Images at Librifly

Terracotta vase in the form of an ape, Late Classical, 4th century B.C., Greek or Etruscan, Terracotta, H. 4 3/16 in. (10.6 cm), Vases, In the shape of an ape, with left paw on head, right on knee

War Hat, late 15th century, Spanish, Steel, brass, H. 9 3/4 in. (24.8 cm); W. 10 1/16 in. (25.6 cm); D. 13 in. (33 cm); Wt. 3 lb. 12 oz. (1697 g), Helmets

Terracotta stemmed dish, Archaic or Classical, 6th–5th century B.C., Greek, Attic, Terracotta; black-glaze, H. 2 1/4 in. (5.7 cm); diameter 3 3/8 in. (8.6 cm), Vases, Dish, stemmed

Joseph Barrell, Jr. (1765-1801), ca. 1790, Watercolor on ivory, Portrait: 2 15/16 x 2 3/8 in. (7.5 x 6.1 cm), Paintings, Attributed to Nathaniel Hancock (active 1785–1809), The sitter, Joseph Barrell Jr. (1765-1801), was a Boston merchant.

Lion mask door pull, ca. 1425–50, Made in Nuremberg, Germany, German, Copper alloy, Overall: 8 7/8 x 7 7/16 x 2 5/16 in. (22.5 x 18.9 x 5.9 cm), Metalwork-Copper alloy, Door pulls in the form of lion masks were a feature of many medieval

Portrait of Yoshida Sayaemon Kanesada, Edo period (1615–1868), 1852, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 7/8 in. (25.1 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

An Unidentified Actor, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 1/2 in. (32.4 x 14.0 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Print, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 26 3/4 x 4 5/8 in. (67.9 x 11.7 cm), Prints, Suzuki Haruji (Japanese, active ca. 1770

Flower vase (cuvette à fleurs Courteille) (one of a pair), ca. 1760–61, French, Sèvres, Soft-paste porcelain, with flowers: 15 in. (38.1 cm); vase: 6 × 10 in. (15.2 × 25.4 cm), Ceramics-Porcelain

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 13 15/16 × 9 3/8 in. (35.4 × 23.8 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Vase fragment, East Greek/Sardis, Lydian, Terracotta, H. 1 15/16 in. (5 cm), Vases

Arhat (Luohan), Ming dynasty (1368–1644), 16th–17th century, China, Wood (willow) with traces of pigment, single-woodblock construction, H. 19 1/8 in. (48.6 cm); W. 7 in. (17.8 cm), Sculpture, This sculpture epitomizes the merging of

Design for three light landscape window, 1900–1915, Made in New York, United States, American, Watercolor, gouache, and graphite on off-white wove paper mounted on mat board, Overall: 26 7/16 x 22 1/16 in. (67.2 x 56 cm), Drawings,

Terracotta lekythos (oil flask), Classical, 2nd quarter of 5th century B.C., Greek, Attic, Terracotta; red-figure, H. 6 1/2 in. (16.5 cm); diameter 2 1/8 in. (5.4 cm), Vases, Woman juggling. The scene here complements the one on a lekythos

The Immortal Magu with a Deer, Qing dynasty (1644–1911), late 19th–early 20th century, China, Porcelain with clear glaze (Dehua ware, Fujian Province), H. 15 1/2 in. (39.4 cm); W. 5 in. (12.7 cm); D. 4 in. (10.2 cm), Ceramics, Su Xuejin

『浅草側いせ暦』　弓道具, Edo period (1615–1868), ca. 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 5/16 in. (21 x 18.6 cm), Prints, Kubo Shunman (Japanese, 1757–1820) (?), Surimono are

Box of Face Powder and Hair Ties; Specialities of Shimomura in Ryogaecho, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/8 x 7 1/4 in. (20.6 x 18.4 cm), Prints,

Belt Hook, Eastern Zhou (770–256 B.C.) or W. Han dynasty (206 B.C.–A.D. 9), 3rd century B.C., China, Bronze with gold and silver inlay, H. 1 1/4 in. (3.2 cm); L. 7 3/4 in. (19.7 cm), Metalwork

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, H.: 1 1/16 x 1 7/16 in. (2.7 x 3.7 cm), Glass, Body fragment., Translucent honey brown, blue, and opaque

Fragment, 14th century, Attributed to Spain, Silk, metal-wrapped thread; lampas, Textile: H. 4 1/2 in. (11.4 cm), Textiles-Woven, This square-shaped silk textile fragment contains a central floral motif surrounded by white interlacing bands on

Terracotta loutrophoros (ceremonial vase for water), Archaic, last quarter of 6th century B.C., Greek, Attic, Terracotta; black-figure, H.: 27 7/8 in. (70.8 cm), Vases, On the body, obverse, prothesis (laying out of the deceased) with

Lalit Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1680–90, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 7 3/4 x 5 1/2 in. (19.7 x 14 cm), Paintings, This morning raga shows the sleeping woman

Mandarin with Family, 1860–1863, Albumen silver print from glass negative, Image: 8 3/16 × 11 1/8 in. (20.8 × 28.2 cm), Photographs, Milton M. Miller (American, active China, 1830–1899

Porringer, ca. 1760, Made in Boston, Massachusetts, United States, American, Silver, Overall: 2 x 8 3/8 in. (5.1 x 21.3 cm); 8 oz. 8 dwt. (260.8 g), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston,

St. Andrews, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Fife, ca. 1780–90, London, England, United Kingdom, British, Maple, brass, L. 38.1 cm (15 in.); Diam. 2.5 cm (1 in.), Aerophone-Blow Hole-side-blown flute (transverse), Thomas Cahusac, Sr. (British, London 1714–1798 London), The fife

Door Mount, possibly 11th century, Made in Limousin, France, French, Iron, Overall: 17 x 19 1/2 in. (43.2 x 49.5 cm), Metalwork-Iron, Their utilitarian function notwithstanding, medieval door mounts are often ornately designed, with

東海道五十三次　草津, Kusatsu, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Evening cape, late 1930s, French, cotton, plastic

Rouen, Place Eau-de-Robec, 1908, Matte albumen silver print from glass negative, Image: 22.7 x 17.4 cm (8 15/16 x 6 7/8 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Lead figure of a warrior with a helmet, shield, and spear, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 13/16 in. (4.6 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great

Birth of the Buddha Shakyamuni, Kushan period, ca. 2nd century, Pakistan (ancient region of Gandhara), Stone, H. 6 15/16 in. (16 cm); W. 7 3/4 in. (19.7 cm); D. 1 7/8 in. (4.8 cm), Sculpture, This panel, together with the one showing Maya's

Man and Woman on Horseback, Yuan dynasty (1271–1368) (?), China, Handscroll; ink and color on paper, Image: 17 3/4 in. × 15 in. (45.1 × 38.1 cm), Paintings, Unidentified Artist

Alexander of Duntocher, McMillan of Cardross and Two Others, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St.

Limestone statuette of a boy, Early Hellenistic, late 4th century–3rd century B.C., Cypriot, Limestone, Overall: 14 3/4 x 4 7/8 x 3 in. (37.5 x 12.4 x 7.6 cm), Stone Sculpture, Male figure standing, holding offering

Cranes, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, 9 3/4 x 13 1/4 in. (24.8 x 33.7 cm), Prints, Hishikawa Moronobu (Japanese, died 1694

Glass beaker, Imperial, late 2nd–3rd century A.D., Roman, Glass; blown, trailed, and tooled, H.: 3 5/8 in. (9.2 cm), Glass, Colorless, with same color trail and foot ring. Knocked-off rim; slightly bulging collar below rim; side tapering

Le Fontane delle Ville di Frascati nel Tusculano con li Loro Prospetti, 1691 or after, Etching, Overall: 11 x 15 7/8 x 1 5/16 in. (27.9 x 40.4 x 3.4 cm), Second series of Falda's views of fountains. Le Fontane delle Ville di Frascati contains a

Terracotta emblem bowl with head of Zeus or Sarapis, Hellenistic, 3rd–1st century B.C., Greek, Terracotta, h. 2 13/16 in. (7.2 cm); d. 7 5/8 in. (19.4 cm), Vases, The interior medallion in high relief and flaring profile of this terracotta

Fibula, Etruscan, Bronze, H.: 1/2 x 2 3/4 x 3/4 in. (1.3 x 7 x 1.9 cm), Bronzes

Terracotta vessel fragment, Late Neolithic or Early Helladic I, ca. 4000–3000 B.C., Greek Neolithic, Terracotta; Polychrome ware, Other: 1 1/8in. (2.9cm), Vases, From Gonia in the Peloponnese

Inscribed marble base, Imperial, 2nd century A.D., Roman, Cypriot, Marble, red and white, Overall: 3 x 7 3/4 x 4 7/8 in. (7.6 x 19.7 x 12.4 cm), Cesnola Inscriptions, The base or bracket probably supported a small statue of the goddess

Terracotta stirrup jar, Late Helladic III, ca. 1400–1050 B.C., Mycenaean, Terracotta, H. 4 1/2 in. (11.4 cm.), Vases, Parallel circles, chevrons

Figurine of a Woman with Her Baby, Middle Kingdom, Dynasty 12, ca. 1961–1917 B.C., From Egypt, Memphite Region, Lisht South, Pyramid Temple of Senwosret I, Pit 6L, Brick Vault, 1923–24, Faience, H. 9.1 × W. 3.6 × D. 3.4 cm (3 9/16

Masque Antique, 1890s–1920s, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Lamp, Bronze, H.: 1 x 3 x 4 1/8 in. (2.5 x 7.6 x 10.5 cm), Bronzes

Belt Hook, late Eastern Zhou dynasty (770–256 B.C.), 6th–5th century B.C., China, Gilt bronze, H. (with button) 13/16 in. (2.1 cm); W. 15/16 in. (2.4 cm); L. 3 in. (7.6 cm), Metalwork

Album of Eighty-eight Prints from the series Ogura Imitations of One Hundred Poems by One Hundred Poets (Ogura nazorae hyakunin isshu), 小倉擬百人一首, Edo period (1615–1868), about 1845–48, Japan, Album of 88 polychrome woodblock

Turban Helmet, late 15th century, Western Iranian, in the style of Turkman armor, Steel, iron, silver, copper alloy, H. 11 1/2 in. (29.2 cm); Wt. 3 lb. 5 oz. (1496 g), Helmets, Helmets of this type are usually called turban helmets because

Mirror View of El Capitan, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Glass alabastron (perfume bottle), Hellenistic, late 4th–early 3rd century B.C., Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 7 in. (17.8 cm), Glass, Translucent very dark green (?), appearing opaque black, with

Pitcher, 1852–58, Made in Bennington, Vermont, United States, American, Parian porcelain, H. 7 1/4 in. (18.4 cm), Ceramics, United States Pottery Company (1852–58

Terracotta vessel fragment with grass motif, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta; Dark-on-light ware, Overall: 1 3/8 x 3 1/2in. (3.5 x 8.9cm), Vases, From Knossos, Crete. Fragment with grass design; dark-on-light ware

Temple d'Andour, ca. 1870, Albumen silver print from glass negative, 17.3 x 23.0 cm (6 13/16 x 9 1/16 in.), Photographs, Félix Bonfils (French, 1831–1885

Statuette of a horse, 3, Greek, Laconian, Lead, Height: 1 in. (2.6 cm), Miscellaneous-Lead

Arrowhead, Bronze, Other: 1 1/4 in. (3.2 cm), Bronzes

Captain of the Tenby Lifeboat, 1853–56, Albumen silver print, Image: 16.1 × 11.1 cm (6 5/16 × 4 3/8 in.), Photographs, Mr. Gonne (British, active 19th century

Terracotta pelike (jar), Late Classical, ca. 400–350 B.C., Greek, South Italian, Apulian, Terracotta; black-glaze, H. 21 1/8 in. (53.6 cm), Vases, A necklace with pendants adorns the neck

Plate, ca. 1800–20, Probably made in Philadelphia, Pennsylvania, United States, American, Earthenware; Redware with slip decoration, Diam. 15 3/4 in. (40 cm), Ceramics

Glass jug, Late Imperial, 4th century A.D., Roman, Glass; blown and trailed, Overall: 4 3/4 in. (12.1 cm), Glass, Translucent cobalt blue; handle, trail, and base ring in opaque turquoise blue. Rim folded over and in, and smoothed into side

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 1/2 × 1 11/16 × 3/16 in. (3.9 × 4.3 × 0.6 cm), Vases

Le Fabriche, e vedute di Venetia, 1703, plates: etching, 10 3/4 x 15 1/2 in. (27.3 x 39.4 cm), Books

Susannah and the Elders, mid-17th century, British, Silk on canvas, H. 15 1/2 x W. 19 inches (39.4 x 48.3 cm); Framed: H. 19 1/4 x W. 22 1/2 x D. 1 1/4 inches (48.9 x 57.2 x 3.2 cm), Textiles-Embroidered

Statuette of a woman, Hellenistic, Greek, Bronze, H.: 5 x 2 1/4 x 1 3/4 in. (12.7 x 5.7 x 4.4 cm), Bronzes

Terracotta vase with relief decoration, Hellenistic, 1st half of the 2nd century B.C., Greek, South Italian, Tarentine, Terracotta, H. with lid 21 1/16 in. (53.5 cm), Vases, Erotes, Athena, Nike, and lyre-players During the third century

Seven Gods of Good Fortune, Edo period (1615–1868), 1808–27, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/2 in. (21 x 19.1 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Treplan, Farum Su 1907., 1905–19, Gelatin silver prints from glass negatives, Image: 2 15/16 × 4 3/16 in. (7.4 × 10.6 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the

Glass pendant bead in the shape of a plumbline, Archaic or Classical, ca. 7th–5th century B.C., Greek or Etruscan, Glass; rod-formed and trailed, Overall: 1 3/8 x 3/4 in. (3.5 x 1.9 cm), Glass, Uncertain color, appearing opaque black; trail

Illustration of the Imperial Diet House of Commons with a Listing of all Members, Meiji period (1868–1912), 10/1890, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Each panel: 14 x 9 1/2 in. (35.6 x 24.1 cm), Prints,

Fibula, Greek, Cypriot, Bronze, Other: 3 15/16in. (10cm), Bronzes

Chinese Warrior Carrying a Child upon His Shoulders, Edo period (1615–1868), ca. 1825, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 7 in. (20.6 x 17.8 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

百人一首　うはかゑとき　菅家, Poem by Kanke (Sugawara Michizane), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), ca. 1839, Japan, Polychrome woodblock print; ink

Givors, Viaduc, ca. 1861, Albumen silver print from glass negative, Image: 27.5 x 43.9 cm (10 13/16 x 17 5/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Marble head of a deity, Imperial, 1st half of 2nd century A.D., Roman, Marble, H. 13 5/8 in. (34.5 cm), Stone Sculpture, The wreath with pomegranates suggests that this head represents a deity, such as Ceres, who was associated with the

'Iskandar Slays the Habash Monster', Folio from a Shahnama (Book of Kings), ca. 1330–40, Made in Iran, probably Isfahan, Ink, opaque watercolor, and gold on paper, Painting: 1 15/16 x 4 5/16 in. (4.9 x 10.9 cm), Codices

Glass jug with trefoil rim, Late Imperial, 4th–5th century A.D., Roman, Glass; blown, tooled, and trailed, H. 5 3/16 in. (13.2 cm), Glass, Translucent greenish yellow; handle and two trails in same color; another trail in translucent

Furniture element, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory, paint, gold, paste, 3.27 x 2.09 in. (8.31 x 5.31 cm), Ivory/Bone-Reliefs

Terracotta tankard, Geometric, late 8th century B.C., Greek, Attic, Terracotta, H. 2 3/8 in. (6 cm), Vases, From the Hymettos deposit

Band Fragment, 7th–10th century, Peru, Peruvian, Cotton, camelid hair, Height 7 in., Textiles-Woven

Bowl with the Eight Buddhist Treasures, Ming dynasty (1368–1644), 16th century, China, Cloisonné enamel, H. 5 5/8 in. (14.3 cm); Diam. 11 1/2 in. (29.2 cm), Cloisonné, The objects supported by lotus stands at the center of this bowl

Young Man Moving Toward the Right on High Geta and Opening His Umbrella, Edo period (1615–1868), ca. 1745, Japan, Polychrome woodblock print (hand colored); ink and color on paper, 25 1/2 x 6 in. (64.8 x 15.2 cm), Prints, Ishikawa Toyonobu

St. Andrews. Blackfriars' Chapel, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Nail, Bronze, Other: 3 15/16in. (10cm), Bronzes

Glass cup, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown, H.: 3 in. (7.6 cm), Glass, Translucent pale blue green. Thickened and rounded rim; almost straight, vertical side, curving in sharply at bottom; tubular, low base ring;

St. Andrews. The Fore Tower of the Castle, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Fille de Lanxchow, 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

Kneeling official, New Kingdom, Ramesside, Dynasty 19–20, ca. 1250–1070 B.C., From Egypt, Bronze, h. 7.3 cm (2 7/8 in) [9.8 cm (3 3/8 in) with tang]; w.4.5 cm (1 3/4 in); d. 4.8 cm (1 7/8 in), The number of examples of nonroyal statuettes

Gold earring with convex disc, Imperial, 2nd–3rd century A.D., Roman, Gold, Other: 1/2 in. (1.2 cm), Gold and Silver, Loop earring of an unsymmetrical type consisting of a plain wire loop with a concave disc

The Last Judgment, 1615–20, Pen and black ink with gray wash over black chalk, 12 11/16 x 15 3/4 in. (32.3 x 40 cm), Drawings, Michael Herr (German, Metzingen bei Reutlingen 1591–1661 Nuremberg

Where is Tokubei?, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, H. 5 9/16 in. (14.1 cm); W. 12 3/8 in. (31.4 cm), Prints, Momokawa Shiko II (Japanese, active ca. 1797–1810

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 1/2 in. (2.2 x 1.3 cm), Glass, Body fragment., Greyish blue, opaque light turquoise blue, and red., Very shallow

Terracotta skyphos (deep drinking cup), Classical, ca. 450 B.C., Greek, Attic, Terracotta; red-figure, H. 6 7/8 in. (17.5 cm); diameter of mouth 8 3/4 in. (22.2 cm), Vases, Obverse and reverse, satyr and maenad. The aggression between the

Gold diadem, Classical, 4th century B.C., Cypriot, Gold, Other: 8 3/16 in. (20.8 cm), Gold and Silver, The diadem was made for funerary use

The Donkey Party; The Upper Lake, 1853–56, Salted paper print, Image: 11.8 × 14.3 cm (4 5/8 × 5 5/8 in.) (a), Photographs, James Knight (British), Thereza Dillwyn Llewelyn

Terracotta bridge-spouted jar, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta; Dark-on-light ware, Total H. 7 1/4 in. (18.4 cm.), Vases, Bridge spout, sprials and sketchy bands, drip around rim, dark-on-light ware

Yokohama Gankirō no zu, View of the Interior of the Gankirō Tea House in Yokohama, Edo period (1615–1868), 4th month, 1860, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (a): 14 3/4 x 10 in. (37.5 x 25.4

Illustration of Noh Dance Scene, Meiji period (1868–1912), ca. 1910, Japan, Polychrome woodblock print; ink and color on paper, 14 9/16 x 19 15/16 in. (37 x 50.6 cm), Prints, Tsukioka Kōgyo (Japanese, 1869–1927

Fragments of a Frieze, late 12th century, Made in Latium, Italy, Central Italian, Stone (Peperino di Viterbo from Viterbo (Italy)), Overall: 11 1/2 x 38 3/4 x 6 1/2 in. (29.2 x 98.4 x 16.5 cm), Sculpture-Stone

Terracotta kylix (drinking cup), Late Archaic, ca. 480–470 B.C., Greek, Attic or Boeotian, Terracotta; black-figure, 3 5/8 x 12in. (9.2 x 30.5cm); diameter 8 3/4in. (22.2cm), Vases, Interior, satyr with wineskin and drinking horn,

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 x 13/16 in. (2.5 x 2.1 cm), Glass, Rim fragment., Translucent turquoise blue largely appearing green, purple