Images at Librifly

Glass gold-band mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 15/16 in. (2.2 x 2.4 cm), Glass, Body fragment., Translucent cobalt blue, turquoise green, opaque white, and

Merry Company on a Terrace, ca. 1670, Oil on canvas, 55 1/2 x 51 3/4 in. (141 x 131.4 cm), Paintings, Jan Steen (Dutch, Leiden 1626–1679 Leiden), In this late painting of about 1673–75, Steen casts himself as the inebriated innkeeper on

The Tapestry Hangings of the House of Lords Representing the Several Engagements Between the English and Spanish Fleets..., 1739, Illustrations: etching and engraving, 21 3/16 x 14 15/16 in. (53.8 x 38 cm), Books, After Hendrick (Cornelisz)

Design for a Frontispiece: Love Staying the Hand of Time, Black chalk, 23 7/8 x 16 1/16 in. (60.6 x 40.8 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris

[Drummer], 1880s–90s, Gelatin silver print, Photographs, Unknown (French

Eclipse, 1911, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Cassandra Imploring Athena for Revenge Against Ajax, 1795–1838, Black and colored chalk with watercolor and lead white paint, 16 1/4 x 19 1/2 in. (41.3 x 49.5 cm), Drawings, Jérôme Martin Langlois (French, Paris 1779–1838 Paris

Glass bowl, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 1 15/16 × 4 1/4 in. (4.9 × 10.8 cm), Glass, Colorless with pale yellow green tinge. Everted, tubular rim, folded out and down, forming collar with indent on inside of

Onmayagashi in Edo, Edo period (1615–1868), 1830–44, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/8 in. (25.7 cm); W. 14 9/16 in. (37 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861), This print is a

清 松年 山水 手卷, Landscape, Qing dynasty (1644–1911), dated 1898, China, Handscroll in six sections; ink and color on paper, Image: 13 3/8 x 107 7/8 in. (34 x 274 cm), Paintings, Song Nian (Chinese, active 19th century

Glass one-handled miniature bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 1 7/16 in. (3.7 cm), Glass, Colorless with blue green tinge; handle in same color glass. Rim folded out, round, and in, flattened on top; short,

Glass oinochoe (perfume jug), Late Classical or Hellenistic, mid-4th–early 3rd century B.C., Greek, Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 3 5/8 in. (9.2 cm), Glass, Translucent cobalt blue, with handle in

Terracotta rim of a cup with rosette, Middle Minoan II, ca. 1800–1700 B.C., Minoan, Terracotta; Kamares ware, Overall: 1 3/8 x 1 5/8in. (3.5 x 4.1cm), Vases, From Knossos, Crete. Part of rim, polychrome, white rosette on dark ground

La Reine d'Étrurie, 1863–67, Albumen silver print from glass negative, Image: 10.5 x 8.3 cm (4 1/8 x 3 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), Painted and retouched by Unknown (French

Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a Roman Basilica in Ruins (? the Basilica Giulia, inspired by Giuliano da Sangallo)., 1530–45, Pen and dark brown ink, sheet:

Bronze statuette of a bird of prey, Geometric or Archaic, 8th–7th century B.C., Cypriot, Bronze, glass paste, H. 4 1/8 in. (10.5 cm), Bronzes, This fragment once may have been the ornament of a tripod or a vase handle

Tree and Rocks in the Forest of Fontainebleau, 1834, Graphite, 16 7/16 x 20 3/8 in. (41.7 x 51.8cm), Drawings, Eugène Stanislas Alexandre Bléry (French, Fontainebleau 1805–1887 Paris

Arashi Otohachi I, Edo period (1615–1868), 1768 or 1769, Japan, Polychrome woodblock print; ink and color on paper, 12 3/8 x 5 5/8 in. (31.4 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Pottery Whistle, Pre-Columbian, ca. 900–1500, San Sebastian, Texcoco, Mexico, Mexican, Clay, Aerophone-Whistle Flute-whistle

L'Agrèable, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Glass network mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/4 x 7/8 in. (3.2 x 2.2 cm), Glass, Rim fragment., Colorless and translucent deep honey brown, with opaque white.,

The Hunters Enter the Woods (from the Unicorn Tapestries), 1495–1505, South Netherlandish, Wool warp, wool, silk, silver, and gilt wefts, Overall: 145 x 124in. (368.3 x 315cm), Textiles-Tapestries, This tapestry is one of seven hangings

Jérusalem, Village de Siloam, Vue générale, 1854, Salted paper print from paper negative, Image: 23.2 x 32.2 cm (9 1/8 x 12 11/16 in.), Photographs, Auguste Salzmann (French, 1824–1872), Salzmann recorded the entire town of Siloam in a

Glass dish, Imperial, late 1st–early 3rd century A.D., Roman, Glass; blown, trailed, and tooled, H.: 1 5/8 in. (4.1 cm), Glass, Colorless with yellowish green tinge; trails in same color. Everted, flaring, tubular rim, folded round and

The Kabuki Actor Segawa Kikunojō II as a Woman Reading a Letter, 「二代目瀬川菊之丞図」, Edo period (1615–1868), ca. 1760s, Japan, Polychrome woodblock print; ink and color on paper, H. 28 1/8 in. (71.4 cm); W. 4 3/8 in. (11.1

冨嶽三十六景　東海道品川御殿山の不二, Fuji from Gotenyama on the Tōkaidō at Shinagawa (Tōkaidō Shinagawa Gotenyama no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca.

Terracotta statuette of Eros on a lion, Hellenistic, late 4th or 3rd century B.C., Greek, South Italian, Terracotta, L. 6 1/2 in. (16.5 cm), Terracottas, Although this figure has no wings, an almost identical winged statuette from the same

Candlestick (Deng), Han dynasty (206 B.C.–A.D. 220), China, Bronze, H. 9 1/8 in. (23.2 cm); Diam. 5 3/4 in. (14.6 cm), Metalwork

Caster, ca. 1735, Made in Boston, Massachusetts, United States, American, Silver, Overall: 4 7/8 x 2 11/16 in. (12.4 x 6.8 cm); 5 oz. 4 dwt. (162.1 g), Silver, Knight Leverett (1702/03–1753

O Lune!...Inspire-moi ce soir quelque petite pensée..., from Les Bas-Bleus, published in Le Charivari, February 28, 1844, February 28, 1844, Lithograph; third state of three (Delteil), Sheet: 12 13/16 × 9 15/16 in. (32.5 × 25.2 cm),

Landscape in the Mist, Edo period (1615–1868), mid-19th century, Japan, Polychrome woodblock print; ink and color on paper, H. 9 3/4 in. (24.8 cm); W. 14 1/2 in. (36.8 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865), One of a series

Helmet, 1350–1450, Mongolian or Chinese, Iron, gold, H. 7 1/2 in. (19.1 cm); Diam. 8 1/4 in. (21 cm); Wt. 2 lb. 2.4 oz. (969.6 g), Helmets, Based on its decoration and construction, this helmet appears to date from the late Yuan

Oboe in C, 1730–40, Germany, German, ivory, brass, L.: 570 mm (22.44 in.); Diam. of bell: 57 mm (2.24 in.); Upper Section: 231 mm (9.09 in.), Aerophone-Reed Vibrated-double reed, The quality, tone and forms of musical instruments are

Jérusalem, Tombeau de Salomon, Détails, 1854, Salted paper print from paper negative, Image: 23 x 33.1 cm (9 1/16 x 13 1/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

御世の栄東の粧, Imperial Prosperity: Ceremony in the Eastern Capital (Miyo no sakae azuma no kewai), Meiji period (1868–1912), ca. 1900, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image: 14 5/8 x 29 in.

Vase fragment, Geometric, ca. 800–700 B.C., East Greek/Sardis, Lydian, Terracotta, Overall: 2 5/8 x 2 3/16in. (6.7 x 5.5cm), Vases

Suggestion for Lunette, 1890–1910, Made in New York, United States, American, Watercolor, pen and brown ink, pink colored pencil, and graphite on off-white wove paper, Overall: 11 3/8 x 17 1/2 in. (28.9 x 44.5 cm), Drawings, Possibly

Terracotta one-handled cup, Middle Minoan IIIA or possibly Hellenistic, ca. 1750–1700 B.C. or 3rd–1st century B.C., Minoan or Greek, Terracotta, H. 3 7/8 in. (9.8 cm), Vases, The way that the handle is attached to the inside of the lip is

Bell, 4th century B.C., Cypriot, Bronze, 1 1/2in. (3.8cm), Bronzes

Two Women Under an Umbrella, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper, H. 14 3/4 in. (37.5 cm); W. 9 5/8 in. (24.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), The huge form of an

The Unicorn in Captivity (from the Unicorn Tapestries), 1495–1505, South Netherlandish, Wool warp with wool, silk, silver, and gilt wefts, Overall: 144 7/8 x 99 in. (368 x 251.5 cm), Textiles-Tapestries, The seven individual hangings known

Lead figure of a woman, Archaic, late 7th–6th century B.C., Greek, Laconian, Lead, Height: 2 1/16 in. (5.2 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of

Rama and Lakshmana Search in Vain for Sita, ca. 1680–90, India (Rajasthan, Mewar), Ink and opaque watercolor on paper, 10 1/4 × 16 1/4 in. (26 × 41.3 cm), Paintings, “Ranging the woods, hills, rivers, and lakes on every side,

Fibula, boat-shaped type, Bronze, Other: 1 13/16 in. (4.6 cm), Bronzes

'Iskandar Kills the Habash Monster', Folio from a Shahnama (Book of Kings) of Firdausi, ca. 1300–30, Attributed to Northwestern Iran or Baghdad, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 2 1/8 in. (5.4 cm), Codices,

The First Nakamura Nakazo as a Man of High Rank Attired in Naga-Bakama, Edo period (1615–1868), ca. 1781, Japan, Polychrome woodblock print; ink and color on paper, 12 7/16 x 5 5/8 in. (31.6 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese,

Vase fragment, Neolithic, first period, Neolithic, Thessaly, Terracotta, length 1 1/8in. (2.9cm), Vases

Glass alabastron (perfume bottle), Hellenistic, 2nd–mid-1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 5 3/16 in. (13.1 cm), Glass, Translucent cobalt blue, with handles in same color; trail in opaque

Oranges and Dried Persimmons, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 1/16 in. (20.3 x 17.9 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Fragmentary Model of a Weavers Shop, Middle Kingdom, ca. 2030–1640 B.C., Said to be from Northern Upper Egypt, Girga (Thinis); From Egypt, Wood, gesso, paint, L. 59 cm (23 1/4 in); W. 35.5 cm (14 in); H. 22 cm (8 11/16 in

Jérusalem, Tombeau des Juges, Vue générale, 1854, Salted paper print from paper negative, Image: 23.2 x 33.3 cm (9 1/8 x 13 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

Glass double head flask, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown in a two-part mold and trailed, H.: 3 1/4 x 2 x 1 1/2 in. (8.3 x 5.1 x 3.8 cm), Glass, Translucent green, with same color trail., Everted rim with plain

Limestone statuette of a beardless male votary with a diadem, Late Archaic, Early 5th century B.C., Cypriot, Limestone, Overall: 14 3/4 x 7 5/8 x 3 1/2 in. (37.5 x 19.4 x 8.9 cm), Stone Sculpture, Male figure with chiton and himation, holding

Platter, 1750–55, Italian, Florence, Hard-paste porcelain, 13 7/16 × 11 1/8 in. (34.1 × 28.3 cm), Ceramics-Porcelain

Limestone statuette of a boy, Classical, 3rd quarter of the 5th century B.C., Cypriot, Limestone, Overall: 11 1/8 x 3 1/2 x 2 1/8 in. (28.3 x 8.9 x 5.4 cm), Stone Sculpture, Young votary in crinkled tunic

明 文徵明 致丈人吳愈書 冊頁, Letter to the Artist's Father-in-law, Wu Yu, Ming dynasty (1368–1644), ca. 1506–1510, China, Album leaf; ink on patterned paper, 9 x 12 1/8 in. (22.9 x 30.8 cm), Calligraphy, Wen Zhengming

View in Switzerland, 1850s, Albumen silver print from glass negative, Approx. 15.2 x 20.3 cm (6 x 8 in.), Photographs, John Joscelyn Coghill (Irish, 1826–1905

Vue prise à l'Est de Philae - Village de Abou-Kouli; Route d'Assouan, 1849–50, Salted paper print from paper negative, Image: 5 3/8 × 8 3/16 in. (13.6 × 20.8 cm), Photographs, Maxime Du Camp (French, 1822–1894

Vue du Temple de Jupiter, à Baâlbek (Héliopolis), September 15, 1850, Salted paper print from paper negative, Image: 6 7/16 × 8 3/8 in. (16.4 × 21.3 cm), Photographs, Maxime Du Camp (French, 1822–1894

風流六玉川　武蔵　紀伊　陸奥, Women and a Man in the Country; Some pageant(?), Edo period (1615–1868), Japan, Triptych of polychrome woodblock prints; ink and color on paper, A: H. 14 5/8 in. (37.21 cm); W. 9 3/8 in. (23.8 cm),

Pair of gold earrings, Imperial, 1st–3rd century A.D., Roman, Gold, Diam.: 3/4 in. (1.9 cm), Gold and Silver, In the form of rings of twisted gold

Design for a Powder Flask, ca. 1540–90, Pen and brown ink, blue-green and pale brown wash, 7 5/16 x 10 9/16 in. (18.6 x 26.8 cm), Anonymous, German, 16th century ?, Powder flask decorated with an all over pattern of strapwork. In the middle

In Dove Dale, 1880s, printed 1888, Photogravure, 12.8 x 19.7 cm. (5 1/16 x 7 3/4 in.), George Bankart (British

Example of Peaceful Empire – Museum, Congratulatory Palace Visit (Kōkoku Taihei Kagami – Hakubutsukan, Sanga), Meiji period (1868–1912), 1887 (Meiji 20), Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 9 15/16 in.

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 9/16 × 1 1/2 × 1/8 in. (4 × 3.8 × 0.2 cm), Vases

Tsuchiyama Haru no Ame, 東海道五十三次之内　土山　春の雨, Spring Rain at Tsuchiyama (50th Station of the Tōkaidō), Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 3/8 x 14

Banded agate cushion-shaped seal, Late Minoan IIIA, ca. 1400–1300 B.C., Minoan, Agate, L. 1.73 cm; W. 1.23 cm; Thickness 0.63 cm, Gems, 2 cows

Bedroom Scene, Edo period (1615–1868), ca. 1739, Japan, Polychrome woodblock print; ink and color on paper (hand colored), 10 3/4 x 15 1/8 in. (27.3 x 38.4 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Pair of Ducks, Meiji period (1868–1912), 1887–92, Japan, Album leaf; silk, 13 1/2 x 11 in. (34.3 x 27.9 cm), Paintings, Kawabata Gyokushō (Japanese, 1842–1913

Plans Raisonnés de Toutes les Espèces de Jardins, 1820, plates: hand colored lithography, Overall: 18 1/8 x 12 7/8 x 1 1/4 in. (46 x 32.7 x 3.1 cm), Books

Washington's Tomb, ca. 1799, Black crayon and white chalk on buff paper, 18 15/16 x 21 7/16 in. (48.1 x 54.5 cm), Drawings, Étienne Pallière (French, Bordeaux, 1761–1820

Porringer, 1700–1730, Possibly made in United States, American or British, Silver, Overall: 1 3/4 x 7 1/8 in. (4.4 x 18.1 cm); 6 oz. 12 dwt. (205.8 g), Silver, Marked by P. B

東海道五十三次　大磯　鴫立沢西行庵, Ōiso, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, 8 23/32 x 13 23/32 in. (22.2 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

[The Countess Canning, Calcutta], 1861, Albumen silver print, Image: 24.6 x 22.9 cm (9 11/16 x 9 in.), Photographs, Josiah Rowe (British, ca. 1809–1874

[Village Scene, Brittany], ca. 1854, Paper negative, Image: 12 3/4 × 10 3/16 in. (32.4 × 25.8 cm) (image only), Negatives, Louis-Rémy Robert (French, 1810–1882

Bone spindle whorl, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Bone, Diameter 11/16 in. (1.8 cm), With circles

Rev. Robert Aitken, Dundee, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Labyrinte de Versailles, 1677, Etching, Overall: 8 7/16 x 5 13/16 x 3/4 in. (21.5 x 14.7 x 1.9 cm

Vase fragment, Early Minoan III, Minoan, Terracotta, 2 3/16 × 1 5/8 × 3/16 in. (5.6 × 4.2 × 0.4 cm), Vases

Storehouse in Paris, France, Edo period (1615–1868), 1862 (Bunkyu 2, 6th month), Japan, Triptych of polychrome woodblock prints; ink and color on paper, Oban, Prints

Terracotta finial with three flanges, Archaic, 7th–6th century B.C., Greek, Laconian, Terracotta, H. 2 3/16 in. (5.6 cm), Vases, From the sanctuary of Artemis Orthia at Sparta. Two handles, traces of white paint

東海道五十三次　金谷, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Glass eye bead, Late Classical, ca. 4th century B.C., Greek, Eastern Mediterranean, Glass; rod-formed, Diam.: 1 1/8 in. (2.9 cm), Glass, Blue bead covered with blue and white eyes

Pottery Whistle, 16th century or earlier (?), possibly Costa Rican, Clay, L. 5.1 cm (2 in.), Aerophone-Whistle Flute-whistle

Kegon Waterfall, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 13 1/2 in. (34.3 cm); W. 8 11/16 in. (22.1 cm), Prints, Keisai Eisen (Japanese, 1790–1848

Limestone votary of a beardless male wearing a long garment and a conical helmet, Archaic, ca. 550–525 B.C., Cypriot, Limestone, H.: 63 1/2 x 19 x 9 1/2 in. (161.3 x 48.3 x 24.1 cm), Stone Sculpture, Beardless priest or votary in Assyrian

Fragment of a terracotta plaque, Archaic, 7th century B.C., Greek, Cretan, Terracotta, 3 in. x 1 5/8 in. (7.6 cm x 4.1 cm), Terracottas, Upper body of a youth in a long garment. The head illustrates, in almost exaggerated fashion, the

An Unidentified Actor, Edo period (1615–1868), 1762–1819, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 5/8 in. (31.8 x 14.3 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Ichikawa Danjūrō VII (1791–1859) in the Role of Konoshita Tokichi from the Scene 'Mountain Gate' in the Play Yakko Yakko Edo Hanayari, Edo period (1615–1868), 1819, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8

Rectangular Textile Fragment, second half 16th century, Attributed to Turkey, Bursa, Silk, metal wrapped thread; cut and voided velvet, brocaded, Textile: H. 66 in. (167.6 cm), Textiles-Woven, Bursa, a mountainside city in northwest

The Plaza, Market Day, Taxco, Mexico, 1910s, Gum bichromate print, Photographs, Henry Ravell (American, 1860–1930

Banner, 1596, Spanish, Silk and metal thread, H. 50 x W. 90 inches (27.0 x 228.6 cm), Textiles-Embroidered

Terracotta bowl, Late Classical, 4th–3rd century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 3 1/8 in. (8 cm); diameter 10 1/4 in. (26.1 cm), Vases, Interior, stamped patterns

Carnelian ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Sard, Length: 5/8 in. (1.6 cm), Gems, Portrait bust of a woman wearing a diadem and necklace

Glass mosaic carinated bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 5/8 in. (2.2 x 1.5 cm), Glass, Rim fragment., Translucent deep purple, pale blue, opaque white, yellow,

Nail, Bronze, Other: 4 15/16in. (12.5cm), Bronzes

Jérusalem, Enceinte du Temple, Vue générale de la face Sud 1, 1854, Salted paper print from paper negative, Image: 23 x 31.7 cm (9 1/16 x 12 1/2 in.), Photographs, Auguste Salzmann (French, 1824–1872

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, H.: 1 1/4 x 1 1/16 in. (3.2 x 2.7 cm), Glass, Rim fragment., Translucent blue, purple appearing opaque brick red, blue

Fragment of a limestone votive vase, Classical or Hellenistic ?, 4th century B.C. ?, Cypriot, Limestone, H.: 11 3/4 x 17 x 1 1/2 in. (29.8 x 43.2 x 3.8 cm), Cesnola Inscriptions, The fragment, from the belly of a large vase, bears a syllabic

Paradise Fly-catcher, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 7/8 in. (25.4 x 37.8 cm), Prints, Kuwagata Keisai (Japanese, 1764–1824