Images at Librifly

The Forum, Rome, 1853–56, Albumen silver print, Image: 17.5 × 24.9 cm (6 7/8 × 9 13/16 in.), Photographs, Possibly by Jane Martha St. John (British, 1803–1882

Head of a Canid, possibly a Jackal, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Gypsum plaster, 6.7 x 6.4 cm (2 5/8 x 2 1/2 in

Yamashina Shirojuro in the Role of Nagoya Sanzaemon, Edo period (1615–1868), 1794–95, Japan, Polychrome woodblock print; ink and color on paper, Image: 12 3/4 x 6 in. (32.4 x 15.2 cm), Prints, Tōshūsai Sharaku (Japanese, active

近江八景之内 矢橋帰帆, Sailing Boats Returning to Yabase, Lake Biwa, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 9 9/16 x 14 in. (24.3 x 35.6 cm), Prints, Utagawa Hiroshige

[Countess de Castiglione], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Colonnade latérale de la cour du Temple d'Isis, à Philae, April 1850, Salted paper print from paper negative, Image: 6 5/8 × 8 13/16 in. (16.8 × 22.4 cm), Photographs, Maxime Du Camp (French, 1822–1894

Fragment, late 12th–early 13th century, Attributed to Spain, Silk, metal-wrapped thread; lampas, brocaded, Textile: H. 4 3/4 in. (12.1 cm), Textiles-Woven, The decoration on this textile fragment consists of circular medallions with images

Studies of the blossoms, fruits and trunk of an English oak (Quercus robur), 1788, Watercolor, over a sketch in black chalk. Double framing line in pen and black ink., sheet: 21 x 15 in. (53.4 x 38.1 cm), Drawings, Ludwig Pfleger (German,

Banded agate scarab, Classical, late 5th century–4th century B.C., Etruscan, Civita Castellana, Agate, banded, Overall: 11/16 x 1/2 in. (1.7 x 1.3 cm), Gems, Herakles and the Nemean Lion

The Hundred Birds, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, 11 3/4 x 83 5/8 in. (29.8 x 212.4 cm), Paintings, Unidentified Artist, Copy after Lin Jun (Chinese, active ca. 1174–90

Katharina Merian, Oil, gold, and white metal on linden, Overall 18 1/4 x 13 1/8 in. (46.4 x 33.3 cm); painted surface 17 5/8 x 13 1/8 in. (44.8 x 33.3 cm), Paintings, Attributed to Hans Brosamer (German, active by 1536, probably died 1552

Brevet Lieutenant Colonel Cure, 1856, Albumen silver print from glass negative, 21.0 x 13.6 cm. (8 1/4 x 5 3/6 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Fragment, Bronze, H.: 2 1/2 x 3 3/8 x 1/8 in. (6.4 x 8.6 x 0.3 cm), Bronzes

Furniture element, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory, 3.41 x 4.09 x 2.68 in. (8.66 x 10.39 x 6.81 cm), Ivory/Bone-Reliefs

[Two Chinese Men in Matching Traditional Dress], 1870s, Albumen silver print from glass negative, 23.6 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

Glass bowl, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, H.: 2 1/2 in. (6.3 cm), Glass, Translucent pale green. Uneven beveled vertical rim; sides tapering downward, then curved in to slightly

西周 青銅提梁卣, Wine Vessel (You), Western Zhou dynasty (1046–771 B.C.), 10th–9th century B.C., China, Bronze, H. 6 3/4 in. (17.1 cm); W. 7 in. (17.8 cm), Metalwork

Gothick [Gothic] Cabinet, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 1/2 x 12 1/8 in. (21.7 x 30.7 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Pavilion by Lake Shore, Qing dynasty (1644–1911), 17th century or later, China, Folding fan mounted as an album leaf; ink on gold paper, 6 7/8 x 19 1/2 in. (17.5 x 49.5 cm), Paintings, Unidentified Artist, After Wen Jia (Chinese,

Three Courtesans, Edo period (1615–1868), 1615–1806, Japan, Polychrome woodblock print; ink and color on paper, 14 5/8 x 10 1/8 in. (37.1 x 25.7 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

A Parcel of Three Diverse Prints, Edo period (1615–1868), Japan, Three polychrome woodblock prints; ink and color on paper, Image (each): 14 3/8 × 9 1/2 in. (36.5 × 24.1 cm), Prints

Five Popular Actors as the Gonin Otoko or Five Otokodate, in 'Ume Wakana Futaba Soga', Edo period (1615–1868), ca. 1755, Japan, Polychrome woodblock print; ink and color on paper, H. 16 1/4 in. (41.3 cm); W. 11 1/4 in. (28.6 cm), Prints,

Tetsukuri no Tamagawa on the Musashino Plain, Edo period (1615–1868), ca. 1800, Japan, Triptych of polychrome woodblocks print; ink and color on paper, 15 1/2 x 30 1/8 in. (39.4 x 76.5 cm), Prints, Utagawa Toyokuni I (Japanese,

東海道五十三次　桑名, Kuwana, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

歌川広重画　罌栗に鶉, Quails and Poppies, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 14 x 5 in. (35.6 x 12.7 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Andiron, 1894, Made in New York, New York, United States, American, Bronze, glass, iron, 25 x 15 x 35 in. (63.5 x 38.1 x 88.9 cm), Metal, Tiffany Glass and Decorating Company (American, 1892–1902), In 1894, Emily Johnston de Forest

Béatrix, 1856–57, printed 1861–67, Salted paper print from glass negative, Image: 23.2 x 17.8 cm (9 1/8 x 7 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), Painted and retouched by Unknown (French

Mrs. F. H. Evans, ca. 1901, Platinum print, Image: 7 13/16 × 5 7/8 in. (19.8 × 14.9 cm), Photographs, Mounted by Frederick H. Evans (British, London 1853–1943 London

Hathor Amulet, Third Intermediate Period–Late Period, ca. 1086–332 B.C., From Egypt, Faience, H. 2 9/16 x 9/16 x 1 1/8 in. (6.5 x 1.5 x 2.9 cm), In Ancient Egypt deities are often depicted as a combination of a human body and an animal

Dried Cuttle-Fish and Plum Blossoms, Edo period (1615–1868), early 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 9/16 x 7 1/2 in. (14.1 x 19.1 cm), Prints, Teisai Hokuba (Japanese, 1771–1844

River Landscape with Thirteen Inscriptions, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; color on paper, 11 x 57 1/2 in. (27.9 x 146.1 cm), Paintings, Unidentified Artist, Formerly Attributed to Ni Zan (Chinese,

Red and White Peach Blossoms (sketch), Edo period (1615–1868), Japan, Hanging scroll; color on paper, Image: 56 7/8 x 14 13/16 in. (144.5 x 37.6 cm), Paintings, Tsubaki Chinzan (Japanese, 1801–1854), This pair of scrolls provides a unique

Bronze furniture attachment, Early Imperial, 1st century A.D., Roman, Bronze, Overall: 2 1/16 x 3 7/8 in. (5.2 x 9.9 cm), Bronzes, These two bronze mules’ heads (grouped with separable object ) were originally part of the fulcra (headrests)

Old Woman Praying, late 1630s or early 1640s, Oil on canvas, 30 5/8 x 25 1/8 in. (77.8 x 63.8 cm), Paintings, Matthias Stom (Dutch, Amersfoort?, born ca. 1599–1600, died after 1652 ?Italy), The earliest known reference to Stom (wrongly

Gilt faience fragment of an oinochoe (jug), Hellenistic, 2nd century B.C., Greek, Ptolemaic, Faience, h. 4 in. (10.2 cm), Miscellaneous-Faience, in high relief, woman with a cornucopia. Faience oinochoai depicting Ptolemaic queens were made

Glass network mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 1 1/16 in. (2.1 x 2.7 cm), Glass, Body fragment of thin glass., Colorless, with opaque white., Almost flat.,

Manuscript Leaf with Saint Benedict Resuscitating a Boy in an Initial D, from an Antiphonary, second half 15th century, Made in Florence, italy, Italian, Tempera, ink, and gold on parchment, Overall: 21 7/8 x 15 7/8 in. (55.5 x 40.4 cm),

Scent and Shadow, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 3/4 x 12 1/16 in. (22.2 x 30.6 cm), Prints, Takeuchi Keishū (Japanese, 1861–1943

Terracotta rim of a cup with polychrome motifs, Middle Minoan II, ca. 1800–1700 B.C., Minoan, Terracotta; Kamares ware, Overall: 1 1/2 x 1 9/16in. (3.8 x 4cm), Vases, From Knossos, Crete. Polychrome fragment, decorated in white and orange

Carnelian ring stone, Imperial, ca. 1st century A.D.–3rd century A.D., Roman, Carnelian, Length: 7/16 in. (1.1 cm), Gems, Elephant creeping out of the shell of a snail

Vase, 1900–1902, Made in New York, New York, United States, American, Favrile glass, H. 15 5/8 in. (39.7 cm), Glass, Tiffany Glass and Decorating Company (American, 1892–1902), This object forms part of a group of glass vessels and

Carpet with Irises, Tulips, and Other Flowering Plants, ca. 1650, Made in India or present-day Pakistan, Kashmir or Lahore, Cotton (warp and weft); wool (pile); asymmetrically knotted pile, Rug: H. 170 in. (431.8 cm), Textiles-Rugs,

Elizabeth Green (Mrs. Ebenezer Storer II), ca. 1767, Pastel on paper mounted on canvas, Framed: 28 9/16 x 22 9/16 x 2 1/8 in. (72.5 x 57.3 x 5.4 cm), Drawings, John Singleton Copley (American, Boston, Massachusetts 1738–1815 London), John

Terracotta jug, Late Cypriot I, ca. 1600–1450 B.C., Cypriot, Terracotta; Base-Ring Ware, H. 8 15/16 in. (22.7 cm), Vases, Narrow-necked jug with funnel-shaped mouth, handle and curved bands in relief

西周 青銅簋, Spouted Water Vessel (Yi), Eastern Zhou dynasty (770–256 B.C.), 7th–6th century B.C., China, Bronze, H. 5 7/8 in. (14.9 cm); W. 10 3/8 in. (26.4 cm), Metalwork

Daoist Riding Horned Animal, Song dynasty (?) (960–1279), China, Album leaf; ink and color on silk, 12 1/2 x 8 3/4 in. (31.8 x 22.2 cm), Paintings, Attributed to Tong Rênyi

Fragment of a terracotta plaque, Archaic, 7th century B.C., Greek, Cretan, Terracotta, 6 in. x 4 3/4 in. (15.2 cm x 12 cm), Terracottas, Warrior with a helmet, shield, and a shaft, possiby a sword

『春雨集』　摺物帖, Edo period (1615–1868), ca. 1805–10, Japan, Privately published woodblock prints (surimono) mounted in an album; ink and color on paper, 5 1/2 x 7 7/16 in. (14 x 18.9 cm), Prints, Ryūryūkyo Shinsai (Japanese,

Courtesan Usugumo, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 1/8 in. (20.8 x 18.1 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Two fragments of a terracotta plaque, Classical, late 5th century B.C., Greek, Terracotta, H. of a 3 3/4 in. (9.5 cm); H. of b 3 1/4 in. (8.2 cm), Terracottas, Dancing woman

Figurine, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, 1.1 in. (2.79 cm), Ivory/Bone-Sculpture

Frets, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 3/8 x 10 9/16 in. (21.3 x 26.8 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Self-Portrait of Danjuro VII in a Shibaraku Performance, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 in. (20.3 x 17.8 cm), Prints, Ichikawa Danjuro VII (Japanese, 1791–1859),

Porte du Temple de Jupiter, à Baalbek (Héliopolis), September 1850, Salted paper print from paper negative, Image: 8 3/4 × 6 9/16 in. (22.3 × 16.7 cm), Photographs, Maxime Du Camp (French, 1822–1894

The Actor Nakamura Nakazo with Drawn Sword, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, H. 13 in. (33 cm); W. 5 15/16 in. (15.1 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Page from a Book of Omens, ca. 1800, India (Gujarat), Ink and opaque watercolor on paper, 3 3/16 x 4 1/2 in. (8.1 x 11.4 cm), Paintings

La Dame de Cœurs, 1861–63, Albumen silver print from glass negative, Image: 10.5 x 7.4 cm (4 1/8 x 2 15/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Slab-inscribed, Cypriot, Limestone, H.: 6 7/8 x 6 1/4 x 2 1/8 in. (17.5 x 15.9 x 5.4 cm), Cesnola Inscriptions

Embroidered Border Fragment, 5th–2nd century B.C., Peru, Paracas, Camelid hair, Overall: 11 x 65 in. (27.94 x 165.1 cm), Textiles-Woven

Thomas Bell, Leswalt, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Terracotta guttus (flask with handle and vertical spout), Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta, 5 1/4in. (13.3cm), Vases, On top, head of Athena, in relief

Mystical Bird (Karyōbinga), Edo period (1615–1868), 1820–33, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 9/16 x 7 1/16 in. (21.7 x 17.9 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo

Miliciens mangeant le riz, Cochinchine, 1866, Albumen silver print from glass negative, 21.1 x 16.9 cm (8 5/16 x 6 5/8 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

The Third Segawa Kikunojo as a Woman, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 11 3/8 x 5 1/2 in. (28.9 x 14.0 cm), Prints, Katsukawa Shunjō (Japanese, died 1787

Terracotta miniature jar with two handles, Archaic, 7th–6th century B.C., Greek, Laconian, Terracotta, H. 1 5/8 in. (4.1 cm), Vases, Two handles, traces of white paint

'Suhrab Slain by Rustam', Folio from a Shahnama (Book of Kings) of Firdausi, ca. 1610, Attributed to India, Deccan, Bijapur, Ink, opaque watercolor, and gold on paper, Page: 8 x 4 13/16in. (20.3 x 12.2cm), Codices, The hero Rustam was

Sugar bowl, 1840–60, Possibly made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 7 1/2 in. (19.1 cm); Diam. 4 1/2 in. (11.4 cm), Glass, This piece is pressed in “Ashburton, ” the earliest of the broad

The Curfew at Dōjōji, Edo period (1615–1868), ca. 1763, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 17 in. (31.1 x 43.2 cm), Prints, Torii Kiyomitsu (Japanese, 1735–1785), On a platform by a cherry tree, from

東海道五十三次之内　池鯉鮒　首夏馬市, Chiryu, Shuka Uma Ichi, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 in. (24.1 x 35.6 cm), Prints, Utagawa Hiroshige

Base for a Water Pipe (Huqqa) with Irises, late 17th century, Attributed to India, Deccan, Bidar, Zinc alloy; cast, engraved, inlaid with brass (bidri ware), H. 6 7/8 in. (17.5 cm), Metal, This huqqa base, with irises and other flowers,

Fibula, Cypriot, Bronze, Other: 1 7/8in. (4.8cm), Bronzes

A Gathering of Holy Men of Different Faiths, ca. 1770–75, Attributed to India, Lucknow, Opaque watercolor and gold on paper, H. 10 1/2 in. x W. 7 1/2 in., Codices, Mir Kalan Khan (active ca. 1730–75), This painting is based upon a

Pitcher, 1814–28, Made in Norwich, Connecticut, United States, American, Stoneware, H. 11 1/2 in. (29.2 cm), Ceramics, Peleg Armstrong and Erastus Wentworth (active 1814–28

The Actor Matsumoto Koshiro 3rd in an Unidentified Role, Edo period (1615–1868), ca. 1769, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 5 5/8 in. (14.3 cm), Prints, Ippitsusai Bunchō (Japanese,

Shaffron (Horse's Head Defense), possibly 16th century, Turkish, Steel, copper alloy, H. 21 in. (53.3 cm); W. 8 1/2 in. (21.6 cm); Wt. 1 lb. 14 oz (847 g), Equestrian Equipment-Shaffrons

[Mountain and Rice Fields], ca. 1869, Albumen silver print from glass negative, Image: 8 3/16 × 11 1/4 in. (20.8 × 28.5 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Glass bottle shaped like a bunch of grapes, Late Imperial, ca. 3rd century A.D., Roman, Syrian, Glass; blown in a three-part mold, H.: 5 1/4 in. (13.3 cm), Glass, Translucent honey brown., Rim folded out, down, over, and up, with beveled

Gold spiral, Late Bronze Age, ca. 1600–1100 B.C., Cypriot, Gold, Length: 1 1/16 in. (2.7 cm), Gold and Silver, Of plain wire with two turns

Three fragments of a terracotta calyx-krater (mixing bowl), Late Classical, ca. 360–340 B.C., Greek, South Italian, Apulian, Gnathian, Terracotta; added color, a: greatest H. 5 1/2 in. (14 cm); greatest width: 6 3/4 in. (17.1 cm), Vases,

東海道五十三次之内　日本橋　朝之景, Stations One: Morning View of Nihonbashi, Edo period (1615–1868), ca. 1833–34, Japan, Polychrome woodblock print; ink and color on paper, H. 9 1/2 in. (24.1 cm); W. 13 7/8 in. (35.2 cm),

Vase fragment, Early Helladic, ca. 3000–2200 B.C., Terracotta, 1 5/16 x 1 5/16in. (3.4 x 3.4cm), Vases

A Young Lady in a Garden, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/4 in. (28.6 cm); W. 5 7/8 in. (14.9 cm), Prints, Shigenaga (1697–1756

Pocket bottle, 1815–45, Possibly made in Pennsylvania, United States; Possibly made in Ohio, United States, American, Blown, pattern-molded glass, H. 8 5/8 in. (21.9 cm), Glass

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 15/16 × 2 7/8 × 1/4 in. (5 × 7.2 × 0.7 cm), Vases

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Overall: 4 7/16 in. (11.3 cm), Glass, Small candlestick unguentarium. Translucent pale blue green. Rim folded out, over and in; flaring mouth; slender, and

Lindlithgow Castle, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Glass die, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; cast and cut, Overall: 9/16 x 1/2 in. (1.4 x 1.3 cm), Glass, Colorless with yellow green tinge. Solid cube with beveled edges and drilled dots on each side. Intact, but

The First Nakamura Nakazo in the Role of Shimada no Hachizo, Edo period (1615–1868), April 1783, Japan, Polychrome woodblock print; ink and color on paper, 12 4/5 x 5 15/16 in. (32.5 x 15.1 cm), Prints, Katsukawa Shunkō (Japanese,

Platter, 1800–1810, Made in China, Chinese, for American market, Porcelain, 11 7/8 x 14 11/16 in. (30.2 x 37.3 cm), Ceramics, George Washington’s tomb is depicted on this platter, which exemplifies the patriotic affection and reverence

Standing Salt, ca. 1700, Made in Boston, Massachusetts, United States, American, Silver, 5 7/8 x 5 7/16 in. (14.9 x 13.8 cm); 12 oz. 18 dwt. (402.6 g), Silver, John Allen (1671/72–1760), John Edwards (ca. 1671–1746), This early

Bronze necklace spiral, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Base: 1 15/16 in. (4.9 cm), Bronzes, Openwork spiral with three concentric circles linked at 4 points and flat on underside

Scene from the Noh play 'Matsukaze', Meiji period (1868–1912), ca. 1910, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 20 in. (36.8 x 50.8 cm), Prints, Tsukioka Kōgyo (Japanese, 1869–1927), In Matsukaze, still one

Glass jug with chain handle, Late Imperial, 3rd–early 4th century A.D., Roman, Glass; dip-molded and reinflated, trailed, and tooled, H.: 7 in. (17.8 cm), Glass, Translucent pale blue green; trails, handle, and foot ring in same color.

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 7/16 × 1 15/16 × 3/16 in. (3.7 × 4.9 × 0.4 cm), Vases

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 3/16 x 1 3/8 in. (3 x 3.5 cm), Glass, Opaque orange with streaks of opaque red. Flat rectangle, with rounded corners.

The Sweet Water Fountain, 1853–56, Salted paper print, Image: 14.7 × 12 cm (14.7 × 12 cm), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Patch Box, ca. 1694–1726/27, Made in New York, New York, United States, American, Silver, Overall: 1/2 x 2 3/4 x 3/4 in. (1.3 x 7 x 1.9 cm); 1 oz. 7 dwt. (41.9 g), Silver, Probably John Windover (active ca. 1694–1726/27

Silver ring, Hellenistic, ca. 3rd–2nd century B.C., Greek, Silver, Length: 15/16 in. (2.4 cm), Gems, Archaistic Athena Promachos or Alkidemos striding with left foot advanced

Feathered Panel, 7th–9th century, Peru, Wari, Feathers on cotton, camelid hair, H. 27 1/4 x W. 84 in. (69.2 x 213.4 cm), Textiles-Featherwork

The Tamukkam or Tamkam, January–March 1858, Albumen silver print from waxedpaper negative, Image: 26 x 37.2 cm (10 1/4 x 14 5/8 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport