Images at Librifly

Lamellar Helmet, 13th–15th century, Mongolian or Tibetan, Iron, leather, H. 5 1/2 in. (14 cm); Diam. 9 in. (22.9 cm); Wt. 2 lb. 2.5 oz. (978.1 g), Helmets

Figured flask, 1855–73, Made in Louisville, Kentucky, United States, American, Free-blown molded glass, H. 8 7/8 in. (22.5 cm), Glass

Alabaster spoon or ladle, Late Bronze Age III, 1200–1050 B.C., Cypriot, Gypsum (alabaster), Overall: 1 3/4 × 2 × 5 1/2 in. (4.4 × 5.1 × 14 cm), Miscellaneous-Stone Vases, The ladle is made of Cypriot stone, but imitates a shape from

Mounting in Form of a Human Mask, Zhou dynasty (1046–256 B.C.), China, Bronze, H. 1 5/8 in. (4.1 cm); W. 2 1/16 in. (5.2 cm), Metalwork

Terracotta neck-amphora (jar) with lid, Archaic, ca. 525–500 B.C., Etruscan, Terracotta; black-figure, H.: 15 7/16 in. (39.2 cm), Vases, Around the body, winged horses and a siren On the shoulder, ivy between eyes The Micali Painter was

Coffeepot, ca. 1790, Made in New York, New York, United States, American, Silver, Overall: 13 1/16 x 12 x 5 7/8 in. (33.2 x 30.5 x 14.9 cm); 49 oz. 11 dwt. (1541.2 g), Silver, John Vernon (1755–1845

Oinochoe, Late Classical, ca. 350–325 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 10.46 cm., Vases

Woman with Toys for the Boys' Festival, Edo period (1615–1868), ca. 1730, Japan, Polychrome woodblock print (hand colored); ink and color on paper, 12 3/4 x 6 1/4 in. (32.4 x 15.9 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Tourelle du Palais de Justice, Rouen, 1852–54, Salted paper print from glass negative, 34.8 x 25.8 cm (13 11/16 x 10 3/16 in. ), Photographs, Edmond Bacot (French, 1814–1875

Relief with two royal male figures, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Limestone, paint, H. 23.5 cm (9 1/4 in) W. 37 cm (14 9/16 in), This relief depicts the torsos

[Manuscript Letter from William-Fox Strangways to Antonio Bertoloni], 1839, Ink on paper (manuscript), Sheet: 23.2 x 36.8 cm (9 1/8 x 14 1/2 in.), Manuscript Materials

明 董其昌 山水圖詩 冊, Landscapes and Poems, Ming dynasty (1368–1644), 17th century, probably after 1625, China, Album of eight paintings and eight calligraphies; ink, gold and color on gold-flecked paper, 12 5/8 x 9 1/8 in. (32.1

白繻子地桔梗模様摺箔, Noh Costume (Surihaku) with Chinese Bellflowers, Edo period (1615–1868), 18th century, Japan, Gold and silver leaf on silk satin, Overall: 68 1/4 x 57 1/4 in. (173.4 x 145.4 cm), Costumes, Blooming in the

Wreaths, 6, Greek, Laconian, Lead, 1 1/8 × 15/16 in. (2.9 × 2.4 cm), Miscellaneous-Lead

Tortilla Women in the Plaza, Mexico, 1910s, Gum bichromate print, Photographs, Henry Ravell (American, 1860–1930

Notre Dame de Bonsecours, près Rouen, 1852–54, Salted paper print from glass negative, 32.8 x 26.1 cm (12 15/16 x 10 1/4 in. ), Photographs, Edmond Bacot (French, 1814–1875

Mail Shirt, dated A.H. 1232/A.D. 1816–17), Indian or Iranian, Iron, copper alloys, leather, as mounted, H. approx. 30 in. (76.2 cm); as mounted, W. approx. 21 in. (53.5 cm); laid flat, L. 34 in. (86.3 cm); laid flat, W. 78 3/4 in. (200

Rev. Mr. Smith of Borgue, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Peonies, 1864–65, Oil on canvas, 23 3/8 x 13 7/8 in. (59.4 x 35.2 cm), Paintings, Édouard Manet (French, Paris 1832–1883 Paris), This picture belongs to a series of peonies that Manet painted in 1864–65. Reportedly his favorite flower,

Tweezers, Early Bronze Age, ca. 3200–2000 B.C., Cypriot, Bronze, Other: 3 1/4in. (8.2cm), Bronzes

Pottery Whistle, Pre-Columbian, ca. 800–1525, Diquis Region, Costa Rica, Costa Rican, Clay, L. 10.6 cm (4-3/16 in.); W. 5.6 cm (2-3/16 in.); H. 5.5 cm (2-1/16 in.); Wt. 118 g., Aerophone-Whistle Flute-whistle

Landscape with Willow Trees, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 7/16 x 7 3/8 in. (13.8 x 18.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Bronze statuette of Cupid, Imperial, ca. 1st–2nd century A.D., Roman, Bronze, H. 2 1/8 in. (5.4 cm), Bronzes, Statuette of Cupid

Terracotta stemless kylix (drinking cup), Hellenistic, late 4th–3rd century B.C., Greek, South Italian, Campanian, Calenian, Terracotta; black-glaze, H.: 2 x 4 7/8 in. (5.1 x 12.4 cm), Vases, Silver cups with medallions in low relief on

Women Worshipping the Rising Sun between the Twin Rocks at Ise, Edo period (1615–1868), Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 15/32 x 29 7/16 in. (36.8 x 74.8 cm), Prints, Kitagawa Utamaro (Japanese,

Vase fragment, Helladic, Greek, Laconian, Terracotta, 3 1/16 x 2 3/8in. (7.7 x 6cm), Vases

Two Axle Pins, mid-Western Zhou dynasty (1046–771 B.C.), China, Bronze, H. 4 in. (10.2 cm), Metalwork

Glass network mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/4 x 1 5/16 in. (3.2 x 3.4 cm), Glass, Body fragment., Colorless, with opaque yellow., Slightly convex side., Ten

Game Box for Playing Senet and Twenty Squares, Second Intermediate Period–Early New Kingdom, Dynasty 17–Early Dynasty 18, ca. 1635–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 3, Burial E 3, In coffin,

'Birth of Zal', Folio from a Shahnama (Book of Kings), 1576–77, Attributed to Iran, Qazvin, Ink, opaque watercolor, and gold on paper, H. 17 3/4 in. (45.1 cm), Codices, Attributed to Siyavush (ca. 1536–1610), This page comes from a

Arrowhead ? with tang, Iron, Other: 7/8 x 3 7/16 x 5/16 in. (2.2 x 8.7 x 0.8 cm), Miscellaneous-Iron

Terracotta Nicosthenic neck-amphora (jar), Archaic, late 7th–6th century B.C., Etruscan, Terracotta; bucchero, Other: 9 1/4 x 6 1/8 in. (23.5 x 15.6 cm), Vases, This distinctive form of amphora with strap handles and a neck sharply separated

The Gopis Plead with Krishna to Return Their Clothing: Folio from 'Isarda' Bhagavata Purana, ca. 1560–65, North India (Delhi -Agra area), Opaque watercolor and ink on paper, Image: 7 3/8 × 10 1/8 in. (18.7 × 25.7 cm), Paintings, Master of

[Woman from Canton], 1870s, Albumen silver print from glass negative, 23.7 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

Pair of three-light candelabra, ca. 1760–65, French, Gilt bronze, Each: H. 17 in. (43.2 cm); Diam. 14 in. (35.6 cm), Metalwork-Gilt Bronze

Desk Screen, Writing Set, Painting of Tiger, and Mounting Paraphernalia, from Spring Rain Surimono Album (Harusame surimono-jō, vol. 1), 衝立、虎図、文具一式, Edo period (1615–1868), probably 1818, Japan, Privately published

Yokohama Trade: Picture of Westerners Shipping Cargo, Edo period (1615–1868), April 1861, Japan, Oban pentaptych of polychrome woodblock prints; ink and color on paper, Image: 14 1/8 x 49 13/16 in. (35.9 x 126.5 cm), Prints, Utagawa

The Actor Sawamura Sojuro I as Sasaki no Saburo, Edo period (1615–1868), ca. 1741, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints, Torii Kiyomasu I (Japanese, active 1696–1716

元 吳鎮 蘆灘釣艇圖 卷, Fisherman, Yuan dynasty (1271–1368), ca. 1350, China, Handscroll; ink on paper, Image: 12 1/4 x 21 3/16 in. (31.1 x 53.8 cm), Paintings, Wu Zhen (Chinese, 1280–1354), Wu Zhen lived the life of a recluse.

Blumenbachia hieronymi, 1915–25, Gelatin silver print, Image: 29.8 x 23.8 cm (11 3/4 x 9 3/8 in.), Photographs, Karl Blossfeldt (German, 1865–1932), Professor Karl Blossfeldt began his exploration of forms in nature in 1890, but his

Small terracotta jug, Early Helladic II, ca. 2650–2150 B.C., Helladic, Terracotta; Coarse ware, Greatest H. 4 5/8 in. (11.6 cm.), Vases, Jug with sturdy proportions and handcrafted technique

Femme Annamite, Saïgon, Cochinchine, 1866, Albumen silver print from glass negative, 20 x 16.7 cm (7 7/8 x 6 9/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Initial A with the Battle of the Maccabees, ca. 1360–70, Made in probably Bologna, Italy, Italian, Tempera, gold, and ink on parchment, 8 1/16 x 5 15/16 in. (20.4 x 15.1 cm), Manuscripts and Illuminations, Medieval Christians considered

東海道五十三次　日本橋, Nihon bashi, Edo period (1615–1868), ca. 1848–49, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Dunraven Cliffs - Low Tide, 1853–56, Salted paper print, Image: 15.8 × 20.5 cm (6 1/4 × 8 1/16 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Tombe de Ciro a Morgab, 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Limestone statuette of a beardless male votary with a wreath of leaves, Archaic–Classical, 6th–5th century B.C., Cypriot, Limestone, Overall: 29 3/4 x 7 3/4 in. (75.6 x 19.7 cm), Stone Sculpture, Male figure with crown of leaves, holding

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, ca. 1449, Tempera, silver, and gold on wood, Overall, with engaged frame, diameter 36 1/2 in. (92.7 cm); recto, painted surface,

Glass squat alabastron (perfume bottle), Hellenistic, late 4th–early 3rd century B.C., Greek, Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 4 1/8 in. (10.6 cm), Glass, Translucent cobalt blue, with handles in same

St. Andrews, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

The Mosque of Omar, Jerusalem, 1857, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Terracotta aryballos (oil flask), Transitional, ca. 640–625 B.C., Greek, Corinthian, Terracotta; black-figure, H. 2 1/4 in. (5.7 cm), Vases, On the body, winged lion surrounded by rosettes in the field

Quinton d'Amore, 1755, Paris, France, French, Maple, spruce, Overall: 21 x 10 x 62.4 cm (8 1/4 x 3 15/16 x 24 9/16 in.), Chordophone-Lute-bowed-fretted, Mathurin-François Remy (French, Mirecourt, active 1760–90

Limestone head of a man with a plain headdress, Archaic, early 6th century B.C., Cypriot, Limestone, Overall: 5 1/2 x 3 3/4 x 4 in. (14.0 x 9.5 x 10.2 cm), Stone Sculpture, The man has a short beard, and his lips preserve traces of red color.

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Height: 1 5/8 in. (4.1 cm), Glass, Small perfume bottle Translucent pale green. Rim folded out, over, and in, with flattned upper surface; cylindrical neck, with

Stamped terracotta amphora handle, ca. 180 B.C., Greek, Rhodian, Terracotta, Other: 5 1/8 in. (13 cm), Cesnola Inscriptions, There are two stamps on the handle. On the top is a large circular stamp with a central rose emblem; the surrounding

[Departure for the huntTomb of Khan of Khiva], 1840s–60s, Salted paper print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Shibaura, shiohi-gari no zu, 東都名所　芝浦汐干之図, Shell Gathering at Shibaura, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 9 7/8 in. (25.1 cm); W. 15 in. (38.1 cm), Prints, Utagawa

The Virgin and Child with Saint John, 1647, Woodcut; unfinished proof, state b (Takahatake), Sheet: 7 × 6 in. (17.8 × 15.3 cm), Prints, Bartolomeo Coriolano (Italian, Bologna ca. 1599–ca. 1676 Bologna (?)), After Guido Reni (Italian,

Colwyn Bay. Rustic Bridge in the Wood, 1870s, Albumen silver print from glass negative, Photographs, Francis Bedford (British, London 1816–1894 London

Terracotta volute-krater (mixing bowl), Late Classical, ca. 330–310 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. with handles 30 5/16 in. (77 cm); H. to rim 26 3/4 in. (68 cm), Vases, Obverse: the Judgment of Paris. The

The Fifth Ichikawa Danjuro as an Old Man with Long Gray Hair, Edo period (1615–1868), ca. 1773, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 7/8 in. (32.1 x 14.9 cm), Prints, Katsukawa Shunshō (Japanese,

[Group Portrait of Four Women and Three Children], 1850s–60s, Albumen silver print from glass negative, 22.6 x 19.2 cm. (8 7/8 x 7 9/16 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Sea Lion Hunt Bottle, 6th–7th century, Peru, Moche, Ceramic, H. 9 x W. 5 1/2 in. (22.9 x 14 cm), Ceramics-Containers, This Moche bottle depicts a hunting scene with human hunters wearing loincloths, turbans, and bags tied around their

Bell (Dui), Western Zhou dynasty (1046–771 B.C.), China, Bronze, H. 20 1/2 in. (52.1 cm); Diam. 11 1/4 in. (28.6 cm), Metalwork

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 7/8 x 2 7/8 in. (4.8 x 7.3 cm), Glass, Part of the rim of a deep ribbed bowl

Lid, Archaic, 6th century B.C., Etruscan, Bronze, lead, H.: 2 x 7 1/4 in. (5.1 x 18.4 cm), Bronzes

Glass cinerary urn with lid, Imperial, Flavian or Trajanic, 1st–early 2nd century A.D., Roman, Glass; blown, H.: 13 1/2 in. (34.3 cm), Glass, Urn: Translucent blue green; handles in same color. Everted tubular rim, folded over and in, and

Band, 11th century, Attributed to Egypt, Fustat, Linen and silk, H. 3 in. (7.6 cm), Textiles-Woven

Father of the Forest, 1865–66, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Girl and Lover in Snow, Edo period (1615–1868), early 19th century, Japan, Polychrome woodblock print; ink and color on paper, H. 23 1/2 in. (59.7 cm); W. 4 9/16 in. (11.6 cm), Prints, Koikawa Harumasa (Japanese, active 1800–1820

吉原時計　夜の七つ, The Seventh Hour of the Night, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, H. 9 1/4 in. (23.5 cm); W. 6 3/4 in. (17.1 cm), Prints, Kitagawa Utamaro (Japanese,

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/8 x 3 7/8 in. (2.9 x 9.8 cm), Terracottas

Terracotta oinochoe (jug), Late Classical, 4th–3rd century B.C., Etruscan, Terracotta; black-glaze, H. 6 15/16 in. (17.6 cm), Vases, The vertical handle ends in a satyr's head

Amulet in the form of a head of an elephant, Predynastic, Naqada II, ca. 3500–3300 B.C., From Egypt, Serpentinite, h. 3.5 x w. 3.6 x d. 2.1 cm (1 3/8 x 1 7/16 x 13/16 in.), Few amulets from the Predynastic Period are known. In the past,

Fly Fishing, Saranac Lake, 1889, Etching, image: 16 x 22 1/16 in. (40.6 x 56 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine

Man in Armor (Mars?), Oil on canvas, 40 1/8 x 35 5/8 in. (101.9 x 90.5 cm), Paintings, Style of Rembrandt (Dutch, second or third quarter 17th century), This painting has for decades been assigned either to Rembrandt's cousin Karel van der

The Neerali Mundapam, January–March 1858, Albumen silver print from paper negative, Image: 23.9 x 34.8 cm (9 7/16 x 13 11/16 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport

Ichimura Manzo as Yatsushi Goro and Segawa Kikujiro as Yatsushi Shosho, Edo period (1615–1868), ca. 1745, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 7/8 in. (31.4 x 14.9 cm), Prints, Torii Kiyomasu I (Japanese,

Branch with Cherry Flowers, Writing Box and Sheet of Paper for Poem Writing (Tanzaku), Edo period (1615–1868), Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 3/16 x 7 5/16 in. (20.8 x 18.6 cm), Prints,

Bronze Aucissa fibula (brooch), late 1st century B.C.–mid-1st century A.D., Roman, Bronze, Other: 2 3/16 in. (5.6 cm), Bronzes

Colonnade du Temple du Soleil, à Baâlbek (Héliopolis), September 15, 1850, Salted paper print from paper negative, Image: 6 9/16 × 8 1/4 in. (16.7 × 21 cm), Photographs, Maxime Du Camp (French, 1822–1894

The Actor Sawamura Sojuro III Holding up a Piece of Brocade, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 12 11/16 in. (32.2 cm); W. 5 15/16 in. (15.1 cm), Prints, Katsukawa Shunshō (Japanese,

西国鎮静撫諸将天杯賜之図, Illustration of the Commanders who Pacified Western Japan, Receiving the Emperor's Gift Cups (Saigoku chinbu shoshō tenpai o tamau no zu), Meiji period (1868–1912), July, 1877, Japan, Polychrome

Entrance of Amoy Harbour, ca. 1869, Albumen silver print from glass negative, Image: 6 5/8 × 9 5/16 in. (16.8 × 23.7 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Silver kyathos (ladle) with bronze handle, Late Classical, ca. 400 B.C., Etruscan, Bronze, Silver, H. 7 15/16 in. (20.2 cm), Bronzes, A number of tall kyathoi of this type, made completely of bronze, have been discovered at Spina, in

Small metabauxite axe, Neolithic, 5th–4th millennium B.C., Cretan, Stone, 1 7/8 in. x 1 3/4 in. (4.7 x 4.4. cm), Miscellaneous-Stone, Celt

Alabaster jug, Late Cypriot II, ca. 1450–1200 B.C., Cypriot, Calcite (alabaster), H. 5 13/16 in. (14.8 cm), Miscellaneous-Stone Vases, This vase is made of a stone not found in Cyprus, although the bil-bil shape is a native type. It may

歌川広重画　罌栗に瑠璃鳥, Bluebird and Flowering Poppies, Edo period (1615–1868), 1832–34, Japan, Polychrome woodblock print; ink and color on paper, 13 1/4 x 4 1/4 in. (33.7 x 10.8 cm), Prints, Utagawa Hiroshige (Japanese,

[Mrs Stuart, J.C.S and Mrs d'Aguilar, Barrackpore], 1858, Albumen silver print, Image: 13.1 x 16.3 cm (5 3/16 x 6 7/16 in.), Photographs, Unknown

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 5/8 x 1 7/16 in. (4.1 x 3.7 cm), Glass, Rim fragment., Translucent deep honey brown, cobalt blue, and

Bridge of Augustus at Nani, 1853–56, Albumen silver print, Image: 19.2 × 25 cm (7 9/16 × 9 13/16 in.), Photographs, Possibly by Jane Martha St. John (British, 1803–1882

Glass amphoriskos (perfume bottle), Hellenistic, 2nd–mid-1st century B.C., Greek, Glass; core-formed, Group III, H.: 4 11/16 in. (11.9 cm), Glass, Translucent yellow green, appearing black; handles in translucent light green; trails in

Icones Prophetarum Veteris Testamenti, n.d., Engraving, sheet: 6 7/8 x 4 15/16 in. (17.5 x 12.5 cm), Prints, Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523–1605 Florence

Miniature Tunic, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 9 3/4 x W. 9 1/2 in. (24.8 x 24.1 cm), Textiles-Featherwork

Glass ribbed bowl, Early Imperial, mid-1st century A.D., Roman, Glass; blown and tooled, 2 7/16 in. × 4 in. (6.2 × 10.2 cm), Glass, Translucent pale blue green. Knocked-off, uneven rim; short concave neck; bulging side curving in to flat

Terracotta bell-krater (vase for mixing wine and water), Late Classical, ca. 390–380 B.C., Greek, Attic, Terracotta; red-figure, H. 13 3/8 in. (34 cm), Vases, Obverse, satyrs and maenads, Reverse, three youths. The gentrification of the

The Teppa-kulam, 1858, Albumen silver print from waxed paper negative, Image: 26 x 37.5 cm (10 1/4 x 14 3/4 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport), Tripe was a career military officer in

窪俊満画 煙草入れ袋と煙管, Edo period (1615–1868), ca. 1810s, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 9/16 x 7 1/8 in. (14.1 x 18.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820), Surimono are

Islands in the Upper Cascades, Oregon, 1867, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916