Images at Librifly

Terracotta jug with horse's head in relief, Cypro-Classical I or II, 480–350 B.C., Cypriot, Terracotta, H.: 13 in. (33 cm), Vases, Jug with horse's head, horizontal bands, and concentric circles

Kabuki Actor Ichikawa Danjūrō V as Sakata Kintoki in the Play Raikō’s Four Intrepid Retainers in the Costume of the Night Watch (Shitennō tonoi no kisewata), 五代目市川団十郎, Edo period (1615–1868), 11th month, 1781, Japan,

Three Women Enjoying Literary Pursuits, あやめ燈籠図, Edo period (1615–1868), ca. late 1780s, Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, 14 3/4 × 9 5/8 in. (37.5 × 24.4 cm), Prints,

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Two Court Ladies (Goten Jochu) and a Geisha at a Restaurant, Edo period (1615–1868), after 1844, Japan, Triptych of polychrome woodblock prints; ink and color on thin paper, 14 1/4 x 30 1/2 in. (36.2 x 77.5 cm), Prints, Utagawa Kunisada

Bronze statuette of a warrior, Archaic, 7th–6th century B.C., Etruscan or Italic, Bronze, 6 3/8in. (16.2cm), Bronzes, Fighting warrior

The Second Segawa Kikunojo Commonly Known by His Literary Name, Roko, Edo period (1615–1868), ca. 1762, Japan, Polychrome woodblock print; ink and color on paper, H. 23 1/2 in. (59.7 cm); W. 4 1/8 in. (10.5 cm), Prints, Torii Kiyomitsu

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Gonia, Terracotta, length 1 5/8in. (4.2cm), Vases

Covered Vessel (Ding), late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, H. 7 1/2 in. (19.1 cm); Diam. 7 in. (17.8 cm), Metalwork

Limestone fragment of a lyre or throne, Hellenistic, ca. 3rd–1st century B.C., Cypriot, Limestone, H.: 7 3/4 x 2 x 3 1/2 in. (19.7 x 5.1 x 8.9 cm), Stone Sculpture, The head of an eagle may have been part of the lyre in a very large statue

Cécilium, ca. 1880, France, French, Maple, brass., H.: 119.6 cm (47-1/8 in.); W.: 50.1 cm (19-3/4 in.); Bow L.: 32.3 cm (12-3/4 in.), Aerophone-Free Reed, Arthur Quentin de Gromard (French, Eu, Seine–Maritime, France 1821–1896, Eu,

Grotesque Panel, 1550, Etching; second state of three, Sheet (trimmed): 4 1/8 × 2 11/16 in. (10.5 × 6.9 cm), Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy

Marble grave stele of Demetrios, Late Hellenistic, 1st century B.C., Greek, Cypriot, Marble, Overall: 36 x 15 in. (91.4 x 38.1 cm), Cesnola Inscriptions, White marble, with pediment above, a man and a child, in low relief, within a

Bronze frog, Archaic, ca. 575–550 B.C., Etruscan, Bronze, H.: 1 in. (2.5 cm), Miscellaneous-Iron, This solid-cast frog was probably one of three that once ornamented the adjacent iron tripod

Two Girls Talking Near the Hibachi (Fire-Pot), Edo period (1615–1868), ca. 1785, Japan, Polychrome woodblock print; ink and color on paper, 26 3/5 x 4 3/5 in. (67.6 x 11.7 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, Other: 1 1/8 x 1 9/16 in. (2.9 x 3.9 cm), Glass, Opaque streaky reddish brown., Circular, with beveled edge, and domed on one

Buddha Shakyamuni with attendant bodhisattvas, Southern Song (1127–1279)–Yuan (1271–1368) dynasty, 12th–14th century, China, Mammoth ivory, H. 9 1/4 in. (23.5 cm), Sculpture

Bronze ladle, Archaic, ca. 500 B.C., Etruscan, Bronze, 12 3/16 × 3 3/4 in. (30.9 × 9.5 cm), Bronzes, At the top, two animal heads., At the lower end of the shaft, an athlete holding a diskos

Figurative Element from Ceremonial Drum [?]: Seated Female and Child, 15th–17th century, Nigeria, Cross River Region, Mbembe peoples, Wood, pigment, resin, nails, H. 42 1/2 × W. 13 × D. 9 1/2 in. (108 × 33 × 24.1 cm), Wood-Sculpture,

Compote, ca. 1851–55, (none assigned) New York, United States, American, cut and engraved glass, 11 in. (27.9 cm), Glass, Joseph Stouvenal and Company (1851–57

Glass amphoriskos (perfume bottle), Hellenistic, 2nd to mid–1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 5 1/4 x 1 5/8 in. (13.4 x 4.1 cm), Glass, Translucent blue, with same color pad-base; handles

Design for a Reliquary with the Beheading of a Saint, ca. 1700, Pen and brown ink, gray wash, 7 11/16 x 10 13/16 in. (19.5 x 27.4 cm), Drawings, Anonymous, Italian, 18th century

[Simla Bazaar], 1858–61, Albumen silver print, Image: 15.2 x 19.6 cm (6 x 7 11/16 in.), Photographs, Unknown

Ink Bamboo, Ming dynasty (1368–1644), China, Handscroll; ink on paper, Image: 11 7/16 x 59 1/8 in. (29.1 x 150.2 cm), Paintings, After Tang Yin (Chinese, 1470–1524

China Case, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 3/8 x 12 1/8 in. (21.3 x 30.8 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Landscape, ca. 1835–45, Oil on paper, laid down on board, 8 7/8 x 10 5/8 in. (22.5 x 27 cm), Paintings, Circle of Carl Rottmann (German, 1797–1850

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/16 x 1 1/2 in. (2.6 x 3.8 cm), Glass, Translucent purple, blue, and opaque white., Convex curving side., Composite

Knife Coin, Han dynasty (206 B.C.–A.D. 220), China, Bronze, L. 5 1/2 in. (14 cm), Metalwork

Glass dish, Late Imperial, 4th century A.D., Roman, Glass; blown, H.: 2 in. (5.1 cm), Glass, Colorless with faint yellow green tinge. Tubular, flaring rim, folded out and down, with almost horizontal inner shoulder; S-shaped side to body,

Glass jar, Roman or Islamic, Glass; blown, Overall: 1 13/16in. (4.6cm), Glass, Small jar., Uncertain, appearing opaque., Broken-off, uneven vertical rim; cylindrical neck with horizontal indent around base; broad, sloping shoulder; body

京都名所之内　祇園社雪中, The Gion Shrine in Snow, Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 8 3/4 x 14 in. (22.2 x 35.6 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Yamashita Kinsaku II, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 12 1/4 x 5 5/8 in. (31.1 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Pitcher, 1825–40, Probably made in Massachusetts, United States, American, Blown-molded glass, H. 7 in. (17.8 cm); Diam. 5 1/2 in. (14 cm), Glass

Terracotta guttus (flask with handle and vertical spout), Hellenistic, ca. 250–150 B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 3 7/16 in. (8.7 cm), Vases, The flask is in the form of a comic actor, a slave, seated

Terracotta statuette of a woman, Hellenistic, ca. 300 B.C., Greek, Boeotian, Terracotta, H. 10 in. (25.4 cm), Terracottas, Standing, draped, fan in left hand

Gold spiral, Late Bronze Age, ca. 1600–1100 B.C., Cypriot, Gold, L. 3/4 in. (2 cm), Gold and Silver, Of plain wire with one turn

Lunching in the Market Place, 1910s, Gum or carbon transfer with applied media, Photographs, Henry Ravell (American, 1860–1930

La Vedova ala Baronessa, ca. 1580, Engraving, Sheet: 8 15/16 x 6 3/16 in. (22.7 x 15.7 cm), Prints, Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571–1621

Creamer, 1800–1825, Possibly made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 5 11/16 x 6 1/8 in. (14.4 x 15.6 cm); 5 oz. 11 dwt. (173 g), Silver, Possibly William Haverstick (1756–1823), Possibly William

Glass striped mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 9/16 x 2 1/8 in. (1.4 x 5.4 cm), Glass, Rim fragment., Translucent turquoise blue, purple appearing opaque brick red,

Glass monochrome dish fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Other: 11/16 x 1 3/8 in. (1.7 x 3.4 cm), Glass, Body fragment., Opaque red., Flat bottom with part of edge to side., Polished

Glass jar, Imperial, mid-1st–2nd century A.D., Roman, Glass; blown, H.: 4 1/8 in. (10.5 cm), Glass, Colorless with a pale blue green tinge. Horizontal rim, with rounded tubular edge, folded out, down, in, and down again, forming collar

Emperor Xuanzong (Japanese: Gensō) and Daoist Magician Lo Gongyuan Arising from an Inkstone; Ink (Sumi), from Four Friends of the Writing Table for the Ichiyō Poetry Circle (Ichiyō-ren Bunbō shiyū),

An Oiran Rearranging Her Hair in the Street while a Young Samurai Looks on, Meiji period (1868–1912), Japan, Monochrome woodblock print; ink on paper, 10 1/4 x 14 11/16 in. (26 x 37.3 cm), Prints, After Okumura Masanobu (Japanese,

[Arch of Septimus Severus, Rome], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

東都名所　目黒行人阪之図, Meguro Gionin Zaka, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 9 1/2 in. (24.1 cm); W. 14 1/4 in. (36.2 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Hat salt, 1820–40, Made in United States, American, Blown-molded glass, H. 2 1/2 in. (6.4 cm), Glass

Terracotta skyphos (deep drinking cup), Geometric, 1st half of 8th century B.C., Greek, Euboean, Terracotta, H. 3 3/8 in. (8.6 cm), Vases, Known as 'pendant semicircle skyphoi, ' these vases have been found throughout the Greek world and the

Colossi and Sphynx at Wady Saboua, 1857, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Fishermen Hermits in River Country, 19th or 20th century, China, Handscroll; ink on silk, Image: 12 1/8 x 187 1/8 in. (30.8 x 475.3 cm), Paintings, Unidentified Artist Chinese, 19th or 20th century

Glass marbled mosaic inlay fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Other: 11/16 x 1 15/16 in. (1.8 x 5 cm), Glass, Fragment of revetment plaque., Opaque orange with streaks of opaque red.,

Ochanomizu in the Mist, Edo period (1615–1868), mid-19th century, Japan, Polychrome woodblock print; ink and color on paper, H. 9 3/4 in. (24.8 cm); W. 14 1/2 in. (36.8 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Inrō with Basket of Spring Flowers (obverse); Basket of Autumn Flowers (reverse), 春秋花草蒔絵印籠, Edo period (1615–1868), late 18th–early 19th century, Japan, Five cases; lacquered wood with gold and silver hiramaki-e,

Kabuki Actors Ichikawa Yaozō III, Onoe Matsusuke I, and Sawamura Sōjūrō III, 三代目市川八百藏・初代目尾上松助・三代目澤村宗十郎, Edo period (1615–1868), 11th month, 1786, Japan, Triptych of polychrome woodblock

Horse bit, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Bronze, 6.81 in. (17.3 cm), Metalwork-Equestrian

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 1 3/8 x 7/8in. (3.5 x 2.2cm), Glass, Small perfume bottle Translucent blue green. Thick rim folded out, over, and in; funnel-shaped neck, with slight tooling

Tang Furen, from the series Twenty-four Paragons of Filial Piety, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Oban yoko-e; 8 7/8 x 14 in. (22.5 x 35.6 cm), Prints, Utagawa Kuniyoshi

Geisha Preparing for an Entertainment, Edo period (1615–1868), ca. 1794, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 15 7/32 x 29 15/32 in. (38.7 x 74.9 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829

Punch Pot, 1805–10, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 8 3/4 x 9 5/16 x 5 13/16 in. (22.2 x 23.7 x 14.8 cm); 47 oz. 15 dwt. (1485.6 g), Silver, Simon Chaudron (1758–1846

Furyu Yatsushi Genji Monogatari, Edo period (1615–1868), ca. 1790, Japan, Triptych of polychrome woodblock prints; ink and color on paper, a: H. 14 7/8 in. (37.8 cm); W. 9 7/8 in. (25.1 cm); b: H. 14 7/8 in. (37.8 cm); W. 9 3/4 in. (24.8 cm);

Villa Montalto Negroni, ca. 1780, Etching, with watercolor and gouache, Mat: 23 1/4 × 32 3/16 in. (59 × 81.8 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810

Chocolate beaker and saucer, ca. 1735, Austrian, Vienna, Hard-paste porcelain, Diameter (Cup .295): 2 7/8 in. (7.3 cm), Ceramics-Porcelain, Naturalistic flower painting was outstanding at Du Paquier because of the careful use of different

'The Nobles and Mubids Advise Khusrau Parviz about Shirin', Folio from a Shahnama (Book of Kings), ca. 1300–30, Made in Iran or Iraq, Ink, opaque watercolor, and gold on paper, Text block: 6 1/8 x 4 7/8 in. (15.5 x 12.4 cm), Codices

Vue générale du Temple de Dakkeh (Pselcis), prise au Nord, April 5, 1850, Salted paper print from paper negative, Image: 6 in. × 8 7/16 in. (15.3 × 21.4 cm), Photographs, Maxime Du Camp (French, 1822–1894

Fragmentary marble votive altar, Late Imperial, late 3rd–early 4th century A.D., Roman, Marble, H., 9 1/2', W., 5 3/4', D., 3 5/8', Stone Sculpture, This small altar was set up to the Everlasting [Gods] for the well-being of two men,

Gold earring with clustered spheres and pyramidal granulation, 2nd–3rd century A.D., Roman, Gold, Other: 15/16 in. (2.4 cm), Gold and Silver, Gold earrings with mulberry ornament

Glass bracelet, Archaic or Classical, ca. 2nd half of 6th century B.C. or later, East Greek or Lydian, Glass, Other: 3 3/16in. (8.1cm), Glass, Translucent cobalt blue. Open circular band; round in section, tapering towards ends. Intact but

Gardens of the Villa Pamphili, Rome, 18th Century, Red chalk, 16 3/4 x 12 15/16 in. (42.5 x 32.9 cm), Drawings, Anonymous, French, 18th century

Terracotta tumbler, Middle Minoan IA, ca. 2100–1950 B.C., Minoan, Terracotta, H. 3 in. (7.6 cm.), Vases, Drinking cups are the most common shape of pottery from the Middle Minoan I period

商 青銅鬲鼎, Lobed Tripod Cauldron (Liding), Shang dynasty (ca. 1600–1046 B.C.), 11th century B.C., China, Bronze, H. to handles 7 1/2 in. (19.1 cm); H. at rim 6 1/4 in. (15.9 cm); W. at handles 5 3/4 in. (14.6 cm), Metalwork, The

Terracotta kylix (drinking cup), Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Teano, Terracotta; applied color, Other: 2 1/8 x 4 3/8 in. (5.4 x 11.1 cm), Vases, Decorated with ivy vine and stamped pattern

Chinese Railing, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, sheet: 8 x 10 3/8 in. (20.3 x 26.3 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Terracotta rim fragment with polychrome decoration, Middle Minoan II, ca. 1800–1700 B.C., Minoan, Terracotta; Barbotine ware, Overall: 1 5/16 x 1 15/16in. (3.3 x 4.9cm), Vases, From Knossos, Crete. Polychrome fragment with roughened

Terracotta tankard, Geometric, late 9th century B.C., Greek, Attic, Terracotta, H. 2 3/4 in. (6.9 cm), Vases, From the Hymettos deposit

Turkish Carpet Bazaar, Cairo, ca. 1880, Albumen silver print from glass negative, 28.2 x 22 cm (11 1/8 x 8 11/16 in. ), Photographs, Unknown

Jérusalem, Village de Siloam, Monolithe de forme égyptienne, 3, 1854, Salted paper print from paper negative, Image: 23 x 32.5 cm (9 1/16 x 12 13/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Embroidered Mantle Fragment, 3rd–2nd century B.C., Peru, Paracas, Camelid hair, cotton, Overall: 4 1/4 x 5 1/4 in. (10.8 x 13.34 cm), Textiles-Woven

鈴木春信画　見立三夕　「西行法師」, A Young Man and Woman with a Shamisen; Monk Saigyō, from a series alluding to the Three Evening Poems (Sanseki waka), Edo period (1615–1868), ca. 1768, Japan, Polychrome woodblock print;

Bronze steelyard, Imperial, ca. 2nd–4th century A.D., Roman, Bronze, Other: 24 5/8 in. (62.5 cm), Bronzes, According to one source, the steelyard was invented by Archimedes, the great Syracusan inventor, in the 3rd century B.C. No

Terracotta column-krater (bowl for mixing wine and water), Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; black-figure, H. 13 1/2 in. (34.3 cm), Vases, Obverse and reverse, between eyes, mask of Dionysos and of a satyr. During the

明/清, 項聖謨, 山水花鳥圖, 冊, Landscapes, Flowers and Birds, Ming dynasty (1368–1644), dated 1639, China, Album of eight paintings; ink and color on paper, 11 1/8 x 8 7/8 in. (28.3 x 22.5 cm), Paintings, Xiang Shengmo

Vase fragment, Early Minoan III, Minoan, Terracotta, 15/16 × 1 5/8 × 1/8 in. (2.5 × 4.1 × 0.3 cm), Vases

[Carving a Sphinx], 1854, Albumen silver print from glass negative, Photographs, Philip Henry Delamotte (British, 1821–1889

Portrait of Cardinal Christopher Clavius, 1606, Engraving, 12 3/16 x 8 7/16 in. (31 x 21.5 cm), Prints, Francesco Villamena (Italian, Assisi ca. 1565–1624 Rome

Terracotta jug, Late Cypriot I, ca. 1600–1450 B.C., Cypriot, Terracotta; Base-Ring Ware, H. 11 3/16 in. (28.4 cm), Vases, Jug with funnel-shaped mouth, handle, and spiral bands in relief

Reliquary with Contents, ca. 1st–3rd century, Pakistan (ancient region of Gandhara), Schist with traces of gold leaf, Diam. 2 1/2 in. (6.4 cm), Sculpture

[House and Picket Fence], 1850s, Salted paper print from paper negative, Image: 15.8 x 19 cm (6 1/4 x 7 1/2 in.), Photographs, Unknown (British), Many of the most beautiful, charming, and engaging photographs of the nineteenth century survive

Terracotta kyathos (cup-shaped ladle), Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; black-figure, 3in. (7.6cm), Vases, Between eyes, seated Dionysos, At handle, satyrs. The kyathos had a brief life span, limited to the last

Glass mosaic dish fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 1 1/4 in. (2.3 x 3.2 cm), Glass, Translucent purple, layered blue and yellow appearing green, opaque pale blue,

[Vesuvius from Mergellina], ca. 1855, Salted paper print from paper negative, Image: 13.1 x 27.9 cm (5 3/16 x 11 in.), Photographs, Giacomo Caneva (Italian, 1812–1865), In this diffuse print trimmed to a narrow horizontal format, sea, sky,

Furniture leg (?) with a recumbent lion supporting a deity, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, H. 2 13/16 x W. 1 3/4 x D. 3 7/16 in. (7.2 x 4.5 x 8.7 cm), Ivory/Bone-Sculpture, Excavations at Hasanlu in Iran

Hodogaya on the Tōkaidō (Tōkaidō Hodogaya), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　東海道保土ケ谷, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink

Nubie. Hémi-Spéos de Sébour. Pylônes, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

Torso of an official of Nectanebo I, Late Period, Dynasty 30, 380–362 B.C., From Egypt; Probably from Eastern Delta, Saft el-Hina (Per-Sopdu), Gray green diorite, H. 43.5 x W. 23.8 x D. 13.5 cm (17 1/8 x 9 3/8 x 5 5/16 in.), The name of the

Boy with a Lute, ca. 1625, Oil on canvas, 28 3/8 x 23 1/4 in. (72.1 x 59.1 cm), Paintings, Frans Hals (Dutch, Antwerp 1582/83–1666 Haarlem), Inspired by Dutch Caravaggesque painters such as Gerrit van Honthorst and Hendrick ter Brugghen,

Wakayama Tomisaburo as a Woman in a Yellow and Red-Brown Striped Kimono, Edo period (1615–1868), ca. 1798, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 1/2 in. (30.5 x 14.0 cm), Prints, Katsukawa Shun'ei (Japanese,

Sawamura Yodogorō II and Bandō Zenji as Kawatsura Hōgen and Onisadobō in the Play 'Koinyōbō Somewake Tazuna', Edo period (1615–1868), 1794, Japan, Polychrome woodblock print; ink, color, white mica on paper, H. 14 (35.6 cm); W. 9 in.

Two Geishas and a Maid, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 x 10 1/8 in. (38.1 x 25.7 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

Junigatsu, The Twelfth Month: December, Edo period (1615–1868), 1780–1795, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 6 7/8 in. (24.8 x 17.5 cm), Prints, Katsukawa Shunchō (Japanese, active ca. 1783–95

Two Lovers, Edo period (1615–1868), ca. 1675–80, Japan, Polychrome woodblock print; ink and color on paper, 9 x 13 1/4 in. (22.9 x 33.7 cm), Prints, Hishikawa Moronobu (Japanese, died 1694), Moronobu, the earliest ukiyo-e master, was