mask depicted here is carefully

Glass bowl, Mid or Late Imperial, ca. 3rd century A.D., Roman, Glass; blown, Height: 1 5/8 in. (4.1 cm), Glass, Translucent pale blue green. Tubular collared rim, folded our, round, and down; horizontal, uneven neck; slightly convex sides,

St. Osyth's Priory, 1856, Albumen silver print from paper negative, 21.1 x 27.2 cm. (8 5/16 x 10 11/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Horse Mask, mid-Zhou dynasty (1046–256 B.C.), China, Bronze, H. 7 7/8 in. (20 cm); W. 3 1/2 in. (8.9 cm), Metalwork

Purse with Cover, Qing dynasty (1644–1911), 19th century, China, Silk and metallic-thread embroidery on silk stain, 7 x 2 3/4 in. (17.78 x 6.99 cm), Costumes-Accessories, The paired fish embroidered on this small purse are said to symbolize

Pavilion of the Hovering Rainbow Bridge, Ming dynasty (1368–1644), 16th century, China, Handscroll; ink and color on paper, Image: 9 5/8 x 48 1/4 in. (24.4 x 122.6 cm), Paintings, Unidentified Artist Chinese

Bronze specillum (probe), 1st–2nd century A.D., Roman, Bronze, Other: 4 5/8 in. (11.8 cm), Bronzes, Such instruments have been found in sets of Roman surgical instruments and may have been used as probes. However, it is believed that they

商 青銅觶, Miniature Wine Cup (Zhi), Shang dynasty, early Anyang period (ca. 1300–ca. 1050 B.C.), China, Bronze, H. 4 1/8 in. (10.5 cm), Metalwork

Armchair (one of four), ca. 1755–65, British and French, probably Beauvais, Mahogany; wool and silk (18-21 warps per inch, 7-9 per centimeter), H. 44 x W. 32 x D. 28 in. (111.8 x 81.3 x 71.1 cm), Woodwork-Furniture, This rococo chair is

Shaffron (Horse's Head Defense), ca. 1460–70, possibly Brescia, Italian, possibly Brescia, Steel, H. 21 1/2 in. (54.6 cm); W. 9 1/4 in. (23.5 cm); Wt. 1 lb. 15 oz. (878.8 g), Equestrian Equipment-Shaffrons, This shaffron is stamped with

Shallow dish with high relief figures of Isis and falcon-headed Horus, Roman Period, A.D. 2nd century perhaps, From Egypt, steatite, Diam: 3 9/16 in. (9 cm

Frederic Monod (Paris), 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

The Steerage, 1907, printed 1915, Photogravure, 32.2 x 25.8 cm. (12 11/16 x 10 3/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

[Girl in Walking Costume with Hat and Muff], 1890s, Gelatin silver print, 14.1 x 8.8 cm. (5 9/16 x 3 7/16 in.), Photographs, Frederick Gutekunst (American, born Germany, 1832–1917

Strainer, 1760–80, Made in Albany, New York, United States, American, Silver, 3 1/2 x 5 1/4 in., 1oz. 18 dwt. (8.9 x 13.3 cm, 60 Grams), Silver, Jacob Gerritse Lansing (1737–1803

Rembrandt's Son Titus (1641–1668), Oil on canvas, 31 1/8 x 23 1/4 in. (79.1 x 59.1 cm), Paintings, Style of Rembrandt (17th century or later), The sentimental subject of Rembrandt's son Titus, who died one year before his father, was a

The Poet's Cabin in Tatsumi, Edo period (1615–1868), 1845, Japan, Polychrome woodblock print; ink and color on paper, H. 13 1/8 in. (33.3 cm); W. 8 15/16 in. (22.7 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

琉球八景　臨海潮（湖）聲, Sound of the Lake at Rinkai (Rinkai kosei), from the series Eight Views of the Ryūkyū Islands (Ryūkyū hakkei), Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on

元/明 倣錢選 鮮于樞 歸去來辭 卷, Ode on Returning Home, 14th–15th century, China, Handscroll; ink, color, and gold on paper, Image: 42 x 10 1/4 in. (106.7 x 26 cm), Paintings, After Qian Xuan (Chinese, ca. 1235–before

Rose, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 13 1/8 x 4 5/16 in. (33.3 x 11 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

[Interborough Rapid Transit (IRT) Construction, 25th Street and Fourth Avenue, New York City], 1906, Platinum print, Image: 19 x 24 cm (7 1/2 x 9 7/16 in.), Photographs, W. R. C. (American, active ca. 1900s–1930s), These two photographs

Terracotta hydria: kalpis (water jar), Classical, late 5th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 5 1/8 in. (13 cm), Vases, Reserved rectangles at handles

Mandolin, 1770, Treviso, Italy, Italian, Yew, spruce, bone, ebony, L. 52.5 cm (20-3/4 in.); body L. 23.5 cm (9-1/4 in.); body W. 14.5 cm (5-3/4 in.); string L. 29 cm (11-1/2 in.), Chordophone-Lute-plucked, Giovanni Battista Bizaro

Cruet, 1860–70, Made in East Cambridge, Massachusetts, United States, American, Blown, cut, and engraved glass, H. 7 in. (17.8 cm); Diam. 4 in. (10.2 cm), Glass, Louis F. Vaupel mastered the art of engraving in Germany before immigrating

Man Pulling a Curtain Aside, 18th century, Black and white chalk on buff paper, 21 1/8 x 15 in. (53.7 x 38.1 cm), Drawings, Étienne Parrocel (French, Avignon 1696–1776 Rouen

Terracotta zoomorphic askos (vessel), Middle Cypriot, 1900–1600 B.C., Cypriot, Terracotta; White painted ware, H. 5 1/2 in. (14 cm), Vases, Three feet, with tubular spout and geometric ornament

Limestone model of a sheepfold, Hellenistic, ca. 3rd century B.C.?, Cypriot, Limestone, H.: 2 3/4 x 5 1/8 in., 6.6 cm (7 x 13 x 6.6 cm), Stone Sculpture, In a trapezoidal pen, open on the smallest side, lie six very schematic sheep; one of

東海道五十三次之内　嶋田　大井川駿岸, Shimada, Oigawa Shun Gan, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/8 in. (24.1 x 35.9 cm), Prints, Utagawa Hiroshige

Vue des Eaux de Saint-Sauveur, 1853, Salted paper print from paper negative, Sheet: 12 in. × 18 9/16 in. (30.5 × 47.2 cm), Photographs, Joseph Vigier (French, 1821–1862

Terracotta oinochoe: epichysis (jug), Hellenistic, late 4th–early 3rd century B.C., Greek, South Italian, Apulian, Gnathian, Terracotta; applied color, H. 6 7/16 in. (16.3 cm), Vases, The motif on the body is commonly known as a

東海道五十三次　藤川, Fujikawa, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige

The Unicorn is Attacked (from the Unicorn Tapestries), 1495–1505, South Netherlandish, Wool warp with wool, silk, silver, and gilt wefts, Overall: 145 x 168in. (368.3 x 426.7cm), Textiles-Tapestries, According to tradition, the unicorn

Cape Horn, Columbia River, Oregon, 1867, Albumen silver print from glass negative, Image: 52.1 x 39 cm (20 1/2 x 15 3/8 in.), Photographs, Carleton E. Watkins (American, 1829–1916), Watkins, the consummate photographer of the American

Textile Fragment, 300–600, Made in Byzantine Egypt, Coptic, Linen, wool, Overall: 11 5/8 x 1 3/4 in. (29.5 x 4.4 cm), Textiles-Woven

Fragmentary Seal Impression from Tutankhamun's Embalming Cache, New Kingdom, Dynasty 18, ca. 1336–1327 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Embalming Cache of Tutankhamun (KV 54), Davis/Ayrton excavations,

Tabernacle mirror frame, 1540–60, Italian, Florence(?), Walnut, Overall: 16 1/4 x 15 1/8, Frames, Unknown (Italian, Ferrara), A myriad of meanings, both positive and negative, were attached to mirrors in the Renaissance. Symbols of

Ivory fragment, Iron Age II, ca. 9th century B.C., Iran, probably from Hasanlu, Iran, Ivory, 1.38 x 0.63 x 0.43 in. (3.51 x 1.6 x 1.09 cm), Ivory/Bone-Ornaments

Fibula, Bronze, Other: 1 1/2 in. (3.8 cm), Bronzes

Frederick Langenheim Looking at Talbotypes, ca. 1849–51, Daguerreotype, Image: 12.1 × 8.9 cm (4 3/4 × 3 1/2 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874), Frederick Langenheim (American, born

Elephant Goad (Ankus), 17th century, South Indian, Steel, brass, L. 16 in. (40.6 cm), Shafted Weapons, A goad is carried by the mahout or elephant driver. The sharp point and hook was used to guide the animal to behave or move in a specific

Terracotta lekanis (dish) with lid and finial, Hellenistic, 2nd half of 3rd century B.C., Greek, Sicilian, Centuripe, Terracotta, Overall: 24 1/4 x 24 1/2in. (61.6 x 62.2cm), Vases, This elaborate vase belongs to a small class of vessels

Terracotta head of a woman, Classical, 4th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 2 1/4 in. (5.72 cm), Terracottas, Wearing large earrings, hair dressed high at back

Terracotta stemless kylix (drinking cup), Classical, last quarter of 5th century B.C., Greek, Attic, Terracotta; red-figure, H. 2 1/8 in. (5.4 cm); diameter 7 1/4 in. (18.4 cm), Vases, Interior, stamped pattern, Exterior, obverse, trainer

Miniature Vase, Tang dynasty (618–907), China, Bronze, H. 5 5/16 in. (13.5 cm); Diam. 2 7/8 in. (7.3 cm), Metalwork

A Portal of a Church, first half 19th century, Pen and brown ink, watercolor, heightened with white gouache, sheet: 12 5/8 x 10 5/8 in. (32 x 27 cm), Drawings, Ernst Ferdinand Oehme (German, Dresden 1797–1855 Dresden

[Farm Buildings], 1850s, Albumen silver print from paper negative, Photographs, Unknown (British

Merced River, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Pottery Whistle, Pre-Columbian, ca. 800–1525, Linea Vieja?, Costa Rica, Costa Rican, Clay, L. 5.4 cm (2-1/8 in.); W. 3.4 cm (1-3/4 in.); D. 5.7 cm (2-1/4 in.); Wt. 43 g, Aerophone-Whistle Flute-whistle

Nakamura Matsue II as a Woman Standing on a Hill, Edo period (1615–1868), 1773, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 13/16 in. (32.4 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

青楼仁和嘉女芸者之部　唐人　獅子 角力, Seiro Niwaka Onna Geisha no Bu Tojin Shishi Sumo, Edo period (1615–1868), ca. 1791, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/16 in. (25.6 cm); W. 15 1/8 in.

Glass gold-band mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 11/16 in. (2.1 x 1.7 cm), Glass, Body fragment., Translucent cobalt blue, honey brown, opaque white,

Reproduction of the 'Shield frieze' fresco, Late Helladic IIIA-B, ca. 1325–1250 B.C., Mycenaean, watercolor on paper, Overall: 39 1/2 x 32 in. (100.3 x 81.3 cm), Excavated 1910 in the Inner Forecourt of the Tiryns palace.. The original

Cover From a Japanese Illustrated Book, Edo period (1615–1868), ca. 1739, Japan, Polychrome woodblock print; ink and color on paper (hand colored), 10 3/4 x 15 5/8 in. (27.3 x 39.7 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Landscape, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Album leaf; ink and color on silk, 15 x 15 3/4 in. (38.1 x 40 cm), Paintings, Unidentified Artist, Formerly Attributed to Pei Kuan (Chinese, Tang dynasty

Altar Frontal with Deesis, 15th century, Eastern European (Romanian (?)), Silk and metal thread, Overall: 37 x 72in. (94 x 182.9cm), Textiles-Embroidered

Bronze disk mirror, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Bronze, Diam.: 4 3/4 in. (12.1 cm), Bronzes, This mirror was found in a tomb near Tarentum together with some of the terracotta statuettes displayed on the

雪月花　武陽金沢八勝夜景, Full Moon at Kanazawa, Province of Musashi, Edo period (1615–1868), Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. sheet: 9 15/16 x 14 5/8 in. (25.2 x 37.1 cm), Prints,

Vienne, Souterrain, ca. 1861, Albumen silver print from glass negative, Image: 32.9 x 42.3 cm (12 15/16 x 16 5/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Aki, 風俗四季歌仙　立秋, First Day of Autumn (Risshu), Edo period (1615–1868), ca. 1865, Japan, Polychrome woodblock print; ink and color on paper, Image: 11 × 8 in. (27.9 × 20.3 cm), Prints, Suzuki Harunobu (Japanese,

Spear Heads, Zhou dynasty (1046–256 B.C.), China, Bronze, a: L. 1.7 in. (4.3 cm), Metalwork

Shield (?) with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 7 5/8 in. (19.4 cm); W. 10 1/2 in. (26.7 cm), Lacquer, This piece, part of a wedding

東海道五十三次 見附 天竜川, Mitsukei Tenryugawa, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 29/32 in. (24.8 x 37.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

画本虫撰　バッタと蟷螂, Cone-headed Grasshopper or Locust, (batta); Praying Mantis (Tōrō or Kamakiri), from the Picture Book of Crawling Creatures (Ehon mushi erami), Edo period (1615–1868), 1788, Japan, Page from woodblock

Penrice Garden, 1853–56, Albumen silver print, Image: 19.4 × 24.6 cm (7 5/8 × 9 11/16 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Statuette of a man, Bronze, H.: 3 3/8 in. (8.6 cm), Bronzes

Cista, foot, Bronze, H. 5.11 cm., Bronzes

Glass cameo panel fragment, Early Imperial, Augustan or early Julio-Claudian, ca. A.D. 1–25, Roman, Glass; cast and carved, Overall: 3 3/4 x 2 5/8 in. (9.5 x 6.7 cm), Glass, Translucent deep purple, appearing black with opaque white

Fagot–gatherer Finds Boy with Sparrow, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 11 1/2 in. (29.2 cm); W. 15 3/4 in. (40 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Picture, second quarter 17th century, British, Silk, leather, metal thread, spangles, linen, H. 20 x W. 24 x D. 1 inches (50.8 x 61.0 x D. 2.5 cm), Textiles-Embroidered

Helmet, 16th century, Turkish, Steel, gold, H. including nasal 13 1/2 in. (34.3 cm); H. excluding nasal 10 1/2 in. (26.7 cm); W. 8 1/2 in. (21.6 cm); D. 10 3/8 in. (26.4 cm); Wt. 3 lb. 6.8 oz. (1553.6 g), Helmets, The inscription around the

Court Lady Looking at a Blooming Cherry-Tree, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 6 13/16 in. (20 x 17.3 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Miniature Cippus (magical stela) with Horus in profile wearing gazelle head on the forehead, Third Intermediate Period–Late Period, Dynasty 25–30, ca. 712–332 B.C., From Egypt, Anhydrite, H. 3.8 cm (1 1/2 in), w. 2.3 cm (7/8 in), Depth

Jérusalem, Enceinte du Temple, Face Sud de l'angle Sud-Est, 1854, Salted paper print from paper negative, Image: 33.1 x 23.6 cm (13 1/16 x 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta pelike (jar), Late Classical, 3rd quarter of the 4th century B.C., Greek, Attic, Terracotta; red-figure, H.: 9 1/16 in. (23 cm), Vases, Obverse, Arimasp fighting a griffin., Reverse, two youths

Glass bead, Late Roman or Early Byzantine, 4th–6th century A.D., Roman or Byzantine, Glass; rod-formed and trailed, L.: 3/8 in. (1 cm), Glass, Uncertain color, appearing black; trail in opaque yellow. Globular, pierced with large hole;

Glass pendant, Hellenistic, late 2nd–1st century B.C., Greek, Eastern Mediterranean, Glass, molded; cast in a two-part mold, H.: 5/8 in. (1.6 cm), Glass, Translucent honey yellow., Solid, vertical pendant, with mold marks running around

Jérusalem, Saint-Sépulcre, Détails de la Chapelle du Calvaire, 1854, Salted paper print from paper negative, Image: 32.7 x 23.4 cm (12 7/8 x 9 3/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Rev. Stephen Hislop, Missionary, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Bronze statuette of Pan, Classical, late 5th–4th century B.C., Greek, Peloponnesian, Bronze, 5 1/8 × 4 1/16 × 2 1/8 in. (13.1 × 10.3 × 5.4 cm), Bronzes, The figure is shown with a phorbeia, the band worn by flautists. The articulation

Lamellar Armor (Byang Bu'i Khrab) and Helmet, possibly 16th–17th century, Tibetan, Iron, leather, H. as mounted approx. 59 in. (149.9 cm), Armor for Man, This is a representative example of a Tibetan lamellar armor and helmet. Both pieces

Glass beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H: 2 7/8 in. (7.3 cm), Glass, Colorless. Rim short and everted, cracked off and ground; indented body with sides expanding slightly downwards and projecting rounded

Plaque fragment, Neo-Assyrian, ca. 8th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 0.91 x 0.55 x 0.14 in. (2.31 x 1.4 x 0.36 cm), Ivory/Bone-Reliefs, Built by the Assyrian king Ashurnasirpal II, the palaces and

Noblewomen of the Tokugawa Period; Thirty-six Beauties (Sanjuroko kasensoro, Meiji period (1868–1912), 1891–93, Japan, Album of 72 polychrome woodblock prints; ink and color on paper, Overall (each): 14 x 9 1/2 in. (35.6 x 24.1 cm), Prints,

Bronze pin, Early or Middle Bronze Age, ca. 2500–1600 B.C., Cypriot, Bronze, length 13 1/2in. (34.3cm), Bronzes, Simple form

On the Veranda, Edo period (1615–1868), 1769 or 1770, Japan, Polychrome woodblock print; ink and color on paper, 10 1/2 x 5 5/8 in. (26.7 x 14.3 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), In this genre scene, a woman standing