Images at Librifly

Ptolémée-Cæsarion - Bas-relief du Temple de Kalabcheh (Talmis), April 8, 1850, Salted paper print from paper negative, Image: 8 7/8 × 6 9/16 in. (22.5 × 16.7 cm), Photographs, Maxime Du Camp (French, 1822–1894

Small stone axe, Neolithic, 5th–3rd millennium B.C., Greek Neolithic, Stone, L. 2 1/8 in. (5.4 cm.), Miscellaneous-Stone, Celt

The First Nakamura Nakazo as a Samurai, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, Hosoban 12 3/8 x 5 15/16 in. (31.4 x 15.1 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Lekythos, Archaic, 6th century B.C., Greek, Attic, Terracotta; black-figure, H. 10 3/8 in. (26.4 cm), Vases

La Toilette, 1870s, Albumen silver print from glass negative, 25.2 x 20.3 cm (9 15/16 x 8 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

[Heron Pond, Zoological Gardens, Brussels], 1854–56, Salted paper print from paper negative, Image: 18 × 21.2 cm (7 1/16 × 8 3/8 in.), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872

Terracotta relief plaque with head of Medusa, Hellenistic, 2nd century B.C., Greek, Terracotta; mold-made, H. 2 7/16 in. (6.2 cm.), Terracottas, Slightly chipped. A good deal of blue pigment remains on the throat, and a little above head

La Sposa Romana (Bride), ca. 1580, Engraving, Sheet: 9 1/16 x 6 5/16 in. (23 x 16 cm), Prints, Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571–1621

Bronze cinerary urn with lid, Archaic, ca. 500 B.C., Etruscan, Campanian, Bronze, H. 19 1/16 in. (48.5 cm), Bronzes, Large hammered-bronze urns, often with solid-cast figures on the lid, were frequently used for cremated remains in Etruscan

L'art de la coëffure des dames françoises, avec des estampes : où sont représentées les têtes coëffées, gravées sur les dessins originaux de mes accommodages, avec le traité en abrégé d'entretenir & conserver les cheveux naturels,

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 4 1/8 in. (10.5 cm), Glass, Colorless with greenish tinge. Small rim, folded out, over, and in; tall, cylindrical neck, tooled in at base; piriform body;

Pontoon Bridge, Across the Potomac, at Berlin, Maryland, November 1862, 1862, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Terracotta Megarian bowl, Hellenistic, ca. 165–150 B.C., Greek, Argive, Terracotta; mold made, h. 2 7/16 in. (6.2 cm); d. 4 3/8 in. (11.1 cm), Vases, inscribed 'of Demetrios' This bowl, like 98.8.26 nearby, is inscribed by the potter

Versailles, La Terre par Massou, 1922–23, Albumen silver print from glass negative, 21.7 x 17.6 cm. (8 9/16 x 6 15/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

[Two Women], 1852, Salted paper print from paper negative, Image: 8 1/4 × 6 1/8 in. (21 × 15.6 cm), Photographs, Ernest Benecke (German, born England, 1817–1894

Lower Harbour, Amoy, ca. 1869, Albumen silver print from glass negative, Image: 7 3/16 × 10 1/8 in. (18.2 × 25.7 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Vase fragment, Neolithic, Terracotta, 9/16 × 1 1/8 × 1 15/16 in. (1.4 × 2.9 × 5 cm), Vases

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Lintel with Carved Figures, Angkor period, ca. 921–945, Cambodia, Stone, H. 20 1/4 in. (51.4 cm); W. 49 in. (124.5 cm), Sculpture

Ceremonial Arrowhead, 1437–39, probably Prague, Bohemian, probably Prague, Steel, copper alloy, L. 10 7/8 in. (27.5 cm); W. 1 9/16 in. (4 cm); Wt. 14.4 oz. (410 g), Archery Equipment-Arrows & Quivers, Originally mounted on a wooden shaft,

ADance Party: Enjoying Cherry Blossom Viewing at Ueno(Tōbukai Ueno ōka yūran no zu), 『踏舞会 上野桜花観 遊ノ図』, Meiji period (1868–1912), March, 1887, Japan, Triptych of polychrome woodblock prints; ink and color on paper,

Candlestick (one of a pair), ca. 1775–80, British, Sheffield plate, Height: 12 1/4 in. (31.1 cm), Metalwork-Silverplate

Openwork furniture plaque with a cow suckling a calf, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1.73 x 3.19 x 0.59 in. (4.39 x 8.1 x 1.5 cm), Ivory/Bone-Reliefs, This fragmentary plaque

Jérusalem, Saint Sépulcre, Façade, 1854, Salted paper print from paper negative, Image: 33.3 x 23.7 cm (13 1/8 x 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

The Agony in the Garden, Oil on wood, 9 1/2 x 11 3/8 in. (24.1 x 28.9 cm), Paintings, Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome), This panel was originally part of the base (predella) of the Madonna and Child

Artisans, from the series 'An Up-to-Date Parody of the Four Classes', Edo period (1615–1868), 19th century, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Each 10 x 14 1/2 in. (25.4 x 36.8 cm), Prints, Utagawa

Terracotta two-handled bowl, Late Cypriot I-IIIA, ca. 1600–1150 B.C., Cypriot, Terracotta; White Slip Ware, H. 3 3/16 in. (8.1 cm); diameter 5 13/16 in. (14.8 cm), Vases, Loop handle, trough-spout, lattice and lozenge ornament

Terracotta statuette of a girl dancing, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 4 7/16 in. (11.3 cm), Terracottas, Right arm raised, left holding drapery

Two Plans for an Unidentified House, 1825–38, Graphite, sheet: 11 1/4 x 8 11/16 in. (28.6 x 22 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Jérusalem, Hospital de Sainte-Hélène, Intérieur, 1854, Salted paper print from paper negative, Image: 23 x 33 cm (9 1/16 x 13 in.), Photographs, Auguste Salzmann (French, 1824–1872

Plate, ca. 1800–1850, Made in Trenton, New Jersey, United States, American, Earthenware; Redware with slip decoration, H. 2 1/16 in. (5.2 cm); Diam. 11 1/2 in. (29.2 cm), Ceramics, Joseph McCully (American, 1757–1820), Joseph McCully

仏蘭西, French Photographer with His Wife, Edo period (1615–1868), 1861 (Bunkyu 1, 2nd month), Japan, Polychrome woodblock print; ink and color on paper, Oban tate-e, Prints, Utagawa Yoshikazu (Japanese, active ca. 1850–1870

Cuirass, dated A.H. 1192/ A.D. 1778–79, Hyderabad, Indian, Hyderabad, Steel, iron, textile (velvet), breastplate: H. 16 in. (40.6 cm); Wt. 3 lb. 13 oz. (1733 g); backplate: H. 18 1/4 in. (46.4 cm); Wt. 3 lb. 9 oz. (1620 g), Armor

Basketry Work: By the Craftsman Ichida Shōshichirō of Naniwa (Kagosaiku Naniwa saikujin Ichida Shōshichirō), 「籠細工　浪花細工人一田庄七郎」, Edo period (1615–1868), 1819, Japan, Polychrome woodblock print; ink and color

Terracotta shallow bowl, Bronze Age, ca. 3200–1050 B.C., Minoan, Terracotta; Plain coarse ware, wheel-made, H. 1 3/8 in. (3.5 cm); diameter 4 in. (10.2 cm), Vases, Characters inscribed on the base

Silver-gilt mouthpiece, Cypro-Archaic or Cypro-Classical, late 6th–5th century B.C., Cypriot, Gilded silver, Other: 3in. (7.6cm), Gold and Silver, Such objects were made for the tomb, to be placed on the mouth of the deceased

Patch Box, 1722, Made in Boston, Massachusetts, United States, American, Silver, Overall: 3/8 x 1 1/2 x 1 1/8 in. (1 x 3.8 x 2.9 cm); 8 dwt. (13.2 g), Silver, William Cowell Sr. (1682/83–1736

[Girl with a Sitar], 1850s, Albumen silver print, Image: 8.9 x 6.7 cm (3 1/2 x 2 5/8 in.), Photographs, Unknown

Glass bead, Late Imperial, ca. 3rd–5th century A.D., Roman, Glass; rod-formed and applied, Diam.: 1 7/16 in. (3.6 cm), Glass, Translucent deep blue green; blobs or crumbs in opaque white, red, yellow, and grey blue., Flattened doughnut

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Virgin and Child, ca. 1415–17, Made in Poligny, Burgundy, French, Limestone with paint and gilding, Overall: 53 3/8 x 41 1/8 x 27 in. (135.5 x 104.5 x 68.6 cm), Sculpture-Stone, Attributed to Claus de Werve (Netherlandish, active in

Glass mosaic perfume bottle, Early Imperial, 1st half of 1st century A.D., Roman, Glass; cast and blown, trailed, and tooled, Diam.: 4 in. (10.2 cm), Glass, Translucent deep cobalt blue, with translucent honey brown, opaque white, opaque

Qur'anic Compilation Page, ca. 1370, Possibly made in Iraq, Baghdad, Ink, gold, and opaque watercolor on paper, Text block: 14 7/16 x 10 1/2 in. (36.7 x 26.7 cm), Codices, The manuscript this folio comes from contains the five suras, or

Print, Edo period (1615–1868), ca. 1760, Japan, Polychrome woodblock print; ink and color on paper, H. 12 7/16 in. (31.6 cm); W. 5 3/4 in. (14.6 cm), Prints, Torii Kiyomitsu (Japanese, 1735–1785

Setmalar Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1630–40, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 13 1/4 x 9 3/4 in. (33.7 x 24.8 cm), Paintings, This ragini evokes the rainy season and

Buckle, Cypriot, Bronze, Other: 1 1/8in. (2.9cm), Bronzes

東京高輪鉄道蒸気車走行之図, Illustration of a Steam Locomotive Running on the Takanawa Railroad in Tokyo (Tōkyō takanawa tetsudō jōkisha sōkō no zu), Meiji period (1868–1912), ca. 1873, Japan, Triptych of polychrome

Chariot fragments, facings, Archaic, ca. 500–480 B.C., Etruscan, Bronze, 1: 3 1/2 × 5 3/4 in. (8.9 × 14.6 cm), Bronzes, Large collection of bronze and iron attachments once belonging to a chariot

Bois de Dattiers et de Doums, à Hamarneh, 1849–50, Salted paper print from paper negative, Image: 6 3/8 × 8 3/8 in. (16.2 × 21.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

近江八景之内　石山秋月, The Autumn Moon at Ishiyama on Lake Biwa., Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 9/16 in. (25.4 x 37.0 cm), Prints, Utagawa Hiroshige

Jug, miniature, Late Classical, 4th century B.C., Italic-Native, South Italian (Tarentine), Terracotta, H. 6.71 cm., Vases

The Flemish Picture Gallery, the Mansion of Thomas Hope, Duchess Street, Portland Place, 1830–51, Watercolor, sheet: 23 1/4 x 32 3/4 in. (59.1 x 83.2 cm), Robert William Billings (British, 1813–1874), In 1799 Thomas Hope, the famous

Spoon probe, Silver ? Bronze ?, 1/2 × 4 1/8 in. (1.2 × 10.5 cm), Gold and Silver

Necklace spiral, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Diam.: 1 7/8 in. (4.7 cm), Bronzes

Terracotta rim of a bowl, Late Neolithic, ca. 3800–3300 B.C., Dimini culture, Terracotta, length 4 7/16in. (11.2cm), Vases, From Thessaly. Dark lines on light ground

Statuette of a woman votary, 5 ?, ca. 700–500 B.C., Greek, Laconian, Lead, Height: 1 3/16 in. (2.9 cm), Miscellaneous-Lead

Terracotta oil lamp, Early Imperial, 2nd half of 1st century A.D., Roman, Terracotta; mold-made, 1 1/8 x 5 in. (2.9 x 12.7 cm), Terracottas, On the discus a winged Victory holds a shield inscribed with a New Year’s wish for happiness. Around

Kabuki Actor Morita Kan’ya VIII as the Palanquin-Bearer in the Play A Medley of Tales of Revenge (Katakiuchi noriaibanashi), 八代目守田勘弥の鴬の次郎作, Edo period (1615–1868), 5th month, 1794, Japan, Polychrome woodblock

Holy Family, ca. 1500, South German, Limewood with traces of paint and gilding, Overall: 31 7/8 x 19 11/16 x 7 3/4 in. (81 x 50 x 19.7 cm), Sculpture-Wood, Niclaus Weckmann (1481–1528), This engaging group of the Virgin and Child with Saint

Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 9 3/8 x W. 9 1/8 in. (23.9 x 23.2 cm), Textiles-Featherwork

Terracotta side-spouted jug, Early Minoan IIB, ca. 2600–2400 B.C., Minoan, Terracotta; Plain red ware, H. 5 in. (12.7 cm), Vases, Side beaked with one handle

Glass alabastron (perfume bottle), Hellenistic, 3rd–2nd century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 5 1/2 in. (14 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque yellow.

Lovers Leap, Foochow, ca. 1869, Albumen silver print from glass negative, Image: 9 3/16 × 11 1/8 in. (23.3 × 28.3 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Copy in reverse of an old woman with a rosary and a boy counting coins; plate 10 from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta, ca. 1750–90, Etching, Sheet (Trimmed): 13 1/8 × 10 9/16 in. (33.3 × 26.8 cm), Prints,

Alabaster squat lekythos, Classical, 5th–3rd century B.C., Cypriot, Calcite (alabaster), Overall: 5 1/4 x 3 1/2 x 3 1/2 in. (13.3 x 8.9 x 8.9 cm), Miscellaneous-Stone Vases, The globular body has a short, narrow neck

Arashi Sangoro as a Samurai Standing on the Veranda of a Great House, Edo period (1615–1868), 1774 or 1775, Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, 12 11/32 x 5 13/16 in. (31.4 x 14.8 cm),

Terracotta statuette of a draped woman, Hellenistic, 3rd century B.C., Greek, Boeotian, Terracotta, H.: 8 3/4 in. (22.2 cm), Terracottas, There is considerable color preserved in the lady's hair, and in her left hand, she holds a fan

Butterfly and Mask of Yakko (the footman of a samurai), 18th–19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 9/16 x 3 1/8 in. (14.1 x 7.9 cm), Prints, Ayaoka (Japanese, 18th–19th century

Terracotta one-handled cup, Middle Minoan I, ca. 2200–1900 B.C., Minoan, Terracotta; White-on-dark ware, H. 2 5/16 in. (5.9 cm.), Vases, On the body, festoons, dots, and horizontal bands. White-on-dark ware was the principle fine ware of

Caster, ca. 1780, Made in South Kingstown, Rhode Island, United States, American, Silver, Overall: H. 5 7/16 in. (13.8 cm); 4 oz. 9 dwt. (139 g), Silver, Nathaniel Helme (1761–1789

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Chandos, Woven by Sam Watson, ca. 1873, British, Braintree, Essex, Woven wool, silk and cotton, Overall: 69 x 26 in. (175.3 x 66 cm), Textiles-Woven, Woven by Sam Watson, Owen Jones' design for this textile was purchased by Benjamin Warner

Statuette of a youth, 1st–2nd century A.D., Roman, Bronze, H.: 5 9/16 in. (14.1 cm), Bronzes, Statue of a nude youth with left foot lightly drawn back and his weight on the right. A hole on the top of the head indicates that the statue served

Josephine (Portrait of Miss B.), 1903, Platinum print, Image: 8 in. × 5 15/16 in. (20.3 × 15.1 cm), Photographs, Frederick H. Evans (British, London 1853–1943 London

Gold ring, Archaic or Classical, ca. 6th–5th century B.C., Greek, Gold, Length: 1/2 in. (1.3 cm), Gems, Two palmettes in relief

Limestone head of a beardless male with a fillet, Archaic, first half of 6th century B.C., Cypriot, Limestone, Overall: 15 x 13 1/2 x 9 1/2 in. (38.1 x 34.3 x 24.1 cm), Stone Sculpture, Wearing a wig or cap

Mug, Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta, Other (width w/ handle): 2 13/16 × 3 9/16 in. (7.2 × 9.1 cm), Vases

Limestone saucer lamp, Classical ?, 5th century B.C. ?, Cypriot, Limestone, Overall: 1 3/8 × 3 1/8 × 3 5/8 in. (3.5 × 7.9 × 9.2 cm), Miscellaneous-Stone, The saucer lamp has a small break on the pinched nozzle

Along the Seashore at Futami, Edo period (1615–1868), Japan, Middle sheet of a triptych of polychrome woodblock prints; ink and color on paper, H. 15 1/2 in. (39.4 cm); W. 10 1/8 in. (25.7 cm), Prints, Utagawa Toyokuni I (Japanese,

Bas Relief from the Arch of Constantine, Rome, 1849, Paper negative, Image: 12 3/4 × 9 15/16 in. (32.4 × 25.2 cm), Negatives, Frédéric Flachéron (French, 1813–1883), The sculptor, medalist, and photographer Flachéron arrived at the

Vase fragment, Helladic, Greek, Laconian, Terracotta, 2 1/2 x 2 3/16in. (6.4 x 5.6cm), Vases

Limestone head of a beardless male with a diadem, Archaic, first half the the 6th century B.C., Cypriot, Limestone, Overall: H.:6 1/2 x W.:4 15/16 x D.:5 in. (16.5 x 12.5 x 12.7 cm), Stone Sculpture, Head wearing frontlet and earrings

Terracotta flask, Archaic, 6th century B.C., Etruscan, Terracotta; bucchero, 6 5/8in. (16.8cm), Vases, Without decoration

Statuette of a man with object in hand, Bronze, H.: 2 11/16 in. (6.8 cm), Bronzes

Excerpt from Xie Huilian’s, Prose Poem “On Snow”, Ming dynasty (1368–1644), China, Handscroll; ink on satin, 10 1/2 x 72 5/16 in. (26.7 x 183.7 cm), Calligraphy, Dong Qichang (Chinese, 1555–1636

Le bonheur du jour; ou, Les graces a la mode, 1924, French, paper, George Barbier (French, Nantes 1882–1932 Paris

Glass alabastron (perfume bottle), Hellenistic, 2nd–1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 4 1/4 in. (10.8 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque white

Seaweed Gatherers at Omori, Edo period (1615–1868), 1797–1861, Japan, Polychrome woodblock print; ink and color on paper, 10 3/4 x 14 7/8 in. (27.3 x 37.8 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Cup, one-handled, Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta; black-glaze, H. 4.60 cm., Vases

Robe de Style, 1931, French, silk, plastic

Prayer of the Good Shepherd, late 19th–early 20th century, Made in New York, United States, American, Carbon print on lightweight paper, gouache and watercolor in grisaille, and graphite on off-white wove paper, Overall: 11 3/4 x 8 7/8 in.

[Plate from Izaak Walton's The Compleat Angler], 1880s, printed 1888, Photogravure, George Bankart (British

The Nativity, 1480s, Tempera on wood, 11 1/2 x 26 1/2 in. (29.2 x 67.3 cm), Paintings, Antoniazzo Romano (Antonio di Benedetto Aquilio) (Italian, Roman, active by 1452–died by 1512), This work was painted about 1482—when a team of

Bronze handle of a patera (shallow basin) in the form of a youth, Archaic, ca. late 6th century B.C., Greek, Bronze, 6 3/4 x 2 5/8 x 5/8 in. (17.1 x 6.7 x 1.6 cm), Bronzes, During the late sixth and fifth centuries B.C., paterae with figural

Drawing Intended as Design for an Actor Print, Edo period (1615–1868), 1833–47, Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 10 1/8 in. (35.9 x 25.7 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Mirror, third quarter 17th century, British, Satin worked with silk, chenille threads, purl, shells, wood, beads, mica, bird feathers, bone or coral; detached buttonhole variations, long-and-short, satin, couching, and knot stitches;

Surimono Calendar for the Dog Year, 1814, Edo period (1615–1868), 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 in. (20.5 x 17.8 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Terracotta oinochoe (jug), Hellenistic, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 17 in. (43.2 cm), Vases, Nike driving a chariot preceded by Eros with a situla (bucket). The oinochoai are open at the

Head of a Female Figure, 3rd–4th century, Pakistan (ancient region of Gandhara), Stucco with traces of color, H. 5 1/2 in. (14 cm); W. 3 1/16 in. (7.8 cm); D. 4 3/4 in. (12.1 cm), Sculpture

Lead figure of a woman, Archaic, late 7th–6th century B.C., Greek, Laconian, Lead, Height: 1 5/8 in. (4.2 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of