Images at Librifly

Louksor (Thèbes), Construction Antérieure - Pylône, Colosses et Obélisque, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.8 x 29.9 cm. (9 3/8 x 11 3/4 in.), Photographs, Félix Teynard (French, 1817–1892

Carnelian scarab, Archaic, late 6th century B.C., Greek, Carnelian, gold, Length: 1/2 in. (1.3 cm), Gems, Youth leaning on a staff, stooping

Glass bowl, Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H.: 2 1/2 in. (6.4 cm), Glass, Translucent light green; foot ring in same color. Outsplayed rim with rounded, thickened outer lip; oval body with side expanding slightly

Limestone statue of a youth holding a pyxis, Late Hellenistic or Republican (?), 3rd–1st century B.C., Cypriot, Limestone, Overall: 27 3/4 x 7 1/2 x 4 3/4 in. (70.5 x 19.1 x 12.1 cm), Stone Sculpture, The boy wears a chiton under a himation

東海道五十三次　由井　由井川, Yui, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, H. 8 1/2 in. (21.6 cm); W. 6 1/2 in. (16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Charles Beauclerk (1670–1726), Duke of St. Albans, ca. 1690–95, Oil on canvas, 49 7/8 x 40 1/2 in. (126.7 x 102.9 cm), Paintings, Sir Godfrey Kneller (German, Lübeck 1646–1723 London), The broad brushwork is a hallmark of Kneller’s

唐 天龍山第21窟 彩繪石雕菩薩頭像（砂岩）, Head of a Bodhisattva, Tang dynasty (618–907), ca. 710, China, Sandstone with pigment, H. 15 3/4 in. (40 cm); W. 8 in. (20.3 cm); D. 7 1/2 in. (19.1 cm), Sculpture, This head once

Glass jug, Imperial, 1st–3rd century A.D., Roman, Glass; mold-blown, H.: 3 in. (7.6 cm), Glass, Small, one-handled square jug. Colorless with yellowish tinge; handle in light green. Plain, rounded rim; flaring mouth; cylindrical neck,

Terracotta jug in the form of a bird, Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Teano, Terracotta, diameter 4 5/8in. (11.7cm), Vases, Ribbed ring handle over left wing of bird

江都名所　新橋の図, Shimbashi no Zu, Edo period (1615–1868), ca. 1837, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 15 in. (25.7 x 38.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Rattle, Period VI, 800–1525, Panama, Panamanian, Clay, W. 53 mm x D. 44 mm x L. 173mm (2 1/16 x 1 3/4 x 6 13/16 in.); Weight: 210 grams, Idiophone-Shaken-rattle

Lovers with Amor, mid-17th century, British, Canvas worked with silk thread, mica; tent, knot, brick, chain, straight, and couching stitches, H. 10 7/8 x W. 14 3/8 inches (27.6 x 36.5 cm); Framed: H. 12 1/4 x W. 16 x D. 1 1/2 (31.1 x 40.6 x

Glass alabastron (perfume bottle), Early Hellenistic, late 4th–early 3rd century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group II, H.: 4 in. (10.2 cm), Glass, Translucent cobalt blue, with handles in same color; trails in

Newhaven Fishermen, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 3 3/4 in. (9.5 cm), Glass, Opaque white, with handles in same color; trails in translucent purple.

Dagger hilt inlay, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.52 x 0.91 x 0.31 in. (3.86 x 2.31 x 0.79 cm), Ivory/Bone-Ornaments

Bronze aryballos, Imperial, 1st–2nd century A.D., Roman, Bronze, H. 3 in. (7.6 cm), Bronzes, Globular shape

Glass jug, Late Imperial, 4th century A.D., Roman, Glass; blown and trailed, Overall: 5 3/4in. (14.6cm), Glass, Translucent yellow green; handle in blue green streaked with red; two trails in yellow green streaked with red on mouth and neck,

Terracotta alabastron (perfume vase), Classical, ca. 440–430 B.C., Greek, Attic, Terracotta; red-figure, white-ground, H.: 6 3/4 in. (17.1 cm), Vases, Two women. The women are shown in the domestic quarters, indicated by the casket and

Young Woman with a Red Necklace, ca. 1645, Oil on wood, Overall, with added strips, 8 1/2 x 7 1/4 in. (21.6 x 18.4 cm), Paintings, Style of Rembrandt (Dutch, ca. 1645

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 5/8 x 1 13/16 in. (4.1 x 4.7 cm), Glass, Rim fragment., Translucent blue, turquoise blue, largely layered with

Glass miniature perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Overall: 1 15/16 in. (4.9 cm), Glass, Colorless with greenish tinge. Uneven rim folded out, over, and in, with beveled outer edge; cylindrical neck with

Terracotta female head, Hellenistic, 3rd–1st century B.C., Greek, Terracotta, H. 2 1/4 in. (5.72 cm), Terracottas, With hair carried up in a long point behind

The Second Nakajima Mihoemon as a Man Standing with Head Bent Forward, Edo period (1615–1868), 1768 or 1769, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 2/3 in. (31.4 x 14.4 cm), Prints, Katsukawa Shunshō

Pendant: female head, Classical, 5th century B.C., Italic, Amber, H.: 1 5/8 in. (4.2 cm), Miscellaneous-Amber, Pendant in the shape of a female head in profile, facing left

Dipankara Jataka (The Story of the Ascetic Megha and the Buddha Dipankara), ca. 2nd century, Pakistan (ancient region of Gandhara, Swat Valley), Schist with gold leaf, 8 3/4 x 8 3/8 in. (22.2 x 21.3cm), Sculpture, In this panel the ascetic

Limestone hand holding a pyxis, Cypriot, Limestone, Overall: 10 1/4 x 4 x 6 1/2 in. (26 x 10.2 x 16.5 cm), Stone Sculpture, The over-lifesize left hand holds a pyxis. The tip of the fingers is indicated by a line in relief

Cérémonie religieuse dans la Pagode Chinoise de Cholen, Saïgon, Cochinchine, 1866, Albumen silver print from glass negative, 22.3 x 33.4 cm (8 3/4 x 13 1/8 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

南宋 佚名呂洞賓過岳陽樓圖 團扇, The Immortal Lü Dongbin Appearing over the Yueyang Pavilion, Southern Song, Yuan or early Ming dynasty, , late 13th–early 14th century, , China, , Fan mounted as an album leaf; ink and color

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Overall: 3 1/8 in. (7.9 cm), Glass, Colorless. Rim folded out, over, and in, with uneven flattened upper surface; cylindrical neck, with tooled indent around

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 2 1/4 x 1 1/8in. (5.7 x 2.8cm), Vases

Beaded Wrist Ornament, 14th–15th century, Peru, Chimú or Chancay, Shell, cotton, Length 6-1/4 in. (15.3 cm), Beads-Ornaments

Gold pendant in the form of a vase, Classical, late 6th–5th century B.C., Greek or Cypriot, Gold, Other: 9/16 in. (1.4 cm), Gold and Silver, Vase-shaped

Ring for the attachment of bath implements, Imperial, 1st–2nd century A.D., Roman, Bronze, Diam. 5 5/16 in. (13.5 cm), Bronzes, A similar ring, with four strigils, one ointment bottle, and one saucer attached, was found at Pompeii

Glass amphoriskos (perfume bottle), Late Classical or Early Hellenistic, mid-4th–early 3rd century B.C., Greek, Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 4 1/2 in. (11.5 cm), Glass, Translucent cobalt blue, with

Bronze statuette of Apollo, Imperial, 1st–2nd century A.D., Roman, Bronze, H.: 2 1/2 in. (6.4 cm), Bronzes, A quiver of arrows hangs from his back

Cake Bowl with Yokan (Bean Jelly); Specialities of Yatsuhashiya in Sagacho, Fukagawa, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 15/16 x 7 1/16 in. (20.2 x 17.9 cm),

Bird and Iris, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 13 1/16 x 4 5/16 in. (33.2 x 11 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

東周 青銅敦, Grain Serving Vessel (Dui), Eastern Zhou dynasty (770–256 B.C.), ca. 5th century B.C., China, Bronze, H. 6 1/8 in. (15.6 cm); Diam. 6 3/4 in. (17.1 cm), Metalwork, This vessel’s deeply reserved ornamentation was meant to

Sidmount, West end of Esplanade, 1870s, Albumen silver print from glass negative, Photographs, Francis Bedford (British, London 1816–1894 London

Nuremburg, Intérieur de la Cour du Burg impérial, 1857, Albumen silver print from glass negative, Image: 34.9 x 26.9 cm (13 3/4 x 10 9/16 in.), Photographs, Léon Gérard (French, 1817–1896

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown and cut, Overall: 3 1/8 in. (7.9 cm), Glass, Colorless with pale blue tinge. Rim folded out, over, and in; slightly flaring mouth; cylindrical neck, tooled in

『鳥合』　桃花に目白, Japanese White-eyes on a Branch of Peach Tree, ” from the Series An Array of Birds (Tori awase), from Spring Rain Surimono Album (Harusame surimono-jō, vol. 3), Edo period (1615–1868), ca. 1805–10, Japan,

Terracotta jug with spirals, Middle Minoan IIIB, ca. 1700–1600 B.C., Minoan, Terracotta; Light-on-dark ware, Total height 18 7/8 in. (48 cm.), Vases, Numerous examples of this type of jug were excavated in the Temple Repositories at Knossos

Tournament Helm, ca. 1510–20, Anglo-Flemish, Steel, copper alloy, H. 17 1/4 in. (43.8 cm); W. 9 1/8 in. (23.2 cm); D. 14 1/8 in. (35.9 cm); Wt. 10 lb. 5 oz. (4675 g), Helmets

John Taylor Johnston, 1875, Oil on canvas, 43 1/2 x 33 1/2 in. (110.5 x 85.1 cm), Paintings, Daniel Huntington (American, New York 1816–1906 New York

[Pines in Snow], 1880s–90s, Albumen silver print, Photographs, Unknown (American

Sixteen Luohans, Qing dynasty (1644–1911), 17th century, China, Album of sixteen paintings; ink and color on paper, 10 1/8 x 11 7/8 in. (25.7 x 30.2 cm), Paintings

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/8 × 9 7/8 in. (36.5 × 25.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Block, gold beater's, 4th–5th century A.D. ?, Bronze, Other: 2 3/4 x 3 5/8 in. (7 x 9.2 cm), Bronzes

Two Birds, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/8 in. (21 x 18.1 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Nineteen Ornamental Fittings from a Horse Harness and an Ornamental Saddle Steel, saddle plate, 17th–18th century; harness fittings, 15th–17th century, saddle plate, Chinese or Tibetan; harness fittings, Tibetan, Iron, gold, silver,

Gold chevron-shaped earring, 6th–5th century B.C., Cypriot, Gold, Other: 9/16 in. (1.4 cm), Gold and Silver, This form of earring may have been the antecedent of the boat-shaped variety

[Burmese Pagoda in the Eden Gardens, Calcutta], 1850s, Albumen silver print, Image: 19.2 x 25.2 cm (7 9/16 x 9 15/16 in.), Photographs, Captain R. B. Hill

'God' by Baroness Elsa von Freytag-Loringhoven and Morton Schamberg, 1917, Gelatin silver print, 24.1 x 19.2 cm (9 1/2 x 7 9/16 in.), Photographs, Morton Schamberg (American, Philadelphia, Pennsylvania 1881–1918 Philadelphia, Pennsylvania),

Village de Gèdres, Route de Gavarnie, 1853, Salted paper print from paper negative, Sheet: 12 in. × 18 9/16 in. (30.5 × 47.2 cm), Photographs, Joseph Vigier (French, 1821–1862

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Krishna Is Welcomed into Mathura: Page from a Dispersed Bhagavata Purana Manuscript, ca. 1520–40, India (Delhi Agra area), Ink and opaque watercolor on paper, 6 7/16 x 9 1/8 in. (16.4 x 23.2 cm), Paintings, The upper and lower registers

Essay for Liu Jingzhong, Ming dynasty (1368–1644), China, Album of eight leaves; ink on gold-flecked paper, 11 13/16 x 6 1/8 in. (30 x 15.6 cm), Calligraphy, Chen Jiru (Chinese, 1558–1635

Steamer R.E. Lee Racing with Natches When Nearing St. Louis, ca. 1870, Albumen silver print, Photographs, Robert Benecke (American, 1835–1903

Bronze attachment with silver studs, Hellenistic, 1st century B.C., Greek, Bronze, silver, h. 1 7/16 in. (3.7 cm); w. 3 1/2 in. (8.9 cm), Bronzes, This highly ornate object formed one of the feet on the base of a bronze situla (wine bucket).

南宋 佚名 別苑春山圖 卷, Retreats in the Spring Hills, Song dynasty (960–1279), first half of the 12th century, China, Handscroll; ink and color on silk, Image: 10 5/16 in. × 9 ft. 4 13/16 in. (26.2 × 286.5 cm), Paintings,

The Actor Ichikawa Danjūrō V as a Warrior Near the Seashore, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, H. 12 9/16 in. (31.9 cm); W. 5 7/8 in. (14.9 cm), Prints, Katsukawa Shunkō

Le Kaire, Mosquée Nâcéryeh, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.3 x 30.4 cm. (9 9/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 1 9/16in. (4cm), Vases

Fisher Lassies, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Bronze statuette of Cybele on a cart drawn by lions, 2nd half of 2nd century A.D., Roman, Bronze, Overall: 12 x 54 3/4in. (30.5 x 139.1cm), Bronzes, The group represents the cult image of the goddess Cybele enthroned on a cart drawn by two

Scene From the Drama 'Hatsu-tori Kuruma Genji', Edo period (1615–1868), dated 1749, Japan, Polychrome woodblock print; ink and color on paper, 10 17/32 x 5 1/2 in. (26.8 x 14.0 cm), Prints, Torii Kiyomasu I (Japanese, active 1696–1716

The Heron, 1853–56, Salted paper print, Image: 24.3 × 18.9 cm (9 9/16 × 7 7/16 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

南宋 夏珪 山市晴嵐圖 冊頁, Mountain Market, Clearing Mist, Southern Song dynasty (1127–1279), early 13th century, China, Album leaf; ink on silk , 9 3/4 x 8 3/8 in. (24.8 x 21.3 cm), Paintings, Xia Gui (Chinese, active ca.

Altarpiece dedicated to the Buddha Maitreya (Mile fo), 彌勒佛, late Northern Wei (386–534)–Eastern Wei (534–550) dynasty, ca. 525–35, China, Gilt bronze; probably piece-mold and lost-wax cast, H. 23 1/4 in. (59.1 cm); W. 15 in. (38.1

Cup plate, 1825–60, Made in United States, Pressed glass, Diam. 3 1/2 in. (8.9 cm), Glass

Terracotta krater (bowl for mixing wine and water) of Chalcidian shape, Middle -Late Corinthian, ca. 580–550 B.C., Greek, Corinthian, Terracotta; black-figure, Diameter: 11 1/4 in. (28.6 cm), Vases, Obverse, swan between griffin birds,

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 1/16 x 1 3/4 in. (2.6 x 4.4 cm), Glass, Rim fragment., Translucent honey brown and opaque white.,

Page of Calligraphy from a Shahnama (Book of Kings) of Firdausi, ca. 1610, Attributed to India, Deccan, Bijapur, Ink, opaque watercolor, and gold on paper, Page: 8 1/16 x 4 13/16 in. (20.5 x 12.2 cm), Codices

Gold sanguisuga-type fibula (safety pin) with patterns in granulation, Geometric, 7th century B.C., Etruscan, Gold, Other: 2 1/4 in. (5.7 cm), Gold and Silver, With granular pattern of zigzags and meanders

Columbine and Pantaloon, 1741–44, Austrian, Vienna, Hard-paste porcelain, Overall (confirmed): 7 x 7 13/16 x 4 1/2 in. (17.8 x 19.8 x 11.4 cm), Ceramics-Porcelain

Terracotta bottle, Hellenistic, late 4th–early 3rd century B.C., Greek, South Italian, Apulian, Gnathian, Terracotta; applied color, H. 6 3/8 in. (16.2 cm), Vases, Pattern of bows and rosettes

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 2 1/4 x 2 1/2in. (5.8 x 6.3cm), Vases

Nubie. Kalabscheh. Sculptures de la Facade postérieure du Temple, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

River of Omue and Bridge of Oda, Edo period (1615–1868), 1700, Japan, Polychrome woodblock print; ink on paper, 8 1/4 x 12 1/4 in. (21 x 31.1 cm), Prints, Unidentified Artist

The Microscope; Thereza and Elinor, 1853–56, Salted paper print, Image: 7.6 × 9 cm (3 in. × 3 9/16 in.) (a), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales), Thereza Dillwyn Llewelyn

Reliquary Bust of Saint Balbina, ca. 1520–30, Made in possibly Brussels, Belgium, South Netherlandish, Oak, paint, gilt, Overall: 17 1/2 x 16 x 6 1/4 in. (44.5 x 40.6 x 15.9 cm), Sculpture-Wood, Medieval reliquaries often took the form of

Terracotta tripod pyxis (box), Early Corinthian, ca. 620–590 B.C., Greek, Corinthian, Terracotta, H. of vase 2 5/8 in. (6.7 cm); H. of vase with cover 4 3/4 in. (12.1 cm); H. of cover : 2 5/16 in. (5.9 cm), Vases, On each leg, woman

The Wrestlers, Edo period (1615–1868), ca. 1785, Japan, Polychrome woodblock print; ink and color on paper, 14 3/8 x 19 1/4 in. (36.5 x 48.9 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

'Portrait of Sayyid Abu'l Muzaffar Khan, Khan Jahan Barha', Folio from the Shah Jahan Album, recto: ca. 1630; verso: ca0–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by

The Lycian Saloon, 1850s, Albumen silver print from glass negative, Photographs, Roger Fenton (British, 1819–1869

Fragment of a Tunic, 3rd–4th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, 7.25 in. high 11.50 in. wide (18.41 cm high 29.21 cm wide), Textiles

Krishna and the Kshatriya Maidens Proceed to Dvaraka: page from a Bhagavata Purana series, Early Rajput -Chaurapanchasika style, ca. 1520–30, India (Delhi-Agra area), Ink and opaque watercolor on paper, Image: 6 3/4 in. × 9 in. (17.1 × 22.9

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 13/16 x 1 15/16 in. (4.6 x 5 cm), Glass, Body fragment., Translucent honey brown, partially mixed with

Pyxis, Late Classical, ca. 300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 7.01 cm., Vases, On the lid, head of a woman

The Queen and Prince Consort, 1853–56, Albumen silver print, Image: 8.7 × 5.7 cm (3 7/16 × 2 1/4 in.), Photographs, Unknown (British

Triple-back settee (part of a set), ca. 1790–1800, Italian, Sicily, Carved, gilded and painted walnut, reverse painted glass, cut and voided 17th-century crimson velvet, H. 38-3/4' (98.4 cm.); W. 78-3/8' (199 cm.); D. 26' (66 cm.),

[View of Koum], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Piping Shepherds, ca. 1643–44, Oil on canvas, 35 3/4 x 47 in. (90.8 x 119.4 cm), Paintings, Aelbert Cuyp (Dutch, Dordrecht 1620–1691 Dordrecht), This early picture by Cuyp dates from about 1643–44. The figures resemble those painted by

'Meeting of Bahram Gur with a Princess', Folio from a Shahnama (Book of Kings), mid-16th century, Attributed to Iran, Ink, watercolor, and gold on paper, 14.25 in. high 9.62 in. wide (36.2 cm high 24.4 cm wide), Codices

亜墨利加, American Family with a Dancing Daughter, Edo period (1615–1868), 1861 (Bunkyu 1, 2nd month), Japan, Polychrome woodblock print; ink and color on paper, Oban tate-e, Prints, Utagawa Yoshikazu (Japanese, active ca.

Quail, Ming (1368–1644)–Qing (1644–1911) dynasty, China, Handscroll; ink and color on silk, 12 15/16 x 78 5/8 in. (32.9 x 199.7 cm), Paintings, Unidentified Artist

Portrait of Kansake Yagoro Noriyasu, Edo period (1615–1868), 1852, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 7/8 in. (25.1 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Battle of Ichi–no–tani, March 21, 1184, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 4 1/2 in. (11.4 cm); W. 12 3/8 in. (31.4 cm), Prints, Utagawa Toyoharu (Japanese, 1735–1814