Images at Librifly

On the 'Sow' near Walton's House at Shallowford, 1880s, printed 1888, Photogravure, 12.9 x 20.0 cm. (5 1/16 x 7 7/8 in.), George Bankart (British

The Fifth Ichikawa Danjuro as Kisou Takiguchi, Edo period (1615–1868), 12th month, 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 7/16 x 5 7/32 in. (31.6 x 13.3 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Plain Panel with Sewn Silverfish and Danglers, 11th–13th century, Peru, Peru; central coast (?), Cotton, silver, Height (w/plume) 3 in., Textiles-Woven

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Gonia, Terracotta, length 1in. (2.6cm), Vases

Portrait of a Man, ca. 1680, Oil on copper, Oval, 3 3/8 x 2 1/2 in. (8.6 x 6.4 cm), Paintings, Attributed to Pieter van Slingelandt (Dutch, Leiden 1640–1691 Leiden

Box with lid, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), 3 1/4 x 6 1/4 x 5 1/2 in. (8.3 x 15.9 x 14 cm), Lacquer, This covered box, part of a wedding trousseau, comprised of thirty-one pieces,

Gilt-silver ceremonial box lid, Early Imperial, Augustan, late 1st century B.C.–early 1st century A.D., Roman, Silver gilt, H. 1 in. (2.5 cm), Gold and Silver, The lid is decorated in high relief with sacrificial animals and religious

L'Architecture a La Mode ou sont les Nouveaux Dessins pour la Décoration des Bâtimens et Jardins, [ca. 1680–ca. 1710], Engraving, etching, Overall: 12 3/8 x 8 11/16 x 1 3/4 in. (31.5 x 22 x 4.4 cm), Books

Saint Jerome, n.d., Engraving, sheet: 10 1/4 x 6 7/8 in. (26 x 17.5 cm), Prints, Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634

清 王翬 王時敏 仿古山水圖 冊 紙本, Landscapes after old masters, Qing dynasty (1644–1911), dated 1674 and 1677, China, Album of twelve leaves; ink and color on paper, Ten paintings by Wang Hui (a–j): 8 5/8 x 13 1/4 in. (22 x

Portrait of a Gentleman, 1831, Made in United States, Watercolor on ivory, H. 2 5/16 in. x 1 7/8 in. (5.9 cm x 4.8 cm), Paintings, James Reid Lambdin (1807–1889

Ier Vue du Parc de Neu-Waldeck prise du Pavillon Chinois vers l'Orient, from Views of the Park and Gardens of Marshal Count de Lacy at Neu-waldegg, 1782, Engraving, sheet: 20 1/2 x 25 11/16 in. (52 x 65.3 cm), Prints, Jakob Matthias Schmutzer

Terracotta jug, Early Bronze Age, ca. 3000–2000 B.C., Anatolian, Terracotta; hand-made, H. 8 3/8 in. (21.3 cm), Vases, This vase was probably imported to Cyprus from western Anatolia

Glass bowl, Early Imperial, Flavian, second half of 1st century A.D., Roman, Glass; blown, H.: 2 15/16 in. (7.5 cm), Glass, Translucent pale blue green. Thick tubular rim, made by folding in, round , out, and down; side bulges downwards,

Branch of Tree, Qing dynasty (1644–1911), China, Fan mounted as an album leaf; ink and color on silk, Diam. 11 in. (27.9 cm), Paintings, Unidentified Artist

Bag, 7th century, Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 8 x 11 1/2 in. (20.32 x 29.21 cm), Textiles-Woven

Lanting Gathering, Ming (1368–1644) or Qing dynasty (1644–1911), China, Fan mounted as an album leaf; ink and color on silk, 11 1/2 x 11 in. (29.2 x 27.9 cm), Paintings

Bronze furniture attachment with griffin heads, Archaic, 6th century B.C., Etruscan, Bronze, H.: 4 1/2 in. (11.4 cm), Bronzes, This element was once attached with two bronze pins to the corner of a wooden object. Incisions mark the eyes,

Print, Edo period (1615–1868), 1780–1850, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 7 3/16 in. (20.6 x 18.3 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Landscape with a Country House, ca. 1714, Red chalk. A strip of paper 1.2 cm. in height has been added at upper margin., 3 5/16 x 5 5/8 in. (8.4 x 14.3 cm), Drawings, Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne

An Oiran in Night Attire, pausing, with one Hand on the Screen that Surrounds Her Bed, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 17/32 in. (31.4 x 14.1 cm), Prints, Torii

[Old Royal High School, Calton Hill, Edinburgh], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews,

'At the Edge of the River Akutagawa' from the Tales of Ise (Ise monogatari), Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, Image: 8 3/4 x 5 1/2 in. (22.2 x 14 cm), Prints, Sugimura Jihei (probably 18th century),

[Summer residence (Qasr) of the Shah, Emarat-e xoruji, Teheran, Iran], 1840s–60s, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Terracotta one-handled cup, Late Minoan III, ca. 1400–1200 B.C., Minoan, Terracotta, H. 2 7/8 in. (7.3 cm); D. of mouth 3 7/8 in. (9.9 cm), Vases, One-handled, no decoration

Bronze phallic ornament, Imperial, 1st century A.D., Roman, Bronze, L. 4 1/16 in. (10.3 cm.), Bronzes, This ornament probably hung as a charm from a tintinnabulum, a wind chime adorned with bells and intended to ward off evil. These phallic

Muselar Virginal, 1622, Belgium, Flemish, Wood, paint, bone, metal, beech, leather, Height: 9 7/16 in. (24 cm), Chordophone-Zither-plucked, Joannes (Jan) Ruckers (Flemish, Antwerp 1578–1642 Antwerp), Joannes (Jan) Ruckers was the

東海道五十三次　吉原　左リ富士ノ縄手, Yoshiwara, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, H. 8 11/16 in. (22.1 cm); W. 6 5/16 in. (16 cm), Prints, Utagawa Hiroshige

Christ Among the Doctors, 14th century, Made in Italy, Italian, Silk on canvas, 11 1/4 x 16 3/8 in. (28.6 x 41.6 cm), Textiles-Embroidered, Workshop of Geri Lapi

Glass alabastron (perfume bottle), Hellenistic, late 4th–early 3rd century B.C., Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 6 5/16 in. (16 cm), Glass, Translucent cobalt blue, with handles in same color; trails in

Piled Stone Mountain Near Sing Chang, ca. 1869, Albumen silver print from glass negative, Image: 8 1/8 × 11 5/16 in. (20.7 × 28.7 cm), Photographs, Lai Fong (Chinese, 1839–1890

Print, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 3/16 in. (20.8 x 18.3 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 3 3/8 in. (8.6 cm), Glass, Translucent cobalt blue, with handles in same color; trail in opaque white.

Limestone head of a female votary, Archaic, early 5th century B.C., Cypriot, Limestone, Overall: 13 x 10 x 10 in. (33 x 25.4 x 25.4 cm), Stone Sculpture, Female head with double frontlet of rosettes, necklace, and elaborate earrings

[Country Church], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 7/8 × 2 3/8 × 1/4 in. (4.7 × 6 × 0.7 cm), Vases

Pagoda Island, ca. 1869, Albumen silver print from glass negative, Image: 8 1/8 × 10 11/16 in. (20.7 × 27.2 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Segawa Kikunojo, in a Female Role, Edo period (1615–1868), 1762–1819, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 6 in. (32.4 x 15.2 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Lead ornament in the form of a gorgoneion (gorgon's face), Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 3/4 in. (1.9 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at

Arles, Amphithéâtre, before June 1, 1860, Albumen silver print from glass negative?, Image: 33.8 x 43.2 cm (13 5/16 x 17 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Fly Whisk (Tahiri), early to mid-19th century, French Polynesia, Austral Islands, Austral Islanders, Wood, fiber, human hair, W. 5 1/8 x L. 32 in. (13 x 81.3 cm), Wood-Implements, Artists of the Austral Islands created delicate fly whisks

Actor Nakamura Kumetaro II as Minato, the Wife of Yura Hyogonosuke, Edo period (1615–1868), 1794–95, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 3/4 in. (31.1 x 14.6 cm), Prints, Tōshūsai Sharaku (Japanese,

Terracotta bowl fragment, Imperial, 1st–2nd century A.D., Roman, Terracotta; Arretine ware, W. 1 15/16 in. (5 cm.), Vases, Represented on the fragment is a galloping centaur with a human upper body and an equine lower body

Bronze statuette of Herakles, Hellenistic, ca. 3rd–1st century B.C., Italic, Bronze, H. 3 7/16 in. (8.8 cm), Bronzes, Statuettes of Herekles in advancing attitude, wielding the club and holding the bow have been found in great numbers

清 佚名 群羊圖卷絹本設色, Landscape with goats, Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, 12 x 93 7/8 in. (30.5 x 238.4 cm), Paintings, Unidentified Artist

Ruines d'une ville chrétienne, à Médinet-habou (Thèbes), 1849–50, Salted paper print from paper negative, Image: 6 1/2 × 8 15/16 in. (16.5 × 22.7 cm), Photographs, Maxime Du Camp (French, 1822–1894

Dress, 1912, French, silk, Perhaps the most radical achievement in Poiret's career, underestimated by the designer himself, was his development of the chemise silhouette. Although other couturiers might arguably share credit with him for

[South Portal, Chartres Cathedral], 1854, Salted paper print from paper negative, 21.5 x 15.5 cm (8 7/16 x 6 1/8 in.), Photographs, Charles Marville (French, Paris 1813–1879 Paris), The deep shadows framing this doorway at Chartres create

Armet, ca. 1490, with later additions, Milan; said to have been found in Norfolk, Italian, Milan, Steel, brass, H. 10 1/4 in. (26 cm); W. 8 1/2 in. (21.6 cm); D. 12 7/8 in. (32.7 cm); Wt. 6 lb. 7 oz. (2903 g), Helmets

Glass double cosmetic flask (kohl tube), Late Imperial, 4th century A.D., Roman, Syrian, Glass; blown, tooled, and trailed, H.: 4 3/8 x 1 3/4 in. (11.1 x 4.4 cm), Glass, Translucent yellowish green; handles and trail in same color. Tubular

Pole End, Han dynasty (206 B.C.–A.D. 220), China, Bronze, L. 1 15/16 in. (4.9 cm); W. 1 3/8 in. (3.5 cm); Diam. 15/32 in. (4.9 cm), Metalwork

Glass head, Ptolemaic, 2nd century B.C., Greek, Egyptian, Glass; cast and cut, H. 1 7/16 in. (3.6 cm), Glass, Head of a female made of glass

Bronze lamp, Imperial, late 1st century A.D., Roman, Bronze, H. 2 15/16 in. (7.5 cm); L. 4 3/4 in. (12.0 cm), Bronzes, In the form of a round bowl with an elongated nozzle. The handle consists of two stems united above to a heart-shaped disc

東都名所　二丁町芝居の図, View of the Kabuki Theaters at Sakai-cho on Opening Day of the New Season (Sakai-cho Shibai no Zu), from the series, 'Toto Meisho', Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print;

Vase fragment, Early Minoan II, Minoan, Terracotta, Other: 13/16 × 2 13/16 × 5/16 in. (2.1 × 7.1 × 0.9 cm), Vases

『雪中梅荘群児遊戯 図』, Children Playing in the Snow under Plum Trees in Bloom, (Secchū, baisō gunji yūgi zu), Meiji period (1868–1912), November 1887, Japan, Triptych of polychrome woodblock prints; ink and color on paper,

Repos (autre), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Transverse Flute, ca. 1795, Potsdam, Germany, German, Boxwood, silver, ivory, L. 63.7 cm (25 3/32 in.) with joint 3 and D-foot, Aerophone-Blow Hole-side-blown flute (transverse), Friedrich Gabriel August Kirst (German, Dresden ca.

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 5/8 in. × 10 in. (37.1 × 25.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Two Poems in Five-character Regulated Verse, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold-flecked paper, 6 3/8 x 18 5/8 in. (16.2 x 47.3 cm), Calligraphy, Wang Guxiang (Chinese, 1501–1568

Illustration of Noh Dance Scene, Meiji period (1868–1912), ca. 1910, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 19 15/16 in. (36.8 x 50.6 cm), Prints, After Okumura Masanobu (Japanese, 1686–1764

Sr. George Bridges Rodney, Rear Admiral of the Blue., 1780, Mezzotint; third state, sheet: 6 7/16 x 4 15/16 in. (16.4 x 12.5 cm), Prints, James Watson (Irish, Dublin ca. 1740–1790 London), After Sir Joshua Reynolds (British, Plympton

Gold ornament with cloisons, Late Imperial or Late Antique, 3rd–4th century A.D. or later, Roman, Gold, Other: 1 11/16 in. (4.3 cm), Gold and Silver, Oblong bead ornament

Closed Burgonet, ca. 1560, Italian, Steel, gold, H. 14 3/4 in. (37.5 cm); W. 10 in. (25.4 cm); D. 13 1/2 in. (34.3 cm); Wt. 8 lb. 4 oz. (3755 g), Helmets, On cavalry helmets of this type, the face defense, called a falling buffe, can be

Moitié de la façade du Spéos d'Athor, à Abousembil (partie Septentrionale), March 1850, Salted paper print from paper negative, Image: 6 3/4 × 9 1/16 in. (17.2 × 23 cm), Photographs, Maxime Du Camp (French, 1822–1894

Glass aryballos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 2 1/2 in. (6.4 cm), Glass, Translucent cobalt blue, with handles in opaque yellow; trails in opaque

Limestone woman, Archaic, 6th century B.C., Cypriot, Limestone, Overall: 7 1/2 x 2 1/2 x 2 in. (19.1 x 6.4 x 5.1 cm), Stone Sculpture, Cypriot sculptors assimilated influences not only from the East but also from the Greek world. Carved in

Henning, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Terracotta skyphos (deep drinking cup), Geometric, 1st half of 8th century B.C., Greek, Euboean, Terracotta, H. 2 15/16 in. (7.49 cm), Vases, Unpretentious though they are as objects, skyphoi with pendant semicircles are of considerable

Vase fragment, Early Minoan II, Minoan, Terracotta, 4 5/16 × 2 7/16 × 3/16 in. (10.9 × 6.2 × 0.5 cm), Vases

Cloisters of Lacock Abbey, 1842, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Limestone head of a bearded male wearing a conical helmet, Archaic, middle or third quarter of the 6th century B.C., Cypriot, Limestone, Overall: 16 x 8 1/4 x 8 in. (40.6 x 21 x 20.3 cm), Stone Sculpture, The rounded beard is smooth, with the

Tetradrachm of Seleucus I, Seleucid, ca. 312–281 B.C., Iran, Pasargadae, Seleucid, Silver, Diam. 2.7 cm, Metalwork-Coins-Inscribed, Money—as a means of exchange, a mode of payment, and a standard of value—was in use in the ancient

Actor as a Samurai Youth, Edo period (1615–1868), ca. 1735, Japan, Polychrome woodblock print; ink and color on paper (Urushi-e), H. 11 in. (27.9 cm); W. 4 7/8 in. (12.4 cm), Prints, Torii Kiyotada (Japanese, fl. ca. 1720–50

Gustavus Hamilton (1710–1746), Second Viscount Boyne, in Masquerade Costume, 1730–31, Pastel on paper, laid down on canvas, 22 1/4 x 16 7/8 in. (56.5 x 42.9 cm), Pastels & Oil Sketches on Paper, Rosalba Carriera (Italian, Venice

Terracotta rhyton (vase for libations or drinking), Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 7 1/16 in. (17.9 cm), Vases, Head of a dog. On the cup, a running satyr. The earliest Apulian

Jérusalem, Maison du mauvais riche, 1854, Salted paper print from paper negative, Image: 33.5 x 23.6 cm (13 3/16 x 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

青銅觶, Ritual Wine Cup (Zhi), Western Zhou dynasty (1046–771 B.C.), late 11th century B.C., China, Bronze, H. 5 3/4 in. (14.6 cm); Diam. 3 1/8 in. (7.9 cm); Diam. of rim: 2 3/4 in. (7 cm); Diam. of foot: 2 5/8 in. (6.7 cm); Wt. 1.5 lb.

Haystacks, Morning, Éragny, 1899, Oil on canvas, 25 x 31 1/2 in. (63.5 x 80 cm), Paintings, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris), Made the same year as Pissarro’s bird’s-eye views of the Jardin

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 1/2 in. (34.6 × 24.1 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

The Panelled Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin

On the Road up to Yuen-foo Monastery, ca. 1869, Albumen silver print from glass negative, Image: 7 5/16 × 9 3/8 in. (18.6 × 23.8 cm), Photographs, Possibly by Lai Fong (Chinese, 1839–1890

Fille de Shanghai, 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

魚づくし　ひらめ　めばるに桜, Hirame and Mebaru Fish with Cherry Blossoms, from the series Uozukushi (Every Variety of Fish), Edo period (1615–1868), 1840s, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 14

Prisonniers conduits par un Mata, Cochinchine, 1866, Albumen silver print from glass negative, 24.2 x 21 cm (9 1/2 x 8 1/4 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Principal Haldane, St. Andrews, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Silver-gilt cup (one of a pair), Late Classical or Hellenistic, 4th–3rd century B.C., Greek, South Italian, Silver, gold, H. 2 1/2 in. (6.3 cm); diameter 6 1/8 in. (15.5 cm); length including handles 9 5/8 in. (24.5 cm), Gold and Silver,

Fragment of a terracotta plaque, Classical, late 5th century B.C., Greek, Terracotta, 7 1/4 in. x 4 1/2 in. (18.4 cm x 11.4 cm), Terracottas, Dancing woman. The figure belongs to the type commonly known as a kalathiskos dancer. The

Marble pillar with snake and wreath, Imperial, 1st–2nd century A.D., Roman, Marble, Pentelic ?, h. 14 5/8 in (37.2 cm), Stone Sculpture, This pillar may be either votive or sepulchral. The snake is both an attribute of the healing god

Mirror with Cover, Bowl and Brush for Rouge, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 3/8 x 7 1/16 in. (13.7 x 17.9 cm), Prints, Yukeisha (Japanese, 18th–19th century

Chinese Children at Play, Ming (1368–1644) or Qing dynasty (1644–1911), China, Fan mounted as an album leaf; ink and color on silk, 8 5/16 x 9 1/2 in. (21.1 x 24.1 cm), Paintings, Unidentified Artist, After Emperor Huizong (Chinese,

Rev. Charles John Brown, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

[Mahomedan Arch at the Qutub Minar, Delhi], 1858–61, Albumen silver print, Image: 28.1 x 22.6 cm (11 1/16 x 8 7/8 in.), Photographs, Unknown

Vue générale du Cimetière de Siout, 1849–50, Salted paper print from paper negative, Image: 6 9/16 × 8 9/16 in. (16.7 × 21.7 cm), Photographs, Maxime Du Camp (French, 1822–1894

Pitcher, 1828–38, Made in Philadelphia, Pennsylvania, United States, American, Porcelain, H. 10 3/16 in. (25.9 cm); Diam. 9 1/2 in. (24.1 cm), Ceramics, Tucker Factory (1826–1838

Textile with the Character for Longevity (Shou), 17th century, China, Brocaded silk satin, Overall: 35 1/2 x 13 3/8 in. (90.2 x 34 cm), Textiles-Woven, The character for longevity (shou) is here flanked by beribboned swastikas (wan), each

Segawa Kikunojo III, Edo period (1615–1868), ca. 1785, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 5/8 in. (31.8 x 14.3 cm), Prints, Katsukawa Shunjō (Japanese, died 1787

Frank MacDowell, 1880s, Glass positive , Transparencies, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

Chlorite tripod, Late Cypriot II–III, ca. 1450–1050 B.C., Cypriot, Chlorite, H. 2 5/8 in. (6.7 cm); Diam. 4 3/4 in. (12.1 cm), Miscellaneous-Stone Vases, Feet decorated with lines and circles

Kintaro with Carp, Edo period (1615–1868), 19th century, Japan, Hanging scroll; hand-colored woodblock print, Image: 23 3/4 x 17 1/2 in. (60.4 x 44.5 cm), Paintings