Images at Librifly

Face Jug, ca. 1860–70, Made in Edgefield District, South Carolina, United States, American, Alkaline-glazed stoneware, 7 x 5 x 5 1/2 in. (17.8 x 12.7 x 14 cm), Ceramics, John Lewis Miles Pottery (1868–75), Face jugs were made by African

Bronze water spout in the form of a lion mask (one of a pair), Late Hellenistic or Early Imperial, ca. 100 B.C.–A.D. 100, Greek or Roman, Bronze, 5 1/8in. (13cm), Bronzes, Impressive water spouts such as this must have adorned a monumental

児戯意乃三笑　恵恩芳子, Mother and Child, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/16 in. (36.4 cm); W. 9 9/16 in. (24.3 cm), Prints, Kitagawa Utamaro (Japanese,

Xu You and Chao Fu, Edo period (1615–1868), 18th century, Japan, 'White–line' woodblock print; ink and color on paper, H. 11 7/16 in. (29.1 cm); W. 5 1/2 in. (14 cm), Prints, Okumura Masanobu (Japanese, 1686–1764), Masanobu's treatment

Spider Helmet, ca. 1650–1700, British or French, Steel, pigment, textile, H. including legs 14 3/4 in. (37.5 cm); H. excluding legs 7 in. (17.8 cm); W. 9 1/4 in. (23.5 cm); D. 12 in. (30.5 cm); Wt. 4 lb. 11 oz. (2152 g), Helmets

Allegory of the Transitoriness of Life, n.d., Engraving, Sheet: 15 1/2 × 12 1/16 in. (39.4 × 30.7 cm), Prints, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem), After Karel van Mander I (Netherlandish, Meulebeke 1548–1606

Zhu Shouchang, Edo period (1615–1868), 19th century, Japan, Woodblock print; ink on thin paper (some corrections have been pasted over the drawing), 13 3/4 x 8 1/2 in. (34.9 x 21.6 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861),

Vase, fragment, Faience, Other: 1 9/16 × 7/16 × 2 1/16 in. (4 × 1.2 × 5.2 cm), Miscellaneous-Faience

Band Fragment, 6th–7th century, Attributed to Egypt, Linen, wool; tapestry weave, H; 9 1/2 in. (24.1 cm), Textiles

Fragmentary terracotta bowl, Early Imperial, 1st century A.D., Roman, Terracotta; red slip ware, Overall: 2 1/4 x 4 1/16 in. (5.7 x 10.3 cm), Vases, Inscribed; red gloss sigillata

Terracotta plate, Middle Minoan III, ca. 1750–1600 B.C., Minoan, Terracotta; Red-slipped ware, Diameter 10 3/8 in. (26.3 cm.), Vases, No decoration, but some traces of color remain

A Storm off the Normandy Coast, possibly ca. 1850, Oil on paper, laid down on canvas, 13 x 20 in. (33 x 50.8 cm), Paintings, Eugène Isabey (French, Paris 1803–1886 Lagny), Isabey made plein-air sketches early in his career, but this

Terracotta Hadra hydria (water jar), Hellenistic, late 3rd century B.C., Greek, Ptolemaic, Cretan, Terracotta, h. 18 1/4 in. (46.4 cm); d. 10 1/8 in. (25.7 cm), Vases, inscribed on neck 'AR' This Hadra hydria is somewhat unusual: its shape

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Overall: 3 1/4in. (8.3cm), Glass, Colorless with pale blue tinge. Rim folded out, over, and in, flattened on top and tooled on one side to form spout; short

Skyphos, Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta, H. 6.27 cm.; diameter 9.35 cm., Vases

Bottle, Hellenistic, ca. 325–300 B.C., Greek, South Italian, Apulian, Canosan, Terracotta, H. 13.89 cm., Vases

Limestone head of beardless male votary, Hellenistic, 3rd–2nd century B.C., Cypriot, Limestone, Overall: 12 x 8 1/8 x 9 3/4 in. (30.5 x 20.6 x 24.8 cm), Stone Sculpture, Figure with wreath

Cabinet, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 3/4 x 13 1/4 in. (22.2 x 33.7 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Fragment, 9th–10th century, Attributed to Egypt, Fustat, Linen, silk; tapestry weave, Textile: L. 3 1/2 in. (8.9 cm), Textiles-Woven

Pendant: hippocamp, Classical, 5th century B.C., Etrusco-Campanian, Amber, H.: 2 3/16 in. (5.5 cm), Miscellaneous-Amber, Pendant of a swimming hippocamp, a mythical creature depicted often in Etruscan art as a guardian or guide to the

Autre nièce du propriétaire du no. 7, 1854–56, Salted paper print from paper negative, Image: 9 5/16 × 7 1/2 in. (23.7 × 19.1 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872

The Holme, 1860s, Albumen silver print from glass negative, Photographs, Unknown (British

Bronze pin, Late Hellenistic or Imperial, ca. 1st century B.C.–2nd century A.D., Greek or Roman, Bronze, L. 4 1/2 in. (11.5 cm), Bronzes, The head of the pin is in the form of Aphrodite Anadyomene standing on a Corinthian capital

Dum Dum House—Built by Lord Clive, 1850s, Albumen silver print, Image: 18.3 x 24 cm (7 3/16 x 9 7/16 in.), Photographs, Captain R. B. Hill

[Tapestry Room], 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin

[La Finlandaise], 1861–67, Albumen silver print from glass negative, Image: 12.2 x 8.8 cm (4 13/16 x 3 7/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), Painted and retouched by Unknown (French

Plum Tree in Blossom, Edo period (1615–1868), 1813, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 3 5/16 in. (21.1 x 8.4 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

Terracotta miniature jar with two handles, Archaic, 7th–6th century B.C., Greek, Laconian, Terracotta, H. 2 1/16 in. (5.2 cm), Vases, Two handles, traces of white paint

Terracotta Megarian bowl, Hellenistic, ca. 150–100 B.C., Roman, Terracotta; mold made, h. 2 5/8 in. (6.7 cm); d. 4 3/8 in. (11.1 cm), Vases, The relief patterns decorating this bowl are often found on wares produced by some of the more well

Combing His Hair, Edo period (1615–1868), 1770, Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/8 in. (28.3 cm); W. 8 1/8 in. (20.6 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

A Scene in a Library, before March 22, 1844, Salted paper print from paper negative, Image: 13.3 x 18 cm (5 1/4 x 7 1/16 in. ), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), An exceptional student first at Harrow

清, 張熊, 蟾蜍, 團扇, Flower and Toad, Qing dynasty (1644–1911), China, Circular fan-shaped album leaf; ink and color on silk, Diam. 10 1/2 in. (26.7 cm), Paintings, Zhang Xiong (Chinese, 1803–1886), Adapting the style of the

Terracotta Columbus alabastron (perfume vase), Classical, ca. 470 B.C., Greek, Attic, Terracotta; white-ground, H. 3 3/4 in. (9.6 cm), Vases, Columbus alabastra are a simple solution to the problem of having the normally round-bottomed vases

Landscape with Pavilion and Willows, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Album leaf; ink and color on paper, 9 9/16 x 14 3/4 in. (24.3 x 37.5 cm), Paintings, Attributed to Shen Zhou (Chinese, 1427–1509

山姥と金太郎, Yamauba and Kintarō, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/8 in. (38.4 cm); W. 9 3/8 in. (23.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806),

Glass amphoriskos (perfume flask) with band of lozenges, Early Imperial, 1st century A.D., Roman, Syro-Palestinian, Glass; blown in a two-part mold, H.: 3 in. (7.6 cm), Glass, Translucent brownish yellow; handles in cobalt blue., Everted

Soldats de la ligne, 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Unknown

The Actor Bando Hikosaburo in the role of Asahi na Saburo Breaking Open the Castle Door, Edo period (1615–1868), ca. 1730, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 31/32 in. (31.1 x 15.2 cm), Prints, Okumura

Terracotta hydria (water jar), Classical, ca. 420–410 B.C., Greek, Attic, Terracotta; red-figure, H. as restored 14 5/16 in. (36.4 cm), Vases, Thamyris and the Muses. Vases associated with the Meidias Painter are often exceptionally

Plate, probably mid-19th century, Russian, Kyschtymsk (Kyshtym), Iron, cast and patinated, 3/4 × 8 5/8 in. (1.9 × 21.9 cm), Metalwork-Iron, Plates of this design were made in ironworks from Coalbrookdale, England, to Kyshtym in the Ural

Sir William Allan, P.R.S.A., 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Dagger with Hilt of Leafy Plants, ca. 1640, Attributed to India, Hilt: Nephrite, Max length with handle: 14 3/8 in. (36.5 cm), Arms and Armor, Often tucked into a sash or horseman’s boot, daggers in Mughal India displayed the wealth and

Helmet, 17th–18th century, probably Golconda, Andhra Pradesh, Indian, Deccan, possibly Golconda, Steel, iron, gold, H. including mail 24 in. (61 cm); H. including nasal 13 1/4 in. (33.7 cm); H. excluding mail and nasal 9 in. (22.9 cm); W.

The Courtesan Nanakoshi of the Ōgiya Brothel, from the series A Pat-tern Book of the Year’s First Designs, Fresh as Spring Herbs (Hinagata wakana no hatsu moyō), 『雛形若菜の初模様　扇屋内　七越』, Edo period (1615–1868),

Wreaths, 11, Greek, Laconian, Lead, 4 fragments, Miscellaneous-Lead

Nonne blanche (tete), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

The First Nakamura Nakazo in the Role of Chinzai Hachiro, Edo period (1615–1868), 12th month, 1780, Japan, Left-hand sheet of a diptych of polychrome woodblock prints; ink and color on paper, 12 1/2 x 5 7/8 in. (31.8 x 14.9 cm), Prints,

[The Taj Mahal from the Banks of the Yamuna River], 1858–62, Albumen silver print from paper negative, Image: 39.9 x 44 cm (15 11/16 x 17 5/16 in.), Photographs, John Murray (British, Blackhouse, Aberdeenshire, Scotland 1809–1898

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 1/8 x 1 7/16 in. (2.8 x 3.6 cm), Glass, Body fragment., Translucent turquoise blue, deep purple

Reliquary Bust of a Female Saint, ca. 1520–30, Made in possibly Brussels, Belgium, South Netherlandish, Oak, paint, gilt, Overall: 16 11/16 x 12 3/4 x 6 1/4 in. (42.4 x 32.4 x 15.9 cm), Sculpture-Wood, Bust reliquaries for the skulls of

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 15/16 × 1 3/8 × 3/16 in. (4.9 × 3.6 × 0.5 cm), Vases

Portrait of a Woman with a Lace Collar, ca. 1632–35, Oil on wood, 29 3/8 x 23 3/4 in. (74.6 x 60.3 cm), Paintings, Michiel Jansz. van Mierevelt (Netherlandish, Delft 1567–1641 Delft

A Young Woman with a Tray of Sweetmeats, Edo period (1615–1868), 1780–1795, Japan, Polychrome woodblock print; ink and color on paper, 15 1/2 x 10 3/8 in. (39.4 x 26.4 cm), Prints, Katsukawa Shunchō (Japanese, active ca. 1783–95

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

匕, Ritual Spoon (Bi), mid-Zhou dynasty (1046–256 B.C.), China, Bronze, W. 2 1/2 in. (6.4 cm); L. 12 3/4 in. (32.4 cm); Wt. 1 lb. (0.5 kg), Metalwork

[Countess de Castiglione], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Screen and Miscellaneous New Year Presents, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 5/16 in. (21 x 18.6 cm), Prints, Ishikawa Kazan (Japanese, active 1810–1823

Newhaven Group, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Terracotta mold fragment, Hellenistic, ca. 300–100 B.C., Greek, South Italian, Terracotta, Overall: 5 5/8 x 3in. (14.3 x 7.6cm), Terracottas, The mold, covered with a variety of different symbols, has been seen as being used for stamping

Sir John Shurley of Isfield (1565–1632), Oil on wood, 35 3/4 x 29 3/8 in. (90.8 x 74.6 cm), Paintings, British Painter (dated 1588

Alabaster alabastron (perfume vase), Archaic or Classical, 6th–4th century B.C., Cypriot, Calcite (alabaster), H. 5 3/8 x 2 1/2 in. (13.7 x 6.4 cm), Miscellaneous-Stone Vases, There are two lugs on the body and a wide, slightly convex lip

Deuxième Cataracte, Rocher d'Abouçir, Rapides et Ilots Granitiques, 1851, Salted paper print from paper negative, Image: 24.9 x 30.7 cm (9 13/16 x 12 1/16 in.), Photographs, Félix Teynard (French, 1817–1892

'Yazdegird I Kicked to Death by the Water Horse', Folio from a Shahnama (Book of Kings), ca. 1300–30, Attributed to Northwestern Iran or Baghdad, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 2 1/8 in. (5.4 cm), Codices,

Clear Weather after a storm at Awazu, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print; ink and color on paper, 9 15/16 x 14 1/2 in. (25.2 x 36.8 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Salt, 1830–40, Made in Sandwich, Massachusetts, United States, American, Pressed glass, Glass

Terracotta tankard, Geometric, late 8th–early 7th century B.C., Greek, Attic, Terracotta, H. 3 in. (7.6 cm), Vases, On the neck, waterbirds

Vase fragment, Early Minoan II, Minoan, Terracotta, 6 1/8 × 2 3/8 × 4 15/16 in. (15.5 × 6.1 × 12.5 cm), Vases

Shahnama (Book of Kings) of Firdausi, 1660s, Attributed to Iran, probably Isfahan, Ink, opaque watercolor, gold, and silver on paper, Painting (folio 158v): H. 9 15/16 in. (25.2 cm), Codices, Painting by Mu'in Musavvir (active ca.

'A Muslim Pilgrim Learns a Lesson in Piety from a Brahman', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Image: Ink, opaque watercolor, and gold on paper, H. 9 7/8 in. (25.1 cm), Codices, Painting by

Two Nude Male Figures, 18th century, Charcoal, stumped, black chalk, heightened with white, on gray-green paper., 13 1/4 x 20 in. (33.6 x 50.8 cm), Drawings, Nicolas Bernard Lépicié (French, Paris 1735–1784 Paris

Glass jar with two handles (amphora), Late Imperial, 3rd century A.D., Roman, Glass, H.: 5 3/4 in. (14.6 cm), Glass, Colorless with pale yellow tinge; same color handle and ribs. Horizontal rim, folded round and in; flaring mouth; cylindrical

Light Snow on the Mountain Pass, late Ming (1368–1644)– early Qing (1644–1911) dynasty, China, Album leaf; ink and color on silk, 11 7/8 x 9 1/2in. (30.2 x 24.1cm), Paintings, Unidentified Artist

Glass amphoriskos (perfume bottle), Classical, 5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 2 5/8 in (6.7 cm); diameter 2 3/4 in (7 cm), Glass, Opaque streaky red brown, with handles and base-knob in same

Jérusalem, Saint-Sépulcre, Détails des chapiteaux de la porte principale, 1854, Salted paper print from paper negative, Image: 32.9 x 23.2 cm (12 15/16 x 9 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

Group of Four Women on the Bank of a Winding Stream, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 14 7/8 x 9 1/8 in. (37.8 x 23.2 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Christian II, King of Denmark, 1529, Engraving; first state of two, sheet: 10 7/16 x 8 9/16 in. (26.5 x 21.7 cm), Prints, After Jan Gossart (called Mabuse) (Netherlandish, Maubeuge ca. 1478–1532 Antwerp (?)), Jacob Binck (German, Cologne

Lead figure of a horseman, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 11/16 in. (4.3 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of

Glass cup in the shape of a negro head, Early Imperial, Flavian, 2nd half of 1st century A.D., Roman, Glass; blown in a four-part mold, H.: 3 3/4 in. (9.5 cm), Glass, Translucent pale blue green., Uneven knocked-off, slightly inverted rim;

Limestone figure with mask, Archaic, 6th century B.C., Cypriot, Limestone, Overall: 10 1/4 x 4 x 2 1/4in. (26 x 10.2 x 5.7cm), Stone Sculpture, The figure is holding the mask of a stag's head with both hands, as if to put on or remove it. He

五十三次名所図会　水口, Mizukuchi, Edo period (1615–1868), 1855, Japan, Polychrome woodblock print; ink and color on paper, H. 14 9/16 in. (37 cm); W. 9 13/16 in. (24.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Vessel fragment with child in marshes, Third Intermediate Period or later, Dynasty 21–25, ca. 1070–664 B.C., From Egypt, Faience, 7 × 4.4 cm (2 3/4 × 1 3/4 in

Lead figure of a rooster, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 in. (2.6 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia;

Panel fragment, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, 0.98 x 0.75 in. (2.49 x 1.91 cm), Ivory/Bone-Reliefs

Jérusalem, Mosquée d'Omar, côté Ouest, Intérieur de l'enceinte, 1854, Salted paper print from paper negative, Image: 22.8 x 32.5 cm (9 x 12 13/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Bowl, 1888, Made in New York, New York, United States, American, Silver and silver gilt, Overall: 6 1/2 x 12 3/4 in. (16.5 x 32.4 cm); 81 oz. 2 dwt. (2521.7 g), Silver, Tiffany & Co. (1837–present), Tritons, seahorses, and seaweed

Gabbro mace head, Early Bronze Age, ca. 2500–1900 B.C., Cypriot, Gabbro, H. 2 1/4 in. (5.7 cm), Miscellaneous-Stone, Spherical with a hole through the center

Two Women Reclining on the Floor of a Room and Reading a Book, Edo period (1615–1868), ca. 1730, Japan, Monochrome woodblock print; ink on paper, 10 3/8 x 16 1/2 in. (26.4 x 41.9 cm), Prints, Nishikawa Sukenobu (Japanese, 1671–1750

Ichikawa Yaozo III, Edo period (1615–1868), 1784, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 5/8 in. (31.8 x 14.3 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Table with Flowering Sprays, Ming dynasty (1368–1644), late 16th–early 17th century, China, Black lacquer inlaid with mother-of-pearl, H. 33 1/2 in. (85.1 cm); W. 79 1/2 in. (201.9 cm); D. 33 3/4 in. (85.7 cm), Furniture, In China,

Jérusalem, Enceinte du Temple, Détails de la Porte Dorée, 1854, Salted paper print from paper negative, Image: 32.2 x 22.9 cm (12 11/16 x 9 in.), Photographs, Auguste Salzmann (French, 1824–1872

Winter Cherries, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 3 5/8 in. (21 x 9.2 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Accordion, 1870–80, Russia, Russian, Various materials, Depth: 5 cm, Width (closed): 9.5 cm (3-3/4 in.), Height: 18.5 cm (7-3/8 in.), Aerophone-Free Reed-concertina / accordion, Russia has a strong hand harmonica tradition, that of the

Feathered Bag, 15th–early 16th century, Peru, Inca, Cotton, feathers, H. 6 x W. 4 3/4 x D. 2 in. (15.2 x 12.1 x 5.1 cm), Textiles-Featherwork

Agate scarab, Classical, 5th century B.C., Etruscan, Agate, Overall: 5/8 x 1/2 in. (1.6 x 1.2 cm), Gems, Winged Athena brandishing a giant's leg

Saint Louis of Toulouse, 1484?, Tempera on canvas, stretched over wood, transferred from wood, gold ground, Overall 28 1/2 x 15 5/8 in. (72.4 x 39.7 cm); original size 28 1/4 x 12 5/8 in. (71.8 x 32.1 cm), Paintings, Cosmè Tura (Cosimo di

Saint John the Baptist Bearing Witness, ca. 1600, Oil on copper, 21 3/8 x 17 1/8 in. (54.3 x 43.5 cm), Paintings, Annibale Carracci (Italian, Bologna 1560–1609 Rome), The subject of this fine picture is based on the Gospel of John: 'The next

Nature (The Calmady Children), 1820–87, Mezzotint, plate: 12 1/16 x 9 3/8 in. (30.6 x 23.8 cm), Prints, Samuel Cousins (British, Exeter 1801–1887 London), After Sir Thomas Lawrence (British, Bristol 1769–1830 London

Guitar, ca. 1695–99, Hamburg, Germany, German, Wood, ivory, ebony, Chordophone-Lute-plucked-fretted, Joachim Tielke (German, 1641–1719), The Baroque guitar is similar in shape and body to earlier guitars, but is typified by five

Glass monochrome dish fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Overall: 1 1/4 x 2 in. (3.2 x 5.1 cm), Glass, Opaque red., Flat bottom; integral, low base ring., Polished interior; pitting

Terracotta lekanis (dish), Hellenistic, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 4 3/4 in. (12.1 cm), Vases, Frontal head of a woman. Female heads decorate vases of many shapes. They are particularly