Images at Librifly

Plate with Wife Beating Husband, ca. 1480, Made in Dinant or Malines, Netherlands, Netherlandish, Copper alloy, wrought, Overall: 3 7/8 x 20 1/4 in. (9.8 x 51.5 cm), Metalwork-Copper alloy, The scene on this copper plate is usually thought

Snuffbox, Jean Ducrollay (French, born 1709, master 1734, recorded 1760), 1754–55, French, Paris, Gold, enamel, lacquer shell, inlaid (piqué) with gold, Overall: 1-9/16 x 3-1/8 x 2-1/4 in. (4 x 7.9 x 5.7 cm), Metalwork-Gold and

Head of an Angel, ca. 1250, French, Limestone, Overall: 11 9/16 x 10 1/4 x 10 1/2 in. (29.3 x 26.1 x 26.7 cm), Sculpture-Stone, This head of an angel with glorious locks of hair is closely related to sculpture on the transepts of the Cathedral

Wall painting fragment with Gorgon mask, Early Imperial, Julio-Claudian, ca. A.D. 14–68, Roman, Fresco, L. 8 in (20.3 cm), Miscellaneous-Paintings, This fragment with its rich and ornate design, comprising a Gorgon mask, a gold-colored

Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 15 1/8 in. (25.4 × 38.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Helmet, 16th century, Istanbul, Turkish, Iron, H. including nasal 13 5/8 in. (34.6 cm); H. excluding nasal 9 5/8 in. (24.4 cm); W. 8 1/2 in. (21.6 cm); D. 9 1/4 in. (23.5 cm); Wt. 2 lb. 13.6 oz. (1292.7 g), Helmets

Ocarina, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; Gayraca style, Ceramic, Length (Approximate): 3 in. (7.6 cm), Aerophone-Whistle Flute-vessel flute

Bronze phallic amulet, Imperial, 1st century A.D., Roman, Bronze, W. 3 1/8 in. (7.95 cm.), Bronzes, This pendant is in the form of a double phallus with a phallus and scrotum hanging beneath the very large central ring. Its form is common for

Inkstand, 1710–20, Made in Boston, Massachusetts, United States, American, Silver, Overall: 4 1/8 x 6 1/2 in. (10.5 x 16.5 cm); 23 oz. 14 dwt. (736.7 g), Silver, John Coney (1655/56–1722), This rare triangular inkstand on cast lion’s

Revenge of the Taira Warriors, Edo period (1615–1868), 1843–47, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Oban triptych:, Each H. 14 3/4 in. (37.5 cm); W. 9 7/8 in. (25.1 cm), Prints, Utagawa Kuniyoshi

The Actors Ichikawa Danjuro I (right) 1660–1704 and Nakamura Denkuro II (left) 1719–1777 in Unidentified Roles, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 12 3/4 in. (32.4 cm); W. 8 15/16 in. (22.7

Bronze plaque, Late Imperial, ca. A.D. 247, Roman, Bronze, H.: 4 x 5 in. (10.2 x 12.7 cm), Bronzes, The inscription names a senior Vestal Virgin, Flavia Publicia, and may be a grant of exemption to a horse or bull from use in harness for

The Writer Santō Kyōden (a.k.a. Kitao Masanobu), Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, 15 3/8 x 10 1/4 in. (39.1 x 26 cm), Prints, Rekisentei Eiri (Japanese, active ca. 1789–1801

Lead figure of a goddess with spear and aegis, possibly Athena, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 5/8 in. (4.2 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great

Courtesan for the Third Month, Edo period (1615–1868), ca. 1714, Japan, Polychrome woodblock print (sumizuri-e); ink and color on paper, 22 1/4 x 12 in. (56.5 x 30.5 cm), Prints, Kaigetsudō Dohan (active 1710–16), Several artists with

Leaders of the Pacification of the Kagoshima Rebels Celebrating with Cups of Wine from the Emperor (Kagoshima zokuto chinsei ni yotte shoshō tenhai chōdai no zu), 『鹿児島賊徒鎮静依諸将 天杯頂戴之図』, Meiji period

Glass alabastron (perfume bottle), Hellenistic, 2nd–mid 1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 5 1/16 in. (12.8 cm), Glass, Translucent deep purple, with lighter, reddish streaks; handles in

北齊 彩繪石雕觀音菩薩像（砂岩）, Bodhisattva, probably Avalokiteshvara (Guanyin), Northern Qi dynasty (550–577), ca. 550–560, China, Sandstone with pigment, H. 13 ft. 9 in. (419.1 cm); H. with base 14 ft. 9 in. (449.6 cm),

Ukiyoe Ga, The Beauty of the Floating World, Edo period (1615–1868), 1780–1795, Japan, Polychrome woodblock print; ink and color on paper, 15 x 10 in. (38.1 x 25.4 cm), Prints, Katsukawa Shunchō (Japanese, active ca. 1783–95

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 x 1 3/8 in. (2.5 x 3.5 cm); estimated diam. of rim 3 5/8 in. (9.2 cm), Glass, Thin-walled rim fragment., Translucent

Mlle. Jeanne tellement tremblante que le photographe ne peut pas fixer les yeux, 1854–56, Salted paper print from paper negative, Image: 8 9/16 × 6 7/8 in. (21.8 × 17.5 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French,

Handle of a bowl, Cypriot, Bronze, Other: 2 3/4in. (7cm), Bronzes

東海道五十三次之内　金谷　大井川遠岸, Kanaya, Oigawa Em Gan, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/8 in. (24.1 x 35.9 cm), Prints, Utagawa Hiroshige

Micaceous shist whetstone or polisher, Late Bronze Age or earlier, ca. 1600–1050 B.C. or earlier, Cypriot, Micaceous schist, Overall: W.:5/8 x L.:2 3/8 x T.:5/8 in. (1.6 x 6 x 1.6 cm), Miscellaneous-Stone, Polisher

Terracotta ring askos (flask with a spout and handle over the top), Archaic, 6th century B.C., Lydian, Terracotta, 2 3/4in. (7cm), Vases, White lines around body

Pottery Whistle, date uncertain, Colombia or Costa Rica, probably Tairona, Clay, D. 1.7 cm (11/16 in.); W. 2.6 cm (1-1/16 in.); H. 4.4 cm (1-11/16 in.); Wt. 10 g, Aerophone-Whistle Flute-whistle

Portrait of a Woman, Oil on canvas, 77 1/4 x 51 3/4 in. (196.2 x 131.4 cm), Paintings, Michael Dahl (Swedish, Stockholm 1659–1743 London

Thomas Middleton, ca. 1752–58, Watercolor on ivory, 1 1/2 x 1 in. (3.8 x 2.5 cm), Paintings, Mary Roberts (died 1761 Charleston, South Carolina), The English émigré Mary Roberts was the first known miniaturist in the American colonies. She

Overmantel, ca. 1811, Made in Petersburg, Virginia, United States, American, Wood, composition ornament, 43 1/4 x 52 in. (109.9 x 132.1 cm), Architecture

Glass mosaic bowl, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, probably Italian, Glass; cast, H. 1 5/16 in. (3.3 cm); diameter 3 1/2 in. (8.9 cm), Glass, Translucent cobalt blue and opaque white. Upright rim with

戰國 嵌紅銅青銅壺, Wine Container (Hu), Eastern Zhou dynasty, Warring States period (475–221 B.C.), 5th century B.C., China, Bronze inlaid with copper, H. 17 1/2 in. (44.5 cm), Metalwork, During the Eastern Zhou period, vessel

Bowl with foot, 4th century B.C., Etruscan, Terracotta; black-glaze, H. 5.69 cm. Diameter 13.59 cm., Vases

Banded chalcedony scarab, late 4th century B.C., Etruscan, Chalcedony, banded, H.: 3/8 x 5/16 in. (1 x 0.8 cm), Gems, Stag and fish

[Soldier Aiming Rifle], 1880s–90s, Gelatin silver print, Photographs, Unknown (French

Three Young Women Strolling on the Bank of the Sumida River, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/16 in. (38.3 cm); W. 9 7/8 in. (25.1 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

東海道五十三次之内　岡部　宇津の山之図, Okabe, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 9 1/8 x 13 23/32 in. (23.2 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese,

Arco di Giano, 1848–52, Albumen print from glass negative, Image: 8 11/16 × 11 5/16 in. (22 × 28.7 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

Dish with Carved Decoration of Character for Longevity (Shou), Qing dynasty (1644–1911), Yongzheng period (1723–35), 18th century, China, Porcelain with celadon glaze, H. 1 3/8 in. (3.5 cm); Diam. of rim 6 3/8 in. (16.2 cm); Diam. of foot:

Buckle, Bronze, Other: 1 5/8 in. (4.1 cm), Bronzes

Terracotta squat lekythos (oil flask), Classical, ca. 470–460 B.C., Greek, Attic, Terracotta; red-figure, H. 5 3/8 in. (13.7 cm); diameter 3 9/16 in. (9 cm), Vases, Woman playing a lyre. The alabastron (perfume vase) suspended in the

Jérusalem, Côté Est de Jérusalem, 1854, Salted paper print from paper negative, Image: 22.6 x 32.2 cm (8 7/8 x 12 11/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Lily, Violets, Cherry Blossoms, Forsythia, and a Branch of Red Maple, Edo period (1615–1868), 18th–19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 11/16 x 7 1/16 in. (19.5 x 17.9 cm), Prints,

The First Ichikawa Komazo as a Man Standing beside a Building, Edo period (1615–1868), 1770 or 1771, Japan, Polychrome woodblock print; ink and color on paper, 12 5/16 x 5 13/16 in. (31.3 x 14.8 cm), Prints, Ippitsusai Bunchō (Japanese,

Hanging Tobacco Set, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 5/8 x 10 7/8 in. (19.4 x 27.6 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Bronze statuette of a man working, Classical, 5th century B.C., Greek, Bronze, H.: 1 1/2 x 13/16 x 3/4 in. (3.8 x 2.1 x 1.9 cm), Bronzes

Vase fragment, Geometric, ca. 1100–700 B.C., Greek, Laconian, Terracotta, 1 11/16 × 1 11/16 × 1/8 in. (4.3 × 4.3 × 0.4 cm), Vases

Young Pine Tree and Jeweled Broom, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 5/8 x 7 11/16 in. (14.3 x 19.5 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Alabaster alabastron (perfume vase), Archaic or Classical, 6th–5th century B.C., Cypriot, Calcite (alabaster), H. 5 3/8 in. (13.6 cm), Miscellaneous-Stone Vases, The body is extremely globular. The absence of the foot, the out-turned lip,

Two Famous Wrestlers Onogawa and Tanikase, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 5 3/4 in. (14.6 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Bethel, ca. 1857, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Terracotta pelike (jar), Late Classical, ca. 360–340 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, 9 1/4 × 6 1/2 in. (23.5 × 16.5 cm), Vases, Obverse, Eros, Amymone, and Poseidon. Reverse, woman and two youths. Amymone

Terracotta statuette base, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 1 5/16 in. (3.3 cm), Terracottas, For statuette

Furuichi Dance (No. 3 of a Set of Four), Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 3/8 in. (21.1 x 18.7 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Limestone head of a wreathed youth, Classical, 4th century B.C., Cypriot, Limestone, Overall: 7 1/4 x 5 1/4 x 6 1/2 in. (18.4 x 13.3 x 16.5 cm), Stone Sculpture, This head is noteworthy for its fine execution and for the remnants of color in

The Lewitha, 1853–56, Albumen silver print, Image: 19.4 × 23.9 cm (7 5/8 × 9 7/16 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

[Tomb of Khan of Khiva, Uzbekistan], 1840s–60s, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Pair of gold earrings with disk and pendant clustered spheres, Imperial, 2nd–3rd century A.D., Roman, Gold, Other: 1 3/4 in. (4.5 cm), Gold and Silver, Convex disks and pyramids of balls

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 3/16 x 1 3/16 in. (3 x 3.1 cm); estimated diam. of base 3 1/8 in. (8 cm), Glass, Base ring fragment, probably from a deep,

Manuscript Illumination with the Holy Women at the Tomb in an Initial A, from an Antiphonary, ca. 1490–1500, Made in Verona, Italy, Italian, Tempera, gold, and ink on parchment, Overall: 8 15/16 x 6 1/4 in. (22.7 x 15.9 cm), Manuscripts

Statuette of a woman, 4th century B.C., Etruscan, Bronze, H.: 6 3/8 x 2 1/4 x 1 1/16 in. (16.2 x 5.7 x 2.7 cm), Bronzes

Side Chair, 1815–20, Made in Baltimore, Maryland, United States, American, Maple, 34 x 20 5/8 x 22 1/4 in. (86.4 x 52.4 x 56.5 cm), Furniture, Attributed to John Finlay (active ca. 1799–1833), Attributed to Hugh Finlay (active ca.

[Statue of Lord Hardinge, Governor General of India], 1858–61, Albumen silver print, Image: 15.5 x 17.4 cm (6 1/8 x 6 7/8 in.), corners trimmed, Photographs, Unknown

Rising Sun and a Cock and a Hen, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/4 x 7 1/4 in. (19.7 x 18.4 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Bronze scalpel/dissector, Imperial, 1st–3rd century A.D., Roman, Cypriot, Bronze, Other: 6 1/4in. (15.9cm), Bronzes, The instrument is a typical example of a Graeco-Roman surgeon's scalpel. One end serves as a leaf-shaped dissector, while

Gold diadem, Classical, 4th century B.C., Cypriot, Gold, Other: 6 3/4 in. (17.1 cm), Gold and Silver, The gold foil of which the diadem is made indicates that its use was exclusively funerary. The repoussé decoration was evidently applied to

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Terracotta lantern, Imperial, ca. 2nd century A.D., Roman, Egyptian, Terracotta, H.: 4 7/16 in. (11.3 cm), Terracottas, Rectangular model of wayside shrine to be used as a lamp shelter

Life of Nichiren: A Vision of Prayer on the Waves, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13 3/4 in. (22.5 x 34.9 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861), The

Bronze statuette of a child with a bunch of grapes, Imperial, 1st–2nd century A.D., Roman, Bronze, H.: 2 1/4 in. (5.7 cm), Bronzes, Seated child holding grapes with both arms

Terracotta lamp, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Terracotta; mold-made, Overall: 4 3/4 x 11 11/16 in. (12.1 x 29.7 cm), Terracottas, Palmette and conventional decoration

Terracotta skyphos (deep drinking cup), Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; black-figure, H. 4 13/16 in (12.2 cm), Vases, Obverse, satyr with wineskin, Reverse, warrior in Scythian dress

Terracotta rhyton (vase for libations or drinking), Hellenistic, late 4th–early 3rd century B.C., Greek, South Italian, Apulian, Tarentine, Terracotta, H.: 6 1/8 in. (15.6 cm), Vases, The head is that of an Italic variety of Maltese dog.

Arashi Ryūzō I as Ishibe Kinkichi in the Play 'Hana Ayame Bunroku Soga', Edo period (1615–1868), 1794, Japan, Polychrome woodblock print; ink, color, white mica on paper, H. 14 1/2 in. (36.8 cm); W. 9 11/16 in. (24.6 cm), Prints,

Oscar Wilde, 1882, Albumen silver print, Image: 30.5 x 18.4 cm (12 x 7 1/4 in.), Photographs, Napoleon Sarony (American (born Canada), Quebec 1821–1896 New York), Napoleon Sarony, an acknowledged master of celebrity photographs, succeeded

Relief chalice rim fragment with a wedjat frieze and below that a Hathor sistrum head emerging from papyrus plants, Third Intermediate Period, Dynasty 21–24, ca. 1070–712 B.C., From Egypt, Faience, 4.2 cm (1 5/8 in

Tripod Vessel (Li Ding), Shang dynasty (ca. 1600–1046 B.C.), China, Bronze, H. (with handles) 7 3/8 in. (18.7 cm); Diam. 6 3/4 in. (17.1 cm), Metalwork

Left: Bird on Branch of a Cherry Tree; Right: Minamotono Yoshiié on Horseback, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono) in shape of a twofold screen; ink and color on paper, 8 1/4 x 7 3/8 in. (21 x 18.7 cm),

Sword (Shamshir) with Scabbard and Belt, hilt, scabbard, and belt, early 19th century; blade, A.H. 1162/A.D. 1748–49, Jaipur, Rajasthan; Lucknow, Uttar Pradesh, hilt, scabbard, and belt, Indian; blade, northern India, Steel, gold,

Glass hydriske (perfume bottle), Hellenistic, 3rd century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group II, H.: 2 1/4 in. (5.7 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque white and

River View, Down the Valley, Cathedral Rock on Left, 1861, Yosemite, Albumen silver print from glass negative, Image: 15 9/16 × 20 9/16 in. (39.5 × 52.2 cm), Photographs, Carleton E. Watkins (American, 1829–1916

Sioux Indians, 1880s–90s, Albumen silver print, Photographs, Unknown (American

River Landscape with Boatmen, Ming dynasty (?) (1368–1644), China, Fan mounted as an album leaf; ink on silk, 9 1/8 x 9 1/2 in. (23.2 x 24.1 cm), Paintings, Unidentified Artist, In the style of Xia Gui (Chinese, active ca. 1195–1230

Limestone saucer lamp, Classical ?, 5th century B.C. ?, Cypriot, Limestone, Overall: 1 7/8 × 2 3/4 × 4 7/8 in. (4.8 × 7 × 12.4 cm), Miscellaneous-Stone, The saucer lamp has an elongated concave nozzle and shows traces of fire

Poem on Growing Old, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold-patterned paper, 6 3/4 x 19 3/4 in. (17.1 x 50.2 cm), Calligraphy, Wang Ao (Chinese, 1450–1524

Gemellion with Coronation Scene, ca. 1250–75, Made in Limousin, France, French, Copper, wrought, gilt and Champlevé enamel, Overall: 10 1/8 x 1 7/8 in. (25.7 x 4.8 cm), Enamels-Champlevé, Gemellions, which appeared in the thirteenth

Tortoise figurine, Early Bronze Age, ca. late 3rd millennium B.C., Mesopotamia, Tell Taya, Ceramic, 0.91 x 1.3 x 2.01 in. (2.31 x 3.3 x 5.11 cm), Ceramics-Sculpture

Aigues-Mortes, ca. 1859, Albumen silver print from glass negative, Image: 29.6 x 43.2 cm (11 5/8 x 17 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Oiran and Attendants at the Ō Mon or Great Gate of the Yoshiwara, Edo period (1615–1868), ca. 1794, Japan, Triptych of polychrome woodblock prints (trimmed); ink and color on paper, 14 3/8 x 28 23/32 in. (36.5 x 73.0 cm), Prints, Chōbunsai

Limestone head of a warrior wearing a crested helmet, Classical, 5th century B.C.?, Cypriot, Limestone, Overall: 4 1/4 x 3 1/2 x 2 1/4in. (10.8 x 8.9 x 5.7cm), Stone Sculpture, Warrior wearing a crested helmet. A helmet of Chalcidian type with

Tama River in Musashi Province (Bushū Tamagawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　武州玉川, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color

Limestone statuette of a beardless male votary with a wreath of leaves, Late Classical–Early Hellenistic, late 5th or early 4th century B.C., Cypriot, Limestone, Overall: 18 7/8 x 5 x 1 3/4 in. (47.9 x 12.7 x 4.4 cm), Stone Sculpture, Young

Bracelet, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Diam.: 3 7/16 in. (8.7 cm), Bronzes

[Group Portrait of Six People], 1850s–60s, Albumen silver print from glass negative, Photographs, Franz Antoine (Austrian, 1814–1882

Casket, ca. 1680, Polish, Gdansk (Danzig), Amber, gold foil, gilt brass, wood, silk satin, paper, Overall: 11 13/16 × 13 × 8 1/4 in. (30 × 33 × 21 cm); Pedestal: 15 x 24 in. (38.1 x 61 cm), Natural Substances, During the Renaissance

Jérusalem, Forteresse de David (citadelle), Face Ouest, 1854, Salted paper print from paper negative, Image: 32.6 x 23.7 cm (12 13/16 x 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Panel from a Tent Lining (Qanat), 17th century, Attributed to India, Deccan, Cotton; plain weave, mordant dyed and painted, resist-dyed, Textile: L. 103 in. (261.6 cm), Textiles-Painted and/or Printed, The size, shape, and design of this

Faience amulet in the form of a hare, Late Dynastic–Hellenistic, 664–30 B.C., Egyptian, Clay, glazed, H.: 1 in. (2.5 cm), Gold and Silver, Amulets representing animals were attributed to a deity: a hawk for Ra, the Sun God, a lion for

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/16 x 7/8 in. (2.6 x 2.2 cm), Glass, Rim fragment. , Translucent cobalt blue, opaque white and yellow, and colorless.,

Terracotta lantern, Imperial, ca. 2nd century A.D., Roman, Egyptian, Terracotta, H.: 5 1/2 in. (14 cm), Terracottas, Surmounted by female bust; ring for suspension

Loch Katrine Pier, Scene of the Lady of the Lake, October 1844, Salted paper print from paper negative, Image: 17.5 x 21.1 cm (6 7/8 x 8 5/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), Talbot, the