Images at Librifly

Waterfall, Eagle and Monkey, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 3/4 in. (36.2 x 27.3 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

The Lady of Rokujo being Visited by the Princess Aoi, Edo period (1615–1868), ca. 1805, Japan, Polychrome woodblock print; ink and color on paper, H. 15 in. (38.1 cm); W. 9 13/16 in. (24.9 cm), Prints, Kitagawa Utamaro (Japanese,

Terracotta squat lekythos (oil jar), Classical, mid-5th century B.C., Greek, Attic, Terracotta; red-figure, H. 4 1/8 in. (10.5 cm), Vases, Young hunter at an altar. The youth is characterized as a hunter by his spears in addition to his

明 佚名 觀音羅漢圖 冊頁, Guanyin and the Sixteen Luohans, late Ming (1368–1644)–early Qing (1644–1911) dynasty, 16th–17th century, China, Fan mounted as an album leaf; ink, color, and gold on silk, Sheet: H. 12 in. (30.5

Glass amphoriskos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 4 3/4 in. (12.1 cm), Glass, Opaque white, with handles and knob-base in same color; trails in

Lotus attachment element, Third Intermediate Period–Kushite Period, Dynasty 21–26, ca. 1070–664 B.C., From Egypt, Bronze, gold foil over gesso; white, dark blue, and light blue glass inlays over light and dark blue grounds, h. 13.5 cm

詩歌写真鏡　李白, Ri Haku from the series Mirrors of Japanese and Chinese Poems (Shiika shashin kyō), Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 20 3/8 x 9 in. (51.8 x 22.9 cm),

Lotus Leaves and Water Reeds, Qing dynasty (1644–1911), China, Album leaf; ink on paper, 8 5/8 x 18 11/16 in. (21.9 x 47.5 cm), Paintings, Bian Shoumin (Chinese, active ca. 1729–50

Bronze kylix (drinking cup), Late Classical or Hellenistic, 4th–3rd century B.C., Greek, Bronze, H. 2 3/4 in. (7 cm), Bronzes, With long slender handles; the body, which is mounted on a short broad foot, supports a deep bowl with convex

Basketry Work: By the Craftsman Ichida Shōshichirō of Naniwa (Kagosaiku Naniwa saikujin Ichida Shōshichirō), 「籠細工　浪花細工人一田庄七郎」, Edo period (1615–1868), 1819, Japan, Polychrome woodblock print; ink and color

Fragment of a terracotta kylix: band-cup (drinking cup), Archaic, ca. 550 B.C., Greek, Attic, Terracotta; black-figure, 2 3/16 × 2 1/4 × 1/8 in. (5.5 × 5.6 × 0.3 cm), Vases, Lion

Bonsai Plum, Compass, and Pocket Sundial with Design of Calendar, from Spring Rain Surimono Album (Harusame surimono-jō, vol. 3), 鉢梅、懐中日時計、羅針盤, Edo period (1615–1868), 1806, Japan, Privately published polychrome

Kylix, Little-master cup/lip-cup/band-cup fragment, Archaic, 3rd quarter of the 6th century B.C., Greek, Attic, Terracotta; black-figure, 2 5/8 × 2 1/16 × 1/16 in. (6.7 × 5.2 × 0.2 cm), Vases, Inscribed, 'hello and drink this

Glass indented jar, Mid to Late Imperial, 2nd–4th century A.D., Roman, Glass; blown and tooled, H.: 5 1/2 in. (14 cm), Glass, Translucent pale blue green; base ring in same color. Slightly outsplayed, uneven, knocked-off rim; tall and

Dish, ca. 1830, Made in New York, New York, United States, American, Silver, 3 1/4 x 12 x 6 9/16 in. (8.3 x 30.5 x 16.7 cm); 20 oz. 18 dwt. (649.8 g), Silver, Frederick Marquand (1799–1882

The Virgin and Child Seated at the Foot of a Tree, 1522, Engraving, Plate: 4 3/4 × 3 3/8 in. (12 × 8.5 cm), Prints, Jan Gossart (called Mabuse) (Netherlandish, Maubeuge ca. 1478–1532 Antwerp (?)), As he so often did in his paintings,

Ring, ca. 1760, Possibly made in Netherlands; Possibly made in England, European, Gold, diamonds, Bezel: W. 9/16 in. (1.4 cm), Jewelry, This gold and diamond ring was presented to Judith Crommelin (1739-1803) by Samuel Verplanck (1739-1820)

Glass alabastron (perfume bottle), Classical, 5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 1/2 in. (8.9 cm), Glass, Translucent turquoise green, with handles in same color; trails in opaque yellow and

Terracotta lekythos (oil flask), Classical, ca. 460–450 B.C., Greek, Attic, Terracotta; white-ground, H.: 11 3/8 in. (28.9 cm), Vases, Nike bearing a fillet. The good condition of the vase shows the rather dense quality of the added color

L'impératrice Eugénie en prière, 1856, Albumen silver print from a collodion glass negative, Image: 23.4 x 18.3 cm (9 3/16 x 7 3/16 in.), Photographs, Gustave Le Gray (French, 1820–1884), Le Gray's photograph of Eugénie, wife of Emperor

[Dead Stag], ca. 1856, Salted paper print, 19.2 x 24.2 cm (7 9/16 x 9 1/2 in.), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

Bronze statuette of Jupiter Capitolinus, Imperial, 1st–2nd century A.D., Roman, Bronze, Other: 4 11/16 x 2 3/8 x 2 in. (11.9 x 6 x 5.1 cm), Bronzes, Jupiter sits enthroned in all his majesty, holding a thunderbolt in his right hand and a

Glass bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and cut, 8 3/16 in. (20.8 cm), Glass, Translucent blue green. Thick everted rim, folded in and pressed flat on top, forming inner lip to mouth; cylindrical neck,

Garuda Vanquishing the Naga Clan, ca. 2nd–3rd century, Pakistan (ancient region of Gandhara), Schist, H. 13 1/8 in. (33.3 cm); W. 9 7/8 in. (25.1 cm), Sculpture, There are many jatakas (Buddhist tales) about the former lives of the Buddha. In

Lady Komachi, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 11 in. (27.9 cm); W. 8 1/4 in. (21 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Children in the Sanno Festival, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, H. 8 5/8 in. (21.9 cm); W. 6 3/8 in. (16.2 cm), Prints, Kuwagata Keisai (Japanese, 1764–1824

Frederick H. Evans, ca. 1901, Platinum print, Image: 9 3/4 × 5 9/16 in. (24.8 × 14.1 cm), Photographs, Mounted by Frederick H. Evans (British, London 1853–1943 London

Act VII (Dai nanadanme): Actors Kataoka Nizaemon VIII as Ōboshi Yuranosuke, Sawamura Tanosuke as Okaru, from the series The Storehouse of Loyal Retainers, a Primer (Kanadehon chūshingura), Edo period (1615–1868), 1862 (Bunkyū 2), 6th

Intaglio Ring with Two Figures, ca. 1st century B.C., Pakistan (ancient region of Gandhara), Bronze, W. 1 1/8 in. (2.9 cm), Jewelry

Glass lentoid aryballos (perfume bottle), Late Classical or Hellenistic, 4th–3rd century B.C., Greek, Glass; core-formed, Group II, H.: 1 15/16 in. (4.9 cm); D. 1 5/8 in. (4.2 cm), Glass, Semi-opaque cobalt blue, with same color handles

Newhaven Fisherman, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Ile de Fîleh (Philæ), Vue Génèrale Prise du Point I, Sur La Plateforme du Pylône, 1851–52, Salted paper print from paper negative, Image: 24 x 30.5 cm (9 7/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Three Geishas of Tachibana Street in Their Room, Edo period (1615–1868), 1784, Japan, Polychrome woodblock print; ink and color on paper, 14 15/16 x 9 3/4 in. (37.9 x 24.8 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Daikoku, One of the Seven Gods of Happiness, on Horseback, Being Led by a Girl, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/8 x 7 1/4 in. (21.3 x 18.4 cm), Prints, Attributed to Hokyo Mitsukazu (Japanese

Limestone head of a beardless male wearing a conical helmet, Archaic, first half of the 6th century B.C., Cypriot, Limestone, Overall: 7 1/2 x 4 3/4 x 5 3/4 in. (19.1 x 12.1 x 14.6 cm), Stone Sculpture, The cheekpieces of the helmet cover the

Terracotta amphora (jar), Archaic, ca. 530 B.C., Greek, Attic, Terracotta; red-figure/bilingual, H. 22 5/8 in. (57.5 cm), Vases, On the body, obverse, Herakles and Apollo vying for possession of the Delphic tripod, which was central to the

[Group Portrait of Five Adults and Two Children in a Garden], 1850s–60s, Albumen silver print from glass negative, 28.3 x 34.3 cm. (11 1/8 x 13 1/2 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Sample pattern for a lamp shade, 1900–1907, Made in New York, New York, United States, American, Metal, cloth, glass, .5a: 9 1/2 x 16 1/16 in. (24.1 x 40.8 cm), Glass, Tiffany Studios (1902–32), Floral motifs dominate some of the most

Onyx ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Onyx, Length: 1/2 in. (1.2 cm), Gems, Eros with torch, looking into a large vase out of which falls a skeleton Skeletons were popular

Man and a Woman in Court Dress, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 11/16 x 5 1/4 in. (19.5 x 13.3 cm), Prints, Unidentified Artist

Limestone hand holding a pomegranate, Classical, Cypriot, Limestone, Overall: 3 1/2 x 1 7/8 x 2 7/8 in. (8.9 x 4.8 x 7.3 cm), Stone Sculpture, The small right hand holds a pomegranate painted red

Quiver (mda' shubs) with Accessory, late 13th–15th century, Tibetan or Mongolian, Leather, iron, copper alloy, wicker (bamboo or cane), wood, L. 32 1/2 in. (82.6 cm); W. 8 7/8 in. (22.5 cm), Archery Equipment-Bows, This quiver represents

東海道五十三次之内　岡部　宇津の山, Okabe; Utsu no Yama, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/8 in. (24.1 x 35.9 cm), Prints, Utagawa Hiroshige

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 1 3/8 x 1 1/4in. (3.5 x 3.2cm), Vases

魚づくし　いなだ　ふぐに梅, Suzuki and Kinmedai Fish from the series Uozukushi (Every Variety of Fish), Edo period (1615–1868), 1840s, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 14 9/16 in. (25.7 x 37

Terracotta vessel fragment with floral design, Late Minoan III, ca. 1400–1200 B.C., Minoan, Terracotta; Dark-on-light ware, Overall: 1 9/16 x 2 3/8in. (4 x 6cm), Vases, From Phylakopi, Melos. Fragment with spiral and floral (?) design

Bronze statuette of Mercury, Imperial, ca. 1st–2nd century A.D., Roman, Bronze, H. 5 1/2 in. (14 cm), Bronzes, Standing, nude

Watercolor of musician playing paiban, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Jérusalem, Vallée de Josaphat, Fronton du Tombeau de Josaphat, 1854, Salted paper print from paper negative, Image: 23.5 x 32.5 cm (9 1/4 x 12 13/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Fragment of a Tunic, 3rd–4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, applied braid, 24 5/8 in. high 14 in. wide (62.5 cm high 35.5 cm wide), Textiles

Campbell of Monzie, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

東海道五十三次　水口, Mizukuchi, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 2 3/4 x 2 9/16in. (7 x 6.5cm), Vases

Quilt, Four Eagles pattern, ca. 1880, Made in Lebanon County, Pennsylvania, United States, American, Cotton, 77 x 77 5/8 in. (195.6 x 197.2 cm), Textiles

[Auguste Rodin's The Clenched Hand], before 1898, Gelatin silver print, Image: 29.9 x 39.5 cm (11 3/4 x 15 9/16 in.), Plaster-Cylinder Seals-Inscribed, Eugène Druet (French, 1868–1917), Throughout his career Rodin made constant use of

清 金農 梅花圖 冊, Plum Blossoms, Qing dynasty (1644–1911), dated 1757, China, Album of twelve leaves; ink on paper, Image: 10 x 11 3/4 in. (25.4 x 29.8 cm), Paintings, Jin Nong (Chinese, 1687–1773), Jin Nong started painting

Glass jar, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and trailed, 4 3/8 in. (11.2 cm), Glass, Colorless with slight greenish tinge, with trail in same color. Everted, rounded rim; conical, straight sides; tubular integral

Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.46 x 0.83 x 0.12 in. (3.71 x 2.11 x 0.3 cm), Ivory/Bone-Reliefs

Glass mosaic dish fragment, Late Hellenistic, 2nd–mid-1st century B.C., Greek, Eastern Mediterranean, Glass; cast, Other: 1 1/8 x 1 1/2 in. (2.9 x 3.8 cm); estimated diam. of rim 7 7/8 in. (20 cm), Glass, Rim fragment. , Translucent cobalt

Torso of a limestone fighting woman, Archaic, late 6th or early 5th century B.C., Cypriot, Limestone, Overall: H.:4 3/16 x W.:2 1/2 x D.:1 1/4 in. (10.6 x 6.4 x 3.2 cm), Stone Sculpture, Warrior with tight-fitting tunic and strap-like

Glass ribbed bowl, Early Imperial, mid-1st century A.D., Roman, Glass; blown, trailed, and tooled, H.: 2 9/16 in. (6.5 cm), Glass, Translucent deep purple; trail in opaque white. Outsplayed rim, with cracked off and ground lip; short

Base for a Mandala, Ming dynasty (1368–1644), 15th century, China, Cloisonné enamel, H. 3 in. (7.6 cm); Diam. 13 1/2 in. (34.3 cm), Cloisonné, Ceremonial mandalas were used in later forms of Buddhism, including Esoteric Buddhism, which

Terracotta column-krater (bowl for mixing wine and water), Classical, ca. 470–460 B.C., Greek, Attic, Terracotta; red-figure, H. with handles 11 1/2 in. (29.2 cm), Vases, Obverse, Jason about to seize the Golden Fleece, the stern of the

Glass jar, Imperial, ca. 2nd–4th century A.D., Roman, Glass; blown, H. 2 11/16 in. (6.8 cm), Glass, Translucent pale green. Tubular rim, folded out, over, and flattened into side of flaring mouth; short, concave neck; squat, globular

Terracotta relief of a reclining youth, Classical, 5th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 5 in. (12.7 cm), Terracottas, The figure belongs rather early in the extensive series of Tarentine reliefs depicting

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/16 in. × 10 in. (36 × 25.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Lance Point, 15th century, Spanish, L. 5 3/4 in. (14.6 cm); W. 2 in. (5.1 cm); L. of blade 4 1/2 in. (11.4 cm); Wt. 4 oz. (113.4 g), Shafted Weapons

Porringer, 1750–70, Possibly made in South Kingstown, Rhode Island, United States; Possibly made in Exeter, Rhode Island, United States, American, Silver, Overall: 1 7/8 x 7 1/2 in. (4.8 x 19.1 cm); 6 oz. 19 dwt. (216.3 g), Silver,

Bamboo and Rocks by a Stream, 墨竹扇面図, Edo period (1615–1868), 1832, Japan, Folding fan; ink on paper, wood ribs, Overall: 11 5/16 x 18 in. (28.7 x 45.7 cm), Paintings, Takaku Aigai (Japanese, 1796–1843), Bending without

Vase, 1901–15, Made in Honesdale, Pennsylvania, United States, American, Blown glass, H. 14 3/16 in. (36 cm); Diam. 6 1/4 in. (15.9 cm), Glass, Honesdale Decorating Company (1901–1932

Terracotta askos (vessel) in the form of a lion, Late Cypriot IIIB, 1200–1050 B.C., Cypriot, Terracotta, H. 5 9/16 in. (14.1 cm); length 6 3/16 in. (15.7 cm), Vases, Animal-shaped vase in the form of a lion with a spout and handle

東海道五十三次　吉田　六月十五日天王祭, Yoshida, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige

Miniature Mask for a Canopic bundle, New Kingdom, Dynasty 18, ca. 1427–1400 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Tomb KV 51 ( 'The Animal Tomb'), Davis/Ayrton excavations, 1906, Cartonnage, paint, h. 15 cm (5 7/8

Compass or divider, fragment, Roman, Bronze, Other: 5 7/8 in. (14.9 cm), Bronzes

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 22 1/2 x 4 1/2 in. (57.2 x 11.4 cm), Prints, Eishōsai Chōki (Japanese, active late 18th–early 19th century

Terracotta lekythos (oil flask), Classical, ca. 460–450 B.C., Greek, Attic, Terracotta; red-figure, H. 15 in. (38.1 cm), Vases, Obverse, Apollo with kithara (lyre) and palm tree. Leto was said to have given birth to Apollo beneath a date

Strainer, Bronze, Other: 4 1/16 x 15 9/16 in. (10.3 x 39.5 cm), Bronzes

Terracotta ring-vase, Middle Cypriot, 1900–1600 B.C., Cypriot, Terracotta; White painted ware, H. 4 1/4 in. (10.8 cm), Vases, Fantastic base with tubular spout, handle, string-holes, and two feet

Cooling off at Sashiye, Edo period (1615–1868), ca. 1782, Japan, Polychrome woodblock print; ink and color on paper, 15 x 9 1/16 in. (38.1 x 23.0 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

On a French River, ca. 1902, Gelatin silver print, Image: 24.8 x 13.1 cm (9 3/4 x 5 3/16 in.), Photographs, Frederick H. Evans (British, London 1853–1943 London

[St. Cyriac Church at Lacock Abbey, Ghost Figure of Man in a Top Hat in Foreground], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Belt Hook, Western Han dynasty (206 B.C.–A.D. 9), 3rd–1st century B.C., China, Gilt bronze with glass inlay, W. 1 9/16 in. (4 cm); L. 5 9/16 in. (14.1 cm), Metalwork

Aelius Caesar, 1854–58, Salted paper print from glass negative, 36.8 x 29.2 cm (14 1/2 x 11 1/2 in.), Photographs, Roger Fenton (British, 1819–1869

諸國瀧廻　東都葵ヶ岡の瀧, The Falls at Aoigaoka in the Eastern Capital (Tōto Aoigaoka no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), Japan, Polychrome woodblock print; ink and color on

Life of Nichiren: Prayer for Rain Answered, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 8 3/4 x 13 5/8 in. (22.2 x 34.6 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Covered Wine Cup, Shang dynasty (ca. 1600–1046 B.C.), China, Bronze, H. with lid 10 1/8 in. (25.7 cm); W. at spout 4 1/2 in. (11.4 cm), Metalwork

Deîr, Carrefour et Habitation Particulière, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.6 x 30.2 cm. (9 5/16 x 11 7/8 in.), Photographs, Félix Teynard (French, 1817–1892

Terracotta jug fragment, 1st half of 2nd century A.D., Roman, Terracotta; Rhone Valley ware, width 7.01 cm., Vases, Fragment of an applied medallion from a vase; male figure with branch, beside a tripod

Portrait of Jonathan Swift, 1774, White cut paper, with pen and ink additions, mounted on black silk, framed, Overall: 13 7/16 x 11 in. (34.2 x 28 cm), Cut Paper, Nathaniel Bermingham (Irish, born ca. 1720, active mainly London, 1736–74

Terracotta neck-amphora (storage jar), Early Corinthian, ca. 620–590 B.C., Greek, Corinthian, Terracotta; black-figure, H.: 11 1/2 in. (29.2 cm), Vases, Corinthian potters and painters invented a technique of silhouetted forms that would

Dr. Jabez Bunting, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

[Album of 131 Views of a French Family & Their Travels], 1880s–1900s, Gelatin silver prints and cyanotypes, 22 x 31 cm (8 11/16 x 12 3/16 in.), Albums, Unknown (French), This amateur snapshot album documents the life of a bourgeois French

Fragment of a terrracotta volute-krater (bowl for mixing wine and water), Late Classical, mid-4th century B.C., Greek, South Italian, Apulian, Terracotta; red-figure, Overall: 9 3/4 x 4 1/2in. (24.8 x 11.4cm), Vases, Pentheus attacked by a

Aryballos, Archaic, 6th century B.C., Italic, Etruria, Terracotta, 2 7/8 × 2 3/4 in. (7.3 × 7 cm), Vases

Cabasset, ca. 1585, Italian, Steel, gold, brass, H. 8 1/2 in. (21.6 cm); W. 9 in. (22.9 cm); D. 10 3/8 in. (26.4 cm); Wt. 3 lb. 2 oz. (1422 g), Helmets

Rivaulx Abbey. General View from the South, 1850s, Albumen silver print, Image: 28 x 23.5 cm (11 x 9 1/4 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry Delamotte (British,

Shower-Shelter on the Shore of Tempozan Bay, Edo period (1615–1868), 1838, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/16 in. (25.6 cm); W. 14 13/16 in. (37.6 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

東海道五十三次之内　御油　旅人留女, Goyu, Tabibito Ryujo, Edo period (1615–1868), ca. 1833–34, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 in. (24.1 x 35.6 cm), Prints, Utagawa Hiroshige

Reading Stand with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 24 3/16 in. (61.4 cm); W. 26 7/16 in. (67.2 cm); D. 11 3/4 in. (29.8 cm), Lacquer, Well-born

The Third Sawamura Sojuro and the 3rd Segawa Kikunojo, Edo period (1615–1868), 1780, Japan, Diptych of polychrome woodblock prints; ink and color on paper, A: 12 5/8 x 5 3/4 in. (32.1 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese,