Images at Librifly

Chlorite spindle whorl, Late Cypriot III, ca. 1200–1050 B.C., Cypriot, Chlorite, H. 2/4 x 1 3/4 x 1 3/4 in. (1.3 x 4.4 x 4.4 cm), Miscellaneous-Stone, Around the central hole are three incised lines; around the edge, incised semi-circles

Egret in Iris and Grasses, Edo period (1615–1868), ca. 1837, Japan, Polychrome woodblock print, 10 1/8 x 7 1/2 in. (25.7 x 19.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Spindle whorl, Early Helladic, ca. 3000–2000 B.C., Aegean, Terracotta, 1 11/16in. (4.3cm), Vases, Spindle whorls aided in the making of cloth for garments and bedding. They were placed in tombs, perhaps so that the deceased could continue

Vase fragments, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta, .a: 5 3/16 × 7 5/16 × 5/8 in. (13.2 × 18.6 × 1.6 cm), Vases

Flower Vase and Lacquer Box, Edo period (1615–1868), 18th–19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 15/16 x 7 1/8 in. (20.2 x 18.1 cm), Prints, Unidentified Artist

Terracotta Nolan neck-amphora (jar), Classical, ca. 460–450 B.C., Greek, Attic, Terracotta; red-figure, H. 13 5/8 in. (34.6 cm), Vases, Obverse, woman pouring libation for Athena, Reverse, youth. It is impossible to determine whether the

The actor Arashi Ryuzo later known as Arashi Shichigoro, Edo (1615–1868), 18th–19th century, Japan, Polychrome woodblock print; ink and color on paper, 14-1/8 x 9-9/16 in. (35.9 x 24.3 cm), Prints, Utagawa Toyokuni I (Japanese,

Section of a Composite Bow from a Crossbow, 15th century, European, Baleen, horn, tendon, bark (birch), Archery Equipment

Pepper Box, 1750–75, Possibly made in Middletown, Connecticut, United States; Possibly made in Newport, Rhode Island, United States, American, Silver, Overall: 4 x 2 in. (10.2 x 5.1 cm); 3 oz. 3 dwt. (97.9 g), Silver, Jonathan Otis

The Seley Carpet, late 16th century, Made in Iran, Silk (warp), cotton (weft), wool (weft and pile); asymmetrically knotted pile, Rug: L. 280 in. (711.2 cm), Textiles-Rugs, This is one of the finest Persian carpets known, produced at a time

Edinburgh. Greyfriars' Churchyard, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

The Third Ichikawa Yaozō as a Daimyo Standing Under a Maple Tree, Edo period (1615–1868), ca. 1783, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 3/4 in. (32.1 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese,

Shepherds Dreaming of the Flight into Egypt, 18th century, Oil paint over black chalk on paper, mounted on canvas. Varnished., 13 1/8 x 12 1/8 in. (33.4 x 30.8 cm), Drawings, Jean-Baptiste Deshays (French, Colleville 1729–1765 Paris

[The Bear Enclave, Zoological Gardens, Brussels], 1854–56, Salted paper print from paper negative, Image: 5 13/16 × 7 3/16 in. (14.8 × 18.3 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872

Porringer, 1730–1750, Made in New York, New York, United States, American, Silver, Overall: 2 1/4 x 7 3/8 in. (5.7 x 18.7 cm); 7 oz. 6 dwt. (227.5 g), Silver, Adrian Bancker (1703–1772

[Indian Barber], 1860s, Albumen silver print from glass negative, 14.9 x 19.4 cm. (5 7/8 x 7 5/8 in.), Photographs, Willoughby Wallace Hooper (British, 1837–1912

Fan and Insect Cage, Edo period (1615–1868), Japan, Album leaf; lacquer on silver paper, 4 3/4 x 3 1/2 in. (12.1 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Still Life with Poppy, Insects, and Reptiles, ca. 1670, Oil on canvas, 26 7/8 x 20 3/4 in. (68.3 x 52.7 cm), Paintings, Otto Marseus van Schrieck (Dutch, Nijmegen 1619/20–1678 Amsterdam

Plaque with Loving Couple (Mithuna), 1st–3rd century, Afghanistan, possibly of West Indian manufacture, Bone, 1 3/4 x 1 3/8 in. (4.4 x 3.5 cm), Bone

Embroidered sampler, 1826, Made in Washington, DC, United States, American, Embroidered silk on linen, 16 1/2 x 15 1/2 in. (41.9 x 39.4 cm), Textiles, Margaret Cassady

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 3 7/8in. (9.8cm), Vases

[View of Simla], 1850s, Albumen silver print, Image: 18.4 x 24 cm (7 1/4 x 9 7/16 in.), Photographs, Unknown

Statuette of Huwebenef, New Kingdom, Dynasty 18, early, ca. 1550–1479 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Hall (C), burial 24, inside coffin, Carnarvon/Carter excavations, 1911, Wood, H. 35 cm (13 3/4 in); w.

Small Jar, 9th–10th century, Attributed to probably Iraq, Glass, greenish-blue; mold blown, H. 2 1/16 (5.2 cm), Glass, The molded decoration of this greenish-blue glass jar includes pairs of simple palmettes arranged one above the other in

Terracotta statuette of an actor, Late Classical, late 5th–early 4th century B.C., Greek, Terracotta, H. 4 1/8 in. (10.5 cm), Terracottas, Fourteen of these figures are said to have been found together in a burial in Attica. They are among

[Mezzotint portrait of a Girl in Profile, from The St. Memin Collection of Portraits], 1862, Salted paper print, 5.6 x 5.6 cm (2 3/16 x 2 3/16 in. ), Photographs, Jeremiah Gurney (American, 1812–1895 Coxsackie, New York), After Charles B.

Chofu Tamagawa, (Province of) Musashi, Edo period (1615–1868), ca. 1791, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 8 5/8 in. (32.4 x 21.9 cm), Prints, Rekisentei Eiri (Japanese, active ca. 1789–1801

Mrs. Selma Schubart, 1907, Autochrome, Plate: 17.8 × 12.8 cm (7 × 5 1/16 in.), Transparencies, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Dr. George Cook, St. Andrews, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Terracotta rim and upper body fragment with concentric circles (or spiral?) and bands, Late Minoan III, ca. 1400–1200 B.C., Minoan, Terracotta; Fine dark-on-light ware, 2 7/16 × 13/16 × 3/16 in. (6.2 × 2 × 0.5 cm), Vases, Dark lines and

Terracotta lamp, ca. A.D. 70–120, Roman, Cypriot, Terracotta, mold-made; mold-made, 1 3/16 x 4 9/16 in. (3.0 x 11.6 cm), Terracottas, With floral design, inscribed on base

Purple Lichees and Bird, Song (960–1279)–Ming (1368–1644) dynasty, China, Fan mounted as an album leaf; ink and color on silk, 9 1/8 x 9 1/2 in. (23.2 x 24.1 cm), Paintings, Unidentified Artist, After Emperor Huizong (Chinese,

Limestone snake-charmer, Cypro-Archaic, 1st half of the 6th century B.C., Cypriot, Limestone, Overall: 16 1/4 x 6 x 3 3/4 in. (41.3 x 15.2 x 9.5 cm), Stone Sculpture, The male figure holds a snake in each hand, while three additional snakes

The Nymphaeum of the Villa di Papa Giulio, Rome, ca. 1761, Red chalk, with framing lines in pen and brown ink, 15 9/16 x 20 3/4 in. (39.8 x 53.0 cm), Drawings, Hubert Robert (French, Paris 1733–1808 Paris), Over the course of his eleven

東海道五十三次　はま松, Hamamatsu, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

The Letter, 1746, Oil on canvas, 24 x 19 1/2 in. (61 x 49.5 cm), Paintings, Pietro Longhi (Pietro Falca) (Italian, Venice 1701–1785 Venice), An older man with a coin in his hand negotiates with a procuress for the favors of a pretty young

View of Vaux-Le-Vicomte, 1680s, Etching, Prints, Adam Perelle (French, Paris 1640–1695 Paris

Birds and Flowers, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 3/16 x 10 7/8 in. (36.0 x 27.6 cm), Paintings, Watanabe Seitei (Japanese, 1851–1918

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Pilaster (Tetramorph) from the Parapet of a Pulpit with Symbol of the Evangelists, ca. 1302–10, Made in Pisa, Tuscany, Italy, Central Italian, Marble (Lunense marble from Carrara , Italy), traces of paint, Overall: 33 3/4 x 13 3/4 x 9 in.

Archibald McCall, ca. 1755–60, Watercolor, gold leaf, and lead white on ivory, 1 1/2 x 1 1/4 in. (3.8 x 3.2 cm), Paintings, John Hesselius (1728–1778), The sitter (1727-1799) was a Philadelphia merchant and underwriter for the Insurance

The Advent of a Demon; Scene from a Performance in an old Kabuki Theatre, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 8 1/16 in. (20.5 cm); W. 11 1/16 in. (28.1 cm), Prints, Unidentified Artist

Gorge d'Estaubé prise des gloriettes d'Héas, St-Sauveur, 1853, Salted paper print from paper negative, Image: 9 5/8 × 14 5/16 in. (24.5 × 36.4 cm), Photographs, Joseph Vigier (French, 1821–1862

Discourse on Poetry, 清 高簡說詩圖 卷, Qing dynasty (1644–1911), dated 1698, China, Handscroll; ink on paper, Image: 13 11/16 x 35 7/16 in. (34.8 x 90 cm), Paintings, Gao Jian (Chinese, 1634–after 1715), Gardens were often

The Third Princess (Onna San no Miya), Edo period (1615–1868), ca. 1771, Japan, Polychrome woodblock print; ink and color on paper, 11 23/32 x 5 1/2 in. (29.8 x 14.0 cm), Prints, Ippitsusai Bunchō (Japanese, active 1760–1794

Comb, New Kingdom, Dynasty 18, early, ca. 1550–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Chamber A, Burial 73, Carnarvon/Carter excavations, 1912, Wood, H. 5 cm (1 15/16 in.); w. 7.1 cm (2 13/16 in.); th. 1.1 cm

Terracotta pelike (jar), Classical, ca. 470 B.C., Greek, Attic, Terracotta; red-figure, H. 16 3/4 in. (42.6 cm); diameter of mouth 7 1/2 in. (19 cm); diameter of foot 8 3/16 in. (20.8 cm), Vases, Obverse and reverse, libation at the

Eight-Plate Helmet, 8th–10th century, possibly Tibetan, Iron, copper alloy, leather, H. 8 1/2 in. (21.6 cm); W. 7 1/2 in. (19.1 cm); D. 9 in. (22.9 cm); Wt. 2 lb. 4.5 oz. (1034.8 g), Helmets

Terracotta vase in the form of a bull, Late Cypriot, 1600–1050 B.C., Cypriot, Terracotta, H. 4 3/4 in. (12.1 cm); length 6 1/4 in. (15.9 cm), Vases, Ring-handle over bull's nose and white binding-pattern

Allegory of Music, ca. 1570–90, Northern French, Leather, blind stamped, embossed, molded and incised; on later wooden mount, Framed: 56 1/2 × 26 3/4 × 1 1/2 in. (143.5 × 67.9 × 3.8 cm), Natural Substances-Leatherwork, To create this

Head of King Amenemhat III, Middle Kingdom, Dynasty 12, ca. 1859–1813 B.C., From Egypt, Granodiorite, H. 40.6 × W. 18.4 × D. 25.4 cm, 20.9 kg (16 × 7 1/4 × 10 in., 46 lb.), Although somewhat battered, this is an impressive image of a

Scarf, early 18th century, Attributed t, Silk, Textiles

Vase, 1852–58, Made in Bennington, Vermont, United States, American, Earthenware, H. 11 1/2 in. (29.2 cm), Ceramics

Fragment of a terracotta architectural tile, Archaic, 6th century B.C., Lydian, Terracotta, Overall: 8 1/16 x 5 in. (20.5 x 12.7 cm), Terracottas, Lotus

L'arco degli argentari, adossato alla chiesa di San Giorgio al Velabro, 1848–52, Albumen print from glass negative, Image: 11 5/16 × 8 11/16 in. (28.8 × 22 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

Seven Scenes from the Story of the Seven Sacraments, Baptism, ca. 1435–50, South Netherlandish, Wool warp, wool and silk wefts, Overall: 63 1/2 x 90in. (161.3 x 228.6cm), Textiles-Tapestries

Jumping fish, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 13 7/8 x 10 1/2 in. (35.2 x 26.7 cm), Paintings, Watanabe Seitei (Japanese, 1851–1918

Portrait of a Young Man; (reverse) Girl Making a Garland, ca. 1508, Oil on poplar, 7 x 5 1/2 in. (17.8 x 14 cm), Paintings, Hans Süss von Kulmbach (German, Kulmbach ca. 1480–1522 Nuremberg

Mrs. Richard Brinsley Sheridan (Hester Jane Ogle, 1775/76–1817) and Her Son (Charles Brinsley Sheridan, 1796–1843), Oil on canvas, 93 3/4 x 59 in. (238.1 x 149.9 cm), Paintings, John Hoppner (British, London 1758–1810 London), In 1795,

Bronze knife, Middle or Late Bronze Age, 2nd millennium B.C., Minoan, Bronze, L. 6 1/2 in. (16.3 cm), Bronzes, Knife blade

百人一首　陽成院, Yozei no In, Edo period (1615–1868), ca. 1766, Japan, Polychrome woodblock print; ink and color on paper, 10 7/8 x 8 in. (27.6 x 20.3 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), Tsukubane no mineyori

行水, Bathtime (Gyōzui), Edo period (1615–1868), ca. 1801, Japan, Polychrome woodblock print; ink and color on paper, 14 11/16 x 9 7/8 in. (37.3 x 25.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro often took his

Ichikawa Danjuro V, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 12 1/4 x 5 1/2 in. (31.1 x 14 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Terracotta miniature vase with two handles, Archaic, 7th–6th century B.C., Greek, Laconian, Terracotta, H. 1 1/8 in. (2.8 cm), Vases, Two handles, traces of white paint

Kitchen Scene, Edo period (1615–1868), ca. 1794–95, Japan, Diptych of polychrome woodblock prints; ink and color on paper, Image (each): 14 5/8 × 9 7/8 in. (37.1 × 25.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Ichikawa Danjuro V (1741–1806) with Sword and Fan, Edo period (1615–1868), 1771, Japan, Polychrome woodblock print; ink and color on paper, H. 12 3/8 in. (31.4 cm); W. 5 5/8 in. (14.3 cm), Prints, Katsukawa Shunshō (Japanese,

Bronze phiale (libation bowl), Classical, 5th–4th century B.C., Etruscan, Bronze, d. 6 1/2 in. (16.5 cm), Bronzes, With a slightly flared rim and center boss

Uchoren no zu, Great Military Drill, Edo period (1615–1868), 1866 (Keio 2, 2nd month), Japan, Triptych of polychrome woodblock prints; ink and color on paper, 13 5/8 x 27 7/16 in. (34.6 x 69.7 cm), Prints, Utagawa (Gountei) Sadahide

Woman Playing the Tsuzumi, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 7 1/16 in. (20 x 17.9 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Sir Henry Capel (1638–1696), Oil on canvas, 49 3/4 x 40 1/2 in. (126.4 x 102.9 cm), Paintings, Sir Peter Lely (Pieter van der Faes) (British, Soest 1618–1680 London

Shimadai and Ainame Fish, from the series Uozukushi (Every Variety of Fish), Edo period (1615–1868), 1840s, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 14 9/16 in. (25.7 x 37 cm), Prints, Utagawa Hiroshige (Japanese,

Glass pendant in the form of a frog, Hellenistic, 3rd–1st century B.C., Greek, possibly Egyptian, Glass; cast and cut, H.: 9/16 in. (1.4 cm), Glass, Translucent deep turquoise green., Solid block with hole running lengthwise through body

Mrs. Alice Raphael, 1890s, Gelatin silver print, 14.9 x 10.0 cm. (5 7/8 x 3 15/16 in.), Photographs, Aimé Dupont (American, 1842–1900

Scene from Noh Dance, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 1/16 in. (20.5 x 17.9 cm), Prints, Takashima Chiharu (Japanese, 1777–1859

Cherry Blossoms and Seal-box with Ink and Ruler, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 7 3/8 in. (21 x 18.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Head of a man in relief, Roman, Bronze, Other: 3 1/8 x 3 15/16 in. (7.9 x 10 cm), Bronzes

Horse and Landscape, Qing dynasty (1644–1911), China, Album leaf; color on silk, 12 3/4 x 11 1/4 in. (32.4 x 28.6 cm), Paintings, Unidentified Artist, In the style of Giuseppe Castiglione (Italian, Milan 1688–1766 Beijing

Glass ribbed bowl, Early Imperial, mid-1st century A.D., Roman, Glass; blown and tooled, H.: 2 1/4 in. (5.7 cm), Glass, Translucent cobalt blue. Knocked-off, uneven rim; short vertical neck; bulging side curving in to slightly pushed-in

Magical Jar in the shape of a Hippopotamus deity, New Kingdom, Dynasty 18, ca. 1550–1295 B.C., From Egypt, Glazed steatite, h. 6 cm (2 3/8 in); w. 3.2 cm (1 1/4 in); d. 4 cm (1 9/16 in

東海道五十三次　三島, Mishima, from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Mishima), also known as the Kyōka (Witty Verse) Tōkaidō, Edo period (1615–1868), ca. 1838, Japan, Polychrome

Tadeus Langier, Zakopane, 1912–13, Gelatin silver print, Image: 12.6 x 17.6 cm (4 15/16 x 6 15/16 in.), Photographs, Stanislaw Ignacy Witkiewicz (Polish, Warsaw 1885–1939 Jeziory), Witkiewicz is a legendary figure in Polish cultural

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/4 × 9 7/8 in. (36.2 × 25.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Statuette of Ares ?, Bronze, H.: 3 3/4 in. (9.5 cm), Bronzes

Woman Reading A Letter by Oil Lamp, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper, H. 15 in. (38.1 cm); W. 10 in. (25.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro portrays a

Terracotta aryballos (oil flask), Archaic, ca. 570 B.C., Greek, Attic, Terracotta; black-figure, H. 3 1/16 in. (7.8 cm), Vases, Around the lip, pygmies fighting cranes, Around the main surface of the handle, three satyrs; on the ends,

Upper part of a marble statue of a woman, Imperial, 1st–2nd century A.D., Roman, Marble, Pentelic, H. 51 3/4 in. (131.5 cm), Stone Sculpture, Copy of a Greek statue of ca. 460–450 B.C.. This is probably a representation of Athena, for

Ryogoku, Edo period (1615–1868), ca. 1845, Japan, Polychrome woodblock print; ink and color on paper, H. 6 5/8 in. (16.8 cm); W. 12 1/4 in. (31.1 cm), Prints, Keisai Eisen (Japanese, 1790–1848

Skyphos, Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta, H. 6.07 cm., Vases

Médînet-Abou (Thèbes), Constructions Postérieures - Deuxieme Cour - Galerie Nord-Ouest, 1851–52, printed 1853–54, Salted paper print from paper negative, 30.3 x 24.6 cm. (11 15/16 x 9 11/16 in.), Photographs, Félix Teynard (French,

Gold Coin of the Keicho Era (Keicho Oban) on a Plate of Purple Brocade, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/8 in. (21 x 18.1 cm), Prints, Watanabe Kazan

Glass short-strip mosaic bowl fragment., Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 x 7/8 in. (2.3 x 2.2 cm), Glass, Rim fragment., Translucent purple, greyish blue, layered blue green

Mother and Child, Edo period (1615–1868), ca. 1793, Japan, Polychrome woodblock print; ink and color on paper, H. 14 7/8 in. (37.8 cm); W. 9 7/8 in. (25.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro composed this image

Portrait of a Woman, 1657, Oil on copper, 4 5/8 x 3 3/8 in. (117 x 86 mm), Miniatures, Nicolaes Maes (Dutch, Dordrecht 1634–1693 Amsterdam

Court Lady with a Fan—a Cherry-Tree in Bloom, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 15/16 x 6 3/4 in. (20.2 x 17.1 cm), Prints, Yashima Gakutei (Japanese,

Immortals and Sages, Ming dynasty (1368–1644) (?), China, Handscroll; ink on silk, 13 3/8 × 85 in. (34 × 215.9 cm), Paintings, Unidentified Artist, Formerly Attributed to Li Gonglin (Chinese, ca. 1041–1106

Speculum Romanae Magnificentiae: Sacrificial Instruments Based on Ancient Relief Sculpture, ca. 1550–75, Engraving with text in brown ink., sheet: 12 3/16 x 16 in. (30.9 x 40.6 cm), Prints, Attributed to Nicolas Beatrizet (French, Lunéville

Bowl with Lid, 17th–18th century, Made in Turkey, Kutahya, Stonepaste; polychrome painted under transparent glaze, Bowl (a): , Ceramics

近代 俞明 堆雪獅子圖 冊頁, Making a Snow-lion, dated 1921, China, Album leaf; ink and color on paper, 14 7/8 x 9 1/4 in. (37.8 x 23.5 cm), Paintings, Yu Ming (Chinese, 1884–1935

Terracotta head of a youth, Classical, 4th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 3 1/8 in. (7.92 cm), Terracottas, Around his head, he wears a flat band and a tubular circlet

Terracotta pithoid jar, Late Helladic III, ca. 1400–1200 B.C., Mycenaean, Terracotta, H. 3 15/16 in. (10 cm.), Vases, Pear-shaped vase with three handles, and horizontal and vertical band