Images at Librifly

Terracotta skyphos (deep drinking cup) with lid, Archaic, 6th century B.C., Lydian, Terracotta, total H. 6 3/8 in. (16.2 cm), Vases, On the Greek mainland, cup shapes such as the skyphos and kylix do not have lids. This Lydian variety

Lead figure of a lion, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 1/4 in. (3.2 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia;

The Castle of Chillon, 1855, Albumen silver print, Photographs, John Joscelyn Coghill (Irish, 1826–1905

名所江戸百景　真間の紅葉手古那の社継はし, Maples at Mama, from the series One Hundred Famous Views of Edo, Edo period (1615–1868), ca. 1857, Japan, Polychrome woodblock print; ink and color on paper, Oban 14 1/8 x 9 1/16

Portrait of Thakur Utham Ram, ca. 1760, India (Rajasthan, Jhilai), Ink, opaque watercolor, and silver on paper, 8 3/4 x 10 3/4 in. (22.2 x 27.3 cm), Paintings, Like many portraits of the Rajput elite, this depiction of Thakur Utham Ram

Glass cinerary urn with lid, Mid Imperial, mid-1st–2nd century A.D., Roman, Glass; blown, Overall: 11 3/4 in. (29.8 cm), Glass, Urn: Translucent blue green; handles in same color. Everted rim, folded down, round, up, and in, and

Glass cup, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 3 1/16 in. (7.8 cm), Glass, Colorless with blue green tinge. Rounded and thickened vertical rim; sides slighty tapering downward, then with a horizontal bulge (41 mm below

Landscape, Late Qing dynasty (1644–1911), early 20th century, China, Handscroll; ink and color on silk, 16 1/4 x 107 7/8 in. (41.3 x 274 cm), Paintings, Unidentified Artist, Formerly attributed to Chang Qiling

Lebes gamikos (jar associated with weddings), Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta; applied color, H.: 14 1/2 in. (36.8 cm), Vases, The lid that belongs to the vase is 96.9.17

Architectural Elements from Laurelton Hall, Oyster Bay, New York, ca. 1905, Made in Oyster Bay, New York, United States, American, Limestone, ceramic, and Fravrile glass, 21 x 23 ft. (640.1 x 701 cm), Architecture, This columnar screen

Harry Strangways, present Lord Ilchester; From a Picture Taken from a Church at Kertch, 1853–56, Salted paper print; albumen silver print, Image: 14.8 × 12 cm (5 13/16 × 4 3/4 in.), Photographs, Jane Martha St. John (British, 1803–1882

Hurstwood, 1860s, Albumen silver print from glass negative, Photographs, Unknown (British

Terracotta kylix (cup), Cypro-Geometric III, 850–750 B.C., Cypriot, Terracotta, H. 4 1/2 in. (11.4 cm); diameter 6 1/4 in. (15.9 cm), Vases, Kylix of angular form, on each side a bird between vertical bands

Grande Pagode - Tour Nord du 2e Etage, 1866, Albumen silver prints from glass negatives, 24.2 x 17 cm (9 1/2 x 6 11/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Flying Celestial Apsara (Feitian 飛天), Flying Celestial Apsara (Feitian), Tang dynasty (618–907), 7th century, China, Earthenware with traces of pigment, H. 26 3/4 in. (67.9 cm); W. 16 3/4 in. (42.5 cm); D. 4 3/4 in. (12.1 cm); Wt. 30.3

Turner Family, Woburn, Massachusetts, ca. 1910, Gelatin silver print on tissue, 33.2 x 26.1 cm (13 1/16 x 10 1/4 in.), Photographs, Gertrude Käsebier (American, 1852–1934

Glass perfume bottle, Early Imperial, first half of 1st century A.D., Roman, Glass; blown, H.: 3 1/4 in. (8.3 cm), Glass, Translucent cobalt blue. Outsplayed rim, with fire-rounded lip; cylindrical neck, with horizontal tooled indent around

[Blue Mosque of TABRIZ, 1465.], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Glass spindle whorl, Early to Mid Imperial, ca. 1st–2nd century A.D., Roman, Glass; rod-formed, trailed, and wound, 7/8 × 5/16 in. (2.3 × 0.7 cm), Glass, Translucent cobalt blue, with opaque white trail. Low, domed body, slightly

Standing Female Figure, 1st century B.C.–A.D. 3rd century, Mexico, Mesoamerica, Jalisco, Tala-Tonalá, Ceramic, H. 15 1/2 x W. 7 in. (39.4 x 17.8 cm), Ceramics-Sculpture

Sakaichō Fukiyachō Kaomise Yoshibai no Zu, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, H. 8 3/4 in. (22.2 cm); W. 14 3/4 in. (37.5 cm), Prints, Utagawa Toyoharu (Japanese, 1735–1814

[Buddha Sculpture], 1870s, Albumen silver print from glass negative, 25.2 x 20 cm (9 15/16 x 7 7/8 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

Terracotta spindle bottle, Late Cypriot, 1600–1050 B.C., Cypriot, Terracotta; Red Lustrous Wheel-made Ware, H. 18 1/4 in. (46.4 cm), Vases, Spindle-shaped bottle with handle and no decoration

Glass miniature perfume bottle, Early Imperial, early 1st century A.D., Roman, Glass; blown, Overall: 1 3/4in. (4.5cm), Glass, Opaque white. Fine rounded rim; flaring mouth; cylindrical neck, deeply tooled in around base; ovoid body; small

Bronze herm, Imperial, 1st–2nd century A.D., Roman, Bronze, Overall: 2 7/8 x 2 1/8 x 2 1/16 in. (7.3 x 5.4 x 5.2 cm), Bronzes, Hermes was the guardian of boundaries, as well as the protector of travelers. Although these small bronze head

Bookstand Containing a Crystal Ball and a Piece of Cloth, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 x 10 3/16 in. (20.3 x 25.9 cm), Prints, Kubo Shunman (Japanese, 1757–1820

[British Official], 1858–61, Albumen silver print, Image: 22.4 x 18.9 cm (8 13/16 x 7 7/16 in.), Photographs, Unknown

Beaded Wrist Ornament, 12th–14th century, Peru, Chancay, Shell beads, cord, H. 3 3/16 x W. 7 in. (8.2 x 17.8 cm), Beads-Ornaments

Glass bottle, Late Imperial, ca. 4th century A.D., Roman, Glass; rod formed and trailed, H.: 7 1/16 in. (17.9 cm), Glass, Translucent deep green, streaked with red; trails in opaque white., Rim slightly everted and partially turned into

The Actor Segawa Kikunojo III as a Woman Standing near a Winding Stream, Edo period (1615–1868), ca. 1777, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 5/8 in. (31.1 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese,

Four designs for glass ceiling panels, 1895–1920, Made in New York, United States, American, Watercolor, gouache and graphite on wove paper [original presentation matt missing], Overall (A): 17 5/8 x 7 5/8 in. (44.8 x 19.4 cm), Drawings,

Vase fragment, Greek, Lydian, Terracotta, Overall: 1 5/16 x 1in. (3.4 x 2.5cm), Vases

Roses and Wisteria, Qing dynasty (1644–1911), probably 18th–19th century, China, Handscroll; ink and color on silk, 11 15/16 x 102 3/8 in. (30.3 x 260 cm), Paintings, Unidentified Artist, In the style of Yun Shouping (Chinese,

Lead figure, possibly of a skeleton, Classical, possibly 4th century B.C., Greek, Laconian, Lead, Height: 1 1/8 in. (2.8 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

Sparse Grove, Ming dynasty (1368–1644), dated 1613, China, Folding fan mounted as an album leaf; ink on gold paper, 7 7/32 x 21 7/8 in. (18.4 x 55.6 cm), Paintings, Li Liufang (Chinese, 1575–1629

John Henning with Group of Ladies, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 x 2 in. (2.5 x 5 cm), Glass, Body fragment., Translucent cobalt blue, opaque white, and colorless., Broad, slightly

Lead ornament in the form of a branch, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 7/16 in. (3.6 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

Ladies Sewing(Kijo saihō no zu), 『貴女裁縫之図』, Meiji period (1868–1912), September 3rd, 1887, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image: 14 in. × 28 1/2 in. (35.6 × 72.4 cm), Prints,

A Woman Sweeping up Her Love Letters, Edo period (1615–1868), 1725–1770, Japan, Polychrome woodblock print; ink and color on paper, 11 1/8 x 8 1/2 in. (28.3 x 21.6 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), A beautiful woman

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Cloth Bag with Cords and Plum Blossoms, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 1/2 x 7 5/16 in. (14 x 18.6 cm), Prints, Ryūryūkyo Shinsai (Japanese, active

Wreaths, 11, Greek, Laconian, Lead, Diameter: 7/8 in. (2.3 cm), Miscellaneous-Lead

Scene I in Act XI of Chushingura, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 8 3/8 x 13 3/8 in. (21.3 x 34 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

[The Artist, His Mother, and Friends in Fishing Garb], ca. 1860, Albumen silver print from glass negative, Image: 17.7 × 14.6 cm (6 15/16 × 5 3/4 in.), Photographs, Olympe Aguado de las Marismas (French, Paris 1827–1894 Compiegne), The

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/2 x 1 13/16 in. (3.8 x 4.6 cm), Glass, Translucent deep purple, appearing black, and opaque white., Fragment of

Weeping Cherry and Bluebird, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 27/32 x 6 9/16 in. (22.5 x 16.7 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Aquamanile in the Form of Aristotle and Phyllis, late 14th or early 15th century, South Netherlandish, Bronze; Quaternary copper alloy (approx. 72% copper, approx. 17% zinc, H. 32.5 cm, w. 17.9 cm, l. 39.3 cm, wt. 6062 g., Metalwork-Bronze,

Black Ship' (Kurofune), illustration from Bugei Kurabu (Literary Club), Meiji period (1868–1912), Japan, Polychrome woodblock print; ink and color on paper, Album: 8 1/2 x 5 5/16 in. (21.6 x 13.5 cm), Prints, Tomioka Eisen (Japanese,

Decorating Work, Switzerland, 1925, Gelatin silver print, Image: 50.6 x 40.2 cm (19 15/16 x 15 13/16 in. ), Photographs, László Moholy-Nagy (American (born Hungary), Borsod 1895–1946 Chicago, Illinois), László Moholy-Nagy played a key

Marie Stuart, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Drawing the Eel, early 1650s, Oil on wood, 29 1/2 x 41 3/4 in. (74.9 x 106 cm), Paintings, Salomon van Ruysdael (Dutch, Naarden, born ca. 1600–1603, died 1670 Haarlem

Pilgrim's Badge: Saint Cornelius, 1400–1450, Made in probably Ninove, South Netherlandish, Lead/tin alloy, Overall: 3 9/16 x 1 7/16 x 1/8 in. (9 x 3.7 x 0.3 cm), Metalwork-Lead

Helmet, ca. 1500–1525, possibly Turkish, Istanbul, in the style of Turkman armor, Steel, iron, gold, copper alloy, H. including cheek defense 15 1/2 in. (39.4 cm); H. including nasal 15 1/2 in. (39.4 cm); H. excluding cheek defense and

Strainer, ca. 1760–75, Made in Boston, Massachusetts, United States, American, Silver, Overall: 1 1/4 x 10 1/2 in. (3.2 x 26.7 cm); 4 oz. 18 dwt. (152.4 g), Silver, Benjamin Burt (American, Boston, Massachusetts 1729–1805 Boston,

Villa Farnese, ca. 1780, Etching, with watercolor and gouache, Mat: 32 1/4 × 23 1/2 in. (81.9 × 59.7 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne

Ebisu and Daikoku; Two of the Seven Gods of Good Fortune, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 15/16 x 7 1/4 in. (20.2 x 18.4 cm), Prints, Totoya Hokkei

Terracotta pyxis (box), Late Classical, 4th–3rd century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. with cover 3 3/8 in. (8.6 cm), Vases, This shape is also found in Sicily

Vue de la grande pyramide (Chéops) prise à l'angle S.E., December 1849, Salted paper print from paper negative, Image: 6 3/8 × 8 9/16 in. (16.2 × 21.8 cm), Photographs, Maxime Du Camp (French, 1822–1894

Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 8 1/2 x W. 9 in. (21.6 x 22.9 cm), Textiles-Featherwork

Segawa Tomisaburō II as Yadorigi in the Play 'Hana Ayame Bunroku Soga', Edo period (1615–1868), 1794, Japan, Polychrome woodblock print; ink, color, white mica on paper, H. 14 5/8 in. (37.1 cm); W. 9 7/8 in. (25.1 cm), Prints, Tōshūsai

Six Wine Cups, Edo period (1615–1868), early 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 3 15/16 x 5 3/8 in. (10 x 13.7 cm), Prints, Unidentified Artist

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Terracotta jug, Early Imperial, 2nd half of the 1st century A.D., Roman, Terracotta; red-glaze, 6 1/4in. (15.8cm), Vases, Red-glazed jug with incised body and one handle

Glass jar, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown in a dip mold, H.: 4 7/16 in. (11.2 cm), Glass, Translucent olive green., Everted rim with beveled lip; funnel-shaped neck with irregular tooling marks in side; narrow,

Terracotta amphora (jar), Archaic, 6th century B.C., East Greek, Terracotta, H. 9 3/8 in. (23.8 cm), Vases, Amphora with bands and on neck groups of leaves

Milk Pot, 1750–75, Made in Boston, Massachusetts, United States, American, Silver, Overall: 5 5/8 x 4 11/16 in. (14.3 x 11.9 cm); 8 oz. 17 dwt. (275.7 g), Silver, William Homes Sr. (1716/17–1785

Man with a Tankard, Oil on wood, 10 1/8 x 8 1/2 in. (25.7 x 21.6 cm), Paintings, Style of Adriaen van Ostade (Dutch, second half 17th century

Vase fragment in the form of a satyr's head, Late Archaic, 1st quarter of 5th century B.C., Greek, Attic, Terracotta, 3 1/2 x 2 5/16in. (8.9 x 5.9cm), Vases

[Variations on the 'Elvira' and 'Ritrosetta' Dresses], 1861–67, Albumen silver print from glass negative, Image: 12.4 x 8.8 cm (4 7/8 x 3 7/16 in.) A, Photographs, Pierre-Louis Pierson (French, 1822–1913), Painted and retouched by Unknown

[Three Women, Two Men, and a Child on a Picnic], 1850s–60s, Albumen silver print from glass negative, 16.1 x 21.1 cm. (6 5/16 x 8 5/16 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Spools, Edo period (1615–1868), 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 11 3/16 in. (21.1 x 28.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Vue des propylées du palais de Karnac, prise du Sud-Est, 1849–50, Salted paper print from paper negative, Image: 5 1/4 × 8 1/8 in. (13.4 × 20.6 cm), Photographs, Maxime Du Camp (French, 1822–1894

Teapot, 1735–1755, Possibly made in Boston, Massachusetts, United States, American, Silver, Overall: 5 9/16 x 8 3/8 in. (14.1 x 21.3 cm); 15 oz. 16 dwt. (491.4 g), Silver

Head of the Fasting Siddhartha, ca. 3rd–5th century, Pakistan (ancient region of Gandhara), Schist, H. 5 1/4 in. (13.3 cm); W. 3 3/8 in. (8.6 cm); D. 3 1/4 in. (8.3 cm), Sculpture

Terracotta jug, Middle Cypriot III, ca. 1725–1600 B.C., Cypriot, Terracotta; Black Slip Ware, H. 7 1/8 in. (18.1 cm), Vases, The shape and engraved decoration is probably inspired by Tell el-Yahudieh jugs

Saltash with the Water Ferry, Cornwall, 1811, Oil on canvas, 35 3/8 x 47 1/2 in. (89.9 x 120.7 cm), Paintings, Joseph Mallord William Turner (British, London 1775–1851 London), This picture is a product of Turner's journey to the west of

『画本虫撰』 「馬追虫」「むかて」, Katydid (Umaoi-mushi); Centipede, (Mukade), from the Picture Book of Crawling Creatures (Ehon mushi erami), Edo period (1615–1868), 1788, Japan, Page from woodblock printed book; ink and

Furniture plaque: incised griffin, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory, 1.61 x 1.04 in. (4.09 x 2.64 cm), Ivory/Bone-Reliefs, This

The Watzmann seen from the North-East, and Some Sketches of a Mountain; verso: Sketch of the Church of Sankt Bartholomä at the Königsee at the foot of the Watzmann Seen from the East, 1820–22, Watercolor over a sketch in charcoal; verso,

Terracotta Megarian bowl, Hellenistic, ca. 2nd–mid 1st century B.C., Greek, Asia Minor, Terracotta; mold made, h. 2 9/16 in. (6.5 cm); d. 4 5/8 in. (11.8 cm), Vases, Rosettes banded by ridges above rows of stylized ferns The floral motifs,

Rue St. Rustique, Montmartre, 1922, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Specialities of Bizen Province, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 3/16 in. (20.5 x 18.3 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Bronze statuette of a nude youth, Classical, 5th–4th century B.C., Etruscan, Bronze, 6 13/16in. (17.3cm), Bronzes, Standing male nude, with right arm extended

Fibula, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Other: 1 1/8 in. (2.9 cm), Bronzes

Bacchante, ca. 1700, French, Bronze, on an ebony and gilt-bronze base, H. 12-5/8 in. (32.1 cm.), Sculpture-Bronze, After a model by Robert Le Lorrain (French, 1666–1743), Derived from classical mythology, this dancing female figure dates

Relief of three men, votive, Early Hellenistic, 4th–3rd century B.C., Cypriot, Limestone, Overall: 7 1/4 x 5 1/2 x 2 in. (18.4 x 14 x 5.1 cm), Cesnola Inscriptions

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 5 9/16 in. (14.1 cm), Glass, Translucent yellow green. Uneven rim folded out, over, and in; flaring mouth; cylindrical neck, expanding

Spoon or ligula, Roman, Bronze, Other: 4 5/16 in. (11 cm), Bronzes, Used for extracting ointment, balsams, and powders from tubes and boxes

Limestone head of a beardless male with a helmet of Greek type, 4th century B.C (?), Cypriot, Limestone, Overall: 4 3/8 x 2 3/4 x 2 3/4 in. (11.1 x 7 x 7 cm), Cesnola Inscriptions, The small helmeted head is beardless. He has a smiling face,

Gold earring with woman's head and beryl and garnet beads, Hellenistic, 2nd century B.C., Greek, Gold, beryl, garnet, Diam.: 1 in. (2.5 cm), Gold and Silver, One beryl bead and two garnet beads

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Glass jar, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 3 3/8 in. (8.6 cm), Glass, Colorless with pale purple tinge and purple streaks. Rounded, thickened rim with bulge in one side; broad, flaring mouth; short, concave neck;

Profil du Colosse oriental du Spéos de Phré, à Abousembil (Portrait de Rhamsès-le-grand), March 29, 1850, Salted paper print from paper negative, Image: 8 7/16 × 6 9/16 in. (21.5 × 16.6 cm), Photographs, Maxime Du Camp (French,

Landscape, Qing dynasty (1644–1911), 18th–19th century, China, Handscroll; ink on silk, 15 3/8 in. × 23 ft. 6 1/2 in. (39.1 × 717.6 cm), Paintings, Unidentified Artist, After Dong Yuan (Chinese, active 930s–960s

東海道五十三次之内　桑名　七里渡口, Kuwana, Shichi-Ri Watashi Guchi, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/16 in. (24.1 x 35.7 cm), Prints, Utagawa

[Tag-e bustan, Kermanshah, Kurdestan], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Old Woman in an Armchair, Oil on canvas, 50 3/8 x 39 1/8 in. (128 x 99.4 cm), Paintings, Attributed to Jacob Backer (Dutch, Harlingen 1608–1651 Amsterdam), This portrait is probably the companion piece to the Portrait of a Man in an Arm

Glass mosaic dish fragment, Hellenistic, ca. 2nd century B.C., Greek, Eastern Mediterranean, Glass; cast, Other: 7/8 x 3/4 in. (2.3 x 1.8 cm), Glass, Rim fragment., Translucent deep purple appearing black, deep turquoise blue green, opaque

Terracotta statuette fragment of a deer sacrificed at an altar to Artemis, Hellenistic, 2nd century B.C., Greek, Asia Minor, Terracotta, h. 4 5/16 in. (10.92 cm), Terracottas, This fragment shows a cult statue of Artemis on an altar holding a