Images at Librifly

Keystone from a Vaulted Ceiling, ca. 1220–30, German, Limestone, Overall: 23 5/8 x 21 3/8 x 27 1/2 in. (60 x 54.3 x 69.9 cm), Sculpture-Architectural, During the 1100s and 1200s, fortified settlements were built in the Holy Land by knights

Terracotta pithoid jar, Late Helladic III, ca. 1400–1050 B.C., Mycenaean, Terracotta, H. 6 5/16 in. (16 cm.), Vases, Pear-shaped vase with three handles and loop pattern on shoulder

Bow Drill, 10th century, United States, Alaska, Punuk, Ivory (walrus), H. 3/4 x W. 20 in. (2 x 50.8 cm), Bone/Ivory-Implements

Ten Paintings of Luohans, Qing dynasty (1644–1911), China, Album of ten leaves; ink and color on silk, Each painting: 11 1/4 x 11 1/2 in. (28.6 x 29.2 cm), Paintings, Unidentified Artist, After Song Xu (Chinese, 1525–after 1606

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Three Young Women and a Small Boy on a Balcony, Watching the Flight of an Onakadori, Edo period (1615–1868), ca. 1788, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/16 in. (25.6 cm); W. 7 3/16 in. (18.3 cm), Prints,

Glass globular bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown and cut, 4 1/2in. (11.4cm), Glass, Colorless with light green tinge. Collared rim, folded out, down, up, and out, and flattened upper surface;

宋 佚名 倣周昉 戲嬰圖 卷, Palace Ladies Bathing Children, Song dynasty (960–1279), 11th century, China, Handscroll; ink and color on silk, Image: 12 in. × 19 1/8 in. (30.5 × 48.6 cm), Paintings, Unidentified Artist, After Zhou

Yellow; Tea Jar with Cover and Fragments of Brocade, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/16 x 7 1/8 in. (20.5 x 18.1 cm), Prints, Kubo Shunman (Japanese,

Abou-Sembil, Petit Spéos - Partie Gauche de la Façade, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.3 x 30.5 cm. (9 3/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

James Nasmyth (Steam Hammer), 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Terracotta scuttle, Late Helladic IIIA-B, ca. 1400–1190 B.C., Mycenaean, Terracotta; Coarse ware, Length with handle 10 3/8 in. (16.3 cm.), Terracottas, The scuttle, a single-handled shallow bowl with one side bent inward and upward, is a

Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 x 10 1/4 in. (20.3 x 26 cm), Prints,

A Man Attended by a Servant Carrying a Lantern, Meiji period (1868–1912), Japan, Monochrome woodblock print; ink on paper, 10 1/4 x 14 11/16 in. (26 x 37.3 cm), Prints, After Okumura Masanobu (Japanese, 1686–1764

Four Love Scenes and a Landscape: Page from a Dispersed Raskapriya, ca. 1700, India (Rajasthan, Bundi), Ink and opaque watercolor on paper, Image: 11 1/4 × 7 7/8 in. (28.6 × 20 cm), Paintings, The lowest register sets the context for the

[Gate of Government, Teheran, Iran], 1840s–60s, Photographs, Luigi Pesce (Italian, 1818–1891

Accordion, ca. 1890, Belgium?, Possibly Belgian, wood, mother-of-pearl, leather, paper., Overall: 19.9 x 14.7 x 52.7cm (7 13/16 x 5 13/16 x 20 3/4in.), Aerophone-Free Reed-concertina / accordion, An early chromatic accordion with an

Lake Suwa in Shinano Province (Shinshū Suwako), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　信州諏訪湖, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and

Carnelian ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Carnelian, Length: 5/8 in. (1.6 cm), Gems, Bust of the personification of Libya wearing an elephant-skin headdress

Helmet, ca. 1550–1600, Turkish, Steel, gold, H. 11 in. (27.9 cm); Diam. 9 1/2 in. (24.1 cm); Wt. 3 lb. 3.6 oz. (1462.8 g), Helmets, Like most Ottoman helmets of the sixteenth century, this example originally was fitted with a projecting

江戸高名会亭尽　湯島　松琴亭, Yushima (Matsu Kane-ya), Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, H. 9 15/16 in. (25.2 cm); W. 14 7/16 in. (36.7 cm), Prints, Utagawa Hiroshige

Terracotta head of a youth, Classical, late 5th–4th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 3 1/2 in. (8.89 cm), Terracottas, The youth wearing a pilos (pointed helmet) is a common type among Tarentine terracottas. In

Appliqué in the Form of a Dragon, Shang dynasty (ca. 1600–1046 B.C.), 13th–11th century B.C., China, Bronze, H. 2 in. (5.1 cm); L. 2 11/16 in. (6.8 cm), Metalwork

Plaque with spear, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 0.87 x 1.81 x 0.31 in. (2.21 x 4.6 x 0.79 cm), Ivory/Bone-Reliefs, Excavations at Hasanlu in Iran yielded a large number of carved ivory fragments, many in a

[The Maidan from Government House During the Rains], 1858–61, Albumen silver print, Image: 13.8 x 20.9 cm (5 7/16 x 8 1/4 in.), Photographs, John Constantine Stanley (British, 1837–1878

Terracotta plemochoe (vase for perfume), Archaic, late 6th century B.C., Greek, Attic, Terracotta; black-glaze, H. 6 3/4 in. (17.2 cm), Vases, The deeply incurving rim prevents liquid from spilling when the vase is carried. Containers of this

Limestone statuette of a boy holding a dove, Classical, 2nd half of the 5th century B.C., Cypriot, Limestone, Overall: 17 3/4 x 6 1/2 x 3 1/4 in. (45.1 x 16.5 x 8.3 cm), Stone Sculpture, Male figure in crinkled tunic holding bird

Lady Kesa from kuchie (frontispiece) of a novel, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 5/8 x 12 1/4 in. (21.9 x 31.1 cm), Prints, Tomioka Eisen (Japanese, 1864–1905

諸國名橋奇覧　かうつけ佐野ふなはしの古づ, Old View of the Boat-bridge at Sano in Kōzuke Province (Kōzuke Sano funabashi no kozu), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Edo

Cylindrical Box (Pyxis), 10th century, From Spain, Ivory; carved, H. 2 5/8 in. (6.7 cm), Ivories and Bone, Late Antique and Byzantine pyxides generally had flat lids, but the lids covering the cylindrical vessels of this Andalusian group are

Marble statue of a youthful Hercules, Early Imperial, Flavian, 69–96 A.D., Roman, Marble, Island ?, H. 97 3/16 in. (246.9 cm), Stone Sculpture, Restorations made during the early 17th century: head and neck, right arm below the shoulder,

[Group Portrait: (L to R)Lady Canning, Major Jones and Lady Campbell, Barnes Court, Simla], 1860, Albumen silver print, Image: 14.6 x 20.4 cm (5 3/4 x 8 1/16 in.), Photographs, Unknown

Gate of Christchurch, before September 1844, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Bronze eyelet-type pin, Late Helladic IIIA, ca. 14th century B.C., Mycenaean, Bronze, Other: 3 1/4in. (8.2cm), Bronzes, Eyelet' type with conical head and molded rings on shaft

Portrait of an Actor, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/2 in. (26.7 cm); W. 5 1/2 in. (14 cm), Prints, Ippitsusai Bunchō (Japanese, active 1760–1794

Panel, 1886/87, French, Reux, Boxwood, gilt-metal, painted ivory, mounted on gold velvet in a wooden and metal mounted frame, Panel: 9 1/8 x 4 5/8 in. (23.2 x 11.7 cm); Frame: 18 1/2 x 14 1/4 x 2 1/4 in. (47 x 36.2 x 5.7 cm), Woodwork,

Perspective Picture (Uki-e): Theater District at Dawn on Opening Day of the Kabuki Season, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 3/4 in. (25.4 x 37.5 cm), Prints, Utagawa

Mirror, 6th century B.C., Greek, Cypriot, Bronze, Other: 5 7/8in. (14.9cm), Bronzes

A Heroine Plucking a Flower: Page from a Dispersed Nayikabheda, ca. 1660–80, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 8 3/8 x 6 3/16 in. (21.3 x 15.7 cm), Paintings, The artist instilled this painting with an

Openwork plaque fragment, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 3.03 x 2.44 x 0.43 in. (7.7 x 6.2 x 1.09 cm), Ivory/Bone-Reliefs

Terracotta stemless kylix (drinking cup), Classical, ca. 500–475 B.C., Greek, Attic, Terracotta; black-glaze, coral red, H. 1 3/4 in. (4.5 cm); diameter 4 13/16 in. (12.2 cm), Vases, This cup and its counterpart, are noteworthy for their

St. Peter's in the East, Oxford, 1859, Albumen silver print from paper negative, 21.7 x 27.5 cm. (8 9/16 x 10 13/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Lamp, Roman, Cypriot, Terracotta, Overall: 1 5/8 x 3 1/2 in. (4.1 x 8.9 cm), Terracottas

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Actor Sanjo Kantaro (1697–1763) as a Woman, Edo period (1615–1868), ca. 1730, Japan, Polychrome woodblock print (urushi-e); ink and color on paper, H. 12 in. (30.5 cm); W. 5 1/2 in. (14 cm), Prints, Okumura Toshinobu (active ca.

Gold finger ring engraved with an image of Hermes, Late Classical, late 4th century B.C., Greek, South Italian, Tarentine, Gold, Overall: 13/16 x 7/16in. (2 x 1.1cm), Gold and Silver, The broad oval bezel of this heavy gold ring is engraved

Susaki yuki no hatsuhi, 東都名所　洲崎雪之初日, New Year's Sunrise after Snow at Susaki, Edo period (1615–1868), ca. 1831, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 14 in. (21.6 x 35.6 cm), Prints,

Limestone bunch of narcissus, Classical, 5th century B.C., Cypriot, Limestone, Overall: 3 3/4 x 3 3/8 in. (9.5 x 8.6 cm), Stone Sculpture, The bunch of narcissus belongs to a quite large statue

Terracotta jug, Early Cycladic III–Middle Cycladic I, ca. 2300–1900 B.C., Cycladic, Terracotta, H. 10 5/8 in. (27 cm), Vases, The jug was found together with the jar and the kernos displayed nearby in this gallery

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/4 x 3/4 in. (3.1 x 2 cm); estimated diam. of rim 3 15/16 in. (10 cm), Glass, Rim fragment., Translucent honey brown,

[Profile with Chignon, Large], 1859, Albumen silver print from glass negative, Image: 26.3 x 21.2 cm (10 3/8 x 8 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Faience Ushabti, Third Intermediate Period, ca. 1090–900 B.C., Egyptian, Clay, glazed, H.: 2 7/8 in. (7.3 cm), Gold and Silver, Ushabti were buried in large numbers in Egyptian graves believed to ensure the resurrection of the body with

Lacquer Paintings of Various Subjects: Plum Branch with Oil Lamp, Meiji period (1868–1912), 1882, Japan, Lacquer on paper, 7 1/2 x 6 1/2 in. (19.1 x 16.5 cm), Ceramics, Shibata Zeshin (Japanese, 1807–1891), Well known in the West as a

Bronze statuette of a god holding a cornucopia, Late Hellenistic or Early Imperial, ca. 100 B.C.–A.D. 100, Greek or Roman, Bronze, H.: 5 1/4 in. (13.3 cm), Bronzes, Relief of a god with cornucopia and branch

Lake with Boats, Qing dynasty (1644–1911), China, Folding fan mounted as an album leaf; ink on gold paper, 6 1/4 x 18 5/8 in. (15.9 x 47.3 cm), Paintings, Wu Shantao (1609–1690

Gold earring with disc and pendant, Imperial, 2nd century A.D., Roman, Gold, Other: 7/8 in. (2.2 cm), Gold and Silver, Loop earring of an unsymmetrical type consisting of a plain wire loop with a concave disc and a ball pendant

Chariot fragments, sockets, Archaic, ca. 500–480 B.C., Etruscan, Bronze, Iron, 6 7/8 × 8 1/2 in. (17.5 × 21.6 cm), Bronzes, Large collection of bronze and iron attachments once belonging to a chariot

Snake-head Amulet, Middle Kingdom, Dynasty 12–13, ca. 1981–1640 B.C., From Egypt, Memphite Region, Lisht North, Cemetery, Carnelian, W. 0.7 x L. 1.6 cm (1/4 x 5/8 in.), The cobra, a common inhabitant of the Nile River's floodplain,

Program for Kawarazaki Theater, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/8 in. (35.9 cm); W. 19 1/4 in. (48.9 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Cup (part of a set), ca. 1740, German, Meissen, Hard-paste porcelain, Overall (confirmed): 1 3/8 × 3 1/16 × 2 1/16 in. (3.5 × 7.8 × 5.2 cm), Ceramics-Porcelain

Amphora from Tutankhamun's Embalming Cache, New Kingdom, Dynasty 18, ca. 1336–1327 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Embalming Cache of Tutankhamun (KV 54), Davis/Ayrton excavations, 1907–08, Pottery, yellow

Aquamanile in the Form of a Lion, ca. 1400, Made in Nuremberg, German, Copper alloy, Overall: 13 1/8 x 13 3/8 x 4 3/4 in., 11lb. (33.3 x 34 x 12.1 cm, 5336g), Metalwork-Copper alloy, This proud and alert lion was created using the lostwax

Pickle jar, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, metal, Glass, Challinor, Taylor and Company (1866–1891), Marbled glassware was originally developed in England. It was patented

東海道五十三次　池鯉鮒　首夏馬市, Chiriu, Station No. 40, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, H. 9 in. (22.9 cm); W. 13 7/8 in. (35.2 cm), Prints, Utagawa Hiroshige

[Marie de Morny], before 1865, Albumen silver print from glass negative, Window: 7 1/2 × 5 1/2 in. (19 × 14 cm), Photographs, Pierre-Louis Pierson (French, 1822–1913), et al, Painted and retouched by Marck

Polonaise Carpet, 17th century, Made in Iran, Isfahan or Kashan, Cotton (warp and weft), silk (weft and pile), metal wrapped thread; asymmetrically knotted pile, brocaded, Rug: H. 160 in. (406.4 cm), Textiles-Rugs, This carpet, one of a

Wall painting on red ground: candelabrum with frieze, from the imperial villa at Boscotrecase, Augustan, last decade of the 1st century B.C., Roman, Fresco, H. 89 in. (226.06 cm.), Miscellaneous-Paintings, From the villa of Agrippa Postumus

Auld Reckie. C. Grove, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled album features

[Church of Saint-Honorat, Arles], ca. 1864, Albumen silver print from glass negative, 7.0 x 14.2 cm. (2 3/4 x 5 9/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Oboe, ca. 1700, Netherlands, Netherlands, Stained boxwood, brass, L. 57.6 cm (22 11/16 in.), Aerophone-Reed Vibrated-double reed

Beauties of the East, Edo period (1615–1868), ca. 1782, Japan, Polychrome woodblock print; ink and color on paper, 14 11/16 x 10 in. (37.3 x 25.4 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

After a Long Summer Rain, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold-flecked paper, 6 3/8 x 19 1/2 in. (16.2 x 49.5 cm), Calligraphy, Wen Zhengming (Chinese, 1470–1559

Glass amphoriskos (perfume flask), Early Imperial, 1st century A.D., Roman, Syrian, Glass; blown in a two-part mold, H.: 3 in. (7.6 cm), Glass, Translucent, slightly streaky purple, with handles in colorless glass with a smoky green tinge.

Osaki Kioto [illegible] dancer, 1870s, Albumen silver print from glass negative, 25.2 x 19.9 cm (9 15/16 x 7 13/16 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

Lead disk with a hole in the center, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Diameter: 7/16 in. (1.1 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

Gold earring with head of a bull, Late Bronze Age, ca. 1400–1050 B.C., Cypriot, Gold, Other: 1 1/4 in. (3.2 cm), Gold and Silver, Most of the raw materials for Cypriot jewelry came from the East. Gold became plentiful in the Late Bronze Age,

Hagi no Tamagawa, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 10 3/4 x 7 7/8 in. (27.3 x 20 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Oakwell Hall, 1860s, Albumen silver print from glass negative, Photographs, Unknown (British

Mace Head, late 15th century, Attributed to Iran, Herat, Rock crystal; carved, Stone

Pan, 1835–65, Made in New York, United States, American, Blown glass with applied decoration, Diam. 12 in. (30.5 cm), Glass

St. Andrews, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Gustave Le Gray, 1854, Salted paper print from glass negative, Image: 22.1 x 16.5 cm (8 11/16 x 6 1/2 in.), Photographs, Alphonse Delaunay (French, 1827–1906

Mandarin Dwelling, ca. 1869, Albumen silver print from glass negative, Image: 8 3/8 × 10 5/8 in. (21.2 × 27 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Paper Doll Clothing, Meiji period (1868–1912), 1897–98, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Left (a): 14 3/4 x 9 1/2 in. (37.5 x 24.1 cm), Prints, Unidentified Artist

St. Andrews. The Abbey Wall, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Agate scarab, Late Classical, 4th century B.C., Etruscan, Agate, H.: 5/16 x 1/4 in. (0.8 x 0.6 cm), Gems, Seated man reading a scroll before a herm

Creamer, 1770–1810, Possibly made in Alexandria, Virginia, United States, American, Silver, Overall: 6 x 4 7/8 in. (15.2 x 12.4 cm); 4 oz. 19 dwt. (153.8 g), Silver, Possibly by James Adam (1755–1798) or, Possibly by John Adam

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H.: 6 3/4 in. (17.1 cm), Glass, Uncertain (colorless with yellow green tinge?). Rim folded out, down, round, and pressed into mouth; tall cylindrical neck,

Fragmentary terracotta bowl with tondo, Imperial, Late Flavian–Hadrianic, late 1st–mid-2nd century A.D., Roman, Terracotta; Knidian relief ware, greatest dimension 5 5/16 in. (13.5 cm), Vases, Plate with relief head, fragmentary

Terracotta skyphos (deep drinking cup), Late Archaic, early 5th century B.C., Greek, Corinthian, Terracotta; black-glaze, H. x width 3 7/8 x 8 in. (9.9 x 20.3 cm); diameter 5 5/16 in. (13.5 cm), Vases, Although Attica stood in the forefront

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Tile, 18th century, Attributed to Present-day Pakistan, Multan, Earthenware; molded decoration and glazed, 14 1/2 x 10 1/4 x 2 in. (36.8 x 26 x 5.1 cm), Ceramics-Tiles

Terracotta duck-shaped askos (flask with spout and handle over the back), Cypro-Geometric III, 850–750 B.C., Cypriot, Terracotta, H. 4 15/16 in. (12.5 cm), Vases, Shape of a duck

青楼歌舞妓やつし画尽　十番続, The Oiran Yoyogiku of Matsubaya Standing under a Cherry Tree, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/8 in. (38.4 cm); W. 9 7/8 in. (25.1 cm),

Bodhisattva Avalokiteshvara of the Lion's Roar, or Simhanada Avalokiteshvara (Shi Hou Guanyin), Qing dynasty (1644–1911), 19th–20th century, China, Wood (willow) with traces of pigment, single-woodblock construction, H. 59 7/8 in. (152.1

Illustration from a Ragamala Series (Garland of Musical Modes), late 18th century, India (Punjab Hills), Gouache on paper, Image: 10 × 7 in. (25.4 × 17.8 cm), Paintings

[Japanese Woman Posing in a Carriage], 1870s, Albumen silver print from glass negative, 20 x 25 cm (7 7/8 x 9 13/16 in.), Photographs, Unknown

Tubular Jetty, Mouth of the Adour, Port of Bayonne, 1892, Albumen silver print from glass negative, Image: 36.5 x 47.3 cm (14 3/8 x 18 5/8 in.), Photographs, Louis Lafon (French, active 1870s–90s

The Unicorn is Found (from the Unicorn Tapestries), 1495–1505, South Netherlandish, Wool warp with wool, silk, silver, and gilt wefts, Overall: 145 x 149in. (368.3 x 378.5cm), Textiles-Tapestries, In this tapestry the unicorn kneels before

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 4 1/4in. (10.8cm), Glass, Translucent pale blue green. Rim folded out, over, and in, flattened on top and forming slight constriction to