Images at Librifly

Portrait of a Man, 1648, Oil on canvas, Overall 40 3/4 x 31 1/2 in. (103.5 x 80 cm); painted surface 40 3/4 x 31 1/8 in. (103.5 x 79.1 cm), Paintings, Cornelis Jonson van Ceulen the Elder (Dutch, London 1593–1661 Utrecht

Sard ring stone, Imperial, ca. 1st century A.D.–3rd century A.D., Roman, Sard, Length: 9/16 in. (1.5 cm), Gems, Mask of Silenos conjoined with female tragic mask

[St. James Church, Delhi], 1850s, Albumen silver print, Image: 13.1 x 20.4 cm (5 3/16 x 8 1/16 in.), Photographs, Unknown

Banded agate ring stone, Hellenistic, 3rd–2nd century B.C., Italic, Agate, banded, Length: 1/2 in. (1.3 cm), Gems, Man writing on a tablet the auguries told by a head on the ground

凱旋新橋ステーション御着之図, Illustration of the Arrival of the Emperor at Shinbashi Station Following a Victory (Gaisen Shinbashi stēshon gochaku no zu), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock

A Courtesan on Parade, Dressed in Many Robes, Edo period (1615–1868), 1760–1849, Japan, Polychrome woodblock print; ink and color on paper, 14 x 6 3/8 in. (35.6 x 16.2 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849

Cuirass (Char-aina), late 18th–early 19th century, Indian or Iranian, Steel, gold, textile, of breastplate H. 13 in. (33 cm); of backplate H. 15 1/2 in. (39.37 cm); of sides H. 9 5/8 in. (24.5 cm); of whole cuirass W. 11 1/4 in. (28.5 cm); of

Mother of the Forest, 1865–66, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalamatia, 1764, Illustrations: etching and engraving, 21 5/8 × 14 15/16 × 1 9/16 in. (55 × 38 × 4 cm

Courtesan, Edo period (1615–1868), 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 3 1/4 in. (21 x 8.3 cm), Prints, Utagawa Kuninao (Japanese, 1793–1854

Decoration for a Masked Ball at Versailles, on the Occasion of the Marriage of Louis, Dauphin of France, and Maria Theresa, Infanta of Spain (Bal masqué donné par le roi, dans la grande galerie de Versailles, pour le mariage de Dauphin,

[Captain Stanley, Grenadier Guards, A.D.C.], 1858–61, Albumen silver print, Image: 11.6 x 8.8 cm (4 9/16 x 3 7/16 in.), Photographs, Unknown

Handle of a bowl, Cypriot, Bronze, Other (length-end to end): 2 7/8in. (7.3cm), Bronzes

Three Polo Players, early 17th century (?), India (Rajasthan, Bikaner), Manuscript leaf; ink and opaque water color on paper, 2 3/4 x 9 3/16 in. (7 x 23.3 cm), Paintings

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Cup plate, 1825–60, Possibly made in Baltimore, Maryland, United States; Possibly made in Philadelphia, Pennsylvania, United States, American, Pressed glass, Diam. 3 1/2 in. (8.9 cm), Glass

Upper part of a limestone male aulos player, Archaic, 2nd or 3rd quarter of the 6th century B.C., Cypriot, Limestone, Overall: 2 1/4 x 2 5/8 x 1 3/4 in. (5.7 x 6.7 x 4.4 cm), Stone Sculpture, The facial features are barely elaborated. Each

Smallsword, ca. 1750–60, German or Dutch, Gold, steel, L. 36 3/8 in. (92.5 cm); L. of blade 30 3/4 in. (78.2 cm); W. 3 1/4 in. (8.3 cm); D. 3 7/16 in. (8.7 cm); Wt. 1 lb. 0.4 oz. (464.9 cm), Swords, The spirally channeled surfaces and

'Coffin of Imam 'Ali', Folio from a Falnama (The Book of Omens) of Ja'far al-Sadiq, mid-1550s–early 1560s, Attributed to Iran, Qazvin, Ink, opaque watercolor, and gold on paper, Painting: H. 22 5/16 in. (56.7 cm), Codices, This folio is

Green Plums Wrapped in Bamboo Leaf; A Teabowl, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 3 1/2 x 11 in. (8.9 x 27.9 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Glass beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, tooled, and cut, H.: 4 1/4 x 2 1/8 x 1 15/16 in. (10.8 x 5.4 x 4.9 cm), Glass, Colorless with pale green tinge. Rim outsplayed, cracked off and uneven; vertical side,

Fuji from Gotenyama at Shinagawa on the Tōkaidō (Tōkaidō Shinagawa Gotenyama no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　東海道品川御殿山の不二, Edo period (1615–1868), ca.

Gypsum jar, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Gypsum (alabaster), H. 9 1/2 in. (24.1 cm); Diam. 4 5/8 in. (11.7 cm), Miscellaneous-Stone Vases, With loop handles and geometric decoration

Actor Matsumoto Koshiro II as Uiro-uri (Peddler of Sweet Cakes Called Uiro), Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 1/4 x 5 3/4 in. (31.1 x 14.6 cm), Prints, Ippitsusai Bunchō

Bottle with Incised Decoration, first half 18th century, Made in Iran, Stonepaste; incised under transparent glaze (Gombroon ware), H. 14 in. (35.6 cm), Ceramics, This bottle along with a bowl are part of a group of Iranian ceramics known as

Fibula, fragment, Greek, Cypriot, Bronze, Other: 1 3/8in. (3.5cm), Bronzes

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, 2 3/8 × 1 9/16 in. (6.1 × 3.9 cm), Glass, Small perfume bottle Translucent green. Plain, rounded rim; flaring mouth; slightly convex neck, tooled in around base;

Yoshida on the Tōkaidō (Tōkaidō Yoshida), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　東海道吉田, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color

Togetsu Bridge at Arashiyama in Yamashiro, from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), 諸國名橋奇覧　山城あらし山吐月橋　, Edo period (1615–1868), ca. 1830, Japan, Polychrome

Young Boys Performing a Puppet Show, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 10 5/8 x 7 3/4 in. (27 x 19.7 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

Kaori-mono-awase, Gyoshu, Edo period (1615–1868), 1830, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 1/4 in. (21.1 x 18.4 cm), Prints, Yanagawa Shigenobu II (Japanese, active ca. 1820s–late 1850s

Terracotta oinochoe (jug), Classical, 5th century B.C., Greek, Attic, Terracotta; black-glaze, H. 5 1/16 in. (12.9 cm), Vases, Black glazed jug with no decoration

東海道五十三次　藤川, Fujikawa, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Iris and Sparrow, Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 8 15/16 x 6 3/5 in. (22.7 x 16.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Terracotta mold fragment, ca. 2nd century A.D., Roman, Terracotta, 2 3/8 × 3 3/8 × 5/16 in. (6.1 × 8.6 × 0.8 cm), Vases, This fragment has all the salient characteristics of a mold used to manufacture a relief bowl: faint horizontal

Burgonet for the Farnese Guard, ca. 1545–47, Italian, Steel, gold, copper alloy, H. 7 in. (17.8 cm); W. 8 13/16 in. (22.4 cm); D. 12 3/4 in. (32.4 cm); Wt. 2 lb. 11 oz. (1232 g), Helmets, This helmet is one of a series thought to have been

諸國名橋奇覧　三河の八ツ橋の古図, Ancient View of Yatsuhashi in Mikawa Province (Mikawa no Yatsuhashi no kozu), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Edo period (1615–1868),

Page from a Dispersed Ramayana: (Story of Rama), ca. mid-18th century, India (Rajasthan, Sirohi, Bundi or Kotah), Ink and opaque watercolor on paper, 7 3/8 x 7 7/8 in. (18.7 x 20 cm), Paintings

Terracotta straight-sided cup, Middle Minoan IIIA, ca. 1750–1700 B.C., Minoan, Terracotta; Kamares ware, H. as restored 2 7/8 in. (7.3 cm.), Vases, On the body a fern pattern in white between red and white bands

Embroidered Fragment, 10th–15th century, Peru, Peru; north coast (?), Cotton, camelid hair, Overall: 8 1/2 x 14 3/4 in. (21.59 x 37.47 cm), Textiles-Woven

Bowl, Cypriot, Bronze, 1 1/4in. (3.1cm), Bronzes

Sales Room at the Foreign Trade Building in Yokohama, Edo period (1615–1868), 1861, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Oban, Prints, Utagawa (Gountei) Sadahide (Japanese, 1807–1878/79

Inkstone with Pine Tree and Bird, Ming dynasty (1368–1644), 16th century, China, Slate, H. 7 in. (17.8 cm); W. 4 15/16 in. (12.5 cm), Inkstone

Plaque with winged sphinx, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 3.19 x 1.97 x 0.35 in. (8.1 x 5 x 0.89 cm), Ivory/Bone-Reliefs

Folk Painting, 1725, India (Rajasthan, Marwar), Ink and opaque watercolor on paper, 7 5/8 x 5 11/16 in. (19.4 x 14.5 cm), Paintings

元/明 沈巽 竹石圖 卷, Bamboo grove, Yuan (1271–1368) or Ming (1368–1644) dynasty, late 14th century, China, Handscroll; ink and color on paper, Image: 9 13/16 x 25 in. (24.9 x 63.5 cm), Paintings, Shen Xun (active ca.

Glass beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 4 5/8 in. (11.7 cm), Glass, Colorless Knocked-off, uneven, flaring rim; concave neck; four-sided body with rounded, convex corners and slightly bulging pad at

Terracotta skyphos (deep drinking cup), Classical, ca. 450 B.C., Greek, Attic, Terracotta; red-figure, H. 7 in. (17.8 cm), Vases, Obverse, youth and man Reverse, two youths The figures here give the impression not of human beings in motion

Karaki Masaemon, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 1/2 in. (34.6 × 24.1 cm), Prints, Unidentified Artist

東海道五十三次之内　江尻　清水之湊遠望, Ejiri, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 8 27/32 x 13 1/2 in. (22.5 x 34.3 cm), Prints, Utagawa Hiroshige (Japanese,

Tago Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tago no ura ryaku zu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　東海道江尻田子の浦略図, Edo period (1615–1868), ca. 1830–32,

Terracotta statuette of a woman leaning on a pillar, Hellenistic, 2nd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 11 7/16 in. (29.1 cm), Terracottas, Standing, legs crossed, upper part of figure undraped, leaning right

Two Lovers in a Landscape, 17th century, Attributed to Iran, Opaque watercolor, ink, and gold on paper, H. 8 1/16 in. (20.5 cm), Codices

Le Imagini de i Dei de gli Antichi, 1571, Etchings, Overall: 8 11/16 x 6 5/16 in. (22 x 16 cm), Books

Trencher Salt, 1700–1720, Made in Boston, Massachusetts, United States, American, Silver and gilding, 1 3/8 x 3 1/2 x 2 3/4 in. (3.5 x 8.9 x 7 cm); 2 oz. 9 dwt. (76.5 g), Silver

The Lacemaker, ca. 1656, Oil on canvas, 17 3/4 x 20 3/4 in. (45.1 x 52.7 cm), Paintings, Nicolaes Maes (Dutch, Dordrecht 1634–1693 Amsterdam), A young mother makes lace while the boy in a high chair entertains himself (the objects are

Glass footed beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 4 in. (10.2 cm), Glass, Translucent pale blue green. Rounded, slightly flaring rim; straight sides, tapering downward and tooled in around base; integral

Terracotta jug with griffin protome handle, Archaic, 1st half of the 6th century B.C., Etruscan, Terracotta; bucchero, H. with handle 8 1/8 in. (20.7 cm.), Vases, From the end of the seventh century to well into the sixth century B.C., in

Terracotta hydria: kalpis (water jar), Classical, ca. 430–420 B.C., Greek, Attic, Terracotta; red-figure, H. 12 1/4 in. (31.1 cm); diameter 9 1/8 in. (23.2 cm), Vases, Bride with attendants and Eros. The small Eros hovering in front of the

The Actor Segawa Kikunojo III as a Woman in, Black Robe Holding a Straw Hat, Edo period (1615–1868), 1798, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 5 5/8 in. (14.3 cm), Prints, Utagawa Toyokuni

Grande Salle du Conseil d'Etat, May 1871, Albumen silver print from glass negative, Image: 19 x 24.9 cm (7 1/2 x 9 13/16 in.), Photographs, Charles Soulier (French, 1840–1875), Soulier's photograph shows the charred remains of the once

Print, Edo period (1615–1868), 1861 (Bunkyu 1, 1st month), Japan, Polychrome woodblock print; ink and color on paper, 14 x 9 7/8 in. (35.6 x 25.1 cm), Prints, Utagawa (Gountei) Sadahide (Japanese, 1807–1878/79

Terracotta rhyton in the shape of a dog’s head, Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta, 7 3/8in. (18.7cm), Vases, On the cup, kneeling Eros with a fan, mirror, and wreath. On the cup, kneeling

Handle for a Fly Whisk (Tahiri), 18th century, Tahiti, Society Islands, Maohi (Tahitian), Ivory, coconut husk fiber, H. 1 5/8 x W. 1 3/8 x D. 11 3/4 in. (4.1 x 3.5 x 29.8 cm), Bone/Ivory-Implements, This elaborately carved ivory flywhisk

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 9/16 × 1 15/16 × 1/4 in. (4 × 5 × 0.7 cm), Vases

Bowl with Incised Lotus Flowers, second half 17th century or later, Attributed to Iran, Stonepaste; incised under transparent glaze (Gombroon ware), H. 3 3/8 in. (8.6 cm), Ceramics, This bowl along with a bottle are part of a group of Iranian

South Dome, 6, 000 feet, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Image: 33.5 x 26.8 cm (13 3/16 x 10 9/16 in.), Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Silver gilt ring, Archaic, late 6th–early 5th century B.C., Etruscan, Gold, silver, length of bezel 5/8 in. (1.6 cm), Gold and Silver, The bezel, in the form of a cartouche, is decorated with a winged lion, a siren, and a flying scarab

Sard ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Sard, Diameter: 9/16 in. (1.5 cm), Gems, Eagle of Zeus carrying away Ganymede

Panels of a writing board, Neo-Assyrian, ca. 721–705 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 13.19 x 6.3 x 0.59 in. (33.5 x 16 x 1.5 cm), Ivory/Bone-Implements, Recovered from a well in the Northwest Palace at Nimrud,

Vase fragment, Helladic, Greek, Laconian, Terracotta, 2 1/8 x 1 13/16in. (5.4 x 4.6cm), Vases

Entrance to Dove Dale, Derbyshire, 1880s, printed 1888, Photogravure, 14.0 x 20.2 cm. (5 1/2 x 7 15/16 in.), George Bankart (British

Bowl with Musicians in a Garden, late 12th–early 13th century, Attributed to Iran, Stonepaste; glazed in opaque white, luster-painted, H. 3 1/2 in. (8.9 cm), Ceramics, Checkerboard cypresses, a stylized canopy, and a flying bird on the

Peacocks, 1683, Oil on canvas, 74 7/8 x 53 in. (190.2 x 134.6 cm), Paintings, Melchior d' Hondecoeter (Dutch, Utrecht 1636–1695 Amsterdam), Hondecoeter represents the fourth generation of a family of painters originally from Flanders. He

Armet, ca. 1520, Anglo-Flemish, Steel, H. 13 1/2 in. (34.3 cm); W. 8 in. (20.3 cm); D. 10 in. (25.4 cm); Wt. 6 lb. (2721 g), Helmets

A Parody of Yuranosuke in the Pleasure Quarters, Edo period (1615–1868), ca. 1797, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 3/8 x 30 in. (36.5 x 76.2cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829),

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 3 7/16 in. (8.7 cm), Glass, Colorless with pale blue green tinge. Uneven rim, folded out, over, and in, flattened on upper surface;

Bowl, dated A.H. 975/ A.D. 1567–68, Made in Iran, Stonepaste; underglaze painted, Diam. 12 7/8 in. (32.7 cm), Ceramics

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 x 1 3/16 in. (2.5 x 3.1 cm), Glass, Body fragment., Translucent blue and opaque white., Almost

Caire. Mosquée el-Arhar, détails de la porte, 1870s, Albumen silver print from glass negative, Photographs, Félix Bonfils (French, 1831–1885

Actors in a Shosa (Combination of Acting and Dancing) Performance, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, H. 14 7/8 in. (37.8 cm); W. 9 1/2 in. (24.1 cm), Prints, Torii Kiyonaga

Terracotta lekythos (perfume flask), Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, white-ground, H. 13 3/8 in. (34 cm), Vases, Woman and youth at a tomb. There are many aspects of these funerary representations that are not

Farm laborer with rain coat (mino), 1870s, Albumen silver print from glass negative, 25.2 x 19.7 cm (9 15/16 x 7 3/4 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

Canal St. Martin, 1860, Albumen silver print from glass negative, Image: 18.6 x 25.2 cm (7 5/16 x 9 15/16 in.), Photographs, Franck (French, 1816–1906), Some of Baron Haussmann's alterations to the city are barely visible to the modern

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Wall painting on white ground: candelabrum, from the imperial villa at Boscotrecase, Early Imperial, last decade of the 1st century B.C., Roman, Pompeian, Fresco, Overall: 66 x 15 1/4in. (167.6 x 38.7cm), Miscellaneous-Paintings, Wall

Glass alabastron (perfume bottle), Hellenistic, 2nd–mid-1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 4 1/2 in. (11.5 cm), Glass, Translucent blue, with handles in same color; trails in opaque white.,

Terracotta footed dishie, Late Classical, 4th–3rd century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 2 5/16 in. (5.9 cm), Vases, Stamped designs on the inside of the bowl and on the rim

A Hypocrite and a Slanderer, ca. 1770–83, Austrian, probably Pressburg (Bratislava), Tin alloy, Overall (wt. confirmed): 14 9/16 x 9 5/8 x 11 5/8 in., 25lb. (37 x 24.4 x 29.5 cm, 119kg), Sculpture, Messerschmidt, the leading sculptor at

Terracotta skyphos (deep drinking cup), Late Classical, ca. 350 B.C., Greek, Attic, Terracotta; red-figure, H. 6 7/8 in. (17.5 cm), Vases, Obverse, seated woman, holding openwork processional basket and accompanied by two other women,

Terracotta bell-krater (bowl for mixing wine and water), Classical, late 5th century B.C., Greek, Boeotian, Terracotta; red-figure, H. 9 3/16 in. (23.3 cm), Vases, Obverse, two youths with thyrsoi (fennel stalks topped with ivy), Reverse,

琴棋書画図, The Four Elegant Accomplishments (Kin ki sho ga), Edo period (1615–1868), ca. 1788, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 15 x 30 in. (38.1 x 76.2 cm), Prints, Kitagawa Utamaro (Japanese,

Eggplants in a Basket, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 1/8 x 6 11/16 in. (18.1 x 17 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Marble pyxis (box), Classical, late 5th–early 4th century B.C., Greek, Attic, Marble, paint, H.: 2 3/4 x 4 7/16 in. (7 x 11.3 cm), Miscellaneous-Stone Vases, This pyxis is particularly important for the traces of polychromy preserved on

Glass bottle shaped like a date, Mid Imperial, mid-1st–early 2nd century A.D., Roman, Glass; blown in a two-part mold, Overall: 2 15/16 x 1 5/16 in. (7.5 x 3.3 cm), Glass, Translucent deep yellowish brown. Thick, everted rim folded round

Bracelet, 6th–5th century B.C., Cypriot, Bronze, 3 3/4in. (9.5cm), Bronzes

Silk Curtain, 15th century, Probably made in Spain, Silk; lampas, Textile: L. 120 in. (304.8 cm), Textiles-Woven, Contemporary accounts and material evidence describe the extensive use of luxurious silk curtains—such as this one—to furnish

The Actor Nakamura Nakazō in the Role of Ono Sadakurō, Edo period (1615–1868), ca. 1766, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 13/16 in. (32.4 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Vase fragment, Neolithic, Terracotta, 1 1/8 × 2 3/8 × 5/16 in. (2.9 × 6 × 0.7 cm), Vases

木曽海道六拾九次之内　望月, Mochizuki Station, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)