Images at Librifly

The Actor Bando Mitsugoro II in Ceremonial Robes with Kamishimo, Edo period (1615–1868), 1751–1788, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 7/8 in. (30.8 x 14.9 cm), Prints, Eishōsai Chōki (Japanese, active

Terracotta kylix: eye-cup (drinking cup), Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; black-figure, H. 4 3/8 in. (11.1 cm), Vases, Exterior, obverse and reverse, between eyes, nose At the handles, youths The eye-cup lent itself

Jérusalem, Piscine de Siloe, Détails, 1854, Salted paper print from paper negative, Image: 23.5 x 33.3 cm (9 1/4 x 13 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

Embroidered Square in the Form of a Rank Badge, 20th century, Korea, Silk and metallic thread on silk, 9 1/4 x 9 1/4in. (23.5 x 23.5cm), Textiles-Methods and Materials, Young Yang Chung (Korean, born 1936

The Actor Matsumoto Koshiro 4th as a Man, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/4 in. (31.1 cm); W. 5 3/4 in. (14.6 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Rev. R. Brewster of Craig, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Actor Tsu-uchi Monsaburo in a Woman's Role in the Play 'Three Instances of Good Fortune (Sanpuku Tsui)', Edo period (1615–1868), ca. 1730, Japan, Polychrome lacquer print (urushi-e), H. 12 1/16 in. (30.6 cm); W. 6 in. (15.2 cm), Prints,

Fret, from Chippendale Drawings, Vol. II, ca. 1753–54, Brown ink, sheet: 2 1/4 x 7 3/8 in. (5.6 x 18.7 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

The Workshop of a Wooden Shoe Maker, ca. 1838, Black, white and red chalk on wove paper, Overall: 18 3/4 x 21 1/8in. (47.6 x 53.7cm), Drawings, Constant Troyon (French, Sèvres 1810–1865 Paris

Carnelian ring stone, Hellenistic, 3rd–2nd century B.C., Italic, Sard, Length: 9/16 in. (1.5 cm), Gems, Ajax carrying the dead Achilles

Glass spouted bottle, Imperial, late 2nd–4th century A.D., Roman, Glass; blown and trailed, 4 5/8in. (11.7cm), Glass, Translucent pale blue green, with same color handle, spout, and trail. Thick rim, folded over and in; flaring mouth;

Ushi-no-toki mairi, Woman in the Rain at Midnight Driving a Nail into a Tree to Invoke Evil on Her Unfaithful Lover, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 3/16

Karnak, Groupe de Dattiers Vu du Point A, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.5 x 30.9 cm. (9 5/8 x 12 3/16 in.), Photographs, Félix Teynard (French, 1817–1892

Alabaster jug, Late Cypriot II, ca. 1450–1200 B.C., Cypriot, Calcite (alabaster), H. 5 1/2 in. (14 cm), Miscellaneous-Stone Vases, Similar vases have been found in Egypt and the Levant. The shape imitates Mycenaean forms

Covered Vessel, Zhou dynasty (1046–256 B.C.), China, Bronze, H. 7 3/8 in. (18.7 cm); Diam. 7 3/4 in. (19.7 cm); Diam. of foot 5 1/8 in. (13 cm), Metalwork

Terracotta kylix (drinking cup), Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, H. 2 3/4 in. (7 cm); diameter 7 7/8 in. (20 cm), Vases, Interior and exterior, schoolboys. Athenian boys received their elementary education at

幾何模様蒔絵印籠, Inrō with Geometric Pattern, Edo period (1615–1868), first half of the19th century, Japan, Four cases; lacquered wood with metal and mother-of-pearl inlay on black lacquer ground; Netsuke: ryūsa type carved ivory;

Lekythos, Classical, ca. 480 B.C., Greek, Attic, Terracotta; black-figure, white-ground, Overall: 9 3/16in. (23.4cm), Vases, Hare hunt

The actor Nakamura Nakazo as a rokuju-rokubu (pilgrim to Buddhist temple), Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 12 1/4 x 5 7/8 in. (31.1 x 14.9 cm), Prints, Katsukawa Shunshō

元 王蒙 蕭林寂亭圖 團扇, Sparse Trees and Pavilion, late Yuan dynasty (1271–1368), ca. 1361, China, Fan mounted as an album leaf; ink on silk, Image: 9 7/8 x 11 1/8 in. (25.1 x 28.3 cm), Paintings, Wang Meng (Chinese, ca.

Miquelet Pistol, dated A.H. 1263/A.D. 1846–47, Caucasian, possibly Georgia or Circassia, Steel, silver, niello, leather, ivory, gold, L. 17 1/2 in. (44.45 cm), Firearms-Pistols-Miquelet, The barrel is signed in both Russian and Arabic,

Viewing the Sunset over Ryōgoku Bridge from the Onmaya Embankment (Onmayagashi yori Ryōgokubashi sekiyō o miru), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　御厩川岸より両国橋夕陽見,

Temple with Figure, 1st–8th century, Mexico, Mesoamerica, Guerrero, Mezcala, Stone, H. 3 3/8 x W. 1 7/8 in. (8.6 x 4.8 cm), Stone-Sculpture

Vase fragment, Early Minoan II, Minoan, Terracotta, 2 1/16 × 2 3/4 × 7/16 in. (5.2 × 6.9 × 1.1 cm), Vases

Bacchanal, n.d., Pen, point of brush, brown ink, on beige paper, 9 13/16 x 12 in. (24.9 x 30.5 cm), Drawings, François Roëttiers (French, London 1685–1742 Vienna

Onyx cameo of the emperor Gaius (Caligula), Early Imperial, Julio-Claudian, ca. A.D. 37–43, Roman, Onyx, Overall: 1 11/16 x 1 1/4 x 9/16in. (4.3 x 3.1 x 1.5cm), Gems, Caligula is represented here as a victorious general—the triumphant

Gyoku-kashi Eimo Preparing Calligraphy Offerings, 玉花子栄茂図, Edo period (1615–1868), ca. 1782, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/8 in. (38.4 cm); W. 10 1/4 in. (26 cm), Prints, Torii Kiyonaga

Landscape in the Style of Huang Gongwang, Ming dynasty (1368–1644), 17th century or later, spurious date of 1633, China, Folding fan mounted as an album leaf; ink and color on gold paper, 6 5/8 x 20 1/2 in. (16.8 x 52.1 cm), Paintings,

Terracotta jug fragment, 1st half of 2nd century A.D., Roman, Terracotta; Rhone Valley ware, width 3 5/8in. (9.2cm), Vases, Applied medallion from a jug; Hermes riding on a ram

Caddinet, Attributed to Gottlieb Menzel (1676–1757, master 1709), 1718, German, Augsburg, Silver gilt, Overall (confirmed): 3 1/8 x 9 3/4 x 8 3/8 in., 35.778oz. (7.9 x 24.8 x 21.3 cm, 1014.3g), Metalwork-Silver, Attributed to Gottlieb

東海道五十三次　庄野, Shono, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Rev. Dr. Thomas Chalmers and Thomas Chalmers Hanna, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews,

[Japanese Woman in Carriage], 1870s, Albumen silver print from glass negative, 20.1 x 25.2 cm (7 15/16 x 9 15/16 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

東海道五十三次　嶋田　大井川, Shimada; Oigawa Shun-Gan, Banks of the Oi River, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, H. 8 7/8 in. (22.5 cm); W. 6 1/2 in. (16.5 cm),

[My Pegu Pony], 1858–61, Albumen silver print, Image: 6.1 x 11.5 cm (2 3/8 x 4 1/2 in.), Photographs, Unknown

Vase, 1882–90, Made in Trenton, New Jersey, United States, American, Porcelain, Approx. H. 10 in. (25.4 cm), Ceramics, Ott and Brewer (1871–1893

Vase fragment, Early Minoan II, Minoan, Terracotta, 2 7/16 × 2 1/2 × 7/16 in. (6.1 × 6.3 × 1.2 cm), Vases

Statuette of a woman ?, Bronze, H.: 1 7/8 in. (4.8 cm), Bronzes, With arms lowered

Fuyo (Hibiscus) and a Yellow Bird, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 14 11/16 x 4 15/16 in. (37.3 x 12.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Jérusalem, Enceinte du Temple, Détails de l'appareil de la piscine probatique, 1854, Salted paper print from paper negative, Image: 22.8 x 32.5 cm (9 x 12 13/16 in.), Photographs, Auguste Salzmann (French, 1824–1872), This site is

Front Left Pommel Plate, ca. 1545, Augsburg, Bavaria, German, Steel, L. 17 3/4 in. (45.1 cm); W. 6 1/8 in. (15.6 cm); Wt. 14 oz. (402 g.), Equestrian Equipment-Saddles

Terracotta vase in the form of a duck, Late Corinthian?, 6th century B.C., Greek, Corinthian?, Terracotta, H. 2 1/4 in. (5.8 cm), Vases, Black paint covering the head and wings and tail; with white and red paint decoration on wings

Mandolino, ca. 1710, Italy, Italian, Spruce, ebony, ivory, mother-of-pearl, 21 1/16 × 5 × 2 11/16 in. (53.5 × 12.8 × 6.9 cm), Chordophone-Lute-plucked-fretted, This typical Roman mandolin, with six double courses of gut strings,

Brooch, ca. 1900, Made in New York, New York, United States, American, Gold, peridot, diamonds, pearls, and enamel, 1 1/16 x 2 9/16 in. (2.7 x 6.5 cm), Jewelry, Marcus and Co. (American, New York, 1892–1942), Late nineteenth-century

[Other ruins in the town of Tus, Khorasan], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

諸國名橋奇覧　飛越の堺つりはし, The Suspension Bridge on the Border of Hida and Etchū Provinces (Hietsu no sakai tsuribashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Edo period

Orange, Arc Antique, ca. 1864, Albumen silver print from glass negative, Image: 21.7 x 28.3 cm (8 9/16 x 11 1/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

God's Wife Tagerem, Ptolemaic Period, Ptolemaic Dynasty, 300–250 B.C., From Egypt, Western Delta, Sakhebu, Limestone, H. 42 cm (16 1/2 in), The priestess Tagerem was God's Wife of the god Re in Sakhebu in the southwestern Delta, a temple

Eagle owl, ca. 1735, German, Meissen, Hard-paste porcelain, Overall (confirmed): 20 1/2 x 11 9/16 x 9 3/8 in., 27.5lb. (52.1 x 29.4 x 23.8 cm, 12.4739kg), Ceramics-Porcelain, This sculpture of an eagle owl is one of five examples of this

Rod, dipping, or pin, Bronze, Other: 5 5/8 in. (14.3 cm), Bronzes

Fragment of a terracotta amphora (jar), Archaic, ca. 540–530 B.C., Greek, Attic, Terracotta; black-figure, Overall: 3 7/16 x 5 1/16in. (8.7 x 12.9cm), Vases, Youth steadying horses. The composition of which this is a part would have been a

Bear and Crabs, Edo period (1615–1868), Japan, Album leaf; lacquer on paper, 4 1/2 x 3 1/2 in. (11.4 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Amulet in the form of an inscribed bronze sheet, Bronze, Other (.a): 4 3/16 x 1 5/8 in. (10.6 x 4.1 cm), Bronzes

'Paris', 1919, French, silk, wool, metallic thread, Poiret once ruefully admitted that he could not sew and was thus unable to fully control all aspects of his art. However, it was this very absence of training in tailoring and dressmaking

Pocket bottle, 1815–45, Possibly made in Pennsylvania, United States; Possibly made in Ohio, United States, American, Blown, pattern-molded glass, H. 5 5/16 in. (13.5 cm), Glass

Dish, ca. 1893, Made in New York, New York, United States, American, Silver, 1 9/16 x 6 1/4 x 10 1/8 in. (4 x 15.9 x 25.7 cm); 7 oz. 9 dwt. (231.6 g), Silver, George W. Shiebler & Co. (1876–1907

Jar, 14th century, Attributed to Syria, Stonepaste; polychrome painted under transparent glaze, H. 13 1/4 in. (33.7 cm), Ceramics, Underglaze painting in blue and black on a white stonepaste body is characteristic of Mamluk production in Syria.

Chan Patriarch Bodhidharma, Ming dynasty (1368–1644), 17th century, China, Porcelain with ivory glaze (Dehua ware), H. 11 3/4 in. (29.8 cm); W. 7 1/2 (19 cm); D. 5 1/2 in. (14 cm), Ceramics, Bodhidharma (Damo in Chinese), the foreign monk

Buckle, Bronze, Other: 1 3/4 in. (4.4 cm), Bronzes

[Follett Family Album of Children Costumed for a Fancy Dress Ball], ca. 1880, Albumen silver prints from glass negatives with applied color, Album: 28.6 x 22.9 x 4.4 cm (11 1/4 x 9 x 1 3/4 in.), Albums, Owen Angel (British, ca. 1821–1909

The Fifth Ichikawa Danjuro as a Man in Winter Apparel, Edo period (1615–1868), dated 1788, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 3/4 in. (30.5 x 14.6 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Min-ch'oi Temple & City Wall of Yen-ping, ca. 1869, Albumen silver print from glass negative, Image: 7 15/16 in. × 11 in. (20.1 × 27.9 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Recto: 'Libro Primo, Chapo Quarto...' (Vitruvius, Book 1, Chapter 4); Verso: The Fortification of City Walls (Vitruvius, Book 1, Chapter 5)., 1530–45, Pen and dark brown ink, sheet: 5 5/8 x 11 1/16 in. (14.3 x 28.1 cm), Drawings,

Terracotta vessel fragment with spiral and linear motifs, Early Minoan III, ca. 2300–2100 B.C., Minoan, Terracotta; White-on-dark ware, Other: 3 1/4 in. (8.3 cm), Vases, From Gournia, Crete. Fragment with running spiral

Marseille, ca. 1861, Albumen silver print from glass negative, Image: 29.3 x 40.8 cm (11 9/16 x 16 1/16 in.) left, Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Limestone statuette of a boy holding a pyxis and a branch of leaves, Early Hellenistic, late 4th century–3rd century B.C., Cypriot, Limestone, Overall: 17 3/4 x 7 3/8 x 4 1/4 in. (45.1 x 18.7 x 10.8 cm), Stone Sculpture, Figure holding spray

Various Moths and Butterflies, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 15/16 x 7 1/8 in. (20.2 x 18.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Terracotta statuette of a seated doll, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 5 9/16 in. (14.1 cm), Terracottas, Nude, seated, wearing earrings

Woman's Comb, 15th or 16th century, French or Italian, Ivory, paint and gilding, Overall: 3 7/16 x 5 1/16 x 3/16 in. (8.8 x 12.9 x 0.4 cm), Ivories, Combs and other personal grooming implements were often included in bridal trousseaux during

Vue prise du quartier Franc, au Kaire, December 1849–January 1850, Salted paper print from paper negative, Image: 5 9/16 × 8 1/4 in. (14.2 × 21 cm), Photographs, Maxime Du Camp (French, 1822–1894

Plasma ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Plasma, Length: 7/16 in. (1.1 cm), Gems, Asklepios leaning on a staff onto which a serpent is wound

Terracotta dish, Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Teano, Terracotta; applied color, diameter 11 5/16in. (28.7cm), Vases, Stamped, incised and painted decorations

花魁と梅盆栽, Courtesan and her Child Attendant with a Potted Plum Tree, Edo period (1615–1868), ca. 1815, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 x 7 1/4 in. (20.3 x 18.4 cm), Prints,

Woman and Child, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 24 7/8 in. (63.2 cm); W. 5 5/8 in. (14.3 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Netsuke of Three Monkeys on the Back of a Fish (Sanbiki Saru), 19th century, Japan, Wood, H. 1 5/16 in. (3.4 cm); W. 1 5/8 in. (4.1 cm), Netsuke

Glass ribbed bowl, Early Imperial, late 1st century B.C.–mid 1st century A.D., Roman, Glass; cast and tooled, H.: 1 3/4 in. (4.4 cm), Glass, Translucent pale blue green. Plain rounded rim; sides curving in to slightly concave, uneven

Terracotta vase in the form of a woman holding a bird, Archaic, 6th century B.C., East Greek, Terracotta, H. 10 1/4 in. (26 cm), Vases, It is interesting to note that this is a figural type that was used both as a statuette and as a vase

Fragment, early 16th century, Italian, Silk, Overall: 19 x 10 3/8 in. (48.3 x 26.4 cm), Textiles-Velvets

清 倣米芾雲山圖, 卷, Mountain Scenery, Qing dynasty (1644–1911), China, Handscroll; ink on silk, 10 1/2 x 86 in. (26.7 x 218.4 cm), Paintings, Unidentified Artist, After Dong Qichang (Chinese, 1555–1636

Terracotta dish, Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Teano, Terracotta; applied color, Other: 2 5/8 x 9 1/2 in. (6.7 x 24.1 cm), Vases, Shallow dish, boss in center and ring base, decorated with ivy vine and

Rattle, Pre-Columbian, 100 B.C.–200 A.D., Jalisco, Mexico, Jalisco, Terracotta with kaolin, 11 9/16 × 5 3/8 × 5 11/16 in. (29.4 × 13.6 × 14.5 cm), Idiophone-Shaken-rattle

Frets, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 7/16 x 9 3/4 in. (21.4 x 24.8 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Vase fragment, Helladic, Greek, Laconian, Terracotta, 1 13/16 x 1 9/16in. (4.6 x 4cm), Vases

Fragment, 11th century, Attributed to Egypt, Fustat, Linen and silk, H. 3 1/4 in. (8.3 cm), Textiles-Woven

Jérusalem, Saint-Sépulcre, Porte Ouest, 1854, Salted paper print from paper negative, Image: 33.3 × 23.7 cm (13 1/8 × 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Glass amphoriskos (perfume bottle), Hellenistic, 2nd–mid-1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H. 5 13/16 in. (14.8 cm), Glass, Translucent light blue; handles and base-knob in translucent blue

Courtesan and Her Attendant, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on silk, 40 3/4 x 12 1/2 in. (103.5 x 31.8 cm), Paintings, Katsukawa Shunshō (Japanese, 1726–1792

Jardin zoologique de Bruxelles, 1854–56, Salted paper print from paper negative, Image: 8 11/16 × 10 13/16 in. (22.1 × 27.5 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872

江戸高名会亭尽　芝神明社内　車轍楼, Shiba Shinmeisha Uchi (Shatetsu-ro), Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, H. 9 3/4 in. (24.8 cm); W. 14 1/2 in. (36.8 cm), Prints,

The Actor Sawamura Sojuro I, 1689–1756 in an Unidentified Female Role, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/2 in. (29.2 cm); W. 5 3/8 in. (13.7 cm), Prints, Ippitsusai Bunchō

[Group with Horse-Drawn Carriage], 1890s, Albumen silver print from glass negative, 10.2 x 15.8 cm. (4 x 6 1/4 in.), Photographs, Christian Barthelmess (American, 1854–1906

A Raja Receives Homage Outside the City: Page from a Dispersed Manuscript, last quarter of the 17th century, India (Punjab Hills, Bilaspur), Ink and opaque watercolor on paper, 8 7/8 x 11 1/2 in. (22.5 x 29.2 cm), Paintings, This page from an

Ile de Fîleh (Philæ), Premier Pylône - Vue Prise de la Plate-Forme de la Colonnade Orientale en P, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.3 x 30.5 cm. (9 9/16 x 12 in.), Photographs, Félix Teynard (French,

Colwyn Bay. The Pool in the Wood, 1870s, Albumen silver print from glass negative, Photographs, Francis Bedford (British, London 1816–1894 London

Double Bat-Nosed Figure Pendant, 12th–14th century, Panama, Parita, Gold (cast), H. 3 1/8 in. (7.9 cm), Metal-Ornaments

Pottery Whistle, Pre-Columbian, 800–1525, Costa Rica, Costa Rican, Clay, L. 6.1 cm (2-7/16); W. 4 cm (1-11/16 in.); H. 4.3 cm (1-11/16 in.); Wt. 30 g, Aerophone-Whistle Flute-whistle

[Government House, Barrackpore], 1858–61, Albumen silver print, Image: 21.7 x 28.2 cm (8 9/16 x 11 1/8 in.), Photographs, Unknown

Relief of a woman with a hairpin, Middle Kingdom, Dynasty 11, ca. 2051–2030 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Neferu (TT 319, ), Chapel, 1923–25, Limestone, paint, This fragment depicts a woman wearing

Kantharos, Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta, Other (width w/ handles): 4 3/8 × 6 7/16 in. (11.1 × 16.4 cm), Vases

狂月坊, The Full Moon at the Time of the Imo Harvest, Edo period (1615–1868), 8th month, 1789, Japan, Polychrome woodblock print; ink and color on paper, 9 1/4 x 14 3/4 in. (23.5 x 37.5 cm), Prints, Kitagawa Utamaro (Japanese,