Images at Librifly

Terracotta mug, Late Classical, ca. 350–325 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 9.19 cm., Vases, Head of a woman

Jeweled Snuffbox, ca. 1765, German, Berlin, Glass, gold, silver, diamonds and rubies, H. 6 cm, L. 10 cm, D. 8.8 cm, Snuffboxes, Elaborately jeweled in multi-colored floral motifs, this snuffbox was probably commissioned by Frederick II

Meubles et Objets de Goût, [1802–31], Engraving, hand-colored, Overall: 16 9/16 x 11 5/8 x 11/16 in. (42.1 x 29.5 x 1.8 cm), Books

Peculiar shaped Rocks on Roolangsoo Island, Amoy, ca. 1869, Albumen silver print from glass negative, Image: 6 3/4 × 9 3/16 in. (17.1 × 23.3 cm), Photographs, John Thomson (British, Edinburgh, Scotland 1837–1921 London

Sardonyx cameo of Aurora driving her chariot, Hellenistic or Early Imperial, 1st century B.C.–1st century A.D., Greek or Roman, Sardonyx, H.: 1 3/16 x 1 5/8 in. (3 x 4.2 cm), Gems

The Eight Drunkards, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; ink and color on silk, 8 1/2 x 92 in. (21.6 x 233.7 cm), Paintings, Unidentified Artist

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 in. × 10 1/16 in. (35.6 × 25.6 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Glass bowl, Late Imperial, 4th century A.D., Roman, Glass; blown and trailed, 3 in. (7.6 cm), Glass, Colorless with pale green tinge and light purple streaks; base and trail in same colors. Horizontal rounded and thickened rim with slight

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 3/8 × 8 3/4 in. (34 × 22.2 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Terracotta jug, Cypro-Archaic I, 750–600 B.C., Cypriot, Terracotta, H. 10 3/8 in. (26.4 cm), Vases, Vertical-circle ornament and highly conventionalized bird

Jug, ca. 1800–1830, Made in New England, United States, American, Earthenware, H. 8 3/4 in. (22.2 cm); Diam. 6 3/4 in. (17.1 cm), Ceramics

Bowl with Shoulao, God of Longevity, Ming dynasty (1368–1644), 18th century, China, Jade (nephrite), H. 2 1/2 in. (6.4 cm); Diam. 5 1/4 in. (13.3 cm), Jade

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Preparing Food for the Warbler, from the album Men’s Stamping Dance (Otoko dōka, uguisu no esa suri), 喜多川歌麿画　『男踏歌』　鶯の餌すり, Edo period (1615–1868), 1798, Japan, Page from a woodblock printed book; ink and

Closed Burgonet of 'Savoyard' Type, ca. 1600–1620, Italian, Steel, leather, H. 13 1/2 in. (34.3 cm); W. 10 5/8 in. (27 cm); D. 12 1/2 in. (31.8 cm); Wt. 10 lb. 1 oz. (4562 g), Helmets

Limestone funerary stele with banquet scene, Early Imperial, mid-1st century A.D., Roman, Cypriot, Limestone, Overall: 38 x 30 x 9 in. (96.5 x 76.2 x 22.9 cm), Stone Sculpture, A young man wearing a chiton, a himation, and a thick vegetal

Silhouette Image of Kabuki Actor, Meiji period (1868–1912), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Approx. 14 1/2 x 9 1/2 in. (36.8 x 24.1 cm), Prints, Utagawa Yoshiiku (Japanese, 1833–1904

四季江都名所　冬　隅田川之雪, Snow on the Sumida River, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 14 5/8 x 5 in. (37.1 x 12.7 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Robert Shurlock (1772–1847), ca. 1805, Pastel on paper, 23 7/8 x 17 7/8 in. (60.6 x 45.4 cm), Drawings, Attributed to William Russell (British, London 1784–1870 Highgate

Roshungi (Chinese, Lu Zhunyi) as a Woman with a Pipe Riding on a Buffalo, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 1/8 in. (20.5 x 18.1 cm), Prints, Utagawa Kuniyoshi (Japanese,

Terracotta alabastron (perfume vase), Archaic, late 7th–early 6th century B.C., Etruscan, Terracotta, H.: 2 7/8 in. (7.3 cm), Vases, The alabastron is noteworthy for its horizontal rills. It probably represents an Etruscan adaptation of

Terracotta tripod-pyxis (box), Late Corinthian, ca. 575–525 B.C., Greek, Corinthian, Terracotta, H. of box 2 1/8 in. (5.4 cm); total H. 3 1/8 in. (8 cm); diameter 3 3/8 in. (8.6 cm), Vases, Lines on body and lid

Pitcher, 1847–48, Made in Bennington, Vermont, United States, American, Parian porcelain, 8 5/8 x 7 1/8 x 6 5/8 in. (21.9 x 18.1 x 16.8 cm), Ceramics, Fenton's Works (1847–1848

Cooking Vessel (Xian), late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, a: H. 7 in. (17.8 cm); Diam. 11 in. (27.9 cm), Metalwork

清乾隆 刺繡白鷴補, Rank Badge with Silver Pheasant, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Silk, pearls, and metallic thread embroidery on silk satin, 10 1/4 x 10 1/2 in. (26 x 26.7 cm), Textiles-Embroidered,

Glass beaker, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown and tooled, H.: 3 1/2 x 3 in. (8.9 x 7.6 cm), Glass, Translucent blue green. Thickened rim, with slightly inverted, rounded lip; side tapering downwards on upper body,

Bowl, Cypriot, Bronze, 1 15/16in. (4.9cm), Bronzes

Jérusalem, Vallée de Hinnom, Inscription tumulaire grecque, 1, 1854, Salted paper print from paper negative, Image: 23.5 x 32.7 cm (9 1/4 x 12 7/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta bowl, Early Helladic II, ca. 2650–2150 B.C., Helladic, Terracotta, H. 2 3/4 in. (6.9 cm.), Vases, Bowl with narrow foot and no decoration

Garden of Palazzo Colonna, ca. 1780, Etching, with watercolor and gouache, Mat: 23 7/16 × 31 15/16 in. (59.5 × 81.2 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon

江戸の園花合　東屋の花, Azumaya no Hana, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, H. 13 1/16 in. (33.2 cm); W. 8 7/8 in. (22.5 cm), Prints, Kitagawa Utamaro (Japanese,

Twelve Designs for Circular Mirror, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Set of twelve album leaves; ink and color on silk, Each: 11 1/2 x 10 5/8 in. (29.2 x 27 cm), Paintings, Formerly attributed to Yi Yuanji (Chinese,

Bronze candelabrum, Classical, ca. 500–475 B.C., Etruscan, Bronze, H. 61 in. (154.9 cm), Bronzes, This exquisite candelabrum, probably made at Vulci, was assembled from six solid-cast elements. The pieces are held together by two

Boys Maquerading as Daikoku and Ebisu, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, H. 14 9/16 in. (37 cm); W. 9 13 /16 in. (24.9 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

Bancroft, 1860s, Albumen silver print from glass negative, Photographs, Unknown (British

青銅角, Ritual Wine Vessel (Jiao), Western Zhou dynasty (1046–771 B.C.), late 11th century B.C., China, Bronze, H. 7 7/8 in. (20 cm); W. at rim 5 3/4 in. (14.6 cm); D. 2 1/2 in. (6.4 cm); Wt. 2.5 lb. (1.1 kg), Metalwork, This elaborate

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Bullfight in a divided ring, from the 'Bulls of Bordeaux', 1825, Crayon lithograph and scraper, Sheet: 16 1/2 × 20 9/16 in. (41.9 × 52.2 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

東海道五十三次之内　亀山　雪晴, Kameyama, Yuki Hare, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 in. (24.1 x 35.6 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

清, 石濤(朱若極), 四季山水圖, 冊, Landscapes of the Four Seasons, Qing dynasty (1644–1911), China, Album of eight leaves; ink and color on paper, 8 1/4 x 12 3/8 in. (21 x 31.4 cm), Paintings, Shitao (Zhu Ruoji) (Chinese,

Cypriote ring based juglet, New Kingdom, Dynasty 18, ca. 1500–1400 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Chamber B, burial 78, Carnarvon/Carter excavations, 1907–11, Pottery, black ware, H. 14.5 (5 11/16 in);

Shabti of Siptah, New Kingdom, Ramesside, Dynasty 19, ca. 1194–1188 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Tomb of Siptah (KV 47), Davis/Burton excavations, 1912–13, Travertine (Egyptian alabaster), paint, H.

Agate scarab, Archaic, ca. 550–500 B.C., Greek, Carnelian, Length: 3/8 in. (1 cm), Gems, Wild sow

Terracotta bust of a female figure, Archaic, 7th–6th century B.C., Greek, Cretan, Terracotta, 4 in. x 2 1/2 in. (10.1 cm x 6.5 cm), Terracottas, Woman wearing a headdress with lappets and an ornament on her proper right shoulder. The

Covered Box, 1898–1902, Made in New York, New York, United States, American, Enamel on copper, 2 5/8 x 5 1/2 in. (6.7 x 14 cm), Metal, Tiffany Glass and Decorating Company (American, 1892–1902), (Stourbridge Glass Company), This

Neck-amphora, Late Archaic, early 5th century B.C., Greek, Attic, Terracotta; black-figure, Diameter: 4 3/8 × 3 1/2 × 2 3/4 in. (11.1 × 8.9 × 7.1 cm), Vases, Obverse, Dionysos and maenad; reverse, Hephaistos and satyr

'Steppe', 1912, French, silk, wool, fur, cotton, The design of this model with its clear reference to Chinese, specifically Manchu, prototypes, is given a context for its deviation from authentic examples. By titling the model ‘Steppe,

Christ before Pilate; The Resurrection, Oil on fir, (a) overall 15 1/8 x 8 1/4 in. (38.4 x 21 cm), painted surface 14 3/8 x 7 3/4 in. (36.5 x 19.7 cm); (b) overall 15 1/8 x 8 1/4 in. (38.4 x 21 cm), painted surface 14 1/2 x 7 3/4 in. (36.8 x 19.7

Portrait of David Garrick, 1764, Etching, plate: 7 5/8 x 5 3/4 in. (19.4 x 14.6 cm), Prints, Charles Nicolas Cochin II (French, Paris 1715–1790 Paris), N. Dupuis Jr

Bronze handle of a shallow basin, Late Classical, 4th century B.C., Greek, Bronze, length 7 3/8in. (18.7cm), Bronzes, The attachments at each end of the handle depict Nereids riding hippocamps (sea horses) and bringing a shield and a cuirass

[Old Burial Ground, Dum Dum, Calcutta], 1850s, Albumen silver print, Image: 16.1 x 20.9 cm (6 5/16 x 8 1/4 in.), Photographs, Unknown

Osagawa Tsuneyo II as the hairdresser O-Roku, Edo period (1615–1868), 1794–95, Japan, Polychrome woodblock print; ink and color on paper, Image: 12 1/2 x 6 in. (31.8 x 15.2 cm), Prints, Tōshūsai Sharaku (Japanese, active 1794–95

Glass flask, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Overall: 19 9/16 in. (49.7 cm), Glass, Translucent pale yellow green. Rim folded over and in, and pressed into sides of broad, funnel-shaped mouth; cylindrical neck;

[Cotton Pickers with Knee Pads, Lehi, Arkansas], 1938, Gelatin silver print, 16.5 x 24.2 cm (6 1/2 x 9 1/2 in. ), Photographs, Russell Lee (American, 1903–1986), This Depression-era photograph by Russell Lee is from the collection of

Osaka Tenmangu sairei no zu, The Tenmangu Festival at Osaka, Edo period (1615–1868), 1834, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/8 in. (25.7 cm); W. 15 in. (38.1 cm), Prints, Yashima Gakutei (Japanese,

東都名所 上野東叡山ノ圖, Ueno Toezan no Zu, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 9 7/16 x 13 27/32 in. (24.0 x 35.2 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Vue générale de l'île de Philae, prise de la pointe Sud de l'île de Begueh, 1849–50, Salted paper print from paper negative, Image: 6 9/16 × 8 7/16 in. (16.6 × 21.4 cm), Photographs, Maxime Du Camp (French, 1822–1894

清, 居巢, 鳥圖, 扇面, Bird, Qing dynasty (1644–1911), China, Folding fan mounted as an album leaf; ink and color on gold-flecked, paper, 7 x 20 7/8 in. (17.8 x 53 cm), Paintings, Zhü Chao (Chinese, ca. 1823–1889), Zü Chao's

松に鴉図, Two Crows on a Pine Branch, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 5/16 x 10 3/4 in. (36.4 x 27.3 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Terracotta neck-amphora (jar), Archaic, ca. 510 B.C., Greek, Attic, Terracotta; black-figure, H. 15 1/8 in. (38.4 cm), Vases, On either side, four running warriors These four warriors running close together with overlapping shields

Two Young Ladies Having Tea Attended by Elderly Servant, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 7/16 x 7 3/8 in. (13.8 x 18.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca.

Vue du Temple de Maharakka (Hiéra-Sycaminos), April 5, 1850, Salted paper print from paper negative, Image: 6 3/16 × 8 3/4 in. (15.7 × 22.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Priming Flask, second half of the 17th century, Indian, Ivory, steel, pigment, resin, L. 10 1/4 in. (26 cm); Wt. 9 oz (251 g), Firearms Accessories-Flasks & Primers, The inspiration for the carving comes from miniature paintings of composite

Tussilago Farfara, 1839, Photogenic drawing, 17.8 x 10.8 cm (7 x 4 1/4 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Vase, ca. 1900, Made in New York, New York, United States, American, Favrile glass, H. 10 3/4 in. (27.3 cm), Glass, Tiffany Glass and Decorating Company (American, 1892–1902

Print, Meiji period (1868–1912), November 1901, Japan, Polychrome woodblock print; ink and color on paper, 8 3/4 x 11 7/8 in. (22.2 x 30.2 cm), Prints, Kajita Hanko (Japanese, 1870–1917

Fibula, fragment, Bronze, 2in. (5.1cm), Bronzes

Limestone statuette of Artemis (?) holding two torches, Hellenistic, 3rd–1st century B.C., Cypriot, Limestone, Overall: 20 7/8 x 9 1/4 x 4 3/8 in. (53 x 23.5 x 11.1 cm), Stone Sculpture, Figure with torches in both hands

東京名所従　上野公園不忍池中嶋弁天之景, Meiji period (1868–1912), May, 1881, Japan, Polychrome woodblock print; ink and color on paper, Image (each): 14 3/4 × 9 1/2 in. (37.5 × 24.1 cm), Prints, Utagawa Hiroshige III

Jérusalem, Enceinte du Temple, Triple porte romaine, 1854, Salted paper print from paper negative, Image: 23.4 x 31.9 cm (9 3/16 x 12 9/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Design for a nave, ca. 1892–1918, Made in New York, United States, American, Watercolor, pen and red and brown inks, and graphite on white wove paper; tissue, Overall: 19 7/8 x 25 in. (50.5 x 63.5 cm), Drawings, Possibly Tiffany Glass and

Vase, covered with bird's claw, Bronze, Other: 3/4 in. (1.9 cm), Bronzes

Gaikokujin kodomo choai no zu, A Foreigner Enjoying Her Children, Edo period (1615–1868), 1860 (10th month), Japan, Polychrome woodblock print; ink and color on paper, 13 1/2 x 9 in. (34.3 x 22.9 cm), Prints, Utagawa Yoshikazu (Japanese,

Paperweight, 1852–80, Made in Sandwich, Massachusetts, United States, American, Glass, Body diameter: 3 in. (7.6 cm), Glass, Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

Ring, Qin dynasty (221–206 B.C.), China, Bronze, H. 1 3/4 in. (4.4 cm); Diam. 1 7/8 in. (4.8 cm), Metalwork

Storia di due amanti (Tale of Two Lovers), ca. 1495–1500, Printed book with woodcut illustrations, 8 1/16 x 5 11/16 x 3/8 in. (20.5 x 14.5 x 1 cm), Books, Enea Silvio Piccolomini, who became Pope Pius II (r. 1458–64), wrote this tale of

Caster, 1740–50, Made in Boston, Massachusetts, United States, American, Silver, Overall: 5 1/4 x 1 7/8 in. (13.3 x 4.8 cm); 3 oz. 18 dwt. (120.9 g), Silver, Jacob Hurd (American, Boston, Massachusetts 1702/3–1758 Boston,

Alabaster alabastron (perfume vase), Archaic or Classical, 6th–4th century B.C., Cypriot, Calcite (alabaster), H. 5 1/4 x 2 1/8 in. (13.3 x 5.4 cm), Miscellaneous-Stone Vases, There is some surface damage. The alabastron has rounded lugs and

Lead wreath of lotus buds, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Diameter: 7/16 in. (1.2 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of

The Second Sawamura Sojuro in the Role of Yenya Hanguwan, in the Popular Drama 'Chushingura' or the Forty-seven Loyal Ronin, Edo period (1615–1868), ca. 1794, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/2 in. (36.8 cm);

The Visitation, 1561, Engraving, sheet: 11 13/16 x 16 5/16 in. (30 x 41.4 cm), Prints, Attributed to Enea Vico (Italian, Parma 1523–1567 Ferrara), After a painting by Andrea del Sarto (Andrea d'Agnolo) (Italian, Florence 1486–1530

Glass bottle, Late Imperial, 4th–5th century A.D., Roman, Glass; blown, H.: 9 7/16 in. (24 cm), Glass, Translucent blue green., Everted tubular rim, folded over and in; funnel-shaped mouth; cylindrical neck, expanding downwards; broad but

Ichikawa Danjuro V in Ceremonial Robes, Edo period (1615–1868), ca. 1786, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

[The Corpse of Emperor Maximilian I of Mexico], 1867, Albumen silver print, Photographs, François Aubert (French, 1829–1906

Nata Ragina: Folio from a ragamala series (Garland of Musical Modes), 1714, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, 6 x 4 3/4 in. (15.2 x 12.1 cm), Paintings, Mohamed (active early 18th century), Within the ragamala

Luxor, vue du temple cote ouest, 1870s, Albumen silver print from glass negative, Photographs, Antonio Beato (British, born Corfu, 1834–1906

The Actor Onoye Matsusuke with Sword Held Above His Head with Both Hands, Edo period (1615–1868), ca. 1778, Japan, Diptych of polychrome woodblock prints; ink and color on paper, H. 12 1/8 in. (30.8 cm); W. 11 3/8 in. (28.9 cm), Prints,

The Bell Inn, late 1780s, Oil on canvas, 20 1/2 x 26 1/4 in. (52.1 x 66.7 cm), Paintings, George Morland (British, London 1763–1804 London

Buildwas Abbey, 1858, Albumen silver print from paper negative, 21.3 x 26.8 cm. (8 3/8 x 10 9/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 5/8 in. (2 x 1.6 cm), Glass, Thin-walled body fragment., Translucent blue, purple, opaque white and yellow, with some

Life Mask of Abraham Lincoln, 1860, cast 1886, Bronze, L. 8 in. (20.3 cm), Sculpture, Leonard Wells Volk (1828–1895), Augustus Saint-Gaudens (American, Dublin 1848–1907 Cornish, New Hampshire), In 1860 Volk made molds of the face and

Relief: two servants bearing food and drink, Achaemenid, ca. 358–338 B.C., Iran, Persepolis, Achaemenid, Limestone, H. 86.5 cm, Stone-Reliefs, The monumental art and architecture of the Achaemenid period are best exemplified by the ruins

Vase, ca. 1905, Made in United States, American, Porcelain, H. 6 11/16 in. (17 cm), Ceramics, Adelaide Alsop Robineau (American, Middletown, Connecticut, 1865–1929 Syracuse, New York

Whiskey mug, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 2 7/8 in. (7.3 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had

The Sculptor, ca. 1800, Hand-colored etching, Sheet: 11 15/16 x 9 1/4 in. (30.3 x 23.5 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Gilded silver cup with two handles, Latter part of the Early Bronze Age, ca. 2300–2000 B.C., Anatolian, Silver, gold foil, H. 3 3/16 in. (8.1 cm), Gold and Silver, This vase, along with .45-.48 are said to have been found together, are

Glass jug, Late Imperial, 4th century A.D., Roman, Glass; blown and trailed, H.: 4 in. (10.2 cm), Glass, Small jug. Colorless with yellow green tinge; handle and trail in same color. Rim folded out, round, and pressed into side of flaring

Persimmons Branch and Wasp Nest above a Hedge, Edo period (1615–1868), Japan, Album leaf; lacquer on gold paper, 4 3/4 x 3 1/2 in. (12.1 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Terracotta rim fragment, Middle Neolithic, ca. 5300–4400 B.C., Sesklo culture, Terracotta; Coarse red slipped ware, length 3 9/16in. (9cm), Vases, From Thessaly

The First Nakamura Tomijuro in the Role of Izaemon, Edo period (1615–1868), 2nd month, 1771, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 5/8 in. (30.5 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792