Images at Librifly

Carnelian ring stone, Early Imperial, Augustan or Julio-Claudian, ca. 15 B.C.–A.D. 68, Roman, Carnelian, L. 2 cm, Gems, Portrait bust of a bearded man in profile

Peasants Dancing, 1651, Oil on canvas, 26 1/2 x 29 1/2 in. (67.3 x 74.9 cm), Paintings, Johannes Lingelbach (Dutch, Frankfurt 1622–1674 Amsterdam

Blue; Dipper-holder of Celadon and Other Objects for the Tea Ceremony, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/16 x 6 15/16 in. (20.5 x 17.6 cm), Prints, Kubo

Statuette of a woman votary, ca. 625–425 B.C., Greek, Laconian, Lead, Height: 1 3/16 in. (3 cm), Miscellaneous-Lead

Part of a Quiver, 15th–17th century, Tibetan or Mongolian, Leather, shellac, gold, pigments, L. 18 1/2 in. (47 cm); W. 10 1/2 in. (26.7 cm), Archery Equipment-Crossbows

Terracotta juglet, Middle Cypriot, ca. 1900–1600 B.C., Cypriot, Terracotta; White Painted Ware, H. 4 1/16 in. (10.3 cm), Vases, Globular jug with small handle and beaked spout, a lattice zigzag band on shoulder

A Winter Landscape with Ice Skaters and an Imaginary Castle, ca. 1615–20, Oil on wood, Overall, with added strips, 11 x 18 3/8 in. (27.9 x 46.7 cm); painted surface 10 3/4 x 18 in. (27.3 x 45.7 cm), Paintings, Christoffel van den Berghe

匕, Ritual Spoon (Bi), mid-Zhou dynasty (1046–256 B.C.), late 9th–early 8th century B.C., China, Bronze, W. 2 1/2 in. (6.4 cm); L. 12 3/4 in. (32.4 cm); Wt. 1 lb. (0.5 kg), Metalwork

Infernal Rock, Chincha Islands, ca. 1870, Albumen silver print from glass negative, Image: 18.4 x 25.3 cm (7 1/4 x 9 15/16 in.), Photographs, Unknown, Possibly by John Moran (American (born England), Bolton, Lancashire 1821–1903

Encounters in Mathura: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), ca. 1700, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 7 9/16 x 14 3/16 in. (19.2 x 36 cm), Paintings, In this

'Rustam Discoursing with Isfandiyar', Folio from a Shahnama (Book of Kings), dated A.H. 741/A.D. 1341, Made in Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Image 9 1/2 in x 11 1/2 in., Codices

Lided Kohl Tube and Stick, New Kingdom, Dynasty 18, ca. 1550–1295 B.C., From Egypt, Memphite Region, Saqqara, Teti Pyramid Cemetery, Egyptian Antiquities Service excavations, 1926, Ebony and ivory, H. 7.5 x 4.5 cm (2 15/16 x 1 3/4 in

Border Fragment, Figure, 2nd century B.C., Peru, Nasca, Camelid hair, H x W: 1 13/16 x 1 3/8in. (4.7 x 3.5cm), Textiles-Sculpture

'Conquest of Baghdad by Timur', Folio from a Zafarnama (Book of Victories), A.H. 839/A.D. 1435–36, Made in Iran, Shiraz, Ink, opaque watercolor, and gold on paper, 11 3/8 x 8in. (28.9 x 20.3cm), Codices, Painting by Unknown, This folio

Bowl with a radiating petal design, Iron Age, ca. 8th–6th century B.C., Phrygia or Lydia, Phrygian or Lydian, Silver, Diam. 6 3/8 in. (16.7 cm), Metalwork-Vessels, The Phrygians ruled in Central Anatolia, from about 800 to 700 B.C., from

Reliquary, ca. 1st–3rd century, Pakistan (ancient region of Gandhara), Schist, H. 1/16 in. (0.2 cm); Diam. 2 1/4 in. (5.7 cm), Sculpture

Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.77 x 2.76 x 0.39 in. (4.5 x 7.01 x 0.99 cm), Ivory/Bone-Reliefs

[Main Entrance, with Hedge], 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by

Spring, ca. 1873–85, American, Leaded and stained glass, 52 5/8 × 30 in. (133.7 × 76.2 cm), Glass, Daniel Cottier & Company, The Aesthetic movement witnessed a revival of stained glass, primarily in the languid figural style associated

Landscape, Ming dynasty (1368–1644), dated Spring 1643, China, Folding fan mounted as an album leaf; ink on paper, 6 1/2 x 19 1/2 in. (16.5 x 49.5 cm), Paintings, Qi Zhijia (Chinese, ca. 1595–ca. 1670

Bes with Worshiper, Late Period, Dynasty 26–29, 664–380 B.C., From Egypt, Bronze or copper alloy, H. 13.2 cm (5 3/16 in.); W. 5.5 cm (2 3/16 in.); L. 14.5 cm ( 5 11/16 in.), Bes was worshipped and invoked by ordinary Egyptians as a

Bamboo, Ming (1368–1644) or Qing dynasty (1644–1911), China, Fan mounted as an album leaf; ink on silk, 8 x 8 3/8 in. (20.3 x 21.3 cm), Paintings, Unidentified Artist, Formerly Attributed to Su Shi (Chinese, 1037–1101

Banded agate inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; carved and polished, Other: 1 1/8 x 1 3/16 in. (2.9 x 3.1 cm), Flat and smooth on both sides; small hole drilled at angle in one side

Treble Viol, 1730, Toulouse, France, French, Wood, Height: 13 7/8 in. (35.3 cm), Chordophone-Lute-bowed-fretted, Cabroly (Italian (active France), Toulouse, France, active ca. 1730–1749

Decorative Roundel, 12th–13th century, Made in Venice probably, Veneto, Italy, Italian, Marble (Carrera marble from Carrera (Italy)), Overall: 12 1/16 x 10 1/2 x 6 in. (30.6 x 26.7 x 15.2 cm), Sculpture-Architectural

Terracotta dish, Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Teano, Terracotta; applied color, Other: 1 3/4 x 10 7/8 in. (4.4 x 27.6 cm), Vases, Shallow dish with ring base, decorated with ivy vine and stamped

Communion Dish, ca. 1764, Made in Boston, Massachusetts, United States, American, Silver, 1 5/16 x 13 in. (3.3 x 33 cm); 24 oz. 5 dwt. (753.5 g), Silver, Samuel Minott (1732–1803), This dish is one of six—three marked by John Coburn and

History of Kamakura, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 3/8 in. (20.8 x 18.7 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Cope, 1623–28, Italian, Silk and metal thread, H. 52 1/2 x W. 119 inches (133.4 x 302.3 cm

Statuette of a woman votary, ca. 625–425 B.C., Greek, Laconian, Lead, Height: 1 7/16 in. (3.6 cm), Miscellaneous-Lead

Yamamoto Iwanojō, Son of Yamamoto Kyōshirō, as Shinoda Zuma in a Shosa Act, Edo period (1615–1868), 1747, Japan, Polychrome woodblock print; ink and color on paper, 11 1/2 x 5 9/16 in. (29.2 x 14.1 cm), Prints, Torii Kiyonobu II

[The Ascent of Mont Blanc], 1861, Albumen silver print from glass negative, Image: 39.6 x 23.7 cm (15 9/16 x 9 5/16 in.), Photographs, Auguste-Rosalie Bisson (French, 1826–1900), While the transport of photographic equipment and the

Glass short-strip mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 7/8 in. (2.1 x 2.2 cm), Glass, Translucent cobalt blue, opaque white, yellow, and brick red, and

東海道五十三次　岡部, Okabe, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Terracotta straight-sided cup, Middle Minoan IIIA-B, ca. 1750–1600 B.C., Minoan, Terracotta, H. 2 1/2 in. (6.4 cm.), Vases, Decorated with spiral ornament in white

Glass beaker, Late Imperial, 4th century A.D., Roman, Glass; blown, H.: 4 3/16 in. (10.6 cm), Glass, Translucent pale blue green. Everted, rounded rim; vertical side to body, then tapering in to splayed base with folded tubular foot ring;

Glass flask, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown, H. 3 1/2 in. (8.9 cm), Glass, Translucent pale blue green. Everted tubular rim, folded over and in; funnel-shaped mouth; concave cylindrical neck; globular body; thick

Silver earring with nail-head pendant, 6th century B.C., Cypriot, Silver, Other: 1 11/16 in. (4.3 cm), Gold and Silver, Earring with Nail-head pendant suspended from the body of the earring by a ring

Tunic Fragment, 7th–9th century, Peru, Wari, Camelid hair, cotton, Overall: 9 5/8 x 11 1/4 in. (24.43 x 28.58 cm), Textiles-Woven

Bronze molding fragment, Imperial, 1st–2nd century A.D., Roman, Bronze, 5 3/4 in. x 4 5/8 in. (14.6 cm x 11.8 cm), Bronzes, Decorated

Sideboard Table, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 7 13/16 x 7 5/8 in. (19.8 x 19.4 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Glass trick bottle or cup, Imperial, 2nd–4th century A.D., Roman, Glass; blown, 1 7/8 in. (4.8 cm), Glass, Translucent deep olive green, appearing opaque black. Rim folded down, over, and in, forming slight inner lip; broad, uneven

清, 佚名, 持瓶仕女, 軸, Girl Bringing Jar of Wine, Qing dynasty (1644–1911), 18th century, China, Hanging scroll; ink and color on silk, 58 x 25 3/4 in. (147.3 x 65.4 cm), Paintings, Unidentified Artist Chinese, 18th century or

Church Porch, Earlham, near Norwich, 1857, Albumen silver print, Photographs, William Harcourt Ranking (British, 1814–1867

Théâtre Romain à Arles, 1860 or earlier, Albumen silver print from paper negative, Image: 33.5 x 42.4 cm (13 3/16 x 16 11/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Gold head of a pin with the figure of Nike (Victory), Early Imperial, 1st century A.D., Roman, Gold, H.: 1 7/8 in. (4.8 cm), Gold and Silver, The pin is modern

Terracotta Nolan neck-amphora (jar), Classical, ca. 440–430 B.C., Greek, Attic, Terracotta; red-figure, H.: 13 in. (33 cm), Vases, Obverse, athlete, Reverse, man. The athlete is holding a jumping weight. The man, ostensibly the trainer,

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 1 x 3/4in. (2.5 x 1.9cm), Vases

Dagger (Jambiya) with Scabbard and Fitted Storage Case, 1876–1909, Arabian, Medina, Steel, silver, wood, textile, gold, L. of dagger with scabbard 12 3/4 in. (32.4 cm); Wt. of dagger with scabbard (642.0 g); Dagger: L. 11 1/16 in. (28.1

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/4 × 10 1/8 in. (37.5 × 25.7 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

名所江戶百景　目黒太鼓橋夕ひの岡, Taiko Bridge, Meguro, on a Snowy Evening, Edo period (1615–1868), 4th month snake year 1857, Japan, Polychrome woodblock print; ink and color on paper, 14 1/4 x 9 1/4 in. (36.2 x 23.5 cm),

Gold pin, Late Helladic IIIA, ca. 14th century B.C., Mycenaean, Gold, Length 2 5/16in. (5.9cm.), Gold and Silver, Pins with a hole in the shaft like this one have been found in Syria and Palestine, and on Cyprus at Middle and Late Bronze Age

Natane Flower, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 3/8 x 5 1/2 in. (21.3 x 14 cm), Prints, Unidentified Artist

Jug, Italic-Native, South Italian (Daunian), Terracotta, H. with handle 14.3 cm.; diameter 11.20 cm., Vases

Queen Charlotte, Oil on canvas, 23 3/4 x 17 1/2 in. (60.3 x 44.5 cm), Paintings, Thomas Gainsborough (British, Sudbury 1727–1788 London), This is a replica by Gainsborough of a portrait of the queen (Royal Collection) which he painted at

Jérusalem, Saint Sépulcre, Vue générale de la Chapelle du Calvaire, 1854, Salted paper print from paper negative, Image: 33.3 x 23.7 cm (13 1/8 x 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Elberon, New Jersey, Mrs. Watson B. Thompson, John Sloan Jr., Mrs. John Sloane, Mr. John Sloane, Evelyn Sloane, William Sloane, Mina Barber, Mary Butter, 1884, Albumen silver print, Photographs, Unknown (American

Sugar Bowl, ca. 1795, Made in Providence, Rhode Island, United States, American, Silver, Overall: 6 5/8 x 4 13/16 in. (16.8 x 12.2 cm); 16 oz. (497.1 g), Silver, David Vinton (1774–1833

Fish M'ts Cream No 3737, 1876, (none assigned) New York, New York, United States, American, Ink and graphite on off-white heavy wove paper, Overall: 7 3/8 x 10 5/16 in. (18.7 x 26.2 cm), Drawings, Tiffany & Co. (1837–present

Marble right hand and forearm, Hellenistic, ca. 300 B.C., Greek, Marble, Pentellic, 3 × 11 in., 10 lb. (7.6 × 27.9 cm, 4.5 kg), Stone Sculpture, Perhaps from a statue of Artemis or Eros carrying a bow

優闐王と唐獅子図絵馬「奉掛御宝前 絵馬 寛永丁卯年三月廿五日」, Ema (Votive Painting) of Chinese Lion Led by Utenō, Edo period (1615–1868), dated 1627, Japan, Ink and color on wood, 10 3/4 x 14 3/8 in. (27.3 x 36.5

Bando Mitsugoro I in the Role of Asahina no Saburo, Drama 'Sono Kyodai Fuji no Sugatami', Edo period (1615–1868), 1776, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 5 3/4 in. (14.6 cm), Prints,

Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes, 1676, Oil on canvas, 17 1/4 x 13 in. (43.8 x 33 cm), Paintings, Nicolaes Maes (Dutch, Dordrecht 1634–1693 Amsterdam

Teapot with cover, ca. 1719–30, German, Meissen with Augsburg decoration, Hard-paste porcelain, Overall (confirmed): 6 1/16 x 6 7/8 x 3 7/8 in. (15.4 x 17.5 x 9.8 cm), Ceramics-Porcelain, The complex design of this teapot, in which a man

Madame Douane, September 1, 1893, Albumen silver print from glass negative, Image: 14.4 x 10.1 cm (5 11/16 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Carpet, dated A.H. 1280/ A.D. 1863, Attributed to Iran, Silk (warp, weft and pile); symmetrically knotted pile, Rug: L. 120 in. (304.8 cm), Textiles-Rugs

Two Brothers Zhang Xiao and Zhang Li, Edo period (1615–1868), mid-19th century, Japan, Polychrome woodblock print; ink on thin paper, H. 8 1/2 in. (21.6 cm); W. 13 3/4 in. (34.9 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861), This

Fragments of a Trellis Pattern Carpet, ca. 1650, Made in Northern India or Pakistan, Kashmir or Lahore, Silk (warp and weft), pashmina wool (pile); asymmetrically knotted pile, Textile: H. 48 in. (121.9 cm), Textiles-Rugs, The original length

Tilt-top tea table, 1765, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, H. 29 in. (73.7 cm); Diam. 37 in. (94 cm), Furniture, Types of furniture associated with social interactions—especially the serving and

Motiv aus Pommern, 1895–96, printed 1902, Gum bichromate print, 77.7 x 55.5 cm (30 9/16 x 21 7/8 in.), Photographs, Hugo Henneberg (Austrian, 1863–1918), An amateur photographer originally trained in the sciences, Henneberg came to the

Statuette of Ares ?, Bronze, H.: 2 1/2 in. (6.4 cm), Bronzes

契情三人酔　三幅之内　腹立上戸　泣上戸　笑上戸, Three Intoxicated Courtesans, Edo period (1615–1868), 1790s, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Each H. 12 7/8 in. (32.7 cm); W. 8 1/2

Plum Blossoms, Cut Paper and a Knife in Sheath, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 3/16 in. (20.3 x 18.3 cm), Prints, Uematsu Tōshū (Japanese, active late 1810s–20s

Terracotta rim fragment with diagonal lines and chevrons, Early Minoan III-Middle Minoan IA, ca. 2300–1900 B.C., Minoan, Terracotta; White-on-dark-ware, Other: 1 7/8 in. (4.7 cm), Vases, From Gournia, Crete. Rim fragment with glazed border

Bonzes de la Grande Pagode, 1866, Albumen silver prints from glass negatives, 17 x 10.9 cm (6 11/16 x 4 5/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

[Palace of the Shah, Teheran, Iran], 1840s–60s, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Statuette of a cock, 2?, Greek, Laconian, Lead, Height: 1 1/16 in. (2.8 cm), Miscellaneous-Lead

The Approach to Phil‘, 1857, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Part of an Ivory Crozier with the Entry into Jerusalem, ca. 1200, British or North French, Ivory, Overall: 4 9/16 x 2 7/16 in. (11.6 x 6.2 cm), Ivories, Shaped like a shepherd’s crook, the crozier is emblematic of a bishop’s or abbot’s

Cakes and Food Made of Seaweed, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

忠臣蔵二段目, A Young Man at the Side of a House, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 15 in. (38.1 cm); W. 10 3/8 in. (26.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Fragment of a limestone relief with two standing figures, Late Classical or Hellenistic, 4th–3rd century B.C., Greek, South Italian, Tarentine, Limestone, Overall: 13 x 17 3/4 x 3 1/4 in. (33 x 45.1 x 8.3 cm), Stone Sculpture, The large

Sulphur Creek and Road to Geysers, 1868–70, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Limestone head of a beardless male votary, Late Archaic–Early Classical, late 6th century or early 5th century B.C., Cypriot, Limestone, Overall: 5 1/2 x 3 3/4 x 4 in. (14 x 9.5 x 10.2 cm), Stone Sculpture, The head is covered with schematic

Wheat Fields, ca. 1670, Oil on canvas, 39 3/8 x 51 1/4 in. (100 x 130.2 cm), Paintings, Jacob van Ruisdael (Dutch, Haarlem 1628/29–1682 Amsterdam), This large canvas of about 1670 is Ruisdael's most ambitious view of grain fields, a subject

The Actor Ikushima Daikichi as an Oiran on Parade in the Streets of the Yoshiwara, Edo period (1615–1868), ca. 1701–06, Japan, Polychrome woodblock print; ink and color on paper, 20 31/32 x 11 7/8 in. (53.3 x 30.2 cm), Prints, Torii

Alabaster unguentarium, Hellenistic, late 4th–3rd century B.C., Cypriot, Gypsum (alabaster), H. 5 5/8 (14.3 cm); Diam. 1 15/16 in. (4.9 cm), Miscellaneous-Stone Vases, Long neck and small base

French Commode Table, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 7 13/16 x 12 5/16 in. (19.8 x 31.3 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Ecce Homo, 16th century, Pen and brown ink, brush and brown wash; squared in black chalk, sheet: 16 5/16 x 8 1/4 in. (41.5 x 21 cm), Drawings, Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem

Lead figure of a man with a spear or scepter, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 7/8 in. (4.8 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

Panel fragment, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, 0.98 x 2.48 in. (2.49 x 6.3 cm), Ivory/Bone-Reliefs

Terracotta oinochoe (jug), Geometric, late 10th–early 9th century B.C., Greek, Attic, Terracotta, H. as preserved 8 7/16 in. (21.5 cm); H. as restored 8 1/4 in. (20.9 cm), Vases, From the Hymettos deposit

Christiana Stille Keen, ca. 1769, Made in United States, Oil on canvas, Sight: 30 x 25 in. (76.2 x 63.5 cm), Paintings, Matthew Pratt (1734–1805), Soon after his return from London, where he had studied under Benjamin West, Pratt painted

Korósko, Sycomores et Campement d'une Caravane pour le Sennâr, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.4 x 29.5 cm. (9 3/16 x 11 5/8 in.), Photographs, Félix Teynard (French, 1817–1892

Limestone finial of a funerary stele with a recumbent lion and a banquet scene, Classical, 5th–4th century B.C., Cypriot, Limestone, Overall: 23 x 23 3/4 x 7 1/4 in. (58.4 x 60.3 x 18.4 cm), Stone Sculpture, Lion above; banquet with two men,

『画本虫撰』 「蝶」「蜻蛉」, Butterfly (Chō); Dragonfly (Kagerō or Tonbo), from the Picture Book of Crawling Creatures (Ehon mushi erami), Edo period (1615–1868), 1788, Japan, Page from woodblock printed book; ink and color on

The Third Otani Hiroemon as an Otokodate Seated Upon an Inverted Tub, Edo period (1615–1868), 1768 or 1769, Japan, Polychrome woodblock print; ink and color on paper, 12 7/16 x 5 1/2 in. (31.6 x 14 cm), Prints, Katsukawa Shunshō (Japanese,

Statuette of a man with patera, Bronze, H.: 3 3/8 in. (8.6 cm), Bronzes

Secretary, 1836–50, Made in New York, New York, United States, American, Rosewood, satinwood, poplar, pine, walnut, 91 3/4 x 52 3/8 x 23 1/4 in. (233 x 133 x 59.1 cm), Furniture, John and Joseph W. Meeks (active ca. 1836–59), In the

Young Woman Painting a Screen, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 10 5/8 in. (27 cm); W. 15 3/16 in. (38.6 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829