Images at Librifly

Banded agate scarab, Hellenistic, 3rd century B.C., Etruscan, Agate, H.: 3/8 x 7/16 in. (1 x 1.1 cm), Gems, Centaur. , The gold mount is modern

江戸高名会亭尽　三囲之景　出羽屋, Mimeguri no Kei (Toyoha-ya), Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, H. 9 3/8 in. (23.8 cm); W. 14 3/16 in. (36 cm), Prints, Utagawa

Glass jar, Late Imperial, 4th century A.D., Roman, Glass; blown and trailed, H.: 2 1/4 in. (5.7 cm), Glass, Translucent light blue green; trail in same color. Uneven horizontal rim, partially tubular, folded up and in; broad, outsplayed

Glass cup, Early or Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown and cut, 3 1/8 in. (8 cm), Glass, Colorless with pale greenish tinge. Uneven, knocked-off rim; flaring collar below rim; carinated sides tapering downward; concave

Roof Tile and Sparrows; Specialities of Mizuno in Imado, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 x 7 3/16 in. (20.3 x 18.3 cm), Prints, Totoya Hokkei (Japanese,

Terracotta oinochoe: olpe (jug), Archaic, late 6th century B.C., Greek, Attic, Terracotta; black-figure, H. with handle 9 1/4 in. (23.5 cm), Vases, Quadriga (four-horse chariot) with warrior and charioteer The painter here is clearly

南宋 理宗 行書秋深雨過聯句 團扇, Couplet on an Autumn Sky, Song dynasty (960–1279), China, Fan mounted as an album leaf; ink on silk, Image: 9 5/16 x 7 in. (23.7 x 17.8 cm), Calligraphy, Emperor Lizong (Chinese, 1205–64, r.

百人一首　姥か恵と起　大中臣能宣朝臣, Poem by Ōnakatomi no Yoshinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), 1839, Japan, Polychrome woodblock

Betty Held, vereh. Solön-Engelsberg, 1850s–60s, Albumen silver print from glass negative, 25.1 x 19.4 cm. (9 7/8 x 7 5/8 in.), Photographs, Franz Antoine (Austrian, 1814–1882

The Actor Matsumoto Koshiro IV on a Bullock in a Snowstorm, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, H. 12 9/16 in. (31.9 cm); W. 5 13/16 in. (14.8 cm), Prints, Katsukawa Shunkō (Japanese,

The Yoshiwara Parade in Autumn, Edo period (1615–1868), ca. 1793, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 15/32 x 29 1/4 in. (36.8 x 74.3 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829

Salt, 1846, Made in Baltimore, Maryland, United States, American, Silver and silver-gilt, Overall: 2 3/16 x 4 1/4 x 3 1/8 in. (5.6 x 10.8 x 7.9 cm); 4 oz. 15 dwt. (147.6 g), Silver, Samuel Kirk and Son (1846–68

Page from a Sketchbook, ca. 1848 (?), Graphite, sheet: 7 3/16 x 4 7/16 in. (18.4 x 11.2 cm), Drawings, Samuel Palmer (British, London 1805–1881 Redhill, Surrey

Maison Carrée à Nîmes, 1853, Albumen silver print from paper negative, Image: 33 x 44 cm (13 x 17 5/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Faience figurine of a lion, Late Dynastic, 664–323 B.C., Egyptian, Faience, Overall: 1 x 1 3/4 in. (2.5 x 4.4 cm), Miscellaneous-Faience, With pale blue glaze

Creampot, 1765–85, Made in United States, American, Silver, Overall: 4 1/16 x 4 1/2 in. (10.3 x 11.4 cm); 4 oz. 2 dwt. (126.8 g), Silver, Marked by I. T

Composition Study for 'Castor and Pollux Freeing Helen', 1817, Black crayon and stumping on blue laid paper, sheet: 8 13/16 x 9 1/8 in. (22.4 x 23.2 cm), Drawings, Joseph-Ferdinand Lancrenon (French, 1794–1874

Terracotta aryballos (oil flask), Early Corinthian, ca. 620–590 B.C., Greek, Corinthian, Terracotta; black-figure, H.: 2 1/4 in. (5.7 cm), Vases, Rider galloping to right

百人一首　うはかゑとき　赤染衛門, Poem by Akazome Emon, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Taishō period (1912–26), 1921, Japan, Polychrome woodblock print; ink and color

「扇屋内花扇図」, The Courtesan Hanaōgi of the Ōgiya Brothel in Yoshiwara (Ōgiya uchi Hanaōgi, Yoshino, Tatsuta), Edo period (1615–1868), ca. 1793–94, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in.

Bronze handle of a patera (shallow saucepan), Imperial, 1st century A.D., Roman, Bronze, L. 6 5/8 in. (16.8 cm), Bronzes, The finial in the form of a wolf's head is typical of Roman bronze vessels

Standing poodle, 1849–58, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 8 1/2 x 9 x 4 3/8 in. (21.6 x 22.9 x 11.1 cm), Ceramics

Oinochoe, Archaic, last quarter of 6th century B.C., Greek, Attic, Terracotta; black-figure, 8 5/8in. (21.9cm), Vases

Paul Joseph Revere, ca. 1840, Watercolor on ivory, 3 13/16 x 3 in. (9.7 x 7.6 cm), Paintings, Margaret Bogardus (1804–1878), The grandson of the patriot and silversmith Paul Revere, Paul Joseph Revere (1832-1863) attended Milton Academy as

Shinkokyo Oite Seiden Kempo Happu no zu, View of the Issuance of the State Constitution in the State Chamber of the New Imperial Palace, Meiji period (1868–1912), March 2, 1889 (Meiji 22), Japan, One sheet of a triptych of polychrome

Gaikokujin ifuku shitate no zu, Picture of a Foreigner Making Clothes, Edo period (1615–1868), 1860, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 1/2 x 9 in. (34.3 x 22.9 cm), Prints, Utagawa Yoshikazu (Japanese,

Nam-Vian - Tombeaux, 1866, Albumen silver prints from glass negatives, 16.6 x 22.7 cm (6 9/16 x 8 15/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Limestone statuette of a temple boy, Classical, 4th century B.C., Cypriot, Limestone, Overall: 11 x 7 x 4 3/4 in. (27.9 x 17.8 x 12.1 cm), Stone Sculpture, Seated figure with elaborate necklace holding a cock

Box, Bronze, 2in. (5.1cm), Bronzes

Jérusalem, Birket-es-Soutlan, 1854, Salted paper print from paper negative, Image: 23.2 x 32.8 cm (9 1/8 x 12 15/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Limestone statuette of bearded Herakles, Archaic, late 6th or early 5th century B.C., Cypriot, Limestone, Overall: 8 1/8 x 4 3/4 x 3 3/16 in. (20.6 x 12.1 x 8 cm), Stone Sculpture, Herakles is in a walking position; the right arm is raised,

Inlay: banquet scene with a seated figure holding a palm frond, Early Dynastic IIIa, ca. 2600–2500 B.C., Mesopotamia, Nippur, Sumerian, Shell, 1.97 x 2.05 in. (5 x 5.21 cm), Shell-Ornaments, This plaque is cut from a piece of pearly shell

Tea or hot water urn, 1799, Made in Philadelphia, Pennsylvania, United States, American, silver with ivory handle, 21 3/4 x 11 1/8 x 13 1/8 in., 166 Troy Ounces (55.2 x 28.3 x 33.3 cm, 5171 Grams), Silver, John McMullin (1765–1843), The

St. Andrews, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Bronze statuette of Neptune, Mid-Imperial, 2nd century A.D., Roman, Bronze, H. 4 3/4 in. (12.1 cm), Bronzes, The god originally leaned on a trident, held in his left hand; his eyes and nipples were probably inlaid with silver and copper

Bodhisattva Manjushri (Wenshu), Southern Song (1127–1279)–Yuan (1271–1368) dynasty, 12th–14th century, China, Mammoth ivory, H. 7 3/4 in. (19.7 cm), Sculpture

The Second Nakamura Juzo as a Yakko, Edo period (1615–1868), 1773 or 1774, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 1/2 in. (30.5 x 14.0 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Dervish Ax, dated A.H. 1241/A.D. 1825–26, Turkish, Steel, silver, copper, wood, L. 52 in. (132 cm); Wt. 3 lb. 2 oz. (1420 g); axehead: 15 3/8 x 8 3/4 in. (39 x 22.1 cm), Shafted Weapons, Large axes with crescent-shaped blades were

Cosmetic box fragment with the head of a sphinx, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, gold foil, 1.46 x 1.18 x 0.43 in. (3.71 x 3 x 1.09 cm), Ivory/Bone-Vessels, Excavations at Hasanlu in Iran yielded a large

Stencil with Pattern of Filled Squares, Edo period (1615–1868), 19th century, Japan, Paper, Image: 9 7/8 × 15 7/8 in. (25.1 × 40.3 cm), Stencils, This design has a naturalistic association—the hemp leaf. Hemp fiber was commonly grown and

Terracotta column-krater (bowl for mixing wine and water), Archaic, ca. 540 B.C., Greek, Attic, Terracotta; black-figure, H. 19 7/8 in. (50.5 cm), Vases, Obverse, Gigantomachy (battle of gods and giants), Reverse, Dionysos with satyrs and

[Teepee in Native American Camp], 1880s–90s, Albumen silver print from glass negative, Photographs, Unknown (American

Statuette of an old woman, Late Classical, 4th century B.C., Greek, Attic or Boeotian, Terracotta, H. 4 1/8 in. (10.5 cm), Terracottas

Pont de l'ardoise pris en revenant de la cascade des Parisiens, Luchon, 1853, Salted paper print from paper negative, Image: 9 5/8 × 13 7/8 in. (24.4 × 35.3 cm), Photographs, Joseph Vigier (French, 1821–1862

Yoshizawa Iroha as a Woman (Tomoe Gozen?) Standing on the Bank, Edo period (1615–1868), 1774 or 1775, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 3/4 in. (31.8 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese,

Hakusan Keiseiga Kubo (Daisen), 江戸高名会亭尽　白山傾城ヶ窪, Tea house in Hakusen district, Edo period (1615–1868), ca. 1835–42, Japan, Polychrome woodblock print; ink and color on paper, H. 9 5/8 in. (24.4 cm); W. 14 3/8

Jérusalem, Escalier antique taillé dans le roc, conduisant à l'ancienne Porte du Fumier, 1854, Salted paper print from paper negative, Image: 33.3 x 23.5 cm (13 1/8 x 9 1/4 in.), Photographs, Auguste Salzmann (French, 1824–1872

Bronze spatulate knife, Late Minoan I, ca. 1600–1450 B.C., Minoan, Bronze, L. 8 3/8 in. (21.3 cm), Bronzes, Dagger blade with two rivets

F. H. Evans, ca. 1901, Platinum print, Image: 8 in. × 5 7/8 in. (20.3 × 15 cm), Photographs, Mounted by Frederick H. Evans (British, London 1853–1943 London

The Oiran Komurasaki of Kadotamaya Reading a Letter, Edo period (1615–1868), ca. 1794, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/2 in. (39.4 cm); W. 10 1/4 in. (26 cm), Prints, Chōbunsai Eishi (Japanese,

Woman and Son under an Umbrella, Edo period (1615–1868), ca. 1769, Japan, Polychrome woodblock print; ink and color on paper, 27 x 4 1/8 in. (68.6 x 10.5 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790), Koryūsai's light-hearted

Pin, eyelet type, Cypriot, Bronze, Other: 6 1/4in. (15.9cm), Bronzes

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, 2 15/16 in. (7.4 cm), Glass, Colorless with pale blue green tinge. Lopsided rim folded out, over, and in, and pressed flat; cylindrical neck, with tooling marks

[Bhowlie- A Well in the Punjab], 1858–61, Albumen silver print, Image: 13.7 x 19.7 cm (5 3/8 x 7 3/4 in.), Photographs, Unknown

Bottle, mid-17th century, Made in Iran, probably Isfahan, Stonepaste; molded and glazed, H. 5 3/4 in. (14.6 cm) , Ceramics, Relief images of two felines in motion ornament this flask, which has been coated with a green glaze. The lower

Recto: The Port City of Alexandria (? Allusion to Dinocrates's Building of Alexandria, Vitruvius, Book 2, introduction, no. 1); Verso: Fragmentary Writing ('Libro Primo...')., 1530–45, Pen and dark brown ink, sheet: 8 3/8 x 5 9/16 in. (21.2

The Statues of Memnon. Plain of Thebes, 1857, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Bas-relief pris sur la muraille occidentale du grand Temple d'Isis, à Philae, April 1850, Salted paper print from paper negative, Image: 9 1/4 × 7 1/16 in. (23.5 × 17.9 cm), Photographs, Maxime Du Camp (French, 1822–1894

Bronze cauldron, Classical, 5th century B.C., Greek, South Italian, Campanian, Bronze, 10 7/8in. (27.6cm), Bronzes, Such vases, which originally would have been supported on a stand and often had a lid, served numerous purposes. They

Standing woman, 1744–49, Austrian, Vienna, Hard-paste porcelain, Height: 5 9/16 in. (14.1 cm), Ceramics-Porcelain

Yosemite Falls, 2, 634 feet, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Glass monocrome dish fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Other: 1 7/16 x 5/8 in. (3.6 x 1.6 cm), Glass, Fragment of footed dish., Opaque red., Flat interior, slightly concave at

A Secluded Fishing Village, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; ink and color on silk, 16 3/8 x 52 in. (41.6 x 132.1 cm), Paintings, Unidentified Artist, In the style of Jing Hao (active ca. 900–960

Lacquer Paintings of Various Subjects: Drum for Gagaku Dance, Meiji period (1868–1912), 1882, Japan, Lacquer on paper, 7 1/2 x 6 1/2 in. (19.1 x 16.5 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891), The strong color effect seen in

Ornaments, 14, Greek, Laconian, Lead, Height: 1 9/16 in. (4 cm), Miscellaneous-Lead

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/16 x 2 1/2 in. (2.7 x 6.3 cm), Glass, Translucent turquoise blue and opaque yellow, partially mixed together and

Flyvebaad, 1909-1910., 1905–19, Gelatin silver prints from glass negatives, Image: 2 15/16 in. × 4 in. (7.5 × 10.2 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the

Pottery Whistle, Pre-Columbian, ca. 800–1525, Diquis Region, Costa Rica, Costa Rican, Clay, 2 3/8 × 2 13/16 × 3 9/16 in., 3oz. (6.1 × 7.1 × 9 cm, 89g), Aerophone-Whistle Flute-whistle

Le Moine, ca. 1861, Albumen silver print from paper negative, Image: 33.7 x 42.8 cm (13 1/4 x 16 7/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H.: 4 3/8 in. (11.1 cm), Glass, Candlestick unguentarium. Colorless. Rim with rounded outer lip, partially folded over and in; short, flaring mouth; slender,

Terracotta rim fragment with cross-hatched lozenges, Early Minoan III, ca. 2300–2100 B.C., Minoan, Terracotta; White-on-dark ware, Other: 2 3/4 x 4 in. (7 x 10.2 cm), Vases, From Gournia, Crete. Rim fragment with design of cross-hatched

Inlay: seated male with cup and palm frond, Early Dynastic III, ca. 2600–2350 B.C., Mesopotamia, Nippur, Sumerian, Shell, H. 3/16 x W. 1 3/8 x D. 1 9/16 in. (0.5 x 3.5 x 4 cm), Shell-Ornaments, This square plaque cut from a piece of shell

The White Nun, 1856–57, Albumen silver print from glass negative, Image: 19.1 x 13.8 cm (7 1/2 x 5 7/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

The Elephant Rock, January–February 1858, Albumen silver print from waxed paper negative, Image: 23.7 x 35.5 cm (9 5/16 x 14 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport

Krishna Dancing: Page from the Dispersed 'Boston' Rasikapriya (Lover's Breviary), ca. 1610, India (Rajasthan, Amber), Ink, opaque watercolor, and gold on paper, Image: 8 1/2 × 5 1/4 in. (21.6 × 13.3 cm), Paintings, Krishna plays the flute

Ladies School, Simla, 1850s, Albumen silver print, Image: 10 x 17.3 cm (3 15/16 x 6 13/16 in.), Photographs, Unknown

Horse frontlet carved in relief with a female figure flanked by lions, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 6.38 x 2.6 in. (16.21 x 6.6 cm), Ivory/Bone-Equestrian, Over two hundred

Organ-grinder, 1898–99, Matte albumen silver print from glass negative, Image: 22.4 × 17.6 cm (22.4 × 17.6 cm), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), Although he trained as an actor at the National Conservatory

Jules Janin, ca. 1856, Albumen silver print from glass negative, Image: 9 1/4 × 7 3/8 in. (23.5 × 18.7 cm), Photographs, Nadar (French, Paris 1820–1910 Paris

Pier Table, 1825–30, Made in New York, New York, United States, American, Mahogany, marble, gilded wood, mirror glass, white pine apron, plinth, yellow poplar backboard, 6 3/4 x 12 1/2 x 19 1/8 in. (17.1 x 31.8 x 48.6 cm), Furniture

Silhouette Image of Kabuki Actor, Meiji period (1868–1912), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Approx. 14 1/2 x 9 1/2 in. (36.8 x 24.1 cm), Prints, Utagawa Yoshiiku (Japanese, 1833–1904

Offerings to Wrathful Deities, late 16th–17th century, Tibet, Distemper and ink on cloth, 66 15/16 x 43 11/16 in. (170 x 111 cm), Paintings, This black-ground (Tibetan: nag thang) painting was installed in the chapel (gonkhang) dedicated to

Sugar Bowl, 1827–35, Made in East Cambridge, Massachusetts, United States, American, Pressed glass, 3 1/2 x 5 7/8 in. (8.9 x 14.9 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888

Bell, before 1889, Oaxaca, Mexico, Mexican, Clay, reed, W. 109 mm (4 5/16 in.); H. 106 mm (4 3/16); Diam. at base of largest cone 49 mm (1 15/16 in.); Weight 111 grams, Idiophone-Struck-bell-clapper

Courtesan from the Myōgaya House, Edo period (1615–1868), ca. 1712, Japan, Polychrome 'tan-e' woodblock print; ink and color on paper, 12 1/4 x 6 in. (31.1 x 15.2 cm), Prints, Torii Kiyomasu I (Japanese, active 1696–1716), The subject

Landscape, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, 10 1/2 x 80 3/16 in. (26.7 x 203.7 cm), Paintings, Unidentified Artist, In the Style of Wang Wei (Chinese, 699–759

Covered Box with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 2 in. (5.1 cm); W. 8 1/4 in. (21 cm); D. 2 in. (5.1 cm), Lacquer, This covered box, part of a

清 佚名 倣郭熙 溪山無盡圖 卷, Streams and Mountains Without End, Qing dynasty (1644–1911), 17th century, China, Handscroll; ink and color on silk, 11 3/16 x 76 3/8 in. (28.4 x 194 cm), Paintings, Unidentified Artist, Formerly

Ocarina, Pre-Columbian, 600–1200, Colombia, Nariño, Ceramic, W. 5.2 x D. 4.9 x L. 14.2cm (2 1/16 x 1 15/16 x 5 9/16in.), Aerophone-Blow Hole-vessel flute

京都名所之内　清水, Kiyomizu, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 9 1/2 in. (24.1 cm); W. 14 11/16 in. (37.3 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Panel fragment, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, 1.06 x 1.42 in. (2.69 x 3.61 cm), Ivory/Bone-Reliefs

Dandour, Vue Générale des Ruines, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.2 x 30.2 cm. (9 1/8 x 11 7/8 in.), Photographs, Félix Teynard (French, 1817–1892), Teynard (1817-1892) was a French civil

Terracotta statuette of Eros, Hellenistic, 3rd century B.C., Greek, South Italian, Terracotta, H. 4 7/8 in. (12.4 cm), Terracottas, Nude, standing

Ivory needle, Imperial, 2nd–3rd century A.D., Roman, Ivory, H.: 5 13/16 in. (14.8 cm), Ivory needle

The Actor Ichimura Uzaemon VIII 1699–1762 as a Woman with Parasol, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/8 in. (30.8 cm); W. 5 3/4 in. (14.6 cm), Prints, Torii Kiyomasu I (Japanese,

Statuette of a lion, 3, Greek, Laconian, Lead, Height: 1 1/16 in. (2.7 cm), Miscellaneous-Lead

[Temple of Antonius and Faustina, San Lorenzo in Miranda, Rome], 1850s, Salted paper print from paper negative, Photographs, Attributed to Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England

'Favereau', 1920, French, leather, wood

Windowpane, 1833–36, Made in Wheeling, West Virginia, United States, American, Pressed glass, H. 7 x 5 in. (17.8 x 12.7 cm), Glass, Glasshouse of John and Craig Ritchie

Chisel, Roman, Bronze, bone, Other: 3 5/8 in. (9.2 cm), Bronzes