Images at Librifly

Glass jug, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, H.: 7 in. (17.8 cm), Glass, Translucent blue green; handle in same color. Rim folded out, down, round, and in, with beveled upper edge; tall, slender

Cloisonne furniture plaque with an infant on a lotus flower, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 4.37 x 1.54 x 0.53 in. (11.1 x 3.91 x 1.35 cm), Ivory/Bone-Reliefs, An infant sits in

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 1 3/4 x 4 1/8in. (4.5 x 10.4cm), Vases

Tweezers, Early Bronze Age, ca. 3200–2000 B.C., Cypriot, Bronze, Other: 2 11/16in. (6.8cm), Bronzes

Swallows and Wisteria, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 x 7 1/4 in. (20.3 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Fragmentary faience statuette of Aphrodite, Hellenistic, 334–30 B.C., Egyptian, Ptolemaic, Faience, H.: 2 5/8 in. (6.6 cm), Miscellaneous-Faience, Statuette of Aphrodite, fragmented

Glass cameo: winged Eros, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass, Length: 13/16 in. (2.1 cm), Gems, Eros as a child, with weapons of Herakles

Upright Baskets of Flowers, before 1690, Engraving, Overall: 21 9/16 x 16 1/4 x 3/16 in. (54.8 x 41.3 x 0.5 cm), Books

Lac de Lugano (from the Service des vues Suisses), 1811, French, Sèvres, Hard-paste porcelain, Diameter: 9 1/4 in. (23.5 cm), Ceramics-Porcelain, All of the plates in this service were decorated with views of Switzerland; this example

Glass gold-band mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 1 7/16 in. (2.2 x 3.7 cm), Glass, Body fragment., Translucent cobalt blue, turquoise blue, green,

Terracotta amphora (jar), Archaic, ca. 530 B.C., Greek, Attic, Terracotta; black-figure, H. 19 in. (48.2 cm), Vases, Obverse, departure of a warrior in a chariot., Reverse, departure of two youths with horse

The Golden Gate, 1868–69, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 x 1 1/16 in. (2.4 x 2.8 cm), Glass, Body fragment., Translucent deep purple, appearing chocolate brown, and opaque

Alabaster alabastron (perfume vase), Classical, 5th–4th century B.C., Cypriot, Calcite (alabaster), H. 7 1/2; Diam. 2 1/4 in. (19.1 x 5.7 cm), Miscellaneous-Stone Vases, The narrow alabastron has two rounded lugs. The neck is short. The lip

冨嶽三十六景　遠江山中, In the Mountains of Tōtomi Province (Tōtomi sanchū), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and

Glass jug, Late Imperial, late 3rd–early 4th century A.D., Roman, Glass; blown, tooled, and trailed, H.: 10 5/8 in. (27 cm), Glass, Translucent light green; handle, base ring, and trails in same color. Rounded, thickened rim; flaring

Cushion Pine at Aoyama (Aoyama enza no matsu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　青山円座松, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color

The Fourth Imai Hanshiro in the Role O Hatsu in 'Sakaicho Soga Nendaiki', Edo period (1615–1868), 2nd month, 1771, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 1/8 in. (31.1 x 13.0 cm), Prints, Torii Kiyomitsu

Carnelian scarab, Late Classical, early 4th century B.C., Etruscan, Carnelian, gold, H.: 11/16 x 1/2 in. (1.7 x 1.3 cm), Miscellaneous, Suicide of Ajax

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 7/16 × 1 5/8 × 1/8 in. (3.7 × 4.1 × 0.3 cm), Vases

Tatekawa in Honjō (Honjō Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　本所立川, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper,

東漢（鮮卑文化） 鎏金翼馬紋銅飾板, Plaque with a Winged Horse, Eastern Han dynasty (25–220), Xianbei culture, 1st century, China, Gilt bronze, H. 2 3/4 in. (7 cm); W. 4 3/8 in. (11.1 cm), Metalwork, These plaques were

Dagger-Ax, Zhou dynasty (1046–256 B.C.), China, Bronze, H. 4 9/16 in. (11.6 cm); W. 10 1/4 in. (26 cm), Metalwork

Head of a male or female figure, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1.02 x 1.14 in. (2.59 x 2.9 cm), Ivory/Bone-Reliefs, This small ivory head is beardless and its gender cannot be

北宋 傳趙令穰 江村秋曉圖 卷, River Village in Autumn Dawn , Song dynasty (960–1279), China, Handscroll; ink and color on silk, Image: 9 5/16 x 41 in. (23.7 x 104.1 cm), Paintings, Attributed to Zhao Lingrang (Chinese, active ca.

Terracotta askos (flask with a spout and handle over the top), Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 7.19 cm. Length 8.61 cm., Vases, The vase is in the shape of an astragal, the

The Enchanted Island, Before the Cell of Prospero - Prospero and Miranda (Shakespeare, The Tempest, Act 1, Scene 1), 1797, Stipple engraving and etching, image: 16 15/16 x 23 1/4 in. (43.1 x 59 cm), Prints, After George Romney (British,

Two Women and a Girl Looking at Paintings, probably 1815, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 15/16 x 7 1/8 in. (20.2 x 18.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Harpsichord converted to a piano, 1754, Paris, France, French, Wood, paint, gilding, polychrome, gilded pewter, ebony, bone, felt, Height (without lid): 36 7/8 in. (93.6 cm), Chordophone-Zither-struck-piano, Jean Goermans (Dutch,

Promenade of Famous Beauty Escorted by Many Female Attendants, Edo period (1615–1868), Japan, Triptych of polychrome woodblock prints; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 7/8 in (25.1 cm), Prints, Kikugawa Eizan (Japanese,

The Actor Nakamura Tomijuro in the Role of Koshizuka, Edo period (1615–1868), ca. 1767, Japan, Polychrome woodblock print; ink and color on paper, H. 11 7/8 in. (30.2 cm); W. 5 3/8 in. (13.7 cm), Prints, Torii Kiyomitsu (Japanese,

[Gentleman], ca. 1840, Daguerreotype, Approx. ninth-plate, Photographs, Henry Fitz Jr. (American, 1808–1863

Chofu no Tamagawa, Edo period (1615–1868), ca. 1789, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 7 5/8 in. (25.7 x 19.4 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

[Family Group], 1854, Salted paper print from glass negative, Mount: 7 3/8 in. × 8 9/16 in. (18.8 × 21.7 cm), Photographs, Charles Nègre (French, 1820–1880), Trained as a painter in the studio of Paul Delaroche, Nègre became, after

James Johnston of Straiton (died 1841), Oil on canvas, 35 1/4 x 27 1/4 in. (89.5 x 69.2 cm), Paintings, Sir Henry Raeburn (British, Stockbridge, Scotland 1756–1823 Edinburgh, Scotland

Terracotta neck-amphora of Nicosthenic shape (jar), Archaic, ca. 510 B.C., Greek, Attic, Terracotta; black-figure, H. 11 1/4 in. (28.5 cm); diameter of mouth 5 1/4 in. (13.3 cm); diameter of foot 3 3/8 in. (8.5 cm), Vases, Obverse, Herakles

Wine Jar, Han dynasty (206 B.C.–A.D. 220), China, Bronze, H. 2 in. (5.1 cm), Metalwork

[Portrait of a Seated Woman Surrounded by Five Girls, Seated and Standing], 1850s–60s, Albumen silver print from glass negative, 18.4 x 13.1 cm. (7 1/4 x 5 3/16 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Gilt bronze spiral with lion-griffin terminal, Classical, ca. 400–350 B.C., Greek, Cypriot, Gold, 1 5/16 x 13/16in. (3.3 x 2cm), Gold and Silver, This typically Cypriot element of jewelry, usually found in pairs, served either as a hair

Ocarina, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; Gayraca style, Ceramic, L. 5 cm (1-15/16 in.); W. 5.5 cm (2-3/8 in.), Aerophone-Whistle Flute-vessel flute

Terracotta vessel fragment with marine motif, Late Minoan II, ca. 1450–1400 B.C., Minoan, Terracotta; Dark-on-light ware, Overall: 1 3/8 x 1 5/8in. (3.5 x 4.1cm), Vases, From Phylakopi, Melos. Fragment with seaweed (?) design

Bowl, 1898–1902, Made in New York, New York, United States, American, Enamel on copper, 2 1/4 x 3 11/16 x 3 11/16 in. (5.7 x 9.4 x 9.4 cm), Metal, Tiffany Glass and Decorating Company (American, 1892–1902), (Stourbridge Glass Company

Glass beaker with cut inscription, Late Imperial, 4th century A.D., Roman, Syrian, Glass; blown and cut, H.: 3 5/8 in. (9.2 cm), Glass, Translucent pale yellow green., Uneven knocked-off rim with slight bulge below; ovoid body with convex

Crucifixion, ca. 1325–50, Made in Constance, German, Linen warp; wool wefts, with the addition of wool and silk embroidery, Overall: 32 x 68in. (81.3 x 172.7cm), Textiles-Tapestries

Incised furniture plaque with two ibexes flanking a stylized palmette tree, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 0.98 x 4.06 in. (2.49 x 10.31 cm), Ivory/Bone-Sculpture, Two kneeling

A Picnic Party at Hagidera, Edo period (1615–1868), Japan, Diptych of polychrome woodblock prints; ink and color on paper, (a): 15 3/16 × 10 in. (38.6 × 25.4 cm), Prints, Katsukawa Shunchō (Japanese, active ca. 1783–95

東海道五十三次之内　掛川　秋葉山遠望, Kakegawa, Akihasan Empo, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 3/5 x 14 1/8 in. (24.4 x 35.9 cm), Prints, Utagawa Hiroshige

Les Grâces lutinées par les amours, 1778, Pen and brown ink, brush and brown wash, over traces of black chalk, 14 3/8 x 19 7/16 in. (36.5 x 49.3 cm), Drawings, Louis Lagrenée (French, Paris 1725–1805 Paris

Small hornblende triangular axe, Neolithic, 6th–4th millennium B.C., Cretan, Stone, Length 1 1/4 in. (3.2 cm); H. 1/2 in. (1.2 cm), Miscellaneous-Stone, Celt

Plate with Grapes, ca. 1570, Made in Turkey, Iznik, Stonepaste; polychrome painted under transparent glaze, H. 2 7/8 in. (7.3 cm), Ceramics, Lacking the clay necessary for the production of porcelain, potters in Turkey (and elsewhere in the

Lorgnette and chain, ca. 1900, Gold, enamel, diamonds, jade, glass, Double chain: L. 33-1/2 inches, Jewelry

Maharana Amar Singh II or Sangram Singh Hunting Wild Boar, 19th century, Western India, Rajasthan, Udaipur, Ink and opaque watercolor on paper, 15 3/8 x 10 5/16 in. (39.0 x 26.2 cm), Paintings, This painting, which depicts one of two eminent

Helmet, ca. 1515–1520, Egyptian or Syrian, Steel, iron, copper alloy, gold, H. including mail 24 1/2 in. (62.2 cm); H. 8 in. (20.3 cm); W. 8 1/2 in. (21.6 cm); D. 8 3/4 in. (22.2 cm); Wt. excluding mail 3 lb. 3.8 oz. (1468.5 g), Helmets,

Fan Print of the Actor Segawa Kikunojo III, Edo period (1615–1868), ca. 1775, Japan, Polychrome woodblock print; ink and color on paper, 17 7/8 x W. Top 12 13/16 in. (45.4 x 32.5 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Terracotta head of a griffin, Late Classical or Early Hellenistic, 4th century B.C., East Greek, Terracotta, H. 3 1/8 in. (7.93 cm.), Terracottas, In the Hellenistic era, the heraldic griffin, with the body of a lion and the head and wings

Figure, 7th–10th century, Mexico, Mesoamerica, Veracruz, Veracruz, Ceramic, H. 8 1/4 x W. 2 5/8 x D. 2 1/4 in. (21 x 6.7 x 5.7 cm), Ceramics-Sculpture, The modern state of Veracruz lies along the Mexican Gulf Coast, north of the Maya

Furansu-jin Yukyo, フランス人遊興, French Pastimes, Edo period (1615–1868), 1860 (Man–en, 1st year), Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 10 in. (36.8 x 25.4 cm), Prints, Ichiryūsai Yoshitoyo

Fragment, 3rd–4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 6 in. high 6.00 in. wide (15.24 cm high 15.24 cm wide), Textiles

Young Woman Carrying Box in Her Hands, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 25 7/8 × 4 9/16 in. (65.7 × 11.6 cm), Prints, Katsukawa Shunchō (Japanese, active ca. 1783–95

Costumes de Théâtre, Saïgon, Cochinchine, 1866, Albumen silver print from glass negative, 24.4 x 31.1 cm (9 5/8 x 12 1/4 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Near Wilty, 1860s, Albumen silver print from glass negative, Photographs, Unknown (British

Piriform Jar Inscribed with Hatshepsut's Titles as Queen, New Kingdom, Dynasty 18, ca. 1492–1473 B.C., From Egypt; Probably from Upper Egypt, Thebes, Wadi Qabbanat el-Qurud, Tomb of the 3 Foreign Wives of Thutmose III (Wadi D, Tomb 1),

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 1 3/16 in. (2 x 3 cm), Glass, Deep purple with opaque red brown., Flat, rectangular revetment plaque, with

Shirai Gompachi, Edo period (1615–1868), probably 1770, Japan, Polychrome woodblock print; ink and color on paper, Hashirae: 28 1/8 x 5 in. (71.4 x 12.7 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

The Second Yamashita Kinsaku (1733–1790), Edo period (1615–1868), ca. 1772, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 3/4 in. (31.8 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Brooch, 8th century B.C., European Bronze Age, Copper alloy, Overall: 2 11/16 x 2 3/4 x 9/16 in. (6.8 x 7 x 1.5 cm), Metalwork-Copper alloy

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 4 7/16 x 3 9/16in. (11.3 x 9cm), Vases

[Tapestry Room], 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin

Bandō Hikosaburō II Dressed as a Komuso and Carrying the Flute and Hat, Edo period (1615–1868), 1761, Japan, Polychrome woodblock print; ink and color on paper, 15 3/8 x 6 1/2 in. (39.1 x 16.5 cm), Prints, Ishikawa Toyonobu (Japanese,

Ebenezer Storer II, ca. 1767, Pastel on paper mounted on canvas, 23 1/8 x 17 1/8 in. (58.7 x 43.5 cm), Drawings, John Singleton Copley (American, Boston, Massachusetts 1738–1815 London), John Singleton Copley produced at least fifty-five

Bronze jug, Late Republican or Imperial, ca. 1st century B.C.–1st century A.D., Roman, Bronze, H. of vase 7 3/4 in. (19.7 cm); H. with finger 8 13/16 in. (22.4 cm), Bronzes, The handle ends in a palmette below and two birds' heads above

Wine Cups, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/8 x 7 5/16 in. (21.3 x 18.6 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

冨嶽三十六景　神奈川沖浪裏, Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan,

Bronze handle of a vessel, Late Archaic, ca. 550–490 B.C., Greek or Etruscan, Bronze, H.: 5 5/8 in. (14.3 cm), Bronzes

Terracotta molds for a lamp, Late Imperial, 5th century A.D., Roman, North African, Terracotta, 2 3/8 x 5 7/16 in. (6 x 13.8 cm), Terracottas

Marble relief of a horseman, Late Hellenistic, 1st century B.C., Greek, Marble, Parian ?, H. 18 in. (45.7 cm), Stone Sculpture, This relief of a pacing horse with a nude rider is a tour de force of almost excessively sensitive surface texture

Fragment, 17th century, Italian, Silk, Overall: 8 1/2 x 8 1/2 in. (21.6 x 21.6 cm), Textiles-Velvets

近代, 陳衡恪, 玉簪花, 冊頁, Plantain Lily, early 20th century, China, Album leaf; ink and color on paper, 11 x 17 1/4 in. (27.9 x 43.8 cm), Paintings, Chen Hengke (Chinese, 1876–1923), The strong interplay of color and ink,

The First Onoe Kikugoro as an Angry Man, Edo period (1615–1868), ca. 1772, Japan, Polychrome woodblock print; ink and color on paper, 11 1/2 x 5 1/5 in. (29.2 x 13.2 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

近江八景之内　唐崎夜雨, Evening Rain on the Karasaki Pine, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/4 in. (26 cm); W. 15 in. (38.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Halfbeak on a Lacquer Tray and White Baits on a Dish, Edo period (1615–1868), probably 1815, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 5/8 x 7 5/16 in. (14.3 x 18.6 cm), Prints, Ryūryūkyo Shinsai (Japanese,

Zaragoza à Pamplona y Barcelona - Puente de Zuera, ca. 1867, Albumen silver print from glass negative, 33.9 x 24.8 cm (13 3/8 x 9 3/4 in.), Photographs, Juan Laurent (French, 1816–1892, active Spain, 1857–1880s), José Martinez Sánchez

Panel, 10th–12th century, Peru, Wari, Cotton, camelid hair, Overall: 23 1/4 x 28 7/8 in. (59.06 x 73.34 cm), Textiles-Woven

Border Fragment, Figure, 2nd century B.C., Peru, Nasca, Camelid hair, H x W: 1 7/8 x 1 11/16in. (4.8 x 4.3cm), Textiles-Sculpture

Vase fragment, Early Minoan II, Minoan, Terracotta, 2 3/4 × 2 1/8 × 1/4 in. (7 × 5.4 × 0.6 cm), Vases

Box (Sumiaka tebako) with Design of Pine, Bamboo, and Plum, Edo period (1615–1868), 19th century, Japan, Gold maki-e on nashiji lacquer with basket, Overall: 8 3/4 x 10 x 10 7/8 in. (22.2 x 25.4 x 27.7 cm), Lacquer, Well-born Japanese

Crucifixion, after Michelangelo, mid-16th century, Engraving, Sheet (trimmed): 16 1/4 × 10 1/2 in. (41.3 × 26.7 cm), Prints, Attributed to Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome (?)), After Michelangelo Buonarroti

Vessel (Jiao Dou), Tang dynasty (618–907), China, Bronze, H. 6 in. (15.2 cm); W. 8 1/2 in. (21.6 cm), Metalwork

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/4 in. × 10 in. (36.2 × 25.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Pocketbook with Its Fittings, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 3/8 x 7 1/4 in. (13.7 x 18.4 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Beauty Looking at Shinobazu Pond, illustration from Bugei Kurabu (Literary Club), Meiji period (1868–1912), Japan, Frontispiece; polychrome woodblock print; ink and color on paper, Album: 8 1/2 x 5 5/16 in. (21.6 x 13.5 cm), Prints, Watanabe

Vase fragment, Early Helladic, ca. 3000–2200 B.C., Terracotta, 1 9/16 x 1 1/4in. (4 x 3.2cm), Vases

Terracotta statuette of a seated woman, Classical, 5th century B.C., East Greek, Terracotta, H.: 4 7/8 in. (12.4 cm), Terracottas, The seated position and the garment suggest that the figure may be a goddess

Music Box, ca. 1810, Geneva(?), Switzerland, Swiss, Various materials, L. 6.4 cm (2 1/2 in.), Idiophone, Purse-form gold music box with blue enamel borders. Decorated with the Russian Imperial Eagle and sword

Miquelet Rifle of Ali Pasha, lock and stock, dated A.H. 1224/A.D. 1809–10; barrel, 18th century, lock and stock, Algerian; barrel, European, Steel, wood, silver, copper alloy, textile, L. 67 in. (170.3 cm); L. barrel 50 7/8 in. (129.2

Avignon, Palais des Papes, 1859 or after, Albumen silver print from glass negative, Image: 33.6 x 43.4 cm (13 1/4 x 17 1/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Europe, 1730–71, Engraving, Sheet (trimmed): 10 5/8 × 12 1/16 in. (27 × 30.7 cm), Prints, Engraved by Johann Justin Preissler (German, 1698–1771), After Edme Bouchardon (French, Chaumont 1698–1762 Paris

『浅草観音奉掛額之 図』　「扇屋内滝川　富川、粂川、玉川、津川、歌川、清川　め浪、お浪」, A Votive Picture to Be Donated to the Kannon of Asakusa (Asakusa Kannon hō kakegaku no zu), by Takigawa of the

Limestone head of a beardless male with a helmet of Greek type, Archaic, mid-6th century B.C., Cypriot, Limestone, 2 3/4 x 1 3/4 x 2 1/2 in. (7 x 4.4 x 6.3 cm), Stone Sculpture, Warrior with crested helmet