Images at Librifly

Aquamanile in the Form of a Horse, ca. 1400, Made in Nuremberg, German, Copper alloy, Overall: 13 1/4 x 14 1/2 x 3 3/4 in. (33.7 x 36.8 x 9.5 cm), Metalwork-Copper alloy

An Umbrella Jump, Edo period (1615–1868), ca. 1769, Japan, Polychrome woodblock print; ink and color on paper, H. 27 1/5 in. (69.1 cm); W. 3 7/8 in. (9.8 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Vase fragment, Neolithic, Aegean, Terracotta, Overall: 1 5/8 x 3in. (4.1 x 7.6cm), Vases

Bronze statuette of a shepherd, Archaic, ca. 525–500 B.C., Greek, Arcadian, Bronze, H. 3 5/8 in. (9.2 cm), Bronzes, Inscribed on the base in Greek 'Aineas [dedicated me] to Pan

White Rat and Bundles of Cloth, Edo period (1615–1868), probably 1816, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 5 3/8 in. (21 x 13.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Spring Rain Collection (Harusame shū), vol. 1: “Books from Kanazawa Library” (Kanazawa Bunko) and “Foreign Cat of Shōmyōji Temple” (Shōmyōji no kara neko), from the series History of Kamakura (Kamakura shi), Edo period (1615–1868),

Vue de la Piscine Probatique et d'un quartier de Jérusalem, August 1850, Salted paper print from paper negative, Image: 6 1/4 × 9 3/16 in. (15.8 × 23.3 cm), Photographs, Maxime Du Camp (French, 1822–1894

Plate, ca. 1810–20, Made in Montgomery County, Pennsylvania, United States, American, Earthenware; Redware with sgraffito decoration, H. 10 in. (25.4 cm), Ceramics, Attributed to John Neis (1785–1867

Faience amulet of Bes image, Early Third Intermediate Period, ca. 1090–1000 B.C., Egyptian, Clay, glazed, H.: 2 13/16 in. (7.1 cm), Gold and Silver, Amulet, Bes

Glass jar, Glass; blown with applied decoration, H.: 4 x 3 7/8 x 1 5/8 x 2 in. (10.2 x 9.8 x 4.1 x 5.1 cm), Glass, Translucent pale green; applied blobs in same color., Outsplayed, horizontal rim, with rounded outer lip; concave cylindrical

Louis XIV Visiting the Royal Academy of Sciences, 1671, Etching, sheet: 16 1/2 x 12 1/8 in. (41.9 x 30.8 cm), Prints, Sébastien Leclerc I (French, Metz 1637–1714 Paris

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 2 7/8 x 1 in., 3.3 cm (7.3 x 2.6 x 3.3 cm), Glass, Translucent dark cobalt blue, with handles in same

Cookie Miller, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Durance, Viaduc, before 1859, Albumen silver print from paper negative, Image: 31.8 x 53 cm (12 1/2 x 20 7/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Gold earring with head of a lion, Classical or Hellenistic, 4th?3rd century B.C., Greek, Gold, Diam.: 1/2 in. (1.3 cm), Gold and Silver, Hoop of twisted wire ending in a lion's head

Bird, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, H. 3 1/4 in. (8.3 cm), Metalwork

Sketchbook of a Journey to the Château d'Eu, 1811, Sketchbook with thirty watercolors, with pen and ink, Overall: 7 1/2 x 6 1/16 x 1/2 in. (19 x 15.4 x 1.3 cm), Sketchbooks, Pierre François Léonard Fontaine (French, Pontoise 1762–1853

Ingot with Hittite hieroglyphs, Hittite Empire, ca. 14th–13th century B.C., Central Anatolia, Hittite, Silver, 3.07 x 3.54 in. (7.8 x 8.99 cm), Metalwork-Implements-Inscribed, Hittite scribes wrote both in cuneiform script (borrowed from

Monsieur Itier's Cange Under Sail on the Nile, 1845–46, Daguerreotype, Image (visible): 4 3/8 × 5 15/16 in. (11.1 × 15.1 cm), Photographs, Andre-Victor-Alcide-Jules Itier (French, 1805–1877

The Architecture of A. Palladio in Four Books containing a Short Treatise on the Five Orders (L'Architecture de A. Palladio en quatre livres... / Il quattro libri dell'architettura), 1715 [1716–20], Illustrations: etching and engraving, Book: 17

Temple of Victory, ca. 1848, Salted paper print from paper negative, Mount: 10 7/16 in. × 13 5/8 in. (26.5 × 34.6 cm), Photographs, George Wilson Bridges (British, 1788–1864

An Evening Party, February 3, 1826, Hand-colored etching and engraving, Image: 8 1/8 x 12 in. (20.6 x 30.5 cm), Prints, George Cruikshank (British, London 1792–1878 London), After H.T.D.B. (British, 19th century

Crab and Rice Plant, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 1/8 x 7 3/16 in. (13 x 18.3 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Bronze statuette of a female votary, Late Classical or Hellenistic, 4th–3rd century B.C., Etruscan, Bronze, H.: 8 1/2 in. (21.6 cm), Bronzes, An elegantly dressed woman wears a diadem and a pendant necklace. She holds a pomegranate, a

Anna Wöss, Marie and Marie Antoine, 1850s–60s, Albumen silver print from glass negative, 24.5 x 19.5 cm. (9 5/8 x 7 11/16 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Courtesan Seated on a Carp, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 1/4 in. (20.5 x 18.4 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

[Portrait of Man in Hunting Garb], ca. 1856–59, Salted paper print, 19.5 x 14.2 cm (7 11/16 x 5 9/16 in.), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

View of Ochanomizu in the Eastern Capital, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print; ink and color on paper, H. 10 5/16 in. (26.2 cm); W. 15 1/4 in. (38.7 cm), Prints, Shotei Hokuju (Japanese, active 1790–1820

Terracotta cantharus (drinking cup), 1st century B.C., Roman, Terracotta, H. 3 3/16 in. (8.1 cm), Vases, Relief decoration and two handles

Femmes Betsimisaraka, Madagascar, 1863, Albumen silver print from glass negative, Image: 19.7 x 17 cm (7 3/4 x 6 11/16 in.), Photographs, Désiré Charnay (French, 1828–1915

Terracotta lekythos (oil flask), Archaic, 1st quarter of 5th century B.C., Greek, Attic, Terracotta; black-figure, white-ground, H. 6 3/4 in. (17.1 cm), Vases, Gigantomachy (battle of the gods and giants), with Hermes and Athena. In Athens,

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 3/4 x 1 5/16 in. (1.9 x 3.3 cm), Glass, Rim fragment., Translucent blue and opaque white., Outsplayed rim with thick,

Penllergare; Coedriglan, 1853–56, Albumen silver print, Image: 11.8 × 14.4 cm (4 5/8 × 5 11/16 in.), Photographs, James Knight (British

Stone votive relief of male genitalia, Late Classical–Hellenistic, 4th–3rd century B.C., Cypriot, Limestone, Overall: 6 1/2 x 3 7/8 x 2 1/2 in. (16.5 x 9.8 x 6.4 cm), Miscellaneous-Stone, On a rectangular plaque, there is the end of a

Limestone funerary stele with two recumbent sphinxes, Archaic, 2nd half of the 6th century B.C., Cypriot, Limestone, Overall: 22 1/4 x 19 x 6 3/4 in. (56.5 x 48.3 x 17.1 cm), Stone Sculpture, Sphinxes back to back, crescent and disk symbol

Relief of a goddess offering a palm rib, Third Intermediate Period, Dynasty 22, ca. 825–773 B.C., From Egypt, Limestone, H: 41.9 x W: 38.1 x Th.3.8 cm (16 1/2 x 15 x 1 1/2 in.), This temple relief depicts a goddess raising her right hand

Incense Boxes with a Wrapping Cloth, Edo period (1615–1868), 1808, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 1/2 in. (14 x 19.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820), Two incense containers

Flint Blade, Predynastic, Naqada II, ca. 3650–3300 B.C., From Egypt, Flint, L. 5.8 x 0.8 x 15.7 cm (2 5/16 x 5/16 x 6 3/16 in.), Blades such as this one were included in burials throughout the Predynastic Period.The cutting edge is the

Horse blinker carved in relief with a seated sphinx, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 4.13 x 7.32 in. (10.49 x 18.59 cm), Ivory/Bone-Equestrian-Inscribed, The craftsmen who carved

Glass whorl or bead, 5th–7th century A.D., Frankish, Glass; rod-formed and trailed, Diam.: 1 5/8 in. (4.2 cm), Glass, Translucent light green; trails in opaque white., Flattened biconical shape; vertical hole with rounded edge of one side

Bone object in the shape of a herm, 1st century A.D., Roman, Bone, H.: 3 1/16 in. (7.8 cm), Representing a herm

Parlor from the William Moore House, ca. 1811, Made in Petersburg, Virginia, United States, American, Wood, composition ornament, Architecture

Vessels Departing from California, America, Edo period (1615–1868), 3rd month, 1862, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (a): 14 1/2 x 9 7/8 in. (36.8 x 25.1 cm), Prints, Utagawa (Gountei) Sadahide

Pair of candlesticks (flambeaux or chandeliers), 1735–50, French, Paris, Gilt bronze, .1 confirmed, diameter of base: 12 1/8 × 7 3/8 × 7 3/8 in., 93.466oz. (30.8 × 18.7 × 18.7 cm, 2650g), Metalwork-Gilt Bronze, In the era before gas

Ewer with 'Tughra-Illuminator' Style Decoration, 1525–40, Made in Turkey, Iznik, Stonepaste; painted in blue under transparent glaze, Pitcher (a): H. 8 13/16 in. (22.4 cm), Ceramics

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 1/16 x 1 9/16 in. (2.8 x 4 cm); estimated diam. of rim: 7 1/16 in. (18 cm), Glass, Rim fragment.

China Trays, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 1/4 x 12 1/4 in. (21 x 31.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Ensemble du Temple d'Isis à Philae - Vue prise au Nord, April 1850, Salted paper print from paper negative, Image: 6 in. × 8 3/4 in. (15.2 × 22.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Flute, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; Gayraca style, Ceramic, L. 8.7 cm (3-7/16 in.); Diam. app. 4.2 cm (1-11/16 in.), Aerophone-Whistle Flute-recorder

Owl Stirrup Spout Bottle, 2nd–3rd century, Peru, Moche, Ceramic, H. 9 1/2 x W. 4 5/8in. (24.1 x 11.7cm), Ceramics-Containers, Moche ceramists rendered naturalistic details of humans, animals, and plants with great anatomical precision.

Glass cameo: bust of Athena, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Glass ? opaque white, Length: 11/16 in. (1.8 cm), Gems, Bust of Athena in profile

Faience amulet of Bes image, Late Third Intermediate Period, ca. 1000–900 B.C., Egyptian, Clay, glazed, H.: 2 1/16 in. (5.3 cm), Gold and Silver, Amulet, Bes

Calash, 18th century, probably American, silk

Cruet stand, ca. 1805–11, Made in Philadelphia, Pennsylvania, United States, American, Silver, 9 3/4 x 8 5/8 x 7 in. (24.8 x 21.9 x 17.8 cm); 20 oz. 14 dwt. (643.5 g), Silver, Lewis and Smith (active ca. 1805–11), Very few American-made

Fibula, boat-shaped type, Bronze, Other: 2 in. (5.1 cm), Bronzes

Carnelian ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Carnelian, Length: 1/2 in. (1.2 cm), Gems, Pantheistic head; in the field, a snake wound around a stick

[The Calf-Bearer and the Kritios Boy Shortly After Exhumation on the Acropolis]; Danseuse du Temple de Bacchus, ca. 1865, Albumen silver print from glass negative, Mount: 12 in. × 10 7/8 in. (30.5 × 27.7 cm), Photographs, Unknown, From 1833,

[Grand Entrance to the Government House, Calcutta], 1850s, Albumen silver print, Image: 18.1 x 24.6 cm (7 1/8 x 9 11/16 in.), Photographs, Captain R. B. Hill

Jūshimatsu (Begalee or a society finch), Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 7/8 in. (25.4 x 37.8 cm), Prints, Kuwagata Keisai (Japanese, 1764–1824

Base with floral decoration, Bronze, Diam.: 4 1/8 in. (10.5 cm), Bronzes

Chinese Oriole and Peonies, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 7/8 in. (25.4 x 37.8 cm), Prints, Kuwagata Keisai (Japanese, 1764–1824

Page of Calligraphy, early 17th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Illumination: H. 11 in. (27.9 cm), Codices

Limestone head of Herakles wearing the lion skin, Archaic, early 5th century B.C., Cypriot, Limestone, Overall: 6 x 4 1/8 x 5 1/16 in. (15.2 x 10.5 x 12.9 cm), Stone Sculpture, The head of the lion, with a very furrowed muzzle, is on a

John Barker (1707–1787), 1786, Oil on canvas, 68 1/4 x 47 1/2 in. (173.4 x 120.7 cm), Paintings, Sir Joshua Reynolds (British, Plympton 1723–1792 London

Marble head of a woman, Hellenistic, 3rd–1st century B.C., Greek, Marble, Pentelic, H. 15 in. (38.1 cm), Stone Sculpture, The head may come from a funerary monument

Small stone axe, Neolithic, 5th–3rd millennium B.C., Greek Neolithic, Stone, L. 1 3/4 in. (4.4 cm.), Miscellaneous-Stone, Celt

五十三次名所図会　草津, Kusatsu, Edo period (1615–1868), 1855, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/2 in. (36.8 cm); W. 9 3/4 in. (24.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

View in the Field, On the West Side of the Hagerstown Road, After the Battle of Antietam, Maryland, September 1862, 1862, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882

Le Billet doux, 1778, Etching and engraving, Prints, Nicolas de Launay (French, Paris, 1739–1792), after Nicolas Lafrensen (called Nicolas Laureince) (Swedish, 1737–1807

Elevation for a stairway and a second en suite drawing (unmatted): design for ironwork balustrade, ca. 1700, Pen and ink with gray and yellow wash, 10 1/2 x 9 1/16 in. (26.7 x 23 cm), Drawings, Anonymous, French, 18th century

東海道五十三次之内　鳴海　名物有松絞, Narumi, Meibutsu Arimatsu Shibori, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 in. (24.1 x 35.6 cm), Prints, Utagawa

Lady and cavalier surrounded by the four continents, 1651, British, Satin with beadwork of opaque and traslucent glass beads; silk thread, H. 16 1/4 x W. 21 1/2 inches (41.3 x 54.6 cm) framed, Textiles-Embroidered

IIIe Vue du Parc de Neu-Waldeck prise du Pavillon Chinois vers le Couchant, from Views of the Park and Gardens of Marshal Count de Lacy at Neu-waldegg, 1782, Engraving, sheet: 20 9/16 x 25 3/4 in. (52.2 x 65.4 cm), Prints, Jakob Matthias

Glass flask, Mid to Late Imperial, 3rd century A.D., Roman, Glass; blown and trailed, Height: 4 7/16in. (11.3cm), Glass, Colorless with pale blue green tinge, with trail of same color. Rounded and thickened rim; flaring mouth; short concave

Pendant: head of Herakles, Classical, 5th century B.C., Etrusco-Campanian, Amber, H.: 7/8 in. (2.2 cm), Miscellaneous-Amber, Head of Herakles with lion headress

元/明 佚名 古木竹禽圖 團扇, Old Tree, Bamboo, and Birds, Ming dynasty (1368–1644), late 14th–early 15th century, China, Fan mounted as an album leaf; ink and color on silk, Image: 9 15/16 x 10 1/8 in. (25.2 x 25.7 cm),

清, 石濤(朱若極), 山水人物圖, 冊頁, Landscape with Figure, Qing dynasty (1644–1911), ca. 1678, China, Album leaf; ink on paper, 8 1/2 x 11 1/4 in. (21.6 x 28.6 cm), Paintings, Shitao (Zhu Ruoji) (Chinese, 1642–1707

Saddle (清 馬鞍一套), 17th–18th century, Chinese, Iron, gold, silver, wood, coral, ivory, silk, hair, tin, pigments, leather, H. including textile 13 3/4 in. (34.9 cm); L. 27 3/4 in. (70.4 cm); W. 14 1/2 in. (36.8 cm),

Covered Box, 1898–1902, Made in New York, New York, United States, American, Enamel on copper, H. 3 1/16 in. (7.8 cm), Metal, Tiffany Glass and Decorating Company (American, 1892–1902

Painting, Qing dynasty (1644–1911), 20th century, China, Leaf from an album; ink on paper, H. 9 11/16 in. (24.6 cm); W. 12 in. (30.5 cm), Paintings, Unidentified Artist

Terracotta column-krater (bowl for mixing wine and water), Archaic, ca. 550 B.C., Greek, Attic, Terracotta; black-figure, Overall: 22 3/16 x 27 1/4 in. (56.4 x 69.3 cm); diameter 23 1/16 in. (58.6 cm), Vases, Obverse, Hephaistos on mule

Viviers, ca. 1861, Albumen silver print from glass negative, Image: 32.1 x 43.4 cm (12 5/8 x 17 1/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Rhyton fragment, Classical, ca. 450–400 B.C., Greek, Attic, Terracotta; red-figure, H. 6.91 cm., Vases

Gold quatrefoil with palmettes and rosette, Late Classical, 4th–3rd century B.C., Greek, Gold, Other: 3/4 in. (1.9 cm), Gold and Silver, This element may have been a pendant from an earring

Kylix, stemless, Greek, South Italian, Apulian, Terracotta; black-glaze, H. 4.09 cm., Vases

Veduta generale di Persepolis presa dalla Montagna, 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

『春雨集』　摺物帖, Edo period (1615–1868), 1810s, Japan, Privately published woodblock prints (surimono) mounted in an album; ink and color on paper, 8 5/16 x 7 1/4 in. (21.1 x 18.4 cm), Prints, Kubo Shunman (Japanese,

Flower-Viewing Scene, Edo period (1615–1868), ca. 1685, Japan, Monochrome woodblock print (sumie); ink on paper, 11 x 16 1/4 in. (27.9 x 41.3 cm), Prints, Hishikawa Moronobu (Japanese, died 1694

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 3/8 x 1 1/8 in. (3.5 x 2.9 cm), Glass, Uncertain color, appearing black, blue, and opaque white., Thick, flat

Teapot, 1725–1735, Made in Fairfield, Connecticut, United States, American, Silver, Overall: 6 3/16 x 9 5/16 x 5 1/16 in. (15.7 x 23.7 x 12.9 cm); 17 oz. 10 dwt. (544.2 g), Silver, Benjamin Wynkoop Jr. (baptized 1705–1766

Augusta Walker, 1876, Albumen silver print from glass negative, 9.3 x 5.6 cm (3 11/16 x 2 3/16 in. ), Photographs, Unknown (British

Khambhavati Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1675, India (Rajasthan, Bikaner), Ink, opaque watercolor, and gold on paper, 6 1/4 x 5 in. (15.9 x 12.7 cm), Paintings, Here a female mendicant makes a Vedic

Onoe Matsusuke in the Role of Asahina in 'Edo no Haru Meisho Soga', Edo period (1615–1868), 1773, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 1/2 in. (31.4 x 14.0 cm), Prints, Katsukawa Shunshō (Japanese,

Burnside, Fife / Island in the Almond River, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Bracelet, 6th–5th century B.C., Cypriot, Bronze, Other (Greatest Diameter): 2 15/16in. (7.5cm), Bronzes

Woo-She-Shan, 1876, Albumen silver print from glass negative, Image: 9 5/16 × 10 15/16 in. (23.7 × 27.8 cm), Photographs, Tung Hing (Chinese, active 1870s

[Palace of the Shah, Teheran, Iran], 1840s–60s, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown and trailed, H.: 4 5/8 x 2 1/2 x 1 in. (11.7 x 6.4 x 2.5 cm), Glass, Colorless, with trail in opaque white with a greenish tinge. Everted rim folded over and in;

Bronze handle attachment in the form of a mask, Late Hellenistic or Early Imperial, 1st century B.C.–1st century A.D., Greek or Roman, Bronze, copper, silver, total H. 12 in. (30.5 cm), Bronzes, The meander ornament and fillet have silver

Glass horn-shaped vessel, Late Imperial or Early Byzantine, 4th–early 5th century A.D., Roman, Glass; blown, Overall: 8 5/16 x 13 5/16in. (21.1 x 33.8cm), Glass, Translucent light yellow green. , Slightly inverted, uneven, and thickened