Images at Librifly

Procession of Arhats, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Album of ten leaves; ink on silk, (a): 11 7/8 x 20 in. (30.2 x 50.8 cm); (b): 11 x 10 in. (27.9 x 25.4 cm); (c): 11 3/4 x 16 1/4 in. (29.8 x 41.3 cm); (d) 11 7/8 x 14

Landscapes, Ming dynasty (1368–1644), China, Eight album leaves mounted as a handscroll; ink and color on silk, Image (All leaves): 12 3/4 x 162 7/8 in. (32.4 x 413.7 cm), Paintings, Tang Yin (Chinese, 1470–1524), A brilliant scholar

Terracotta lagynos (oil flask), Hellenistic, 2nd–1st century B.C., Greek, Terracotta, h. 5 7/16 in. (13.9 cm), Vases, Lagynos ware is named after the shape most commonly associated with the distinctive decorative style seen on this flask:

Piece, second half 15th century, Italian, Silk, 21 1/2 x 10 inches (54.6 x 25.4 cm), Textiles-Velvets

Ax Head with Oval-Shaped Blade, 橢圓形青銅斧, 10th–8th century B.C., Northeast China, Bronze, W. 3 3/16 in. (8.1 cm); L. 5 in. (12.7 cm), Metalwork

Terracotta kylix (drinking cup), Archaic, ca. 535–500 B.C., Greek, Attic, Terracotta; black-figure, H. 2 11/16 in. (6.8 cm.), Vases, This cup shares some of the characteristics of both band cups and eye cups but also represents individual

View From Our Garden, Dum Dum, 1850s, Albumen silver print, Image: 19.4 x 24.4 cm (7 5/8 x 9 5/8 in.), Photographs, Captain R. B. Hill

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 7/16 x 1 7/8 in. (3.7 x 4.8 cm), Glass, Body fragment., Translucent honey brown, cobalt blue, and

Aryballos (perfume flask) in the form of a helmeted head, Archaic, 6th century B.C., East Greek, Terracotta, H.: 3 1/4 in. (8.3 cm), Vases, Archaic aryballos in the form of a warrior's head

Terracotta pelike (jar), Classical, ca. 430 B.C., Greek, Attic, Terracotta; red-figure, H. 13 1/2 in. (34.3 cm), Vases, Komos (revel). Obverse, flute-player and youth with skyphos Reverse, two youths The young men are the same Athenian

Pavillon ou Gynecée de Rhamsès-Meiamoun, à Médinet-habou, 1849–50, Salted paper print from paper negative, Image: 6 5/16 × 8 3/4 in. (16 × 22.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Vase fragment, Early Minoan II, Minoan, Terracotta, 4 9/16 × 4 3/4 × 3/8 in. (11.5 × 12 × 0.9 cm), Vases

Plate, 1818, Made in Montgomery County, Pennsylvania, United States, American, Earthenware; Redware with sgraffito decoration, Diam. 10 in. (25.4 cm), Ceramics, Attributed to Henry Troxel (active 1799–1829

Warbler and Camellia, Edo period (1615–1868), ca. 1815–20, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 7 1/4 in. (20.6 x 18.4 cm), Prints, Totoya Hokkei (Japanese, 1780–1850), Bird-and-flower, or

Glass oinochoe (perfume jug), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 1/2 in. (8.9 cm), Glass, Opaque white, with handle and foot in same color; trails in translucent purple.,

Glass jug, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Hieght: 4 1/16in. (10.3cm), Glass, Translucent pale blue green, with same color handle. Collared rim, folded out, down, and up, with lip on outer edge of

Hercules Skinning the Nemean Lion, ca. 1675–1700, French, probably Paris, Bronze, Overall: H. 18 1/8 x W. 17 x D. 8 7/8 in. (curve of tail to Hercules extended toe] (46 x 43.2 x 22.5 cm), Sculpture-Bronze, Attributed to François Lespingola

Homme allongé au pied d'un chàtaignier, 1850–53, Salted paper print (Blanquart-Évrard process) from paper negative, 20.9 x 16.2 cm (8 1/4 x 6 3/8 in.), Photographs, Charles Marville (French, Paris 1813–1879 Paris), Louis-Désiré

Bowl, 1898–1902, Made in New York, New York, United States, American, Enamel on copper, 1 1/2 x 2 x 2 in. (3.8 x 5.1 x 5.1 cm), Metal, Tiffany Glass and Decorating Company (American, 1892–1902

Original Bill of Sale, Pellatt and Green, 1818, Made in London, England, American, Ink on paper, Natural Substances, Pellatt & Green, This is the original bill of sale for a table service William Bayard (1761–1826) commissioned in 1818 for

Model Lotos Flower, Middle Kingdom, Late dynasty 11, ca. 2051–1981 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, North Colonnade, Pit 5, 1922–23, Painted and plastered wood, H. 4 1/8 in. (10.5 cm),

Shiokumi, The Dance of the Beach Maidens from the series Brocade of the East, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, Image: 15 3/16 x 9 13/16 in. (38.6 x 24.9 cm), Prints, Torii Kiyonaga

Tobacco Pouch and Pipe, Edo period (1615–1868), 1813, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 7 1/8 in. (20 x 18.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820), The traditional Japanese smoking

An Actor of the Bando Line as an Outlaw Brought to Bay on the Bank of a River, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, H. 12 5/8 in. (32.1 cm); W. 6 1/4 in. (15.9 cm), Prints, Katsukawa

Column and Capital with Dog Mask, 14th century, Made in probably Verona, probably the Veneto, Italy, North Italian, Stone (Broccato rosso di Verona), Overall: 105 1/2 x 16 1/2 x 16 1/8 in. (268 x 41.9 x 41 cm), Sculpture-Stone

Cormorants on Rock, early Ming dynasty (1368–1644), China, Fan mounted as an album leaf; ink and color on silk, 10 7/16 x 10 3/8 in. (26.5 x 26.4 cm), Paintings, Unidentified Artist

Terracotta calyx-krater (mixing bowl), Classical, ca. 430–400 B.C., Greek, South Italian, Lucanian, Terracotta; red-figure, H. 15 1/16 in. (38.3 cm); diameter of mouth 14 9/16 in. (37 cm), Vases, Obverse, four warriors fighting, Reverse,

Jean Jacques Caffiéri (1725–1792), ca. 1765, Oil on canvas, Oval, 25 1/4 x 20 3/4 in. (64.1 x 52.7 cm), Paintings, Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris), This subtle portrait, with its smoothly blended surface and

Glass reliquary bottle, Post-Roman, ca. 7th–8th century A.D., Possibly Frankish, Glass; blown and cut, Overall: 2 15/16 in. (7.5 cm), Glass, Translucent green. Thick, everted rim, folded over and in to oval, flaring mouth; cylindrical

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Glass bowl, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, H.: 2 5/16 in. (5.9 cm), Glass, Translucent golden brown. Rounded vertical rim; sides tapering downward, then curved in to almost flat

Man in Oriental Costume ('The Noble Slav'), 1632, Oil on canvas, 60 1/8 x 43 3/4in. (152.7 x 111.1cm), Paintings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Compared with Rembrandt's formal portraits of the same

Jérusalem, Saint Sépulcre, vue générale, 2, 1854, Salted paper print from paper negative, Image: 23.2 x 33 cm (9 1/8 x 13 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta oinochoe (jug), Late Corinthian, late 6th century B.C., Greek, Corinthian, Terracotta, H. 3 7/16 in. (8.7 cm), Vases, Checkerboard pattern on body

China Case, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 12 1/2 x 8 3/8 in. (31.8 x 21.2 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Priming Flask, Powder Measure, and Suspension Cords, late 18th–early 19th century, Algerian, Silver, gold, steel, coral, textile, Primer: L. 7 3/4 in. (19.7 cm); W. 1 3/4 in. (4.4 cm); D. 8 3/5 in. (22 cm); measure: L. 8 in. (20.3 cm); W.

[Bengal Horse Artillery, 1860], 1860, Albumen silver print, Image: 11.3 x 18.6 cm (4 7/16 x 7 5/16 in.), Photographs, Unknown

Sampler, 1656, British, Linen worked with silk thread; long-and-short, split, stem, back, tent, cross, and satin stiches, H. 27 7/8 x W. 10 3/8 inches (70.8 x 26.4 cm); Framed: H. 30 3/4 x W. 12 1/4; D. 1 1/4 (78.1 x 31.1; 3.2 cm),

Turban, 12th–15th century, Peru, Chimú, Cotton, camelid hair, L x W. 6 1/2 in. (457.2 x 16.5 cm), Textiles-Woven

In the Valley of the Mole, 1855, Albumen silver print from glass negative, Image: 20.4 x 25.5 cm (8 1/16 x 10 1/16 in.), Photographs, Robert Howlett (British, 1831–1858), One of the first English photographers to earn a living from the

La Ciotat, Bec de l'Aigle, ca. 1861, Albumen silver print from paper negative, Image: 32.1 x 42.3 cm (12 5/8 x 16 5/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

The Rest on the Flight into Egypt, Oil on copper, 9 x 11 in. (22.9 x 27.9 cm), Paintings, Pier Francesco Mola (Italian, Coldrerio 1612–1666 Rome), The story depicted in this exquisite painting is from the apocryphal gospels. Mola gives the

Bronze knife, Middle or Late Bronze Age, ca. 2nd millennium B.C., Minoan, Bronze, Length 4 3/4 in. (12 cm), Bronzes, Knife, votive

Dish with Flowering Branches, Ming dynasty (1368–1644), Wanli mark and period (1573–1620), late 16th–early 17th century, China, Porcelain with reserve on cobalt blue ground under transparent glaze (Jingdezhen ware), Diam. 12 1/2 in. (31.8

Roundel with Repeated Inscription, late 16th century, Made in India, Deccan, probably Hyderabad, Wood, gesso, painted and metal-leafed with gold and silver, Diam. 19 7/8 in. (50.5 cm), Wood, This roundel is inscribed with two of the

Tropical Scenery, View Near Chipigana, 1871, Albumen silver print from glass negative, Image: 20.3 x 27.9 cm (8 x 11 in.), Photographs, John Moran (American (born England), Bolton, Lancashire 1821–1903 Pennsylvania

Reverie, 1875, Oil on canvas, 12 x 9 1/4 in. (30.5 x 23.5 cm), Paintings, Matthys Maris (Dutch, The Hague 1839–1917 London

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

1. Foglia di Fico. 2. Foglia di Spina Bianco, 1839, Photogenic drawing, 21 x 17.5 cm (8 1/4 x 6 7/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, 1 7/8 in. (4.8 cm), Glass, Small perfume bottle Translucent deep honey yellow. Unworked rim; flaring mouth; cylindrical neck, slightly convex and tooled in around

Flat Bowl with Eggs, Edo period (1615–1868), probably 1813, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 5/8 x 7 11/16 in. (14.3 x 19.5 cm), Prints, Unidentified Artist

Scene from the Third Act of Chushingura between Okaru, Kanbei, and Bannai, Edo period (1615–1868), ca. 1798, Japan, Polychrome woodblock print; ink and color on paper, H. 9 3/4 in. (24.8 cm); W. 7 1/4 in. (18.4 cm), Prints, Eishōsai

Beaker with Relief-cut Decoration, 9th–10th century, Attributed to Iran, Glass, colorless; blown, cut, H. 5 1/2 in. (14 cm), Glass, In its size, state of preservation, and fineness of execution, this piece has few parallels in Islamic

Articles of Glass, before June 1844, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Design for a Ceiling, ca. 1712, Pen and gray ink, brush and brown, gray, and colored wash, 12 7/16 x 18 7/8 in. (31.6 x 47.9 cm), Daniel Marot the Elder (French, Paris 1661–1752 The Hague

Dish, 7th century, Made in Iran or Iraq, Earthenware; molded, unglazed, Max. Diam. 7 1/8 in. (18.1 cm), Ceramics, Molded ceramic vessels – both with and without glaze – were made in the earliest centuries of the Islamic period. The

Bowl Base with Saints Peter and Paul Flanking a Column with the Christogram of Christ, late 4th century, Byzantine, Glass, gold leaf, Overall: Diam. 3 7/8 x 1/4 in. (9.9 x 0.6 cm), Glass-Gold glass, Saints Peter and Paul are shown with the

Glass oinochoe (perfume jug), Late Classical or Hellenistic, 4th–3rd century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group II, H.: 2 1/2 in. (6.4 cm), Glass, Translucent cobalt blue, with handle in same color; trails in

青楼美人合, Two Girls Play the Finger Game of Kitsume Ken, Edo period (1615–1868), 1725–1770, Japan, Diptych of polychrome woodblock prints; ink and color on paper, a Left sheet: 8 3/8 x 5 3/4 in. (21.3 x 14.6 cm), Prints, Suzuki

Vase, 1899–1910, Made in Boston, Massachusetts, United States, American, Earthenware, H. 11 in. (27.9 cm); Diam. 6 in. (15.2 cm), Ceramics, Ruth Erikson (working 1899 - 1910) (active 1899–1910), William H. Grueby (1867–1925), founder

富士三十六景 武蔵越かや在, View of Mount Fuji from Koshigaya, Province of Musashi (Musashi, Koshigaya Zai), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), 4th month, Horse year 1858,

Fontaine de la Croix de Pierre, Rouen, 1852–54, Salted paper print from glass negative, 30.9 x 22.6 cm (12 3/16 x 8 7/8 in. ), Photographs, Edmond Bacot (French, 1814–1875

Ichikawa Danjuro V as a Samurai of High Rank, Edo period (1615–1868), ca. 1778, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 7/8 in. (32.4 x 14.9 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Bamboo Studies, Ming dynasty (1368–1644) (?), China, Handscroll; ink on silk, 13 1/2 in. × 17 ft. 3 3/4 in. (34.3 × 527.7 cm), Paintings, Unidentified Artist, After Wu Zhen (Chinese, 1280–1354

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 4 3/8 in. (11.1 cm), Glass, Translucent blue, with handles in opaque yellow; trails in opaque yellow.

Glass perfume bottle, Early to Mid Imperial, late 1st–3rd century A.D., Roman, Glass; blown, Overall: 2 3/4in. (7cm), Glass, Translucent blue green. Rim folded out, over, and in; broad flaring mouth; cylindrical, slight convex neck with

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 1 1/2 x 1 1/8in. (3.8 x 2.9cm), Vases

日本湊尽　東都品川, Toto, Shinagawa, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 15/32 in. (24.8 x 36.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

本朝名所　相州七里ヶ浜, Soshu, Shichi-ri ga Hama, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print; ink and color on paper, 9 x 14 1/3 in. (22.9 x 36.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Parc de Saint-Cloud, Paris, 1915–20, Matte albumen silver print from glass negative, Image: 17.2 x 22.5 cm (6 3/4 x 8 7/8 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Lekanis with lid, Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta, Overall: 3 9/16 x 6 5/16in. (9 x 16cm), Vases

Sulphur Creek and Flume-road to Geysers, 1868–70, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

[Red Bridge], 1870s, Albumen silver print from glass negative, 25.1 x 19.9 cm (9 7/8 x 7 13/16 in.), Photographs, Unknown

Curly-Tailed Animal Pendant, 5th–10th century, Panama, International Style, Gold, H. 2 1/4 x W. 1 1/8 in. (5.7 x 2.8 cm), Metal-Ornaments

京都名所之内　嶋原出口之柳, Gate of the Shimbara, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 10 1/4 x 15 3/8 in. (26 x 39.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Fishes Swimming, Meiji period (1868–1912), ca. 1890–92, Japan, Album leaf; ink and color silk, 14 1/4 x 10 1/2 in. (36.2 x 26.7 cm), Paintings, Seki Shūkō (Japanese, 1858–1915

南宋 馬和之 詩經豳風圖 卷, Odes of the State of Bin, Southern Song dynasty (1127–1279), mid-12th century, China, Handscroll; ink, color, gold and silver on silk, Image: 10 15/16 in. × 21 ft. 9 1/4 in. (27.8 × 663.6 cm),

Arm and hand from statuette, Bronze, Other: 3 5/16 in. (8.4 cm), Bronzes

Collection de Meubles et Objets de Goût, vol. 3, [1820–31], Engraving, hand-colored, Overall: 16 1/8 x 11 7/16 x 2 1/16 in. (41 x 29 x 5.3 cm), Books, Volume 3 in a three volume set

Drum with Stand, Sho (A Kind of Mouth Organ) and Helmet on the Stage for Bugaku Dance, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 3/8 x 7 1/4 in. (13.7 x 18.4 cm), Prints, Ryūryūkyo

Glass ring stone, Hellenistic, 3rd–1st century B.C., Greek, Glass, purple, Diameter: 13/16 in. (2.1 cm), Gems, Head of bearded Herakles

Terracotta statuette of a youth, Hellenistic, 3rd–2nd century B.C., East Greek, Terracotta, H.: 9 1/8 in. (23.3 cm), Terracottas, The figure wears a nebris on his right shoulder, a cloak on his arm, a wreath on his head, and boots. There

The Shop of M.Périer, Ironwork Merchant, 1767, Etching and drypoint, reworked with pen and brown ink, sheet: 6 1/8 x 9 1/4 in. (15.5 x 23.5 cm), Prints, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris), This design for a business

Aquamanile in the Form of a Horse, first half 15th century, Made in Nuremberg, German, Copper alloy, Overall: 11 5/8 x 10 5/8 x 3 5/8 in., 5lb. (29.5 x 27 x 9.2 cm, 2391g), Metalwork-Copper alloy

'The Story of the Princess of the Blue Pavillion: The Youth of Rum Is Entertained in a Garden by a Fairy and her Maidens', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Ink, opaque watercolor, and gold

Openwork furniture plaque with a 'woman at the window', Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 2.83 x 2.72 x 0.31 in. (7.19 x 6.91 x 0.79 cm), Ivory/Bone-Reliefs, On this fragmentary plaque,

東海道五十三次　鳴海, Narumi, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige

Saddle and Other Pieces of Harness, Edo period (1615–1868), probably 1810, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Poem in Seven-syllable Meter, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold paper, 6 1/4 x 19 1/2 in. (15.9 x 49.5 cm), Calligraphy, Zhang Fengyi (Chinese, 1527–1613

John Henning as Edie Ochiltree from Sir Walter Scott's 'The Antiquary', 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British,

Matchlock Gun, late 18th–early 19th century, Rajasthan, Indian, Rajasthan or Lahore, Steel, wood, gold, silver, pigment, L. 61 5/8 in. (156.4 cm); L. of barrel 42 7/8 in. (108.8 cm); Cal. .44 in. (11.0 mm); Wt. 8 lb. (3631 g),

Matchlock Gun, late 18th–19th century, Rajasthan, Indian, Rajasthan, possibly Gwalior, Steel, iron, wood, ivory, gold, silver, copper alloy, pigment, L. 59 7/8 in. (152.1 cm); L. of barrel 41 3/4 in. (106.1 cm); Cal. .68 in. (17.0

Bronze crossbow fibula (brooch), Late Imperial or Late Antique, 4th century A.D., Roman, Bronze, Other: 2 x 3 in. (5.1 x 7.6 cm), Bronzes, The bow is four-sided and decorated with few incised lines

Glass mosaic carinated bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, H.: 1 1/4 x 1 1/16 in. (3.2 x 2.7 cm), Glass, Rim fragment., Translucent deep purple, light blue partially mixed with

Terracotta squat lekythos (oil flask), Classical, ca. 420 B.C., Greek, Attic, Terracotta; red-figure, 6 3/16 × 2 3/4 in. (15.7 × 7 cm), Vases, Philoktetes on Lemnos. The painter, as yet unidentified, has created an exceptionally

Grande Pagode - Edicule Nord, 1866, Albumen silver print from glass negative, 25.6 x 30.9 cm (10 1/16 x 12 3/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Terracotta stemmed plate, Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Teano, Terracotta; applied color, Other: 2 1/8 x 4 3/8 in. (5.4 x 11.1 cm), Vases, Shallow dish with tall foot, decorated with ivy vine and stamped

Act VI (Dai rokudanme): Actors Bandō Hikosaburō as Hayano Kanpei and Sawamura Tanosuke as His Wife Okaru, from the series The Storehouse of Loyal Retainers, a Primer (Kanadehon chūshingura), Edo period (1615–1868), 1862 (Bunkyū 2), 6th

Glass flask, Mid or Late Imperial, ca. 3rd century A.D., Roman, Glass; blown, Overall: 3 3/8 x 2 3/16 x 1 5/8 in. (8.6 x 5.6 x 4.1 cm), Glass, Translucent light manganese purple. Plain rounded rim; broad flaring mouth; short cylindrical neck;

The Fourth Iwai Hanshiro in three roles of the shosa 'Shichi Henge', Edo period (1615–1868), dated 1787, Japan, Middle sheet of a triptych of polychrome woodblock prints; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints,