Images at Librifly

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Belt fragment, Iron Age III, ca. 7th century B.C., Urartu, Urartian, Bronze, 3.54 x 12.87 in. (8.99 x 32.69 cm), Metalwork-Ornaments, This is but one of hundreds of Urartian belts known to exist, all decorated with a variety of

Saint Andrew, ca. 1317–19, Tempera on wood, gold ground, Overall, with arched top and engaged frame, 11 3/4 x 8 3/4 in. (29.8 x 22.2 cm); painted surface 10 3/8 x 7 7/8 in. (26.4 x 20 cm), Paintings, Workshop of Simone Martini (Italian,

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 5/8 x 1 3/8 in. (1.6 x 3.5 cm), Glass, Body fragment., Translucent cobalt blue and opaque white, with purple appearing brick

Terracotta kylix (drinking cup), Classical, ca. 480–470 B.C., Greek, Attic, Terracotta; red-figure, H. 3 7/8 in. (9.9 cm), Vases, Interior, kithara player Exterior, obverse and reverse, symposium (drinking party) The decoration of the

Hodogaya on the Tōkaidō (Tōkaidō Hodogaya), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　東海道保土ケ谷, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink

Bracelet, Etruscan, Bronze, Diam.: 3 3/4 in. (9.5 cm), Bronzes

Toilet Table, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray, green and brown washes, sheet: 12 15/16 x 8 5/8 in. (32.9 x 21.9 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Heinrich(?) vom Rhein zum Mohren (1477–1536), late 1520s, Oil and gold on oak, Overall 21 3/4 x 15 5/8 in. (55.2 x 39.7 cm); painted surface 21 1/2 x 15 in. (54.6 x 38.1 cm), Paintings, Copy after Conrad Faber von Creuznach

Plate, 1830, Made in Bucks County, Pennsylvania, United States, American, Earthenware; Redware with sgraffito decoration, Diam. 11 in. (27.9 cm), Ceramics, John Monday (1809–1862

Zhajiao, mid 19th–late 19th century, China, Chinese, Brass, 48 3/16 × 6 × 13 in. (122.4 × 15.2 × 33 cm), Aerophone-Lip Vibrated-trumpet / trombone

Kabuki Actor Ōtani Oniji III as Yakko Edobei in the Play The Colored Reins of a Loving Wife (Koi nyōbō somewake tazuna), 三代目大谷鬼次の奴江戸兵衛, Edo period (1615–1868), 6th month, 1794, Japan, Polychrome woodblock print;

Wearing Blanket, 1860–70, United States, Southwest, Arizona or New Mexico, Navajo, Wool, H. 67 1/2 x W. 49 in. (171.5 x 124.46 cm), Textiles-Woven

Glass ribbed bowl, Early Imperial, mid-1st century A.D., Roman, Glass; blown and tooled, 2 3/4in. (7cm), Glass, Translucent pale blue green. Knocked-off, uneven vertical rim; body with bulging side, then curving in to thick, flat bottom. On

Cat Tails and Moon, Edo period (1615–1868), Japan, Album leaf; lacquer on silver paper, 4 3/4 x 3 1/2 in. (12.1 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Gabbro mace head, Early Bronze Age, ca. 2500–1900 B.C., Cypriot, Gabbro, Overall: 2 3/4 x 2 1/2 x 2 1/2in. (7 x 6.3 x 6.3cm), Miscellaneous-Stone, Spherical with a hole through the center

Head of a Salmon, 鮭頭, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 3/8 in. (21.1 x 18.7 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Terracotta head of a grotesque man, Hellenistic, 3rd–1st century B.C., Greek, Terracotta, H. 1 1/2 in. (3.8 cm), Terracottas, With heavy brow and head-covering cap

Vue du Temple de Kardassy, April 9, 1850, Salted paper print from paper negative, Image: 6 9/16 × 8 3/4 in. (16.6 × 22.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Fragment of a terracotta neck-amphora (jar), Archaic, ca. 575–560 B.C., Greek, Attic, Terracotta; black-figure, Other: 4 x 3 1/4 in. (10.2 x 8.3 cm), Vases, Obverse, Amazonomachy with Herakles, Reverse, women, subject unclear. On the

Terracotta jug, Late Cypriot I, ca. 1600–1450 B.C., Cypriot, Terracotta; Base-Ring Ware, H. 6 3/8 in. (16.2 cm), Vases, Long-necked jug with funnel-shaped mouth, handle and bands in relief

Helmet, dated A.H. 1223/A.D. 1808–9, Krym, Avtonomna Respublika, Crimean or South Russian, Steel, iron silver, copper alloy (niello), gold, leather, H. including mail 22 1/4 in. (56.5 cm); H. excluding mail 5 1/4 in. (15.9 cm); Diam. 7

Sideboard Table, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 5/8 x 13 5/8 in. (21.8 x 34.6 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Rank Badge with Golden Pheasant, 18th century or earlier, China, Silk, gold-wrapped silk, silk-wrapped hair or vine, 11 x 10 1/2 in. (27.9 x 26.7 cm), Textiles-Embroidered

Limestone head of the god Hermes (?), Archaic, early 5th century B.C., Cypriot, Limestone, Overall: 5 7/8 x 4 3/16 x 5 3/4 in. (14.9 x 10.6 x 14.6 cm), Stone Sculpture, The smiling, youthful face has a pointed nose and flat eyeballs with no

Earrings and Pendant, 11th–12th century, Attributed to Iran, Gold; filigree and granulation, Max. diam. 2 5/16 in. (5.9 cm), Jewelry

Camellia Flowers, a Netsuke and a Seal, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 3/8 x 7 3/8 in. (21.3 x 18.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Bowl with bands of striding bulls and two inscriptions, North Syrian, ca. 8th–7th century B.C., Syria or Levant, Bronze, H. 2.28 in. (5.79 cm) Diam. 7 5/16 in. (18.6 cm), Metalwork-Vessels-Inscribed

Standing figure of an actor of the Ichikawa family, probably Danjuro IV, Edo period (1615–1868), 1726–1792, Japan, Polychrome woodblock print; ink and color on paper, 11 1/2 x 5 1/2 in. (29.2 x 14 cm), Prints, Katsukawa Shunshō

Fragment of a limestone head of the “Triple Geryon” (?), Archaic or Classical, 6th or 5th century B.C., Cypriot, Limestone, Overall: H.:6 1/4 x W.:3 x D.:2 1/2 in. (15.9 x 7.6 x 6.4 cm), Stone Sculpture, The face of the helmeted head is

'Seven Taluks, ' A Native House on the Road to Calcutta, 1850s, Albumen silver print, Image: 16.2 x 17.7 cm (6 3/8 x 6 15/16 in.), Photographs, Unknown

Daisy, 1864, Albumen silver print from glass negative, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Gold earring with cage and ball pendant, 7th–6th century B.C., Cypriot, Gold, Other: 1 3/8 in. (3.5 cm), Gold and Silver, Boat-shaped earring with cage and ball pendant

Miquelet Gun, lock and stock dated A.H. 1172/A.D. 1758–59; barrel, 18th century, lock and stock, Algerian; barrel, European, Steel, wood, coral, silver, copper alloy, gold, L. 76 1/2 in. (194.4 cm); L. barrel 60 1/4 in. (153.0 cm); Cal.

River Scene with Bridge in Foreground, Edo period (1615–1868), ca. 1810, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/8 x 7 1/4 in. (21.3 x 18.4 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849

Jimmy Miller, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Costume of Endymion from the Ballet 'Triumph of Love' (Habit d'Andimion du balet du 'Triomphe de l'amour), ca. 1681, Etching and engraving, Plate: 11 3/4 × 7 13/16 in. (29.8 × 19.8 cm), After Jean Berain (French, Saint-Mihiel 1640–1711

Fragment of a terracotta lebes gamikos (round-bottomed bowl with handles and stand used in weddings), Classical, ca. 440 B.C., Greek, Attic, Terracotta; red-figure, Other: 4 in. (10.2 cm), Vases, Head of a youth wearing a fur cap. The

Glass jug with trefoil rim, Late Imperial or Early Byzantine, 5th–6th century A.D. or later, Roman, Syrian, Glass; blown, trailed, and tooled, H.: 4 3/16 in. (10.7 cm), Glass, Translucent blue green; handle and trails in translucent

The Actor Ichikawa Monosuke II as Chivalrous Commoner, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Terracotta oinochoe (jug), Classical, ca. 430 B.C., Greek, Attic, Terracotta; red-figure, H. 8 1/2 in. (21.6 cm), Vases, Athlete with strigil (scraper) at post. The youth holds a strigil, which was used to scrape oil and dirt from the skin

The Farrier, early or mid-1650s, Oil on wood, 19 x 24 1/8 in. (48.3 x 61.3 cm), Paintings, Aert van der Neer (Dutch, Gorinchem 1603/4–1677 Amsterdam), Van der Neer’s preoccupation with light effects in nature led him to paint dozens of

Portrait of a Man, Possibly a Botanist, 1641, Oil on wood, 33 x 24 1/2 in. (83.8 x 62.2 cm), Paintings, Attributed to David Bailly (Dutch, Leiden 1584–1657 Leiden

Chafing Dish, 1740–45, Made in Boston, Massachusetts, United States, American, Silver, Overall: 4 11/16 x 12 1/2 x 7 1/8 in. (11.9 x 31.8 x 18.1 cm); 18 oz. 4 dwt. (566.3 g), Silver, John Burt (1692/93–1745/46

Terracotta jug, Late Bronze Age, ca. 1600–1050 B.C., Mycenaean, Terracotta, 2 3/4 in. (7 cm.), Vases, With conventional designs

Tombeau du Sultan Kaït-Bay, au Kaire, December 1849–January 1850, Salted paper print from paper negative, Image: 6 in. × 8 9/16 in. (15.3 × 21.8 cm), Photographs, Maxime Du Camp (French, 1822–1894

The Ninth Ichimura Uzaemon in the role of Shunkan, Edo period (1615–1868), ca. 1778, Japan, Polychrome woodblock print; ink and color on paper, 12 5/16 x 5 13/16 in. (31.3 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Vase fragment, Neolithic, Terracotta, 1 15/16 × 1 15/16 × 5/16 in. (4.9 × 4.9 × 0.8 cm), Vases

Vase, ca. 1903, Made in New York, New York, United States, American, Favrile glass, H. 4 1/2 in. (11.4 cm), Glass, Tiffany Furnaces

A Concert, ca. 1679, Black chalk, heightened with white, on brown paper. Contours incised for transfer., 17 5/16 x 21 1/8 in. (43.9 x 53.7 cm), Drawings, Louis Licherie de Beurie (French, Houdan 1629–1687 Paris

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 1/16 x 1 5/8 in. (2.6 x 4.2 cm), Glass, Body fragment., Translucent deep honey brown, cobalt blue,

[Lady Canning on her Black Arab and Lord Clyde, Commander in Chief], 1858–61, Albumen silver print, Image: 14.9 x 19.2 cm (5 7/8 x 7 9/16 in.), Photographs, Jean Baptiste Oscar Mallitte (French, 1829–1905

Yran, Piazza a Isphaan, 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Vase, ca. 1911, American, Glass, 9 5/8 in. (24.4 cm), Glass, Louis Comfort Tiffany (American, New York 1848–1933 New York

Illustration of Noh Dance Scene, Meiji period (1868–1912), ca. 1910, Japan, Polychrome woodblock print; ink and color on paper, 14 9/16 x 20 in. (37 x 50.8 cm), Prints, Tsukioka Kōgyo (Japanese, 1869–1927

Peridot ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Peridot, Length: 11/16 in. (1.8 cm), Gems, Head of the sleeping Medusa

Bowl, Archaic or Classical, 6th–5th century B.C., Etruscan, Bronze, H.: 2 x 12 1/16 in. (5.1 x 30.6 cm), Bronzes

Tâfah, Rochers Granitiques sur les Rives du Nil, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.9 x 30.1 cm. (9 13/16 x 11 7/8 in.), Photographs, Félix Teynard (French, 1817–1892

Bone ligula (ear pick), 1st–2nd century A.D., Roman, Bone, H.: 5 1/16 in. (12.9 cm), Similar objects, sometimes identified as ear picks, are known in metal and glass

Mosaic floor panel, Imperial, 2nd century A.D., Roman, Stone, tile, and glass, H. 89 in. (226.1 cm); width 99 in. (251.5 cm), Miscellaneous-Mosaic, The rectangular panel represents the entire decorated area of a floor and was found together

Gold ring with three horizontal ribs, Geometric, 8th–7th century B.C., Cypriot or Greek, Gold, Diam.: 13/16 in. (2.1 cm), Gold and Silver, Three plain gold rings joined together without an inscription

Shiokumi, Dance of the Beach Maidens, Edo period (1615–1868), late 18th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 25 3/4 x 4 9/16 in. (65.4 x 11.6 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815),

Limestone statuette of a seated Zeus Ammon, Classical or Hellenistic, 4th century B.C., Cypriot, Limestone, Overall: 7 x 5 5/8 x 3 1/4 in. (17.8 x 14.3 x 8.3 cm), Stone Sculpture, Figure with ram's horns, seated on high-backed throne, the

Tweezers, Roman, Bronze, 5 1/8 × 9/16 × 5/16 in. (13 × 1.4 × 0.7 cm), Bronzes

Embroidered sampler, 1814, Made in Washington DC, United States, American, Embroidered silk on linen, 16 1/2 x 15 1/2 in. (41.9 x 39.4 cm), Textiles, Catherine Cassady

Terracotta kylix (drinking cup), Classical, early 5th century B.C., Greek, Boeotian, Terracotta; black-figure, 3 1/8 x 12in. (8 x 30.5cm); diameter 9 5/16in. (23.7cm), Vases, Interior: woman. , Exterior: sirens making music

Armchair, 1810–15, Made in New York, New York, United States, American, Mahogany, brass, 32 3/4 x 20 7/8 x 17 3/4 in. (83.2 x 53 x 45.1 cm), Furniture, Attributed to Duncan Phyfe (1770–1854

Vessel in the Shape of a Bear, 3rd–4th century, Made in possibly Rome, Italy, Roman or Byzantine, Copper alloy, cast, Overall: 5 7/16 x 6 9/16 x 3 5/8 in. (13.8 x 16.7 x 9.2 cm), Metalwork-Copper alloy, The bear was a popular animal in

木曽海道六拾九次之内　大井, Ōi Station, Edo period (1615–1868), ca. 1837, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13 3/8 in. (22.5 x 34 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

The Actor, Arashi Otohachi, 1695–1769 in an Unidentified Role, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 12 9/16 x 6 3/16 in. (31.9 x 15.7cm), Prints, Tsunegawa Shigenobu (Japanese, active ca.

[Gabled House Across Lane], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Ocarina, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; Gayraca style, Ceramic, L. 7.1 cm (2-7/16 in.); W. 6.9 cm (2-11/16 in.), Aerophone-Whistle Flute-vessel flute

Openwork plaque with a hybrid tree, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 3 7/8 x 2 1/8 x 3/4 in. (9.9 x 5.5 x 1.8 cm), Ivory/Bone-Reliefs, Two sets of four curving, voluted branches

Alabaster alabastron (perfume vase), Archaic or Classical, 6th–5th century B.C., Cypriot, Calcite (alabaster), H. 4 7/8 in. (12.4 cm), Miscellaneous-Stone Vases, The globular flask has two lugs at the top, one of which is broken. The lip

Serpent, ca. 1810, France, French, Metal, leather, App. 91.4 x 61 x 30.5 cm (36 x 24 x 12 in.), Aerophone-Lip Vibrated-horn

Glass mosaic dish fragment, Late Hellenistic, 2nd–mid-1st century B.C., Greek, Eastern Mediterranean, Glass; cast, Other: 1 1/16 x 1 5/16 in. (2.8 x 3.4 cm); estimated diam. of rim 6 5/16 in. (16 cm), Glass, Rim fragemnt. , Translucent

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Small Figure, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze with green patina, H. 1 7/8 in. (4.8 cm); W. 1 3/8 in. (3.5 cm), Metalwork

Débôd (Parembole), Vue Générale des Ruines, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.1 x 30.7 cm. (9 1/2 x 12 1/16 in.), Photographs, Félix Teynard (French, 1817–1892

Plate Base with Peregrina between Saints Peter and Paul, mid-300s, Made in Rome, Roman, Glass, gold leaf, Overall: 4 1/2 x 5 1/4 x 1/2 in. (11.5 x 13.3 x 1.2 cm), Glass-Gold glass, Pelegrina, flanked by Saints Peter and Paul, stands in a

Vase, 1905–15, Made in White Mills, Pennsylvania, United States, American, Blown and etched glass, H. 14 1/4 in. (36.2 cm); Diam. 15 in. (38.1 cm), Glass, In contrast to the deeply cut and finely engraved decoration on the other glasses in

Two Geishas Out Walking, Edo period (1615–1868), 1739–1820, Japan, Polychrome woodblock print; ink and color on paper, 14 3/4 x 10 1/8 in. (37.5 x 25.7 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

Phiale, 5th century B.C., Cypriot, Bronze, 1 3/8in. (3.5cm), Bronzes

Princess Fujitsubo in Court Costume with a Fan, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 7/16 x 7 3/8 in. (21.4 x 18.7 cm), Prints, Yashima Gakutei (Japanese,

Buddha Amitabha Descending from His Pure Land, Southern Song dynasty (1127–1279), late 13th century, China, Hanging scroll; ink, color, and gold on silk, Image: 41 1/8 x 21 1/8 in. (104.5 x 53.7 cm), Paintings, The imagery in this painting

Seated limestone kourotrophos with another child standing, Classical, 4th century B.C., Cypriot, Limestone, Overall: 16 x 12 3/4 x 9 in. (40.6 x 32.4 x 22.9 cm), Stone Sculpture, Seated, with child in lap, another standing at knee

Canopic Jar of Manuwai, New Kingdom, Dynasty 18, ca. 1479–1425 B.C., From Egypt, Upper Egypt, Thebes, Wadi Gabbanat el-Qurud, Wadi D, Tomb of the 3 Foreign Wives of Thutmose III, Limestone, blue paste, Overall height 36.2 cm (4 1/4 in),

Creampot, 1790–1800, Made in New York, New York, United States, American, Silver, Overall: 6 1/2 x 4 5/16 in. (16.5 x 11 cm); 4 oz. 16 dwt. (148.6 g), Silver, William W. Gilbert (1746–1832

Cakes In a Box with Wrapping Cloth, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 6 3/4 x 8 3/4 in. (17.1 x 22.2 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Print, ca. 1900, Japan, Polychrome woodblock print; ink and color on paper, 12 7/8 x 8 7/8 in. (32.7 x 22.5 cm), Prints, Tsuneshige (Japanese

Sardonyx cameo of Aurora in a chariot, Hellenistic or Early Imperial, 1st century B.C.–1st century A.D., Greek or Roman, Sardonyx, gold, H.: 1 3/8 x 1 11/16 in. (3.5 x 4.3 cm), Gems, Cameo with a winged woman driving a two-horse chariot,

The Bryant Vase, 1875–76, Made in New York, New York, United States, American, Silver, 33 1/2 x 14 x 11 5/16 in. (85.1 x 35.6 x 28.7 cm); Diam. 11 5/16 in. (28.7cm); 452 oz. 16 dwt. (14084.2 g), Silver, To honor the poet William Cullen

Netsuke of Octopus Holding Clam, late 19th–early 20th century, Japan, Ivory, H. 1 1/4 in. (3.2 cm), Netsuke

Lane and Lewis / Lane and Redding, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

Fragment of a Leather Hanging(?) with an Erotic Scene, New Kingdom, Dynasty 18, ca. 1550–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb, found in debris during clearance, 1929–30, Leather (deerskin), paint, leather: h. 16

The Green Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin

Haughmond Abbey, 1858, Albumen silver print from paper negative, 21.9 x 27.4 cm. (8 5/8 x 10 13/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Terracotta bowl with lid, Archaic, late 6th century B.C., Etruscan, Terracotta; bucchero pesante, H.: 8 1/4 in. (21 cm), Vases, Cover surmounted by cocks; decorated with swans in relief, handles ending in human heads

Limestone bowl, Cypriot, Limestone, H.1 1/2 in. (3.8 cm); Diam. 4 5/8 in. (11.7 cm), Miscellaneous-Stone, The bowl has a flat base

The Third Ichikawa Yaozo in the Role of the Otokodate Sukeroku, Edo period (1615–1868), 1784, Japan, Polychrome woodblock print; ink and color on paper, 11 7/8 x 5 3/4 in. (30.2 x 14.6 cm) (trimmed), Prints, Katsukawa Shunkō (Japanese,