Images at Librifly

The Second Ichikawa Komazo in the Role of Yanekozo, Edo period (1615–1868), 2nd month, 1794, Japan, Polychrome woodblock print; ink and color on paper, 11 7/8 x 5 7/16 in. (30.2 x 13.8 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Jewelry box, New Kingdom, Dynasty 18, ca. 1492–1473 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, below the Tomb of Senenmut (TT 71), burial 2, in basket, 1935–36, Cypress, boxwood, H. 7.9 cm ( 3 1/8 in); w. 14 cm (5

Pate Defense, ca. 1550, German, Steel, gold, H. from comb to ear region 7 1/2 in. (19.1 cm); W. 9 in. (22.9 cm); Wt. 2 lbs. 6 oz. (1067 g), Helmets

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 「富嶽三十六景　神奈川沖浪裏」, Edo period (1615–1868), ca. 1830–32,

Vase fragment, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta, 1 7/8 × 1 7/16 × 1/8 in. (4.8 × 3.7 × 0.4 cm), Vases

山海見立相撲　備前偸賀山, Mount Yuga in Bizen Province (Bizen Yugasan), from the series Wrestling Matches between Mountains and Seas (Sankai mitate zumō), Edo period (1615–1868), 8th month, 1858, Japan, Polychrome woodblock

Glass bottle shaped like a date, Mid Imperial, mid-1st–early 2nd century A.D., Roman, Glass; blown in a two-part mold, H.: 3 1/2 x 1 3/4 x 1 1/4 x 11/16 in. (8.9 x 4.4 x 3.2 x 1.7 cm), Glass, Translucent yellowish brown, appearing darker

Cherry Blossoms and Yamabuki Flowers, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 3/16 x 7 5/16 in. (20.8 x 18.6 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Inkstand, 1773, Made in New York, New York, United States, American, Stoneware, 2 1/8 x 5 x 5 1/2 in. (5.4 x 12.7 x 14 cm), Ceramics, William Crolius

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 x 1 1/16 in. (2.4 x 2.7 cm), Glass, Body fragment., Translucent purple and opaque white., Convex curving side or

Limestone statuette of a temple boy, Early Hellenistic, 4th century B.C., Cypriot, Limestone, Overall: 13 x 8 3/4 x 5 1/4 in. (33 x 22.2 x 13.3 cm), Stone Sculpture, Seated figure with incense box

Scene in a Joroya, Edo period (1615–1868), ca. 1690, Japan, Polychrome woodblock print; ink and color on paper, 10 1/2 x 13 1/2 in. (26.7 x 34.3 cm), Prints, Furuyama Moroshige (Japanese, active second half of the 17th century

Glass weight, Early Byzantine, 6th–early 7th century A.D., Roman, Glass; stamped, 13/16 × 1/8 in., 0.1oz. (2.1 × 0.3 cm, 2g), Glass, Translucent pale yellow green. Circular disk with rounded edge; impressed upper surface; flat bottom. On

Relief with Half Figure of an Angel, ca. 1430–35, Made in Venice, Italy, North Italian, Marble (Lunense marble from Carrara (Italy)), 19 × 25 5/8 × 8 1/8 in., 190 lb. (48.3 × 65.1 × 20.6 cm, 86.2 kg), Sculpture-Stone, This angel,

[Vignetted portrait, woman holding a baby], 1850s–60s, Albumen silver print from glass negative, 8.8 x 8.0 cm. (3 7/16 x 3 1/8 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Limestone upper body of a woman, Archaic, late 6th century B.C., Cypriot, Limestone, H. 8 1/8 x 5 5/8 x 1 3/4 in. (20.6 x 14.3 x 4.4 cm), Stone Sculpture, Female figure with elaborate headdress, earrings and necklace

百人一首　うばがゑとき　大納言経信, Poem by Dainagon Tsunenobu (Minamoto no Tsunenobu, Katsura no Dainagon), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), 1839,

Panel, ca. 1600, Swiss, Zurich, Wool, silk and metal thread on flannel, H. 20 x W. 20 1/2 inches (50.8 x 52.1 cm), Textiles-Embroidered

Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 9 x W. 8 3/4 in. (22.9 x 22.2 cm), Textiles-Featherwork

Spatula, Cypriot, Bronze, Other: 7 3/16in. (18.3cm), Bronzes, This bronze spatula consists of a long shaft with an olivary point at one end and a broad flat blade, oar-shaped and blunt-edged, at the other. It was a pharmaceutical, rather than

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 2 15/16in. (7.4cm), Vases

Kirkstall Abbey. Doorway on the North Side, 1850s, Albumen silver print, Image: 28.1 x 23.4 cm (11 1/16 x 9 3/16 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry Delamotte (British,

Needle, Roman, Bronze, Other: 2 7/8 in. (7.3 cm), Bronzes

Glass perfume bottle, Early or Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 3 1/16 in. (7.8 cm), Glass, Translucent very pale blue. Rim folded out, slightly down, over, and in; funnel-shaped neck with tooling marks

Processione sulla facciata della grande scala, 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Statuette of a man, Bronze, H.: 3 3/8 in. (8.6 cm), Bronzes

Vase, ca. 1886–94, Made in New Bedford, Massachusetts, United States, American, Free-blown enameled and guilded Burmese glass, H. 8 in. (20.3 cm), Glass, Mount Washington Glass Company (1837–1958

'Castle in the Air', ca. 1906, Platinum print, Photographs, Frederick H. Evans (British, London 1853–1943 London

The Timid Bride, ca. 1800, India (Punjab Hills, Kangra), Ink, opaque watercolor, and gilt on paper, 7 1/4 x 5 13/16 in. (18.4 x 14.8 cm), Paintings

東海道五十三次　岡崎, Okazaki, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige

Gothic Windows in the Ruins of the Monastery at Oybin, ca. 1828, Oil on canvas, 17 x 13 1/4 in. (43.2 x 33.7 cm), Paintings, Carl Gustav Carus (German, Leipzig 1789–1869 Dresden), This church, with its fine Gothic tracery, was founded in

The Fourth Matsumoto Koshiro as a Man Standing on the Bank of a River, Edo period (1615–1868), ca. 1785, Japan, Polychrome woodblock print; ink and color on paper, 12 5/16 x 5 2/3 in. (31.3 x 14.4 cm), Prints, Katsukawa Shunshō (Japanese,

Carnelian ring stone, Imperial, ca. 2nd–3rd century A.D., Roman, Carnelian, Length: 11/16 in. (1.8 cm), Gems, Zeus and Fortuna with thunderbolt and rudder. Adaptation of a Greek work of the 4th century B.C

Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.26 x 0.63 x 0.2 in. (3.2 x 1.6 x 0.51 cm), Ivory/Bone-Reliefs

Bronze handle of a vessel with Silenos mask, Late Classical, early 4th century B.C., Etruscan, Bronze, H.: 6 3/4 in. (17.1 cm), Bronzes, These heavy, solid-cast handles were once attached to a stamnos, a large vessel frequently used by

The Awabi Fishers, Edo period (1615–1868), Japan, Triptych of polychrome woodblock prints; ink and color on paper, 15 1/8 x 28 13/16 in. (38.4 x 73.2 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

名所江戸百景　千駄木団子坂花屋敷, Sendagi Dangozaka, Edo period (1615–1868), 1856, Japan, Polychrome woodblock print; ink and color on paper, Aiban; H. 13 7/8 in. (35.2 cm); W. 9 3/4 in. (24.8 cm), Prints, Utagawa Hiroshige

Toilet box (one of a pair) (part of a set), 1766, British, London, Silver gilt, Overall (confirmed): 2 x 5 1/16 x 3 5/8 in. (5.1 x 12.9 x 9.2 cm), Metalwork-Silver, John Parker (British, active 1759–77), Edward Wakelin (British, active

[Manuscript Letter from W. H. Fox Talbot to Antonio Bertoloni], 1840, Ink on paper (manuscript), Sheet: 22.6 x 37.6 cm (8 7/8 x 14 13/16 in.), Manuscript Materials

北宋 定窯白釉玉壺春瓶, Bottle, Northern Song dynasty (960–1127), 10th–11th century, China, Porcelain with ivory glaze (Ding ware), H. 9 5/8 in. (24.4 cm); Diam. 4 5/8 in. (11.7 cm), Ceramics, Named after a prefecture in Hebei

Plum Tree in Blossom, Edo period (1615–1868), 1813, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 3 7/16 in. (20.8 x 8.7 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

Jasper amulet of headrest, Late Dynastic–Hellenistic, 664–30 B.C., Egyptian, Jasper, H.: 1 in. (2.5 cm), Gold and Silver, Amulet of a pillow charm

Festival by the Sumida River, Edo period (1615–1868), late 18th century, Japan, Triptych of polychrome woodblock prints; ink and color on paper, A: H. 15 in. (38.1 cm); W. 10 1/4 in. (26 cm), Prints, Katsukawa Shunzan (Japanese, active

Celery vase, 1810–25, Made in Pittsburgh, Pennsylvania, United States, American, Blown and engraved glass, H. 9 in. (22.9 cm); Diam. 5 3/8 in. (13.7 cm), Glass, Benjamin Bakewell & Co. (1809–1813) or, Bakewell, Page & Bakewell

The Mouth of the East and West Lyn, Lynmouth, North Devon, 1856, Albumen silver print, Photographs, Henry Pollock (British, 1826–1889

Marble diskos, Archaic, 6th century B.C., Greek, Attic, Marble, diameter 4 1/2 in. (11.4 cm), Stone Sculpture

Derelitta, 1860s, Albumen silver print from glass negative, 7.3 x 10.2 cm. (2 7/8 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Pieta, Engraving, sheet: 8 3/16 x 11 9/16 in. (20.8 x 29.4 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp), After Jan Gossart (called Mabuse) (Netherlandish, Maubeuge ca. 1478–1532 Antwerp

Draft Poem for Seeing off Lin Zhun (1452–1527), Ming dynasty (1368–1644), China, Album leaf; ink on paper, 11 1/2 x 15 5/8 in. (29.2 x 39.7 cm), Calligraphy, Wen Peng (Chinese, 1498–1573

Terracotta sauceboat, Early Helladic II, ca. 2650–2150 B.C., Helladic, Terracotta, Maximum H. 6 7/8 in. (17.40 cm.), Vases, Elongated bowl with a spout of the so-called sauceboat form

Side chair, 1810–20, Made in New York, New York, United States, American, Rosewood grained and gilded maple and cherry, 33 x 19 x 20 in. (83.8 x 48.3 x 50.8 cm), Furniture

Autumn Splendor, probably Yuan dynasty (1271–1368), China, Fan mounted as an album leaf; ink and color on silk, 8 x 8 1/8 in. (20.3 x 20.6 cm), Paintings, Attributed to Gong Jufi (Chinese

La robe de taffetas, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Wild Tulip, designed 1884, Block-printed wallpaper, Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm), Wallpaper

The Saithwaite Family, ca. 1785, Oil on canvas, 38 3/4 x 50 in. (98.4 x 127 cm), Paintings, Francis Wheatley (British, London 1747–1801 London), Wheatley was among the best painters of the small-scale group portrait, or conversation piece,

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 10 1/4 x 7 5/8 in. (26 x 19.4 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Scene from a Drama, Edo period (1615–1868), 1735 or 1736, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 3/4 in. (30.8 x 14.6 cm), Prints, Torii Kiyonobu II (Japanese, ca. 1702–1752

Four of the Five Actors Who Performed the Shosa 'Gonen Otoko', Edo period (1615–1868), 1768, Japan, Polychrome woodblock prints; ink and color on paper, Four of a set of five hosoban 12 1/2 x 22 in. (31.8 x 55.9 cm), Prints, Designed by

五十三次名所図会　藤川　山中の里別名宮路山, Fujikawa; Sanchu Yamanaka no Sato Miyajiyama, Edo period (1615–1868), 1855, Japan, Polychrome woodblock print; ink and color on paper, H. 14 7/16 in. (36.7 cm); W. 9 3/4 in.

Novae coelestium, terrestriumque rerum observationes, February 1646, Books, Francisco Fontana

Bust of Patroclus, August 9, 1842, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Spring Rain Collection (Harusame shū), vol. 3: Swallows and Peonies, 摺物帖　『春雨集』　『花鳥六番之内　下野宇都宮』　牡丹に燕, Edo period (1615–1868), ca. 1820, Japan, Privately published woodblock prints

Gloucester Cathedral: North Transept, 1900s–1910s, Platinum print, Photographs, Frederick H. Evans (British, London 1853–1943 London

Duncan Family Coat of Arms, ca. 1790, Made in Boston, Massachusetts, United States, American, Silk and metallic thread embroidered on silk ground, Approx. 18 in. (45.7 cm), Textiles, Sarah Duncan (1775–1835

Glass beads, Archaic or Classical, 6th–5th century B.C., Greek, Glass, Other (16 elements): 3 3/8 in. (8.5 cm), Glass

Ornament (?), Bronze, 2 5/8in. (6.7cm), Bronzes

Fragment of a terracotta plaque, Archaic, 7th century B.C., Greek, Cretan, Terracotta, 4 1/8 in. x 3 7/8 in. (10.5 cm x 9.8 cm), Terracottas, Legs of a man

Das Schloss Prediama in Crein XII Stund: von Triest, 1816, Pen lithograph; first state, sheet: 17 13/16 x 14 3/16 in. (45.2 x 36 cm), Prints, Karl Friedrich Schinkel (German, Neuruppin 1781–1841 Berlin

[Spreading Oak with Seated Figure], 1850s, Paper negative, Image: 17.7 x 20.7 cm (6 15/16 x 8 1/8 in.), Negatives, Unknown (British), To the British gentry, large and stately trees were both attractive and emblematic. Carefully arranged to

Silver bracelet, Classical, 5th century B.C., Cypriot, Silver, Diam.: 4 in. (10.2 cm), Gold and Silver, The flattened ends are incised with lines representing stylized snakes' heads

Bird at the Water's Edge, Meiji period (1868–1912), 1887–92, Japan, Album leaf; silk, 13 1/2 x 10 7/8 in. (34.3 x 27.6 cm), Paintings, Kawabata Gyokushō (Japanese, 1842–1913

Border Fragment, Figure, 2nd century B.C., Peru, Nasca, Camelid hair, H x W: 1 3/4 x 1 3/8in. (4.4 x 3.5cm), Textiles-Sculpture

Canal Side, Oil on canvas, 5 3/8 x 7 in. (13.7 x 17.8 cm), Paintings, Jacob Maris (Dutch, The Hague 1837–1899 Karlsbad

Terracotta bowl, Early Imperial, Flavian, ca. A.D. 90, Roman, South Gaulish, Terracotta; red slip ware, Other: 4 7/8 x 9 3/4 in. (12.4 x 24.8 cm), Vases, Exterior, in relief, groups of warriors, with vine leaves between

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/16 × 9 7/8 in. (35.7 × 25.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Fragment of a terracotta kylix (drinking cup), Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; red-figure, 2 1/8 × 2 1/2 × 3/16 in. (5.3 × 6.3 × 0.4 cm), Vases, Exterior, nude male figure and two women. The scene may depict Peleus

Teapot, ca. 1795, Made in New York, New York, United States, American, Silver, Overall: 7 9/16 x 12 5/8 in. (19.2 x 32.1 cm); 24 oz. 2 dwt. (750 g), Silver, John A. Schanck (New Jersey 1774–1864 New Jersey

Pottery Whistle, Pre-Columbian, ca. 800–1500, Central Region?, Costa Rica, Costa Rican, Clay, L. 7.2 cm (2.83); W. 5.7 cm (2-1/4 in.); H. 4.7 cm (1-7/8); Wt. 58 g., Aerophone-Whistle Flute-whistle

Terracotta oinochoe: chous (jug), Classical, ca. 450 B.C., Greek, Attic, Terracotta; red-figure, Diam.: 7 3/8 x 10 in. (18.7 cm) ( foot, D. 4 5/16'), Vases, Komast (reveler) and dancing dwarf. This representation is noteworthy for the

Tureen and stand, 1769–71, German, Augsburg, Silver, silver gilt, Tureen Overall (confirmed): 10 3/4 x 18 x 8 3/8 in. (27.3 x 45.7 x 21.3 cm); Stand Overall (confirmed): 21 x 12 5/8 in. (53.3 x 32.1 cm); Overall weight (non-confirmed): 8.5

Comment va t'y donc?, 1868, Albumen silver print from glass negative, Photographs, Studio Géruzet frères (Belgian, active 1866 and after

Government House, Calcutta, 1850s, Albumen silver print, Image: 17 x 22.3 cm (6 11/16 x 8 3/4 in.), Photographs, Unknown

Fibula with bone bead, Bronze, bone, Other: 3 15/16 in. (10 cm), Bronzes

Limestone statuette of a beardless male votary with a conical helmet, Archaic, 2nd or 3rd quarter of the 6th century B.C., Cypriot, Limestone, Overall: 9 1/8 x 3 5/8 x 1 5/8 in. (23.2 x 9.2 x 4.1 cm), Stone Sculpture, There are traces of fire

Ceremonial Textile (Pua Kumbu), probably 18th century, Malaysia, Borneo, Iban people, Cotton, H. 94 1/2 x W. 42 1/2 in. (240 x 108 cm), Textiles-Woven

『開花貴婦人競』, A Contest of Elegant Ladies among the Cherry Blossoms (Kaika kifujin kisoi), Meiji period (1868–1912), September 1887, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image: 14 5/8 x 29 1/8

Pair of gloves, 1620–29, British, Leather, satin worked with silk and metal thread, spangles; long-and-short, satin, detached buttonhole, couching stitches; metal bobbin lace; silk and metal ribbon, L. 13 1/2 x W. 6 1/2 inches (34.3 x 16.5

[Mrs. Eakins or Her Sister Doll], 1880s–90s, Albumen silver print , Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

Pair of gold boat-shaped earrings, Imperial, 1st–2nd century A.D., Roman, Gold, Other: 7/8 in. (2.2 cm), Gold and Silver, Boat-shaped earrings with three balls attached at the fastening

Embroidered sampler, 1801, Made in Chester, Westtown, Pennsylvania, American, Embroidered silk on linen, 14 3/4 x 12 1/2 in. (37.5 x 31.8 cm), Textiles, Sarah Thomas (1786–1826), This sampler is one of two made by Sarah Thomas

Ichikawa Danjūrō V and His Family, Edo period (1615–1868), 1782, Japan, Polychrome woodblock print; ink and color on paper, 14 5/8 x 10 in. (37.1 x 25.4cm), Prints, Torii Kiyonaga (Japanese, 1752–1815), Kiyonaga depicts Danjūrō V and

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

[View of Bungalow and Grounds], 1850s, Albumen silver print, Image: 15.7 x 23.6 cm (6 3/16 x 9 5/16 in.), Photographs, Unknown

Teasing the Cat, Meiji period (1868–1912), 1888, Japan, Polychrome woodblock print; ink and color on paper, 14 9/16 x 10 in. (37 x 25.4 cm), Prints, Tsukioka Yoshitoshi (Japanese, 1839–1892

Commode Clothes Press, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, graphite, sheet: 8 3/8 x 13 5/8 in. (21.4 x 34.7 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

The Actor Ichikawa Uzayemon IX 1724–1785 in a Female Role, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 5 7/8 in. (14.9 cm); W. 11 1/2 in. (29.2 cm), Prints, Ippitsusai Bunchō (Japanese, active

[Portrait of a Seated Gentleman], ca. 1856–59, Albumen silver print, 18.1 x 14.3 cm (7 1/8 x 5 5/8 in.), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

Repairing the Bridge, 1913, Oil on canvas, 29 7/8 x 35 5/8 in. (75.9 x 90.5 cm), Paintings, Robert Spencer (American, Harvard, Nebraska 1879–1931 New Hope, Pennsylvania

Jérusalem, Couvent Arménien, Ornements, 1, 1854, Salted paper print from paper negative, Image: 31 x 22.9 cm (12 3/16 x 9 in.), Photographs, Auguste Salzmann (French, 1824–1872), Salzmann centers this composition on a covered window at