Images at Librifly

Lovers Returning to a Palace, late 18th century, India (Rajasthan, Bundi), Ink and opaque watercolor on paper, Image (sight): 9 x 5 1/2 in. (22.9 x 14 cm), Paintings, Two lovers approach a bedchamber set within an elaborate architectural

Osagawa Tsuneyo as a Tall Woman Dressed in a Black Uchikake, Edo period (1615–1868), 1787 or 1788, Japan, Polychrome woodblock print; ink and color on paper, 12 4/5 x 5 13/16 in. (32.5 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese,

Okazaki, 東海道五十三次　岡崎　矢はぎ川, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

The Second Ichikawa Monnosuke as an Unarmed Man, Edo period (1615–1868), probably 1778, Japan, Diptych (probably two sheets of a triptych) of polychrome woodblock prints; ink and color on paper, A: H. 12 11/16 in. (32.2 cm); W. 5 11/16 in.

Ramkali Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes), 18th century, India (Rajasthan, Marwar), Ink and opaque watercolor on paper, 11 13/16 x 9 in. (30 x 22.8 cm), Paintings

Feathered Tabard, 15th–early 17th century, Peru, Ica (?), Cotton, feathers, 25 x 30 in. (63.5 x 76.2 cm), Feathers-Costumes, Feathers were considered luxury materials in ancient Peru. They were used to embellish elite costume for thousands

The Actor Yamashita Kyonosuke in the Role of Tamarimaru, Edo period (1615–1868), ca. 1769, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 5/8 in. (31.8 x 14.3 cm), Prints, Ippitsusai Bunchō (Japanese, active

Bonzes de la Pagoda Chinoise (Cholen), Saïgon, Cochinchine, 1866, Albumen silver print from glass negative, 24.1 x 21.5 cm (9 1/2 x 8 7/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Ruines du Temple de Koum-Ombou (Ombos), 1849–50, Salted paper print from paper negative, Image: 6 5/8 × 8 3/4 in. (16.8 × 22.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Towel End, early 19th century, Attributed to Turkey, Linen, silk, metal wrapped thread; plain weave, embroidered, L. 25 in. (63.5 cm), Textiles-Embroidered

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 3/8 x 1 5/16 in. (3.5 x 3.3 cm), Glass, Body fragment., Translucent purple and opaque white., Convex curving side.,

Gold and lapis-lazuli boat-shaped earring, Late Archaic, 6th–5th century B.C., Cypriot, Gold, Lapis lazuli, Other: 13/16 in. (2.1 cm), Gold and Silver, Boat-shaped earring with lapis lazuli setting

Pitcher, ca. 1100–1150, South Italian, Copper alloy, cast, Overall: 3 7/16 x 4 7/8 x 3 9/16 in. (8.7 x 12.4 x 9.1 cm), Metalwork-Copper alloy, The griffins and lions decorating this pitcher attest to the popularity of Islamic designs on

Da Tongjiao, late 19th century, China, Chinese, brass, Height (When extended): 38 11/16 in. (98.3 cm), Aerophone-Lip Vibrated-trumpet / trombone

A Plan of the City of New York from an Actual Survey Made by James Lyne, 1728, 1834–72, Lithograph, image: 16 11/16 x 21 7/8 in. (42.4 x 55.6 cm), Prints, After James Lyne (British, active 1728

The Children of Homer Ramsdell, Esq., 1842, Watercolor on ivory, 7 3/8 x 5 3/4 in. (18.7 x 14.6 cm), Paintings, Thomas Seir Cummings (American (born England), Bath 1804–1894 Hackensack, New Jersey), This miniature depicts three of the

[Japanese Woman in a Chair Carried by Two Men], 1870s, Albumen silver print from glass negative, 20.1 x 25.2 cm (7 15/16 x 9 15/16 in.), Photographs, Unknown

Vase fragment, Helladic, Greek, Laconian, Terracotta, 11/16 × 1 7/16 × 1 15/16 in. (1.7 × 3.6 × 4.9 cm), Vases

Bronze phiale (libation bowl) with rosette on the bottom, Late Classical– Early Hellenistic, 4th century B.C., Greek, Bronze, h.1 7/8 in (4.8 cm); d. 5 9/16 (14.1.cm), Bronzes, Phialai decorated with a rosettes in shallow relief have been

Terracotta tankard, Late Cypriot I-IIIA, ca. 1600–1150 B.C., Cypriot, Terracotta; White slip ware, H. 5 15/16 in. (15.1 cm), Vases, White slip ware with wide-neck, handle, lattice and chain ornament

Plaque: man holding vessel to his mouth, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.14 x 0.87 x 0.16 in. (2.9 x 2.21 x 0.41 cm), Ivory/Bone-Reliefs, Excavations at Hasanlu in Iran yielded a large number of carved ivory

Alabaster alabastron (perfume vase), Classical, 5th–4th century B.C., Cypriot, Alabaster, H. 10 3/4 x 2 9/16 in. (27.3 x 6.5 cm), Miscellaneous-Stone Vases, The alabastron has two vertical pierced lugs above a short trapezoidal tab in low

『上野公園開花図』, Blossoming Cherry Trees in Ueno Park, (Ueno kōen kaika zu), Meiji period (1868–1912), 1888, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Oban 14 3/4 x 9 7/8 in. (37.5 x 25.1 cm),

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 1 3/16 in. (2 x 3.1 cm); estimated diam. of rim 3 1/8 in. (8 cm), Glass, Rim fragment., Translucent turquoise blue

Fragment of a terracotta dinos (deep round-bottomed bowl), Archaic, ca. 600 B.C., East Greek, Chiot, Terracotta, 3 3/8 × 4 1/4 × 7/16 in. (8.6 × 10.8 × 1.2 cm), Vases, Three fragments joined; bull

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 1 1/8 x 7/8in. (2.8 x 2.3cm), Vases

Ladle, bowl, 6th–5th century B.C., Cypriot, Bronze, 1 5/16in. (3.3cm), Bronzes

Terracotta oinochoe (jug), Hellenistic, late 4th–early 3rd century B.C., Greek, South Italian, Apulian, Terracotta, H. with handle 9 1/2 in. (24.1 cm), Vases, Yellow-slipped pottery is unusual in Apulia but typically occurs in pairs of

魚づくし　ぼらにうど, Bora Fish with Camellia, from the series Uozukushi (Every Variety of Fish), Edo period (1615–1868), 1830s, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 14 9/16 in. (25.1 x 37 cm),

Mosaic glass ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 5/8 x 1 9/16 in. (1.5 x 4 cm), Glass, Body fragment., Translucent honey brown, cobalt blue, and opaque white.,

Terracotta rim fragment with incised lines and punctations, Late Neolithic, ca. 3600–3100 B.C., Cretan, Terracotta; Fine burnished ware, Overall: 1 3/16 x 1 3/16in. (3 x 3cm), Vases, From Knossos, Crete. Fragment of a rim, gray ware,

The Arched Bridge at Kameido Tenjin Shrine (Kameido Tenjin Taikobashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), 諸國名橋奇覧　かめゐど天神たいこはし, Edo period (1615–1868),

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 2 3/8 x 1 5/8in. (6 x 4.1cm), Vases

Limestone statue fragment of a left hand resting on a dove, Hellenistic, 3rd–1st century B.C., Cypriot, Limestone, Overall: 5 1/8 x 3 1/4 x 4 3/4 in. (13 x 8.3 x 12.1 cm), Stone Sculpture, This fragment of a hand resting upon a bird likely

Konami of Kurahashi-ya, Edo period (1615–1868), ca. 1825, Japan, Polychrome woodblock print; ink and color on paper, H. 14 7/8 in. (37.8 cm); W. 9 3/4 in. (24.8 cm), Prints, Yanagawa Shigenobu (Japanese, 1787–1832

[View of House from Driveway], 1850s, Albumen silver print from paper negative, Photographs, Unknown (British

Hedgehog Amulet on a String, Middle Kingdom, mid-Dynasty 13, ca. 1750–1700 B.C., From Egypt, Memphite Region, Lisht North, cemetery, Pit 995, 1921–22, Glazed steatite, linen string, l. 0.9 cm (5/16 in), Although never very common,

Spanish Entertainment from the 'Bulls of Bordeaux', 1825, Crayon lithograph and scraper, Image: 11 15/16 × 16 5/16 in. (30.3 × 41.5 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

An Actor's Boating Party on the Sumida River, Edo period (1615–1868), ca. 1705, Japan, Polychrome woodblock print; ink and color on paper, 12 x 20 3/8 in. (30.5 x 51.8 cm), Prints, Torii Kiyomasu I (Japanese, active 1696–1716

The Bridge of Orleans, June 14, 1843, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Statuette of a youth, Archaic, 6th century B.C., Etruscan, Bronze, H.: 3 5/16 x 1 1/16 x 1 in. (8.4 x 2.7 x 2.5 cm), Bronzes

Glass bowl, Late Imperial, 4th century A.D., Roman, Glass; blown, Height: 6 1/4in. (15.9cm), Glass, Translucent blue green., Rim slightly everted with rounded lip; below, broad tubular cordon made by folding; body tapering downwards with

Bronze handle of a situla (pail) with Silenos head attachment and lion head mouthpiece, Late Classical, 4th century B.C., Etruscan, Bronze, H.: 4 x 7 3/4 in. (10.2 x 19.7 cm), Bronzes, Satyr head attachment and lion head mouthpiece

Scene from a Drama, Edo period (1615–1868), 1770, Japan, Polychrome woodblock print; ink and color on paper, H. 5 7/16 in. (13.8 cm); W. 6 3/16 in. (15.7 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Turban Helmet, late 15th century, Iranian, Steel, gold, silver, H. 13 1/8 in. (33.34 cm); Diam. 9 1/2 in. (24.13 cm); Wt. 2 lb. 11 oz. (1219 g), Helmets, Helmets of this type are usually called turban helmets becuase of their large bulbous

Fragment, 4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 4 3/4 in. high 4 3/4 in. wide (12 cm high 12 cm wide), Textiles

Christ Bearing the Cross, Oil and tempera on wood, gold ground, 27 1/4 x 21 1/2 in. (69.2 x 54.6 cm), Paintings, Nicolaos Tzafouris (Greek, ca. 1455–1500/1501), Nicholaos Tzafouris was one of the many icon painters working in the city of

A Man and a Girl Walking in the Rice Fields, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 25 7/8 x 4 7/8 in. (65.7 x 12.4 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829

[Salisbury Cathedral], 1850s, Albumen silver print from paper negative, Photographs, Unknown (British

Looking up Among the Sugar Pines - Calaveras Grove, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare

Fille de Shanghai, 1870s, Albumen silver print from glass negative, 23.7 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

Terracotta stamnos, Late Classical, ca. 375 B.C., Faliscan, Terracotta; red-figure, H. 9 5/8 in. (24.5 cm), Vases, Obverse and reverse, woman walking

北齊 南響堂山石窟 彩繪石雕菩薩頭像（石灰岩）, Head of an Attendant Bodhisattva, Northern Qi dynasty (550–577), ca. 565–75, China, Limestone with pigment, H. 15 in. (38.1 cm); W. 11 1/4 in. (28.6 cm); D. 8 1/4 in. (21

Lead plaque with two women, Archaic, 6th century B.C., Greek, Laconian, Lead, Height: 1 3/16 in. (3.1 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia;

Glass hemispherical ribbed bowl, Early Imperial, late 1st century B.C.–mid-1st century A.D., Roman, Glass; cast, tooled, and cut, H.: 2 5/8 in. (6.7 cm), Glass, Translucent pale blue green., Slightly flaring rim with angular top edge and

The Second Segawa Sangoro in the Role of Kiyomihara Tengyoku, Edo period (1615–1868), ca. 1761, Japan, Polychrome woodblock print; ink and color on paper, H. 11 7/8 in. (30.2 cm); W. 5 5/8 in. (14.3 cm), Prints, Torii Kiyomitsu (Japanese,

Limestone head of a beardless male with a diadem, Archaic, first half of the 6th century B.C., Cypriot, Limestone, Overall: 6 3/4 x 4 1/2 x 6 1/2 in. (17.1 x 11.4 x 16.5 cm), Stone Sculpture, Head of a beardless man wearing frontlet and

Steamfitter, 1910s, Gelatin silver print, Image: 34.5 × 24.7 cm (13 9/16 × 9 3/4 in.), Photographs, Lewis Hine (American, 1874–1940

Embroidered darning sampler, 1732, German, Silk and linen on linen, H. 21 1/8 x W. 12 inches (53.7 x 30.5 cm), Textiles-Embroidered

Vase, 1912, Made in New York, New York, United States, American, Favrile glass, H. 5 1/16 in. (12.9 cm), Glass, Tiffany Glass and Decorating Company (American, 1892–1902), Tiffany Studios (1902–32

Glass jar, Early Imperial, 2nd half of 1st–mid-2nd century A.D., Roman, Glass; blown and tooled, H.: 5 15/16 in. (15.1 cm), Glass, Translucent blue green. Rounded, flaring, tubular rim, folded out and down, forming collar around neck;

Cureuleo Meadow, 1853–56, Albumen silver print, Image: 16.1 × 21.2 cm (6 5/16 × 8 3/8 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

西周 青銅壺, Wine Vessel (Hu), Western Zhou dynasty (1046–771 B.C.), late 9th–early 8th century B.C., China, Bronze, H. 21 1/2 in. (54.6 cm); W. 14 3/4 in. (37.5 cm), Metalwork, As the Shang animal mask lost its symbolic meaning

Terracotta statuette of a woman, Classical, early 5th century B.C., Greek, Corinthian, Terracotta, H.: 4 3/16 in. (10.6 cm), Terracottas, The high polos (headdress) may identify the figure as a goddess. She holds a bird and a piece of fruit,

Girl Carrying a Parasol, Meiji period (1868–1912), ca. 1900?, Japan, Polychrome woodblock print; ink and color on paper (crepon), 14 1/2 x 10 1/2 in. (36.8 x 26.7 cm), Prints, Unidentified Artist

Caster, ca. 1735, Made in New York, New York, United States, American, Silver, Overall: 5 5/8 x 1 15/16 in. (14.3 x 4.9 cm); 4 oz. 13 dwt. (144.6 g), Silver, Adrian Bancker (1703–1772), Although eighteenth-century American silver casters

Fibula, serpentine type, Bronze, Other: 1 5/8 in. (4.1 cm), Bronzes

Head of a Beauty, Edo period (1615–1868), ca. 1825, Japan, Polychrome woodblock print; ink and color on paper, H. 7 in. (17.8 cm); W. 5 in. (12.7 cm), Prints, Keisai Eisen (Japanese, 1790–1848

Tatohe uta, Analogy, Edo period (1615–1868), late 18th century, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 7 3/4 in. (25.7 x 19.7 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792), The beauty of Shunshō's

Bronze statuette of Eros running, Early Imperial, 1st–2nd century A.D., Roman, Bronze, H.: 9 1/2 in. (24.1 cm), Bronzes, Eros holds a branch in his right hand and once held a torch in his left

Marble inscribed statue base, Mid Imperial, Antonine, ca. A.D. 160–170, Roman, Marble, H. 44 in (111.8 cm); width 22 in (55.9 cm); depth 17 in (43.2 cm), Stone Sculpture, The base is said to have been found near Rome, but the inscription

Fragment of a terracotta calyx-krater (bowl for mixing wine and water), Classical, ca. 450 B.C., Greek, Attic, Terracotta; red-figure, H. 4 5/16 in. (11 cm), Vases, Head and shoulders of a woman to left

[Dog], 1880s–90s, Albumen silver print, Photographs, Unknown (American

Lamp, Roman, Cypriot, Terracotta, Overall: 1 x 3 5/8 in. (2.5 x 9.2 cm), Terracottas

Large and Small Fish Swimming Among Shells and Moss at the Bottom of the Sea, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/8 x 7 5/8 in. (21.9 x 19.4 cm), Prints, Ryūryūkyo

Mourning Virgin, 1510–20, Made in Ulm, Swabia, Germany, South German, Limewood, Overall: 13 x 8 7/16 x 4 13/16 in. (33 x 21.4 x 12.2 cm), Sculpture-Wood, This single figure was probably part of a combined Deposition and Lamentation scene,

Lekythos, Protocorinthian, 7th century B.C., Italic, Etruria, Terracotta, Diam.: 1 7/8 x 3 3/4 in. (4.8 x 9.5 cm), Vases

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 3/16 × 1 9/16 × 3/16 in. (3 × 3.9 × 0.4 cm), Vases

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Overall: 1 3/4in. (4.5cm), Glass, Translucent streaky manganese purple with colorless patches. Rim folded out, over, and in, with vertical inner lip; cylindrical

Marble head of a young woman from a funerary statue, Late Classical, late 4th century B.C., Greek, Attic, Marble, H. 16 in. (40.6 cm), Stone Sculpture, Young woman; this head probably belonged to a three-dimensional statue that stood within a

Spatula, Cypriot, Bronze, Other: 5 7/16in. (13.8cm), Bronzes

Tai Fish and Lobster; Specialities of Yanagiya in Odawara-cho, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/8 x 7 1/4 in. (20.6 x 18.4 cm), Prints, Totoya Hokkei

Jérusalem, Enceinte du Temple, Poterne de Josaphat, 1854, Salted paper print from paper negative, Image: 32.3 x 23.2 cm (12 11/16 x 9 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

Glass mosaic bowl, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, probably Italian, Glass; cast, H.: 1 5/8 in. (4.1 cm), Glass, Colorless, translucent purple, cobalt blue, turquoise blue, green, honey yellow, and

Glass striped mosaic bowl, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, probably Italian, Glass; cast, H.: 1 3/4 in. (4.4 cm), Glass, Translucent blue, green, and yellow, opaque white and yellow, with colorless

Demon-crushing Bow, Edo period (1615–1868), ca. 1765, Japan, Polychrome woodblock print; ink and color on paper, H. 11 5/8 in. (29.5 cm); W. 8 3/8 in. (21.3 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Glass beaker or lamp, Late Imperial, 4th century A.D., Roman, Glass; blown, blobbed, and cut, H.: 3 5/16 in. (8.4 cm), Glass, Colorless with pale green tinge; blobs in translucent cobalt blue. Thick, uneven rim, very slightly outsplayed

Edinburgh. Greyfriars' Churchyard, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

Bronze neck-amphora (jar), Classical, ca. 460 B.C., Etruscan, Bronze, H. 13 3/8 in. (33.9 cm), Bronzes, The elegant curves of this vessel imitate early fifth century B.C. Greek prototypes of terracotta and bronze. Each handle is elaborately

Gold pendant in the form of a bull's head, Late Bronze Age, ca. 1400–1050 B.C., Cypriot, Gold, L. 1 3/16 in. (3.1 cm), Gold and Silver, Most of the raw materials for Cypriot jewelry came from the East. Gold became plentiful in the Late

Three-light candelabra (candélabra or girandole) (one of a pair), ca. 1750, German, Meissen with French (Paris) mounts, Hard-paste porcelain; gilt-bronze mounts, Height (overall): 22 in. (55.9 cm), Ceramics-Porcelain, Trained as a sculptor,

Limestone head of a beardless male votary with a wreath of leaves, Classical, 3rd quarter of the 5th century B.C., Cypriot, Limestone, H. 9 1/2 x 3 1/16 x 7 1/4 in. (24.1 x 7.8 x 18.4 cm), Stone Sculpture, The rounded head, with fine straight

Bowl with incised central boss, 5th century B.C., Cypriot, Bronze, 1 7/8in. (4.8cm), Bronzes

The Paroquet, Meiji period (1868–1912), ca. 1900, Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 1/2 in. (25.4 x 36.8 cm), Prints, Itō Jakuchū (Japanese, 1716–1800

Mirror, Greek, Cypriot, Bronze, Other: 5 7/8in. (14.9cm), Bronzes

Terracotta stand with a satyr, Late Classical, late 4th century B.C., Etruscan, Terracotta, total H. 9 3/4 in. (24.8cm); diameter of lip 5 15/16 in. (15cm), Vases, These objects, with squatting satyrs oriented to left and right, are clearly

Lake and Mountains, Meiji period (1868–1912), ca. 1885–89, Japan, Album leaf; ink and color on silk, Image: 14 1/4 × 10 3/8 in. (36.2 × 26.4 cm), Paintings, Hashimoto Gahō (Japanese, 1835–1908

Marble sarcophagus with the contest between the Muses and the Sirens, Late Imperial, Gallienic, 3rd quarter of 3rd century A.D., Roman, Marble, Pentelic, Overall: 21 3/4 x 77 1/4 x 22 1/2 in. (55.3 x 196.2 x 57.2 cm), Stone Sculpture, The

Fuji with Boat at Miho in Sunshu (Shizuoka), Meiji period (1868–1912), October 1878, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Oban; 14 1/8 x 28 1/8 in. (35.9 x 71.4 cm), Prints, Kobayashi Kiyochika (Japanese,

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 1 7/8 x 1 1/8in. (4.7 x 2.8cm), Vases