Images at Librifly

清, 金農, 論畫雜詩, 冊, Poems on Paintings, Written for Ma Yueguan, Qing dynasty (1644–1911), dated 1754, China, Album of eleven double leaves; ink on paper, Image: 6 5/8 x 10 3/8 in. (16.8 x 26.4 cm), Calligraphy, Jin Nong

Plate, 18th century, Attributed to India, Deccan, Karimnagar, Silver; cast, pierced, engraved, H. 1/2 in. (1.3 cm), Metal, This pan plate is attributed to the city of Karimnagar known for its production of filigreed pieces located one

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 13/16 × 3 3/4 × 7/16 in. (4.5 × 9.5 × 1.1 cm), Vases

Silver tetradrachm, Hellenistic, 315–308 B.C., Greek, Silver, Diam.: 1 1/16 in. (2.7 cm), Coins, Of Alexander III of Macedon, Pella: head of Herakles; seated Zeus

Limestone plaque with two eyes in relief, Late Hellenistic or Early Imperial, ca. 50 B.C.–A.D. 50, Greek or Roman, Cypriot, Limestone, Overall: 3 3/4 x 3 x 2/4 in. (9.5 x 7.6 x 1.3 cm), Miscellaneous-Stone, The small pyramidal plaque has a

[Soldier Posed with Rifle and Bayonette], 1880s–90s, Gelatin silver print, Photographs, Unknown (French

Landscape with Cattle, probably ca. 1800, Oil on wood, 31 1/2 x 42 1/4 in. (80 x 107.3 cm), Paintings, Jacob van Strij (Dutch, Dordrecht 1756–1815 Dordrecht), This impressive panel bears the signature of Aelbert Cuyp, and until recently was

Vue de la Ville Chinoise (Cholen) Feuille No. 2, Saïgon, Cochinchine, 1866, Albumen silver print from glass negative, 22.3 x 30.4 cm (8 3/4 x 11 15/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Fragment of a limestone votive relief with a quadriga (?), Hellenistic, 4th century B.C., Cypriot, Limestone, Overall: 6 7/8 x 8 1/4 x 1 5/8 in. (17.5 x 21 x 4.1 cm), Cesnola Inscriptions, The lower part of the relief remains, with five horse

Pierre-Luc-Charles Cicéri, 1855–60, Salted paper print from glass negative, 23.5 x 18.7 cm. (9 1/4 x 7 3/8 in.), Photographs, Nadar (French, Paris 1820–1910 Paris

Comb Morion, ca. 1600, Cologne, North Rhine-Westphalia, German, Steel, lead, textile, H. 12 3/8 in. (31.4 cm); W. 8 1/2 in. (21.6 cm); D. 14 7/16 in. (36.7 cm); Wt. 4 lb. (1819 g), Helmets

Glass head-shaped flask, Late Imperial, ca. 3rd century A.D., Roman, Glass; mold-blown, H.: 2 1/2 x 2 in. (6.4 x 5.1 cm), Glass, Colorless., Cylindrical neck; body in the shape of a double head; oval base with flat bottom and rounded,

Terracotta head of a satyr, Hellenistic, 2nd–1st century B.C., Greek, Asia Minor, Smyrna, Terracotta, H.: 1 3/8 in. (3.5 cm), Terracottas, Thick hair pushed back from face; traces of flower wreath

Fibula, boat-shaped type, Bronze, Other: 3 1/2 in. (8.9 cm), Bronzes

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/8 x 1 1/4 in. (2.9 x 3.2 cm), Glass, Body fragment., Translucent cobalt blue and opaque white., Convex curving side,

Powder Flask, possibly 16th–17th century, Tibetan or Mongolian, Leather, horn, shellac, gold, pigment, H. 10 1/2 in. (26.7 cm); W. 4 in. (10.2 cm); Wt. 3.1 oz. (87.9 g), Firearms Accessories-Flasks & Primers

Inscription Démotique; second Pylone du Temple d'Isis, à Philae, April 15, 1850, Salted paper print from paper negative, Image: 6 1/4 × 9 1/8 in. (15.8 × 23.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

琉球八景　長虹秋霽, Autumn Sky at Chōkō (Chōkō shūsei), from the series Eight Views of the Ryūkyū Islands (Ryūkyū hakkei), Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x

Sugar bowl, 1820–40, Possibly made in Pennsylvania, United States; Probably made in Ohio, United States, American, Blown molded lead glass, H. 6 1/16 in. (15.4 cm); Diam. 4 3/4 in. (12.1 cm), Glass

Caster, ca. 1735, Made in New York, New York, United States, American, Silver, Overall: 5 1/2 x 1 15/16 in. (14 x 4.9 cm); 4 oz. 7 dwt. (135.2 g), Silver, Adrian Bancker (1703–1772), Although eighteenth-century American silver casters

Jérusalem, Vallée de Hinnom, Retraite des Apôtres, 1854, Salted paper print from paper negative, Image: 23.5 x 32.8 cm (9 1/4 x 12 15/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Glass cup, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 2 9/16 in. (6.5 cm), Glass, Colorless Broad, horizontal, tubular rim, folded out, down, and in; cylindrical body with slightly convex sides, then tooled into

Valance, 1580–1610, probably British, Canvas worked with wool and silk thread; tent and satin stitches, H. 21 x W. 68 inches (53.3 x 172.7 cm), Textiles-Embroidered

Network mosaic glass fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 1/2 x 1 in. (3.8 x 2.5 cm), Glass, Part of the rim of a bowl

Man in a Beret, Oil on canvas, 29 7/8 x 24 3/4 in. (75.9 x 62.9 cm), Paintings, Style of Rembrandt (Dutch, fourth quarter 17th century

Rivaulx Abbey. Interior of the Choir, 1850s, Albumen silver print, Image: 28.6 x 23.6 cm (11 1/4 x 9 5/16 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry Delamotte (British,

Baton, 1855, Breslau, Germany, German, Silver, ebony, Height: 18 9/16 in. (47.1 cm), Accessory

[Album of Spirit Photographs], 1872, Albumen silver prints from glass negatives, 25.4 x 19.1 cm (10 x 7 1/2 in.), Albums, Frederick Hudson (British, died 1889), Mr. Reeve

Terracotta askos in the form of a duck, Classical, late 5th century B.C., Greek, Attic, Terracotta, H. 3 1/16 in. (7.8 cm), Vases, Askos in the form of a duck

Ladle, 1745–1760, Made in Boston, Massachusetts, United States, American, Silver, Overall: L. 15 1/2 in. (39.4 cm); 4 oz. (125.1 g), Silver, Samuel Edwards (1705–1762

Dromos et Pylones du grand Temple d'Isis, à Philae, April 13, 1850, Salted paper print from paper negative, Image: 6 9/16 × 8 3/4 in. (16.6 × 22.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Passage to Panelled Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick

Pair of gauntlets, first half 17th century, British, Silk and metal thread on linen, L. 12 to 13 1/2 x W. 5 1/2 to 6 inches (30.5 to 34.3 x 14.0 to 15.2 cm), Textiles-Embroidered

Jérusalem, Via Dolorosa, Reste antique, 1854, Salted paper print from paper negative, Image: 33.3 x 23.3 cm (13 1/8 x 9 3/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

[Rapid, Yen-Ping], ca. 1869, Albumen silver print from glass negative, Image: 7 15/16 × 11 1/8 in. (20.1 × 28.2 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Alabaster cinerary urn, Hellenistic, 3rd century B.C., Etruscan, Alabaster, H. with cover 33 1/2 in. (85.1 cm); H. without cover 17 1/4 in. (43.8 cm); length 25 in. (63.5 cm), Stone Sculpture, The reclining woman represented on the lid wears a

Dutch Woman Holding a Dog, Edo period (1615–1868), first half of the 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 17 1/16 x 6 1/8 in. (43.3 x 15.6 cm), Prints, Unidentified Artist, This print was not

River Landscape, Qing dynasty (1644–1911), China, Folding fan mounted as an album leaf; ink on gold paper, 6 3/8 x 19 3/4 in. (16.2 x 50.2 cm), Paintings, Zhuang Jiongsheng (Chinese, born 1626

Design for fireplace objects, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on off-white wove paper, 14 15/16 x 19 7/8 in. (37.9 x 50.5 cm), Drawings, Tiffany Studios (1902–32), This

Belt Ornament, 2nd–7th century, Peru, Moche, Copper, H x W: 4 1/2 x 4in. (11.4 x 10.2cm), Metal-Ornaments, This small hollow ornament is made of a hammered copper sheet folded along the top. Similar ornaments are illustrated in Moche art,

元 黑漆嵌螺鈿梅鵲紋八方盤, Dish with Flowering Plum and Birds, Yuan dynasty (1271–1368), 14th century, China, Black lacquer with mother-of-pearl inlay, H. 1/8 in. (.3 cm); Diam.11 5/8 in. (29.5 cm), Lacquer, Flowering plums and

Plate, ca. 1815–25, Made in Berks County, Pennsylvania, United States, American, Earthenware; Redware with sgraffito and slip decoration, Diam. 9 3/4 in. (24.8 cm), Ceramics, Attributed to Solomon Grimm (1787–1847

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Overall: 2 3/4 in. (7 cm), Glass, Translucent pale blue green. Uneven rim folded out, over, and in; short cylindrical neck with tooling indent around base; conical

Terracotta askos (flask with a spout and handle over the top) in the form of a bird, Late Cypriot IIIB, 1200–1050 B.C., Cypriot, Terracotta, H. 4 7/16 in. (11.3 cm), Vases, Three feet, with tubular spout and geometric ornament

Glass jug, Early Imperial, mid-1st century A.D., Roman, Glass; blown and tooled, H.: 6 in. (15.2 cm), Glass, Colorless with pale blue green tinge; handle in same color. Rim folded out, down, up, and out, forming a downward flange and

Carnelian ring stone with Asclepius, the god of medicine, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Carnelian, Other: 7/16 x 5/8 x 1/8 in. (1.1 x 1.5 x 0.3 cm), Gems, This Roman intaglio is engraved with the

Vase fragment, Neolithic, first period, Neolithic, Gonia, Terracotta, length 15/16in. (2.4cm), Vases

Newhaven Fisherman, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

The Visit to the Nursery, 1661, Oil on canvas, 30 1/2 x 32 in. (77.5 x 81.3 cm), Paintings, Gabriël Metsu (Dutch, Leiden 1629–1667 Amsterdam), In an impressively appointed room, modeled on a large chamber in the new Town Hall of Amsterdam,

Utensils with Decorations for the New Year, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 11/16 x 6 9/16 in. (19.5 x 16.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Terracotta pyxis (box), Classical, late 5th century B.C., Greek, Attic, Terracotta; red-figure, H. 1 3/4 in. (4.5 cm), Vases, On cover, head of a horse

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 6 1/16in. (15.5cm), Glass, Colorless (?). Uneven rim, folded out, round, and in, and pressed into flaring mouth; tall, cylindrical neck, expanding downward,

Pair of armchairs (part of a set), Gabriele Capello ((called Il Moncalvo), Italian, 1806–1876), and Carlo Chivasse, ca. 1835, Italian, Piedmont, Mahogany veneered with maplewood and mahogany, covered with modern silk brocade, Each: 43 ×

Great Indian Fruit Bat, ca. 1777–82, Made in India, Calcutta, Pencil, ink, and opaque watercolor on paper, Painting: Ht. 23 1/2 in. (59.7 cm), Paintings, Painting attributed to Bhawani Das or a follower, This dramatic image is of the

Jérusalem, Enceinte du Temple, Piscine probatique, 1, 1854, Salted paper print from paper negative, Image: 22.7 x 32.8 cm (8 15/16 x 12 15/16 in.), Photographs, Auguste Salzmann (French, 1824–1872), In this transverse view of an ancient

Loch Long Head, 1856, Albumen silver print, Photographs, Captain R. H. Henry

Dish, Sigismund Zschammer (ca. 1630, master 1661, d. before 1698), 1685, with later monogram, Dutch, Amsterdam, Silver, Diameter: 14 1/2 in. (36.8 cm), Metalwork-Silver, Sigismund Zschammer (ca. 1630, master 1661, d. before 1698), The

Fishes Swimming with Yellow Flowers, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 7/8 in. (21 x 20 cm), Prints, Keisai Eisen (Japanese, 1790–1848

The Actor, Nakamura Shichisaburo II, 1703–1774 as a Woman with Fan, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 12 in. (30.5 cm); W. 5 3/4 in. (14.6 cm), Prints, Torii Kiyomasu II (Japanese,

Terracotta miniature vase with rudimentary handles, Archaic, 7th–6th century B.C., Greek, Laconian, Terracotta, H. 1 1/16 in. (2.6 cm), Vases, Two rudimentary handles and traces of black paint

Abraham Dismissing Hagar and Ishmael, 1658, Oil on wood, 19 1/2 x 14 in. (49.5 x 35.6 cm), Paintings, Barent Fabritius (Dutch, Middenbeemster 1624–1673 Amsterdam

音曲比翼の番組　小波　力弥, Rikiya and Konami, from the series, A Program with Music about Loving Couples (Ongyoku hiyoku no bangumi), Edo period (1615–1868), 1798, Japan, Polychrome woodblock print; ink and color on paper,

東海道五十三次　石部, Ishibe, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, H. 8 5/8 in. (21.9 cm); W. 6 1/2 in. (16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

A Couple in an Interior with a Gypsy Fortune-Teller, ca. 1632–33, Oil on wood, Oval, 9 7/8 x 13 in. (25.1 x 33 cm), Paintings, Jacob Duck (Dutch, Utrecht, born ca. 1598–1600, died 1667 Utrecht), In this early work of about 1630–35

Etienne Carjat, 1870s, Albumen silver print, Photographs, Étienne Carjat (French, Fareins 1828–1906 Paris

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Overall: 3 3/8 in. (8.6 cm), Glass, Translucent pale blue green. Uneven, slanting rim folded out, over, and in; flaring mouth; cylindrical neck, with tooled

Chinese botanist, 1738–45, Etching, Sheet (trimmed): 8 1/16 × 5 1/4 in. (20.5 × 13.4 cm), Prints, François Boucher (French, Paris 1703–1770 Paris

The Sphynx and Great Pyramid, Geezeh, 1857, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Linga (Phallic Emblem) with Four Standing Deities, 10th–11th century, India (Rajasthan), Sandstone, H. 26 1/2 in. (67.3 cm); W. 10 in. (25.4 cm); D. 10 in. (25.4 cm), Sculpture

Mountain and Stream in Autumn, Ming dynasty (1368–1644), dated 1634, China, Handscroll; ink on paper, 10 1/4 x 42 1/2 in. (26 x 108 cm), Paintings, Bian Wenyu (Chinese, active ca. 1611–71

見立三国志 牛若の源治, Ichimura Kakitsu IV as Ushiwaka no Genji in the Kabuki play A Parody of the Romance of the Three Kingdoms (Mitate Sangokushi-Ushiwaka no Genji), 4th month, 1868, Japan, One sheet of a triptych of polychrome

Statuette of a man, Bronze, H.: 2 13/16 in. (7.1 cm), Bronzes

Statuette of a man ?, Bronze, H.: 4 3/16 in. (10.6 cm), Bronzes

Shield (Dhàl), about 1750, Bengal, Indian, Bengal, Leather, lacquer, iron, silver, textile, Diam. 16 3/8 in. (41.6 cm); Wt. 3 lb. 2 oz. (1435 g), Shields, Shields of thick, extremely hard ox, antelope, or rhinoceros hide were often

An Actor in the Fox Dance from the Drama, 'The Thousand Cherry Trees', Edo period (1615–1868), 1723–1792, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 7/8 in. (32.4 x 14.9 cm), Prints, Ippitsusai Bunchō

A Young Woman in a Landscape, Oil on wood, 26 x 19 7/8 in. (66 x 50.5 cm), Paintings, Dutch Painter (dated 1636), Full-length portraits of less than royal sitters were exceptional in the Netherlands until Rubens and Van Dyck, and in Amsterdam

Fibula, fragment, Bronze, 1 9/16in. (4cm), Bronzes

Box from a Marriage Set, Edo period (1615–1868), first half of the 18th century, Japan, Lacquer, H. 5 7/8 in. (14.9 cm); W. 5 3/8 in. (13.7 cm), Lacquer

Glass plaque fragment, Early Imperial, 1st century A.D., Roman, Glass; cast in an open mold in two layers, Overall: 2 1/16 in. (5.2 cm), Glass, Translucent pale blue and opaque mid blue., Square or rectangular, flat plaque; straight upper

冨嶽三十六景　本所立川, Tatekawa in Honjō (Honjō Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper,

Skyphos, Early Hellenistic, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta, H. 4 3/4 in. (12.1 cm), Vases

Terracotta head of a woman, probably a sphinx, Archaic, 1st quarter of the 5th century B.C., Greek, Terracotta, H. 8 1/8 in. (20.7 cm), Terracottas, Terracotta sculpture of large scale and high quality is rare in Greek art of the mainland as

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 1/2 × 1 13/16 × 3/16 in. (3.8 × 4.6 × 0.5 cm), Vases

Toilet box, late 15th or early 16th century, Italian, Venice, Painted enamel on copper, partly gilt, glass, Diameter: approx. 3 in. (approx. 7.6 cm), Enamels-Painted, This dainty box, which separates into two hemispheres, may have been

Silver swivel ring with agate half-barrel, Late Classical, 4th century B.C., Greek, Agate, silver, Length: 13/16 in. (2.1 cm), Gems, Crane

Chargford, Holy S. Mill, 1870s, Albumen silver print from glass negative, Photographs, Francis Bedford (British, London 1816–1894 London

Jérusalem, Sainte-Marie-la-Grande, Cloître, 1854, Salted paper print from paper negative, Image: 23 x 32.9 cm (9 1/16 x 12 15/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Inside the Garden at Takao, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 5 7/8 in. (14.9 cm); W. 8 3/4 in. (22.2 cm), Prints, Hasegawa Sadanobu (Japanese, active mid–19th century

Silver fibula (fibula), Classical, 5th–4th century B.C., Greek, Silver, Other: 1 9/16 in. (4 cm), Gold and Silver, This type of fibula, with projecting flanges, is particularly associated with Northern Greece

[Botanical Specimen: Fern], 1855–60, Albumen silver print from glass negative, Image: 20.6 x 14.7 cm (8 1/8 x 5 13/16 in.), Photographs, Unknown (British

Ryogoku Kawarabiraki Hanami, Edo period (1615–1868), 1862, Japan, Polychrome woodblock print; ink and color on paper, H. 9 13/16 in. (24.9 cm); W. 14 5/8 in. (37.1 cm), Prints, Utagawa Hiroshige II (Japanese, 1829–1869

A la Biche, rue Geoffrey Hilaire, 1922, Matte albumen silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Nubie. Grand Temple D'Isis A Philoe. Muraille occidentale, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

雪月花　淀川, Moonlight on the Yodo River (Yodogawa), from the series Snow, Moon, and Flowers (Setsugekka), Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, H. 9 5/8 in. (24.4 cm); W. 14

Terracotta amphora (jar), Archaic, ca. 530–520 B.C., Greek, Attic, Terracotta; black-figure, H. 26 in. (66 cm), Vases, Obverse, Athena and Herakles in the gigantomachy (battle of gods and giants), Reverse, Poseidon, Leto, Apollo,

Valance (one of a set of three), 1600–1633, British, Canvas worked with silk and metal thread; tent, long-and-short, and couching stitches, H. 12 x L. 56 inches (30.5 x 142.2 cm) Framed: H. 19 x W. 66 1/2 inches (48.3 x 168.9 cm),

Second Ichikawa Danjuro after 1735, Edo period (1615–1868), 5th month, 1736, Japan, Polychrome woodblock print; ink and color on paper, 11 1/4 x 5 13/16 in. (28.6 x 14.8 cm), Prints, Torii Kiyomasu I (Japanese, active 1696–1716

Lady Smith and her Children, March 15, 1789, Stipple engraving and etching; third (?) state of five, plate: 11 3/8 x 9 3/16 in. (28.9 x 23.3 cm), Prints, After Sir Joshua Reynolds (British, Plympton 1723–1792 London), Francesco Bartolozzi

Cavalier, 1585–94, French, possibly Sedan, Bronze, Ht. without base (Wt. confirmed): 8 1/2 in., 4lb. (21.6 cm, 1.8144kg), Sculpture-Bronze, Barthélemy Prieur (French, Berzieux ca. 1536–1611 Paris), These are the most widely replicated

Galoubet, ca. 1770, Paris, France, French, Ivory, leather, Height (overall): 12 3/8 in. (31.4 cm), Aerophone, Attributed to Gilles Lot (French, La Couture 1721–1775 Paris