Images at Librifly

富士三十六景 相模七里ケ浜, View of Mount Fuji from Seven-ri Beach, Province of Sagami (Sōshū: Shichi-ri ga hama), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), dated 4th month,

Seated limestone kourotrophos, Classical, 4th century B.C., Cypriot, Limestone, Overall: H.:5 1/2 x W.:3 1/2 x D.:1 3/4 in. (14 x 8.9 x 4.4 cm), Stone Sculpture, Seated 'nursing mother' with child seated upright

Garnet ring stone, Hellenistic, 1st century B.C., Italic, Garnet (almandine), Other: 1/2 x 1/4 x 5/8 in. (1.3 x 0.6 x 1.6 cm), Gems, Carved on this almandine garnet is Eros walking to the right and proudly carrying off the weapons of Herakles:

Wedjat Eye Amulet, Late Period, Dynasty 26–29, 664–380 B.C., From Egypt, Gold, H. 3.2 cm (1 1/4 in); w. 3.7 cm (1 7/16 in); th. 0.4 cm ( 3/16 in.), The wedjat-eye amulet represents a human eye with its brow, but the two lines below the

[Egyptian Obelisk, 'Cleopatra's Needle, ' in Alexandria, Egypt], ca. 1870, Albumen silver print from glass negative, Image: 15.5 x 20.8 cm (6 1/8 x 8 3/16 in.), Photographs, Attributed to Francis Frith (British, Chesterfield, Derbyshire

Mr. and Mrs. Charles E. Tiffany in Louis C. Tiffany's Studio, ca. 1890, Platinum print (?), 18.8 x 23.6 cm (7 3/8 x 9 5/16 in. ), Photographs, George Collins Cox (American, 1851–1902

Rooster and Hen with Chicks, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 x 10 1/2 in. (35.6 x 26.7 cm), Paintings, Watanabe Seitei (Japanese, 1851–1918

Blue Bird, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 14 5/8 x 5 in. (37.1 x 12.7 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Flouring Mill at Yen-Ping, ca. 1869, Albumen silver print from glass negative, Image: 8 1/16 × 11 5/16 in. (20.4 × 28.7 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

[After the Capture of the Taku Forts], 1860, Albumen silver print from glass negative, Image: 26 x 29.9 cm (10 1/4 x 11 3/4 in.), Photographs, Felice Beato (British (born Italy), Venice 1832–1909 Luxor, Egypt), One of the first professional

Snowy Gorge, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 28 3/4 x 9 1/2 in. (73 x 24.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo)), Hiroshige began his career at

[Mosque at Sultaniye], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Bronze phiale (libation bowl), Cypro-Archaic, ca. 600 B.C., Cypriot, Bronze, 1 15/16in. (4.9cm), Bronzes, This type of phiale, with a hemispherical bowl, prominent omphalos (navel), and articulated lip, is extremely rare

Limestone statuette of a female votary (worshipper) playing a tambourine, Archaic, 2nd–3rd quarter of the 6th century B.C., Cypriot, Limestone, Overall: 17 3/4 x 4 3/4 x 2 3/4 in. (45.1 x 12.1 x 7 cm), Stone Sculpture, Female votary playing

Glass jug in the shape of a bunch of grapes, Late Imperial, ca. 3rd century A.D., Roman, Glass; blown in a two-part mold, 6 1/8 × 2 3/4 × 2 1/2 in. (15.6 × 7 × 6.3 cm), Glass, Translucent cobalt blue with same color handle., Thick rim

Cayer de 6 Grilles de Chenets et de Feux de Cheminées, 1740–89, Etching, Overall: 18 1/8 x 13 x 3/16 in. (46.1 x 33 x 0.4 cm), Books, Jean Charles Delafosse (French, Paris 1734–1789 Paris

Enoshima in Sagami Province (Sōshū Enoshima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　相州江の島, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H.: 5 5/8 in. (14.3 cm), Glass, Candlestick unguentarium. Uncertain color (colorless ?). Everted rim, with rounded outer lip; slender, tall, slightly concave

Glass pendant in the form of a lamp, Late Imperial, 4th century A.D., Roman, Glass; tooled, Overall: 5/16 x 5/8 in. (0.8 x 1.6 cm), Glass, Translucent cobalt blue., Solid pendant, flat on top and bottom, with projecting U-shaped nozzle and

San Francisco, 1864, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Brooch, 11th century B.C., European Bronze Age, Copper alloy, Overall: 10 13/16 x 2 11/16 x 1 7/16 in. (27.5 x 6.8 x 3.6 cm), Metalwork-Copper alloy

山水図, Landscape, Muromachi period (1392–1573), 16th century, Japan, Hanging scroll; ink and color on paper, Image: 20 1/4 × 13 5/8 in. (51.4 × 34.6 cm), Paintings, Maejima Sōyū (active mid-16th century), On a moonlit night, a

Terracotta squat lekythos, Classical, 450–425 B.C., Greek, Attic, Terracotta; red-figure, H. 4 3/16 in. (10.7 cm), Vases, Nike running to an altar. Nike, the personification of victory, runs to an altar with outstretched arms. Despite the

Kohl Stick, New Kingdom, Dynasty 18, early, ca. 1492–1473 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Hatnefer and Ramose (below TT 71), Inside 36..59a, b (Basket 'O'), 1935–36, Wood, ebony, L. 9.5 cm (3 3/4

Piece, 1715–20, British, Silk, Overall: 28 x 21 in. (71.1 x 53.3 cm), Textiles-Woven

[Portrait of Three Women and Men in a Garden], 1850s–60s, Albumen silver print from glass negative, 23.8 x 19.0 cm (9 3/8 x 7 1/2 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Koi, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 in. (24.8 x 35.6 cm), Prints, Keisai Eisen (Japanese, 1790–1848

Lower half of a human head in the round, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.65 x 1.1 in. (4.19 x 2.79 cm), Ivory/Bone-Sculpture, Excavations at Hasanlu in Iran yielded a large number of carved ivory fragments

Woman Seated Holding a Cat, Edo period (1615–1868), ca. 1755, Japan, Polychrome woodblock print; ink and color on paper, 17 x 11 in. (43.2 x 27.9 cm), Prints, Torii Kiyohiro (Japanese, active ca. 1737–1766

Limestone finial of a funerary stele with two recumbent lions, Archaic, late 6th or early 5th century B.C., Cypriot, Limestone, Overall: 13 1/4 x 24 1/2 x 7 in. (33.7 x 62.2 x 17.8 cm), Stone Sculpture, The cavetto finial is decorated with a

Terracotta statuette of a doll, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 7 9/16 in. (19.2 cm), Terracottas, Nude, wearing earrings and diadem

Landscape (Garden Estate), Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; ink and color on silk, 14 3/8 in. × 11 ft. 1 in. (36.5 × 337.8 cm), Paintings, Unidentified Artist, In the style of Liu Songnian (Chinese,

Gold ring, Classical, early 4th century B.C., Greek, Gold, Length: 9/16 in. (1.4 cm), Gold and Silver, Seated woman crowning female herm

Glass cameo cup (scyphus) fragment, Early Imperial, Augustan or Julio-Claudian, late 1st century B.C.–mid-1st century A.D., Roman, Glass; cast in two layers or blown and cased, then carved, Overall: 2 3/16 x 1 3/16 in. (5.6 x 3 cm), Glass,

Terracotta jar, Early Cycladic III–Middle Cycladic I, ca. 2300–1900 B.C., Cycladic, Terracotta, Overall: 16 3/8 in. (41.6 cm), Vases

Stone Pines, Villa Pamfili Doria, Rome, 1856, Albumen silver print from paper negative, Image: 20 x 24.8 cm (7 7/8 x 9 3/4 in.), Photographs, Jane Martha St. John (British, 1803–1882), Jane St. John was most likely attracted to photography

Fibula, boat-shaped type, Bronze, Other: 3 in. (7.6 cm), Bronzes

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Ivory die, ca. 1st–3rd century A.D., Roman, Ivory, Overall: 5/8 x 9/16 in. (1.6 x 1.4 cm), Cubical in form

Terracotta squat lekythos (oil jar), Late Classical, early 4th century B.C., Greek, Attic, Terracotta; red-figure, H. 3 7/8 in. (9.9 cm), Vases, Seated woman and Eros on either side of a mound. The seated woman may be Aphrodite. The scene has

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass, 1 7/16 x 1/2in. (3.6 x 1.3cm), Glass, Miniature perfume bottle Translucent pale purple. Rim folded out, over, and in, flattened on top; long, slightly funnel-shaped

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 1/2 in. (8.9 cm), Glass, Opaque red brown, streaked with sealing wax red, with handles in same

ムクドリ図, Starlings on a Branch, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 1/2 in. (36.2 x 26.7 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Kohl stick, Middle Kingdom, Dynasty 12, ca. 1981–1802 B.C., From Egypt, Obsidian, L. 5 cm (1 15/16 in

Triompho di Fortuna, January 1526, Printed book with woodcut illustrations, Overall: 13 3/4 x 9 7/16 x 1 in. (35 x 24 x 2.5 cm), Books, After the popular Libro della ventura of Lorenzo Spirito, first published in 1482 that had gone through

The Father of the Forest, 112 feet circumference, Calaveras Grove, 1865–66, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Gold serpentine fibula (safety pin) with animals in granulation, Geometric, 7th century B.C., Etruscan, Gold, length 3 1/2in. (8.9cm), Gold and Silver, Ornamented with granulation

Glass network mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 1/2 x 2 1/16 in. (3.8 x 5.2 cm), Glass, Rim fragment., Translucent blue, opaque yellow, and colorless.,

A Sage Fallen Asleep Over His Books, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 5/16 in. (20.8 x 18.6 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Box with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 7 5/8 in. (19.4 cm); W. 8 1/2 in. (21.6 cm); D. 11 in. (27.9 cm), Lacquer, This covered box, part of

Bronze jug, Imperial, late 1st–2nd century A.D., Roman, Bronze, 5 15/16in. (15.1cm), Bronzes, One-handled

'Dervish With a Lion', Folio from the Shah Jahan Album, verso: ca. 1630; recto: ca. 1500, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Padarath, Persian Inscription (in lower

Bedroom Scene, Edo period (1615–1868), ca. 1739, Japan, Polychrome woodblock print; ink and color on paper (hand colored), 10 3/4 x 15 1/8 in. (27.3 x 38.4 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Feeding Poor Puss, 1853–56, Salted paper print, Image: 13.5 × 10.9 cm (5 5/16 × 4 5/16 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Statuette of a man, Apollo type, Archaic, 7th–5th century B.C., Etruscan, Bronze\, H. 3 1/4 in. (8.3 cm), Bronzes

Vase with cover (Vase en tour) (one of a pair), ca. 1763, French, Sèvres, Soft-paste porcelain, Overall (confirmed): H. 20 1/8 x W. 8 1/4 x D. 7 7/8 in. (51.1 x 21 x 20-20.5 cm), Ceramics-Porcelain, Because of the functional nature of

Plate with Decoration of Two Cranes, early Edo period (1615–1868), Japan, Porcelain with blue underglaze and iron glaze (Hizen ware), H. 1 1/4 in. (3.2 cm); Diam. 5 5/8 in. (14.3 cm), Ceramics

Terracotta rim and handle of a vase, Middle Helladic, ca. 2000–1550 B.C., Helladic, Terracotta; Gray Minyan ware, Other: 1 3/4in. (4.5cm), Vases, Fragment of a handle from a vase

Limestone handle of a patera or a fire shovel ending in a ram’s head, Classical ?, 5th century B.C. ?, Cypriot, Limestone, Overall: 2 3/8 x 5 1/2 in. (6 x 14 cm), Miscellaneous-Stone, Handle ending in a ram's head

Jérusalem, Porte de la citadelle, 1854, Salted paper print from paper negative, Image: 32.9 x 23.1 cm (12 15/16 x 9 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

Edouard Manet [?], ca. 1890, Albumen silver print from glass negative, 14.9 x 9.1 cm (5 7/8 x 3 9/16 in. ), Photographs, Bouillier (French, active 1886–early 1890s

Figure vase in the form of Taweret with a human head, New Kingdom, late, Dynasty 20, ca. 1184–1070 B.C., From Egypt, Faience, H. 9.5 × W. 4.2 × D. 4.2 cm (3 3/4 × 1 5/8 × 1 5/8 in.), Although certainly derived from an Egyptian form,

The Second Sawamura Sojuro in the Role of Ume no Yoshibei, Edo period (1615–1868), 2nd month, 1763, Japan, Polychrome woodblock print; ink and color on paper, 11 7/8 x 5 7/16 in. (30.2 x 13.8 cm), Prints, Torii Kiyoshige (Japanese, active

Glass ribbed bottle, Early Imperial, 1st century A.D., Roman, Glass; blown and tooled, H.: 3 1/2 in. (8.9 cm), Glass, Translucent blue. Everted rim, folded over and in; cylindrical neck, expanding downwards; pushed-in shoulder; squat,

Vessel (Jiao Dou), Shang dynasty (ca. 1600–1046 B.C.), 13th–11th century B.C., China, Bronze, H. 6 in. (15.3 cm); W. 8 1/2 in. (21.6 cm); Diam. 4 5/8 in. (11.7 cm), Metalwork

Buckle, Bronze, Other: 1 1/4 in. (3.2 cm), Bronzes

近代 王振聲 友梅圖 扇面, Still-life with Plum, early 20th century, China, Folding fan mounted as an album leaf; ink and color on alum paper, 6 1/8 x 19 in. (15.6 x 48.3 cm), Paintings, Wang Zhensheng (Chinese, 1842–1922

Bronze ladle terminating in two ducks' heads, Classical, 5th century B.C., Etruscan, Bronze, H.: 13 in. (33 cm), Bronzes, With certain utensils such as ladles, especially when they have no figural decoration, the Greek and Etruscan examples

Mitsui Shop at Surugachō in Edo (Edo Surugachō Mitsui mise ryaku zu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　江都駿河町三井見世略図, Edo period (1615–1868), ca. 1830–32, Japan,

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 1 5/16 in. (2.1 x 3.4 cm), Glass, Thin inlay fragment., Translucent deep purple streaked with colorless, greyish

Ladle, 1820–30, Made in New York, New York, United States, American, Silver, L. 7 5/8 in. (19.4 cm), Silver, James D. Stout (active ca. 1805–39

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 3 5/16 in. (8.4 cm), Glass, Translucent blue green. Rim folded out, round, and in, flattened on top with irregular mouth; concave cylindrical neck, expanding

Women and Children Viewing the Cherry Blossoms at Gotenyama, Edo period (1615–1868), ca. 1787, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 12 3/4 × 25 1/2 in. (32.4 × 64.8 cm), Prints, Katsukawa Shunchō

Glass beaker, Early Imperial, 1st century A.D., Roman, Glass; blown and cut, Height: 3 7/8 in. (9.8 cm), Glass, Colorless. Knocked-off rim; slightly bulging collar below rim; carinated sides tapering downward; concave bottom. One fine

Decanter with stopper, 1890–1900, Made in New York, New York, United States, American, Glass, wheel cut, 8 7/8 × 3 3/8 × 3 3/8 in. (22.5 × 8.6 × 8.6 cm), Glass, Possibly Baccarat (French, founded 1764

南宋 佚名 倣燕文貴 秋山蕭寺圖 卷, Buddhist Temples amid Autumn Mountains, Song dynasty (960–1279), late 12th–mid-13th century, China, Handscroll; ink and pale color on silk, Image: 12 7/8 in. × 10 ft. 6 1/2 in. (32.7 × 321.3

百人一首　乳母か絵とき　参議篁, Poem by Sangi no Takamura (Ono no Takamura), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock

Colosses du Ramesséum, 1850, Salted paper print from paper negative, Image: 16.4 x 21.1 cm (6 7/16 x 8 5/16 in.), Photographs, Maxime Du Camp (French, 1822–1894), In 1849-50, Du Camp traveled to Egypt with the as-yet-unknown writer Gustave

Saint-Rémy, ca. 1862, Albumen silver print from glass negative?, Image: 28.6 x 21.7 cm (11 1/4 x 8 9/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Pair of bird-shaped handles, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Bronze, H. 4 1/4 x W. 3 15/16 in. (10.8 x 10 cm), Metalwork-Vessels, These handles were once fixed, each by three rivets, to a hammered bronze shallow

Star-Shaped Tile, first half 15th century, Made in Spain, probably Malaga, Earthenware; luster-painted on opaque white glaze, W. 9-3/4 in. (24.8 cm), Ceramics-Tiles, Eight-pointed star tiles from Nasrid Spain are rare, but this example bears

Sard ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Sard, Length: 9/16 in. (1.5 cm), Gems, Oedipus and the sphinx

Sunset on the Rhine, 1853, Oil on canvas, 32 1/4 x 42 3/8 in. (81.9 x 107.6 cm), Paintings, Barend Cornelis Koekkoek (Dutch, Middelburg 1803–1862 Cleve

Mosquée d'Ali-Bey, à Girgeh, 1849–50, Salted paper print from paper negative, Image: 6 7/16 × 8 3/4 in. (16.3 × 22.3 cm), Photographs, Maxime Du Camp (French, 1822–1894

Illustration of Noh Dance Scene, Meiji period (1868–1912), ca. 1910, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 20 in. (36.8 x 50.8 cm), Prints, Tsukioka Kōgyo (Japanese, 1869–1927

Terracotta statuette of an actor, Late Classical, late 5th–early 4th century B.C., Greek, Attic, Terracotta, H. 4 1/4 in. (10.8 cm), Terracottas, Fourteen of these figures are said to have been found together in a burial in Attica. They are

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 2 9/16 in. (6.5 cm), Glass, Translucent yellow. Very fine, outsplayed rim; cylindrical neck, with horizontal tooled indent around base; piriform body; slightly

Sugar urn with cover, ca. 1830, Made in Philadelphia, Pennsylvania, United States, American, silver, 9 1/4 x 4 1/2 in. (23.5 x 11.4 cm) 17 oz. 14 dwt (551.1g), Silver, Robert and William Wilson (active ca. 1825–ca6

Mirror, Qin dynasty (221–206 B.C.), China, Bronze, Diam. 2 15/16 in. (7.5 cm), Mirrors

江戸名所　外桜田弁慶堀, Soto Sakurada Benkei Bori, Edo period (1615–1868), ca. 1843, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 14 3/5 in. (25.1 x 37.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

The Third Sawamura Sojuro & the Second Ichikawa Monnosuke as Buddhist Monks, Edo period (1615–1868), 1791, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 3/4 in. (32.1 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese,

Fragment, 5th–6th century, Attributed to Egypt, Wool, 5 7/8 in. high 6 7/8 in. wide (15 cm high 17.5 cm wide), Textiles

Terracotta oval-mouthed amphora, Middle Minoan III, ca. 1750–1600 B.C., Minoan, Terracotta; Dark-on-light ware, H. 10 7/8 in. (27.6 cm.), Vases, Horizontal black bands on the body

Mary Capel (1630–1715), Later Duchess of Beaufort, and Her Sister Elizabeth (1633–1678), Countess of Carnarvon, Oil on canvas, 51 1/4 x 67 in. (130.2 x 170.2 cm), Paintings, Sir Peter Lely (Pieter van der Faes) (British, Soest 1618–1680

Terracotta lamp handle, Imperial, ca. A.D. 25–75, Roman, Terracotta, L. 3 1/2in. (8.9 cm.), Terracottas, On handle, a palmette between two hippocamps

Pair of Double-Barreled Flintlock Pistols, 1752–53, Paris, French, Paris, Steel, silver, gold, wood (walnut), whalebone, L. of each 14 3/8 in. (36.5 cm); Wt. of each 36 oz. (1030 g), Firearms-Pistols-Flintlock, Pistols with side-by-side

The Second Ishikawa Monosuke in the Role of Karigane Bunshichi, Edo period (1615–1868), 1782, Japan, Polychrome woodblock print; ink and color on paper, 12 1/4 x 5 1/2 in. (31.1 x 14 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

The Actor Otani Oniji III, Edo period (1615–1868), 1762–1819, Japan, Polychrome woodblock print; ink and color on paper, 11 7/8 x 5 1/4 in. (30.2 x 13.3 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Colander for Food Steamer (Xian), late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, H. 8 1/4 in. (21 cm); Diam. 11 1/2 in. (29.2 cm), Metalwork

Ichikawa Danjūrō V as Kūdo no Suketsune, and Nakamura Rikō as Oiso no Tora, Edo period (1615–1868), 18th century, Japan, Polychrome woodblock print; ink and color on paper, 12 3/8 x 8 3/4 in. (31.4 x 22.2 cm), Prints, Katsukawa Shunshō