Images at Librifly

Glass alabastron (perfume bottle), Hellenistic, 2nd–mid-1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 4 3/8 in. (11.1 cm), Glass, Translucent cobalt blue, with one handle in dark almost opaque brownish

Ear probe, Cypriot, Bronze, Other: 6 1/2in. (16.5cm), Bronzes, The sharp end of the ear probe was used to instill liquids into the ear. A large ball of wool saturated with the liquid medicament was wrapped around the middle of the probe. By

Side chair (one of a pair), Attributed to Richard Roberts (British, active 1714–29), ca. 1715, British, Beech and oak veneered with burl walnut, parcel-gilt; covered in silk velvet, H. 41 3/4 x W. 25 x D. 29 in. (106 x 63.5 x 73.7 cm),

Bust of Patroclus, August 9, 1843, Salted paper print from paper negative, 14.9 x 14.5 cm (5 7/8 x 5 11/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

冨嶽三十六景　常州牛掘, Ushibori in Hitachi Province (Jōshū Ushibori), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color

Personification of the River Nile, ca. 1785–95, Italian, Rome, Hard-paste biscuit porcelain, Overall (confirmed): 11 7/8 × 23 1/8 × 11 5/8 in. (30.2 × 58.7 × 29.5 cm), Ceramics-Porcelain, Giovanni Volpato (Italian, Bassano 1732–1803

Fontainebleau, chemin sablonneux montant, ca. 1856, Albumen silver print from glass negative, Image: 29.9 x 37.7 cm (11 3/4 x 14 13/16 in.), Photographs, Gustave Le Gray (French, 1820–1884), Le Gray returned to the Forest of Fontainebleau

Glass pendant shaped like a jug, Late Imperial, 4th–early 5th century A.D., Roman, Glass; rod-formed, tooled, and trailed, H.: 1 3/8 in. (3.5 cm), Glass, Translucent deep green, appearing black, with handle in same color; trail in opaque

Pair of Snaphaunce Pistols, ca. 1690, Bargi, Italian, Bargi, Steel, silver, wood (ebony), L. of each pistol 21 1/2 in. (54.7 cm); L. of each barrel 15 in. (38.2 cm); Cal. of each barrel 1/2 in. (13 mm), Firearms-Pistols-Snaphaunce,

Bowl with foot, 4th century B.C., Etruscan, Terracotta; black-glaze, H. 5.59 cm. Diameter 13.79 cm., Vases

Low Tide, Riverside Yacht Club, 1894, Oil on canvas, 18 x 24 in. (45.7 x 61 cm), Paintings, Theodore Robinson (1852–1896), This work is one of a series of coastal scenes painted by Theodore Robinson at Cos Cob, Connecticut, a popular

Mrs. F. H. Evans, ca. 1901, Platinum print, Image: 6 3/4 × 5 15/16 in. (17.1 × 15.1 cm), Photographs, Mounted by Frederick H. Evans (British, London 1853–1943 London

Looking Down Yosemite Valley, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Glass cylindrical jug, Imperial, 1st–3rd century A.D., Roman, Glass; blown, H.: 5 11/16 in. (14.4 cm), Glass, Translucent blue green, with same color handle. Rim folded out, up, and in, with flattened upper surface and lip around mouth;

Alabaster alabastron (perfume vase), Archaic or Classical, 6th–4th century B.C., Cypriot, Gypsum (alabaster), H. 5 3/8 x 1 7/8 in. (13.7 x 4.8 cm), Miscellaneous-Stone Vases, There are two lugs on the body and a wide, slightly convex lip

南宋 楊皇后 楷書薄薄殘妝七絕 團扇冊頁 絹本, Quatrain on spring’s radiance, Southern Song dynasty (1127–1279), early 13th century, China, Round fan mounted as an album leaf; ink on silk, Image: 9 1/8 x 9 5/8 in. (23.2 x

Group of Six Geisha Under the Cherry Trees on Gotenyama, Edo period (1615–1868), ca. 1785, Japan, Diptych of polychrome woodblock prints; ink and color on paper, Each sheet: 15 1/4 x 10 1/4 in. (38.7 x 26 cm), Prints, Torii Kiyonaga

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Overall: 4 7/8in. (12.4cm), Glass, Colorless with pale blue green tinge. Rim folded out, over, and in, flattened on top; cylindrical neck with tooling marks

Red jasper ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Jasper, red, Length: 11/16 in. (1.7 cm), Gems, Pan with syrinx and staff dancing before mask and tree

Landscape, Ming (1368–1644)–Qing (1644–1911) dynasty, dated 1558, China, Handscroll; ink and color on paper, Image: 7 1/16 × 48 1/2 in. (17.9 × 123.2 cm), Paintings, In the Style of Wen Boren (Chinese, 1502–ca.1575

Bronze statuette of a man, Archaic, late 6th century B.C., Greek, Arcadian, Bronze, H.: 4 1/16 in. (10.3 cm), Bronzes, He wears a tunic, a conical cap and shoes

Creampot, 1755–70, Made in Boston, Massachusetts, United States, American, Silver, Overall: 3 11/16 x 3 7/8 in. (9.4 x 9.8 cm); 2 oz. 16 dwt. (87.3 g), Silver, Benjamin Burt (American, Boston, Massachusetts 1729–1805 Boston,

Head of a female figure, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, H. 1 5/8 x W. 1 7/16 in. (4.2 x 3.6 cm), Ivory/Bone-Sculpture, Carved in the round, this female head was found in the Burnt

Skirt panel, 1749, British, Spitalfields, Silk, 37 × 20 in. (94 × 50.8 cm), Textiles-Woven

Three Arhats (Luohans), Ming dynasty (1368–1644), 16th–17th century, China, Wood (willow) with traces of pigment and gilding, single-woodblock construction, H. 22 1/4 in. (56.5 cm); W. 22 in. (55.9 cm); D. 7 in. (17.8 cm), Sculpture, With

Interior Scene in the Yoshiwara, Edo period (1615–1868), ca. 1680, Japan, Woodblock print; ink on paper, 10 1/8 x 15 1/5 in. (25.7 x 38.6 cm), Prints, Hishikawa Moronobu (Japanese, died 1694), In this unobstructed view, courtesans are

Pitcher, 1800–1810, Probably made in Merseyside, Liverpool, England, British (American market), Earthenware, transfer-printed, H. 9 1/2 in. (24.1 cm), Ceramics, Liverpool produced many transfer-printed ceramics with patriotic imagery for

The Foundry, 1870s–80s, Albumen silver print from glass negative, Image: 36.6 x 47.9 cm (14 7/16 x 18 7/8 in.), Photographs, Louis Lafon (French, active 1870s–90s

Design for triple lancet window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, red and black ink, and graphite on paper mounted on board within original double matt, Overall: 25 5/8 x 20 7/8

Stieglitz and Emmy, 1907, Autochrome , 13.2 x 18 cm, Transparencies, Frank Eugene (American, New York 1865–1936 Munich), Eugene's strong painting background and expertise in printing were patently evident in the Pictorialist photographs he

Fragment, 3rd–4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 9 in. high 8.25 in. wide (22.86 cm high 20.95 cm wide), Textiles

Limestone votive relief fragment of a seated deity with an inscribed dedication to Apollo, Hellenistic, 3rd century B.C., Cypriot, Limestone, H. 3 3/8 in. (8.6 cm); W. 6 1/2 in. (16.5 cm), Cesnola Inscriptions, Inscribed 'Onasioros dedicated

Fragmentary alabaster stemmed bowl, Late Bronze Age, 1600–1200 B.C., Cypriot, Gypsum (alabaster), H. 2 1/8 x 4 3/4 in. (5.4 x 12.1 cm), Miscellaneous-Stone Vases, The bowl is ribbed horizontally; the spaces in between are concave

遊女と新造, Courtesan and Shinzō, Edo period (1615–1868), 1725–1770, Japan, Polychrome woodblock print; ink and color on paper, 11 1/4 x 8 1/2 in. (28.6 x 21.6 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Evening View of Kiribata in Rain at Akasaka, Edo period (1615–1868), 1859, Japan, Polychrome woodblock print; ink and color on paper, 14 3/4 x 10 in. (37.5 x 25.4 cm), Prints, Utagawa Hiroshige II (Japanese, 1829–1869

Fragment of a limestone relief with enthroned couple, Late Classical or Hellenistic, 4th–3rd century B.C., Greek, South Italian, Tarentine, Limestone, Overall: 13 x 14 1/4 x 3 3/4in. (33 x 36.2 x 9.5cm), Stone Sculpture, The scene

Fragmentary gaming board: game of 58 holes, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory, 1 11/16 x 2 5/8 x 3/16 in. (4.3 x 6.6 x 0.6 cm),

Furniture plaque: deer, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory (hippopotamus), 1.89 x 2.93 in. (4.8 x 7.44 cm), Ivory/Bone-Reliefs, This

Terracotta skyphos (deep drinking cup), Cypro-Geometric III–Cypro-Archaic I, 1st half of 8th century B.C., Cypriot, Terracotta, H. 3 1/2 in. (8.9 cm); diameter 5 11/16 in. (14.5 cm), Vases, This skyphos is probably a Cypriot imitation of an

Pitcher, 1828–38, Made in Philadelphia, Pennsylvania, United States, American, Porcelain, H. 7 1/8 in. (18.1 cm), Ceramics

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 1/2 × 9 1/2 in. (34.3 × 24.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Beaker, 15th century, German, Glass, Overall: 4 5/8 x 2 15/16 in. (11.7 x 7.4 cm), Glass-Vessels, While not created for religious use, glass vessels of this type were sometimes used at the Seder, as illustrations from medieval manuscripts

Sazai Hall at the Temple of the Five Hundred Arhats (Gohyaku Rakanji Sazaidō), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　五百らかん寺さざゐどう, Edo period (1615–1868), ca. 1830–32,

Newhaven Fishwives, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Glass monochrome dish fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast and cut, Other: 1 5/16 x 1 11/16 in. (3.4 x 4.3 cm), Glass, Fragment of large dish. Opaque red. Flat interior; on exterior,

雪月花　木曽路之山川, Kiso Gorge in the Snow, Edo period (1615–1868), Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 x 29 5/8 in. (35.6 x 75.2 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Bronze chariot inlaid with ivory, Archaic, 2nd quarter of the 6th century B.C., Etruscan, Bronze, ivory, total H. 51 9/16 in. (130.9 cm), Bronzes, Scenes from the life of the Greek hero Achilles The Acquisition In 1902, a landowner working

Glass bowl fragment with erotic scenes, Early Imperial, Augustan, end of 1st century B.C.–beginning of 1st century A.D., Roman, Glass; cast in a two-part mold, Overall: 2 3/16 x 1 1/4in. (5.6 x 3.2cm), Glass, Opaque white., Thick

Thomas Kitchenham Staveley, M.P. Ripon, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Cassia Tree, Qing dynasty (1644–1911), China, Album leaf; ink and color on paper, 8 1/8 x 12 in. (20.6 x 30.5 cm), Paintings, Unidentified Artist, After Yun Shouping (Chinese, 1633–1690

Kitab suwar al-kawakib al-thabita (Book of the Images of the Fixed Stars) of al-Sufi, 18th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 9 13/16 in. (24.9 cm), Codices

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 2 9/16in. (6.5cm), Glass, Translucent pale blue green. Rim folded out, over, and in, flattened on top; tall neck, slightly triangular in

Small Cabinet and Sword Stand, Edo period (1615–1868), probably 1816, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 5/8 x 7 9/16 in. (14.3 x 19.2 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca.

Limestone votive ear, Late Classical–Hellenistic, 4th–3rd century B.C., Cypriot, Limestone, H. 2 1/4 in. (5.7 cm), Cesnola Inscriptions, On the lobe are five syllabic signs, the meaning of which is not evident. The right ear is

Dish with Two Fighting Lions, ca. 1635, Made in Iran, possibly Mashhad, Stonepaste; incised and painted under transparent glaze, H. 3 1/4 in. (8.3 cm), Ceramics, In the second quarter of the seventeenth century, Chinese blue-and-white

Glass bowl, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, H.: 2 9/16 in. (6.5 cm), Glass, Translucent golden brown. Rounded vertical rim; sides tapering downward, then curved in to slightly

Le deux roses, 1860s, Albumen silver print from glass negative, 5.1 x 8.6 cm. (2 x 3 3/8 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Night Rain at Karasaki, Edo period (1615–1868), early 18th century, Japan, Polychrome woodblock print; (beni-e); black, red and green on paper, 12 1/2 x 6 1/8 in. (31.8 x 15.6 cm), Prints, Torii Kiyomasu II (Japanese, 1706–1763), This

The Third Otani Hiroji as a Samurai of High Rank Standing in a Room, Edo period (1615–1868), ca. 1774, Japan, Polychrome woodblock print; ink and color on paper, 12 11/16 x 5 7/8 in. (32.2 x 14.9 cm), Prints, Katsukawa Shunshō (Japanese,

Design of Morning–glory and Other Flowers, Edo period (1615–1868), Japan, Polychrome woodblock print (album leaf); ink and color on paper, H. 10 in. (25.4 cm); W. 14 7/16 in. (36.7 cm), Prints, Ogata Kōrin (Japanese, 1658–1716

Glass pendant shaped like a jar, Late Imperial, 3rd–4th century A.D., Roman, Glass; rod-formed and tooled, H.: 13/16 in. (2.1 cm), Glass, Uncertain color, appearing opaque black; loop and base in same color., Squat globular body; flat pad

Sausalito from the N.P.C.R.R. Wharf, Looking South, ca. 1868, Albumen silver print from glass negative, 9.8 x 9.5cm (3 7/8 x 3 3/4in.), Photographs, Eadweard Muybridge (American, born Britain, 1830–1904

Banded agate ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Agate, banded, Length: 5/8 in. (1.6 cm), Gems, Ares The inscription lightly scratched in the field is not ancient

Knife Coin, Han dynasty (206 B.C.–A.D. 220), China, Bronze, L. 7 1/4 in. (18.4 cm), Metalwork

Vue de la partie de la Maladetta et des montagnes du haut du port de Vénasque, 1853, Salted paper print from paper negative, Image: 9 5/8 × 14 3/16 in. (24.4 × 36 cm), Photographs, Joseph Vigier (French, 1821–1862

Photographic Study, early 1860s, Albumen silver print from glass negative, 20.1 x 14.4 cm (7 15/16 x 5 11/16 in.), Photographs, Clementina Hawarden (British, 1822–1865), Clementina, Lady Hawarden, is a poetic, if elusive, presence among

Buckle, Bronze, Other: 1 7/16 in. (3.7 cm), Bronzes

Piede de Judith, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Twenty-four-light chandelier (lustre) (one of a pair), ca. 1790, French, Gilt bronze, rock crystal, H. 62 x W. 45 in. (157.5 x 114.3 cm), Metalwork-Gilt Bronze, Numerous entries in the account book for the period 1748–58 of the

Basin, 14th century, Attributed to Syria, Glass; enameled, H. 6 1/2', Glass

Hilt of a Weapon, Eastern Javanese period, last quarter of the 10th–last quarter of the 15th century, Indonesia (Java), Gold, 2 5/8 × 2 3/8 × 1 1/8 in. (6.7 × 6 × 2.9 cm), Metalwork

Terracotta vase with relief decoration, Hellenistic, 1st half of the 2nd century B.C., Greek, South Italian, Tarentine, Terracotta, H. with lid 21 in. (53.4 cm), Vases, Erotes, Athena, Nike, and lyre-players During the third century B.C.,

Street Scene in the Yoshiwara, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, 10 1/2 x 16 in. (26.7 x 40.6 cm), Prints, Hishikawa Moronobu (Japanese, died 1694

St. Andrews, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Glass jug, Late Imperial, 3rd–4th century A.D., Roman, Rhenish, Glass; blown and trailed, H.: 4 1/4 in. (10.8 cm), Glass, Translucent deep cobalt blue; handle, trail, and base ring colorless with green tinge. Rim partially folded over and

[View of the Seine, Paris], 1857, Albumen silver print from glass negative, Image: 38.5 x 50.9; Mount: 49.5 x 60.7, Photographs, Gustave Le Gray (French, 1820–1884), Le Gray was the central figure in French photography of the 1850s—an

Limestone head of Apollo, Hellenistic, 1st century B.C., Cypriot, Limestone, Overall: 10 1/8 x 7 x 6 1/2 in. (25.7 x 17.8 x 16.5 cm), Stone Sculpture, Young male with wreath of leaves

Ewer with Calligraphic Band, 12th century, Attributed to Iran, Bronze; cast relief, engraved, inlaid with silver, Gr. H. 11 5/8 in. (29.52 cm), Metal, Traces of silver in the incisions of the calligraphic bands make this ewer one of the

Courtesan Leaning on the Railing of a Veranda, Edo period (1615–1868), probably 1816, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 5/8 in. (14 x 19.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Bronze head of a youth, Classical, 3rd quarter of the 5th century B.C., Greek, Bronze, 3 1/8 in. (7.9 cm), Bronzes

Troops at Rest, ca. 1725, Oil on canvas, 21 1/4 x 25 3/4 in. (54 x 65.4 cm), Paintings, Jean-Baptiste Joseph Pater (French, Valenciennes 1695–1736 Paris), The imaginary setting comprises delicately painted trees, a ruined tower, and an

Tureen, 1757–58, French, Sèvres, Soft-paste porcelain, Overall: 9 5/8 x 11 1/8 x 8 3/8 in. (24.4 x 28.3 x 21.3 cm), Ceramics-Porcelain, The curvilinear forms of this tureen and the asymmetry of the gilding reflect the characteristic

Porringer, ca. 1800, Possibly made in Newburyport, Massachusetts, United States; Possibly made in Boston, Massachusetts, United States, American, Silver, Overall: 1 7/8 x 8 1/8 in. (4.8 x 20.6 cm); 8 oz. 3 dwt. (253.1 g), Silver, Ebenezer

Karnak (Thèbes), Palais - Salle Hypostyle - Colonnade Centrale - Chapiteaux, 1851–52, printed 1853–54, Salted paper print from paper negative, 30.3 x 25.4 cm. (11 15/16 x 10 in.), Photographs, Félix Teynard (French, 1817–1892

Suit, ca. 1780, American, linen, silk, cotton

A Girl Brings a Love Letter to Another Girl Under a Pine-Tree, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 26 1/8 x 4 3/4 in. (66.4 x 12.1 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca.

Spearhead (Mdung Rtse), 17th–18th century, Tibetan, Iron, gold, silver, L. 18 1/4 in. (46.4 cm), Shafted Weapons, This spearhead was probably made for use by an oracle, or in another ceremony or ritual involving the propitiation of a

Vase with Nine Peaches, Qing dynasty (1644–1911), Qianlong mark and period (1736–95), China, Porcelain painted with colored enamels over a transparent glaze (Jingdezhen ware), H. 20 1/8 in. (51.1 cm), Ceramics

Portrait of a Woman before a Window, before 1860, Cut paper against a lithographic background, sheet: 14 1/2 x 12 in. (36.8 x 30.5 cm), Cut Paper, Attributed to William Henry Brown (American, Charleston, South Carolina 1808–1883 Charleston,

Bottle, 1926, Made in Mid-Atlantic United States, Syracuse, New York, United States, Porcelain, H. 14-1/4 inches, Ceramics-Porcelain

Abbaye aux Dames et Hospice, Caen, 1852–54, Salted paper print from glass negative, 25.8 x 34.4 cm (10 3/16 x 13 9/16 in. ), Photographs, Edmond Bacot (French, 1814–1875

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Overall: 4 3/16in. (10.7cm), Glass, Colorless with pale blue green tinge. Rim folded out, round, and up, with vertical lip; cylindrical neck, slightly tooled in

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 15/16 in. (1.7 x 2.4 cm), Glass, Translucent purple, cobalt blue, opaque white, yellow, and colorless., Convex

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 2 5/16in. (5.9cm), Glass, Translucent pale yellow green. Rim folded out, over, and in, flattened on top; cylindrical neck with tooling indent

Fragment, 4th century, Made in Egypt, Wool, linen; tapestry weave, 6 3/16 in. high 3 1/8 in. wide (15.7 cm high 8 cm wide), Textiles

西洋風の懐中時計, Edo period (1615–1868), dated 1823, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 11/16 x 6 1/4 in. (19.5 x 15.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Cuneiform tablet: private letter, Middle Bronze Age–Old Assyrian Trading Colony, ca. 20th–19th century B.C., Anatolia, probably from Kültepe (Karum Kanesh), Old Assyrian Trading Colony, Clay, 5.3 x 5 x 2 cm (2 1/8 x 2 x 3/4 in.),

Glass bowl, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 1 7/16 in. (3.7 cm), Glass, Translucent greenish yellow. Rim folded out and down, forming rounded, partially tubular collar to mouth with inner lip; bulging sides

Les ponts du fleurs du chien, ca. 1880, Albumen silver print, Photographs, Félix Bonfils (French, 1831–1885

Sard seal from a gold ring, Classical, ca. 400 B.C., Greek, Sard, L. 1.5 cm, Gems, Herakles wrestling the Nemean lion