Images at Librifly

Sushi (Vinegared Fish and Rice) Food, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/4 x 7 1/4 in. (13.3 x 18.4 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Recto: The Houses of the Barbarians (Vitruvius, Book 2, Chapter 1, nos. 3, 4); Verso: The Aeropagus in Athens with Cave Houses (Vitruvius, Book 2, Chapter 1, no. 5)., 1530–45, Pen and dark brown ink, sheet: 7 1/2 x 5 9/16 in. (19.1 x 14.1

Family Scroll of Several Generations, Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, 13 x 175 3/8 in. (33 x 445.5 cm), Paintings, Unidentified Artist

Bronze horse muzzle, Imperial, 1st–2nd century A.D., Roman, Bronze, Overall: 4 3/16 x 5 3/4 x 7 1/8 in. (10.6 x 14.7 x 18.1 cm), Bronzes, The cavalry was a minor part of the Roman army, whose main strength lay in the heavy infantry—the

Bell, 4th century B.C., Cypriot, Bronze, 5/8in. (1.6cm), Bronzes

Major General A. H. King, 1855, Salted paper print from glass negative, Image: 17.8 x 14.7 cm (7 x 5 13/16 in.), Photographs, Roger Fenton (British, 1819–1869

The First Nakamura Nakazo as a Samurai Standing Near a Willow Tree, Edo period (1615–1868), 1768 or 1769, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 2/3 in. (32.4 x 14.4 cm), Prints, Katsukawa Shunshō (Japanese,

South Dome, 6, 000 feet, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Design for architectural detail, ca. 1883–85, Made in New York, United States, American, Watercolor and graphite on buff-colored wove paper mounted on light brown Bristol-type board, Overall: 10 7/16 x 14 1/4 in. (26.5 x 36.2 cm), Drawings,

Vue générale de la Mosquée et du Tombeau de Sultan Bezkouk, El-Melek-el-Dâher, au Kaire, December 1849–January 1850, Salted paper print from paper negative, Image: 6 1/8 × 8 5/16 in. (15.6 × 21.1 cm), Photographs, Maxime Du Camp

Frame, 1849–58, Made in Bennington, Vermont, United States, American, Earthenware, 11 x 9 3/4 in. (27.9 x 24.8 cm), Frames

Bando Hikosaburo as Hanaregoma Chokichi Holding His Black Horse, Edo period (1615–1868), ca. 1756, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 3/4 in. (30.5 x 14.6 cm), Prints, Torii Kiyomitsu (Japanese, 1735–1785

Limestone head of a wreathed youth, Classical, late 5th–4th century B.C., Cypriot, Limestone, Overall: 7 1/2 x 5 1/4 x 6 in. (19.1 x 13.3 x 15.2 cm), Stone Sculpture, The youthful face has a smiling expression with traces of red paint on the

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, 1 1/2 in. (3.8 cm), Glass, Miniature perfume bottle Translucent deep turquoise green. Rim folded out, over, and in, flattened on top; long, slightly conical neck,

Wall painting fragment, 1st century A.D., Roman, Fresco, Overall: 8 3/8 x 6 in. (21.3 x 15.3 cm), Miscellaneous-Paintings, Floral decoration

Pair of Mandarin Ducks and Iris Flowers, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 13/16 x 7 1/16 in. (19.8 x 17.9 cm), Prints, Kubo Shunman (Japanese, 1757–1820

'Bahram Gur Slays the Dragon', Folio from a Shahnama (Book of Kings), second half 17th century, Attributed to Iran, Isfahan, Ink, opaque watercolor, and gold on paper, 1.06 in. high 4.37 in. wide (19.5 cm high 11.1 cm wide), Codices

Terracotta pulled rim bowl, Late Minoan III, ca. 1400–1200 B.C., Minoan, Terracotta; Dark-on-light ware, Diam.: 6 1/2 in. (16.5 cm), Vases, The style of decoration on this bowl is known as dip and run. The rim has been dipped into paint and

Limestone statuette of a boy holding a duck, Early Hellenistic, late 4th century–3rd century B.C., Cypriot, Limestone, Overall: 21 1/2 x 8 x 4 1/2 in. (54.6 x 20.3 x 11.4 cm), Stone Sculpture, Figure holding apple and dove

Alabaster alabastron (perfume vase), Archaic or Classical, 6th–4th century B.C., Cypriot, Calcite (alabaster), H. 3 1/2 x 2 5/8 in. (8.9 x 6.7 cm), Miscellaneous-Stone Vases, The alabastron has two lugs and a wide, convex lip. There is a

Lotus Flower Inlay, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Faience, l. 3.7 cm (1 7/16 in

Marble cinerary urn with lid, Early Imperial, ca. 10 B.C.–A.D. 10, Roman, Marble, H. 9 11/16 in. (24.6 cm), Stone Sculpture, Marble imitations of wicker baskets that served as cinerary urns were popular in Rome in the Early Imperial period.

Sard ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Sard, Length: 7/16 in. (1.1 cm), Gems, Portrait head of Marcus Junius Brutus

Terracotta squat lekythos (oil jar), Classical, early 4th century B.C., Greek, Attic, Terracotta; red-figure, H.: 4 1/4 in. (10.8 cm), Vases, Aphrodite in a chariot drawn over the sea by two Erotes

The Magic Lantern, 1826–61, Cut paper and wash, image: 9 1/2 x 13 3/8 in. (24.2 x 33.9 cm), Cut Paper, Auguste Edouart (French, 1789–1861

Oinochoe, Etruscan, Terracotta; red-figure, Overall: 4 3/4 in. (12 cm), Vases, Above, Eros flying; below, female head, profile to left

Inner coffin of The Singer of Amun, Anresenmes, Third Intermediate Period, Dynasty 21, ca. 1070–945 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Priests' cemetery, Pit 219, 1920–21, Wood, gesso, paint, W. 49.5 x D. 47 x L.

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, H.: 15/16 x 15/16 in. (2.4 x 2.4 cm), Glass, Rim fragment., Translucent blue and purple, opaque yellow and white, with colorless

A Snow–clad Landscape with Gray Clouds, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, 7 7/8 x 12 7/8 in. (20 x 32.7 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo

An Allegory Comparing Music and Poetry, 1740, Pen and brown ink, brush and brown wash, over red chalk and traces of black chalk, heightened with white gouache, sheet: 21 7/16 x 15 13/16 in. (54.5 x 40.2 cm), Drawings, Michel François

Rivaulx Abbey. The Triforium Arches, 1850s, Albumen silver print, Image: 28.1 x 23.4 cm (11 1/16 x 9 3/16 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry Delamotte (British,

Merrymakers at Shrovetide, ca. 1616–17, Oil on canvas, 51 3/4 x 39 1/4 in. (131.4 x 99.7 cm), Paintings, Frans Hals (Dutch, Antwerp 1582/83–1666 Haarlem), The loud style of this early work by Hals suits its subject, which is Vastenavond

The Flight into Egypt, 18th century, Pen and brown ink, brush and brown wash, heightened with white, on beige paper., 18 3/8 x 14 1/4 in. (46.7 x 36.2 cm), Drawings, Jean-Baptiste Marie Pierre (French, Paris 1714–1789 Paris

Limestone strainer, Cypriot, Limestone, H.: 1/4 in. (3.2 cm); Diam. 3 1/4 in. (8.3 cm), Miscellaneous-Stone, The strainer consists of a small bowl perforated with holes

A Courtesan Followed by a Girl Attendant Carrying a Doll, Edo period (1615–1868), 1723–1792, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 7/8 in. (31.8 x 14.9 cm), Prints, Ippitsusai Bunchō (Japanese, active

女織蚕手業草　十, The Making of Silk Floss, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 x 10 in. (38.1 x 25.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro's

[Five Japanese Women in Traditional Dress with Parasols], 1870s, Albumen silver print from glass negative, 24.9 x 20 cm (9 13/16 x 7 7/8 in.), Photographs, Unknown

Woman Standing, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 10 7/8 x 5 1/4 in. (27.6 x 13.3 cm), Prints, Unidentified Artist

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 5/8 × 1 15/16 × 3/16 in. (4.1 × 4.9 × 0.5 cm), Vases

Glass jug, Late Imperial, 4th–5th century A.D., Roman, Glass; blown in a dip mold, H.: 4 1/2 x 1 3/4 x 1 3/4 in. (11.4 x 4.4 x 4.4 cm), Glass, Colorless with bluish tinge; handle in same color., Rim folded round and in and pressed flat into

Candle Stand, 1800–1830, Made in New Lebanon, New York, United States, American, Shaker, Cherry, birch, pine, 26 x 18 3/4 x 12 5/8 in. (66 x 47.6 x 32.1 cm), Furniture

S. M. Norodon, Roi du Cambodge, 1866, Albumen silver prints from glass negatives, 23.3 x 19.7 cm (9 3/16 x 7 3/4 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Ivory die, ca. 1st–3rd century A.D., Roman, Ivory, Overall: 3/4 x 3/4 in. (1.9 x 1.9 cm), Cubical in form

六十余州名所図会　肥後　五ヶの庄, Goka no Shō, Higo Province, from the series Views of Famous Places in the Sixty-Odd Provinces, Edo period (1615–1868), ca. 1853, Japan, Polychrome woodblock print; ink and color on paper,

Lamp, Roman, Cypriot, Terracotta, Overall: 1 5/8 x 3 5/8 in. (4.1 x 9.2 cm), Terracottas

Terracotta neck-amphora (jar), Archaic, ca. 540 B.C., Etruscan, Terracotta; black-figure, Pontic ware, H. 13 13/16 in. (35.1 cm), Vases, Obverse, couples banqueting. Reverse, centaur flanked by heralds. Lower frieze, man herding bulls.

Bassoon, 1830–32, Stuttgart, Germany, German, Maple, brass, Overall: 130 cm (51 3/16 in.), Aerophone-Reed Vibrated-double reed, Carl August Schaufler (German, Stuttgart 1792–1877 Stuttgart

Actor Sakata Hongoro II as a Wrestler in a Play, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/4 in. (28.6 cm); W. 5 5/16 in. (13.5 cm), Prints, Ippitsusai Bunchō (Japanese, active

Bowl Nº 11171, 1892, (none assigned) New York, New York, United States, American, Ink, graphite, and wax pencil on off-white board backed with linen, 14 3/4 x 21 5/16 in. (37.5 x 54.1 cm), Drawings, Tiffany & Co. (1837–present

Limestone male head, Imperial, 2nd century A.D.(?), Roman, Cypriot, Limestone, Overall: 9 × 5 1/4 × 5 in. (22.9 × 13.3 × 12.7 cm), Stone Sculpture, Figure wearing wreath of flowers

Bowl, 1810–65, Made in New Lebanon, New York, United States, American, Shaker, Wood; Poplar, 3 1/4 x 15 1/8 x 8 5/8 in. (8.3 x 38.4 x 21.9 cm), Natural Substances, Isaac N. Youngs (1793–1865

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 5/8 x 1 1/8 in. (1.6 x 2.8 cm), Glass, Thin-walled body fragment., Translucent deep purple, turquoise blue green, opaque white

Necklace, ca. 1905, Made in Chicago, Illinois, United States, American, Pearls, enamel, and gold, L. 14 in. (35.6 cm), Jewelry, Florence Koehler (1861–1944), Embodying the ideals of the Aesthetic and Arts and Crafts movements, Florence

Versailles, 1923, Albumen silver print from glass negative, 16.9 x 21.5 cm (6 5/8 x 8 7/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Cuisine ambulante, 1870s, Albumen silver print from glass negative, 19.2 x 23.7 cm (7 9/16 x 9 5/16 in.), Photographs, Unknown

Part of a Harness, 16th century, British, Leather, metal, H. 15 1/2 in. (39.3 cm), Miscellaneous-Leatherwork

生写異国人物, 清朝南京人感賞皇州扇之図, Two Chinese Men, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 14 1/4 x 10 in. (36.2 x 25.4 cm), Prints, Utagawa (Gountei) Sadahide (Japanese,

The Courtesan Takao Leaving Against a Window, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, 11 x 12 1/4 in. (27.9 x 31.1 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Cylinder seal and modern impression: hunter holding a lion; griffin attacking a stag; Master of Animals; double-headed eagle, Late Bronze Age, ca. 14th century B.C., Eastern Mediterranean, Hematite, 0.83 in. (2.11 cm), Stone-Cylinder Seals,

Carnelian scarab, Late Classical, late 5th–early 4th century B.C., Etruscan, Carnelian, Overall: 3/4 in. (1.8 cm), Gems, Herakles and the Nemean lion

Creampot, ca. 1782, Made in Newburyport, Massachusetts, United States, American, Silver, Overall: 4 5/8 x 4 7/8 in. (11.7 x 12.4 cm); 5 oz. (155.5 g), Silver, Elias Davis (ca. 1746–1783

Two Birds and Bamboo Plant, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Miniature from album of eleven paintings; ink and color on silk, 5 x 6 3/4 in. (12.7 x 17.1 cm), Paintings, Unidentified Artist

Gilt terracotta wreath with flowers and berries, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, Other: 16 3/4 in. (42.5 cm), Terracottas, With rosettes as clasps

Neck of a Wide-Mouthed Hathor Jar, New Kingdom, Dynasty 18, ca. 1390–1353 B.C., From Egypt, Upper Egypt, Thebes, Malqata, Palace of Amenhotep III, 1910–11, pottery, slip, paint, H. 24.5 cm (9 5/8 in

Terracotta stemless kylix (drinking cup), Late Classical, late 4th–3rd century B.C., Greek, South Italian, Campanian, Calenian, Terracotta, H. 1 15/16 in. (5 cm); diameter 4 13/16 in. (12.3 cm); width with handles 7 1/8 in. (18.1 cm),

Miniature terracotta squat lekythos (oil flask) with siren, Classical, mid-5th century B.C., Greek, Attic, Terracotta; red-figure, H. 3 5/16 in. (8.5 cm.), Vases, In Greek mythology, sirens, human-headed birds known for their beautiful

Terracotta statuette of a draped woman, Hellenistic, 3rd century B.C., Greek, Attic, Terracotta, H. 7 5/8 in. (19.4 cm), Terracottas, The lady holds a fan in her left hand

夏衣の女, Woman in Summer Clothing, Taishō period (1912–26), 1920, Japan, Polychrome woodblock print; ink and color on paper, Image: 17 3/4 × 11 1/2 in. (45.1 × 29.2 cm), Prints, Hashiguchi Goyō (Japanese, 1881–1921), The woman

明, 佚名, 游仙圖, 卷, Daoist Immortals in a Landscape, Ming dynasty (1368–1644), 16th century, China, Handscroll; ink and color on silk, Image: 11 x 150 1/4 in. (27.9 x 381.6 cm), Paintings, Unidentified Artist Chinese, 16th

Lady Threading Needle on Verandah, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 7/16 x 7 3/8 in. (21.4 x 18.7 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Rice Stacks and Trees, Edo period (1615–1868), Japan, Album leaf; lacquer on paper, 4 1/2 x 3 1/2 in. (11.4 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Takao Sange no Den, Edo period (1615–1868), ca. 1798, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/2 in. (36.8 cm); W. 9 13/16 in. (24.9 cm), Prints, Eishōsai Chōki (Japanese, active late 18th–early 19th century

Cloître Saint-Amand, Rouen, 1852–53, Salted paper print from glass negative, 34.5 x 26.5 cm (13 9/16 x 10 7/16 in.), Photographs, Edmond Bacot (French, 1814–1875), In December 1852 Bacot, a man of independent means living in Caen,

Bronze relief from a mirror, Late Classical, 4th century B.C., Greek, Bronze, H. 6 1/2 in. (16.5 cm.), Bronzes, Aphrodite seated on a rock with two Erotes and a swan. Aphrodite's connection to the swan is not mentioned in literature, although

Terracotta oinochoe (jug), Archaic, ca. 515 B.C., Greek, Attic, Terracotta; black-figure, H. 10 15/16 in. (27.8 cm); diameter of foot 3 1/16 in. (7.7 cm), Vases, Herakles and Pholos. While Herakles was performing his labor to capture the

[Album of photographs], 1854–56, 32 salted paper prints, waxed salted paper prints, and albumen silver prints from paper and glass negatives, 5 3/4 x 7 5/8 to 9 1/4 x 12, Albums, Louis-Pierre-Théophile Dubois de Nehaut (French, active

Rev. Thomas Jolly of Bowden, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Portrait of a Woman, probably a Member of the Van Beresteyn Family, 1632, Oil on canvas, 44 x 35 in. (111.8 x 88.9 cm), Paintings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), This portrait is a pendant to the

Textile Fragment, late 15th century, Attributed to Iran, Silk, metal wrapped thread; lampas, Textile: L. 17 3/4 in. (45.1 cm), Textiles-Woven, Metal-wrapped thread lends a shimmering quality to this triangular textile fragment decorated with

名所江戸百景　昌平橋　聖堂　神田川, Shohei Bridge, Seido Temple and Kanda River, Edo period (1615–1868), 1857, Japan, Polychrome woodblock print; ink and color on paper, 13 1/4 x 8 3/4 in. (33.7 x 22.2 cm), Prints, Utagawa

Textile Fragment, ca. 1570–80, Attributed to Turkey, probably Istanbul, Silk, metal wrapped thread; lampas (kemha), Textile: H. 123 1/2 in. (313.7 cm), Textiles-Woven, The unusual length of this silk fragment suggests that it may have been

Ichikawa Danjuro IV in the Role of the Monk Mongaku from the Play Hana-zumo Genji-biki, Edo period (1615–1868), 1775, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Overall: 12 5/8 x 5 1/2 in. (32.1 x 14 cm), Prints,

Mosquée de Belal, au Sud de Philae (Rive droite), April 11, 1850, Salted paper print from paper negative, Image: 6 1/4 × 8 9/16 in. (15.9 × 21.7 cm), Photographs, Maxime Du Camp (French, 1822–1894

1. Felce. 2. Alga, 1839, Photogenic drawing, 11.2 x 18.5 cm (4 7/16 x 7 5/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Bronze simpulum (ladle), Mid-Imperial, late 1st–early 2nd century A.D., Roman, Bronze, H.: 4 1/2 in. (11.4 cm), Bronzes, With deep cylindrical bowl

Tooth Bridge, Oregon, 1867, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

The Martyrdom of Saint Cecilia (Cartoon for a Fresco), 1612–14, Charcoal highlighted with white chalk on fourteen sheets of blue laid paper, two of the sheets cut from elsewhere on the original cartoon and reset at the left and right margins to

The Sage Vishvamitra Requests from King Dasharatha the Assistance of His Son Rama: Folio from a Ramayana series, ca. 1780, India (Himachal Pradesh, Kangra), Ink and opaque watercolor on paper, 9 5/8 x 13 15/16 in. (24.5 x 35.4 cm), Paintings,

Kamata no Baien, 名所江戸百景　蒲田の梅園, Plum Garden at Kamata, Edo period (1615–1868), 1857, Japan, Polychrome woodblock print; ink and color on paper, 13 1/4 x 8 5/8 in. (33.7 x 21.9 cm), Prints, Utagawa Hiroshige

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass, Other: 1 1/16 x 1 3/8 in. (2.7 x 3.6 cm), Glass, Thin-walled body fragment of shallow dish or bowl., Translucent purple, blue mixed with

At Sea off Kazusa (Kazusa no kairo), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　上総の海路, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper,

Glass dish, Late Imperial, 4th century A.D., Roman, Glass; blown, 2 1/16 × 9 3/8 in. (5.3 × 23.9 cm), Glass, Colorless with pale blue green tinge. Rounded, slightly thickened vertical rim; convex side to body, tapering downwards then

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 3/16 × 2 1/8 × 3/16 in. (3 × 5.5 × 0.4 cm), Vases

Terracotta stemless kylix (drinking cup), Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Terracotta; red-figure, H. with handles 3 1/4 in. (8.3 cm); width 11 in. (28 cm); diameter 8 1/16 in. (20.4 cm), Vases, Interior,

Saint Tarcisius, ca. 1868, French, Paris, Marble, Overall (confirmed): H. 23 1/2 x W. 52 x D. 20 in. (59.7 x 132.1 x 50.8 cm), Sculpture, Alexandre Falguière (French, Toulouse 1831–1900 Paris), Investigations into early Christianity

Curb Bit, first half 16th century, possibly German or Italian, Iron alloy, L. 12 1/2 in. (31.8 cm); W. of mouthpiece, 4 5/8 in. (11.7 cm); Wt. 3 lb. 6 oz. (1531 g), Equestrian Equipment-Bits, This rare type of bit is described in a

東京高輪鉄道蒸気車走行之全図, Tokyo /Takanawa Steam Railway, Meiji period (1868–1912), 1879 (Meiji 3, 2nd month), Japan, Triptych of polychrome woodblock prints; ink and color on paper, Oban; 14 3/16 x 30 in. (36 x 76.2 cm),

Terracotta kantharos (drinking cup with high handles), Hellenistic, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta, H. 5 7/8 in. (14.9 cm), Vases, The original polychrome decoration is lost

A Woman Kneeling, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 10 5/8 in. (27 cm); W. 7 1/2 in. (19.1 cm), Prints, Chōkōsai Eishō (Japanese, 1793–99

Vase Nº 2980, 1872, (none assigned) New York, New York, United States, American, Ink, graphite, and crayon on heavy cream board/card, Overall: 10 9/16 x 5 7/8 in. (26.8 x 14.9 cm), Drawings, Tiffany & Co. (1837–present