Images at Librifly

Page From a Dispersed Chandana Malayagiri Varta: (Roaming the Sandlewood Mountain) a (recto), Above, Caravan and Merchants; Below, Raja Presenting a String of Pearls to His Queen; b (verso) A Lady Gathering Wood Beside a Stream, 1749 (Samvat

Bronze fitting, possible from a cart or chariot, Imperial, 2nd–3rd century A.D., Roman, Bronze, H.: 4 1/16 in. (10.3 cm), Bronzes, Fitting, possible from a cart or chariot

Chiffonnier, 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Unknown

Chinese Scholar Contemplating a Waterfall, Edo period (1615–1868), Japan, Two-panel folding screen; ink and gold paint on paper, Image: 61 3/4 x 68 3/8 in. (156.8 x 173.7 cm), Screens, Soga Shōhaku (Japanese, 1730–1781), This mountain

Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 9 3/4 x W. 10 in. (24.8 x 25.4cm), Textiles-Featherwork, Colorful bird feathers were highly prized in ancient Peru, and textiles covered with them are among

James Aytoun, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Limestone head of a silen (?), Archaic, late 6th or early 5th century B.C., Cypriot, Limestone, Overall: 3 1/2 x 3 1/4 x 2 1/4 in. (8.9 x 8.3 x 5.7 cm), Stone Sculpture, The top of the back shows that the figure was leaning forward, with

Terracotta statuette of a draped woman, Hellenistic, early 3rd century B.C., Greek, Attic, Terracotta, H. 5 15/16 in. (15.1 cm), Terracottas, The figure is holding up her garment with both hands at waist level, and she appears to be wearing

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 3/4 × 9 1/2 in. (34.9 × 24.1 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Chalcedony scaraboid seal, Classical, 5th century B.C., Greek, Chalcedony, Length: 7/8 in. (2.3 cm), Gems, Stag

Water goblet, Probably made at Compagnie des Cristalleries de Saint-Louis (est. 1586 (as Verrerie de Münzthal); 1767 renamed as Compagnie des Cristalleries), ca. 1845, French, Saint-Louis-les-Bitche, Glass, Height: 5 5/8 in. (14.3 cm), Glass,

Lacquer Box for Clothes, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 5/8 x 7 1/2 in. (14.3 x 19.1 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Les yeux mirés, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Limestone statuette of a female votary holding a flower, Classical, late 5th or early 4th century B.C., Cypriot, Limestone, Overall: 19 3/4 x 5 3/4 x 2 3/8 in. (50.2 x 14.6 x 6 cm), Stone Sculpture, Female figure with elaborate necklaces,

Pen Box, 13th century, Attributed to Northern Iraq or Western Iran, Al-Jazira, Brass; engraved, incised, and inlaid with silver, Box closed: , Metal, Muslim metalworkers produced large numbers of pen boxes, many of which were richly

Panel fragment, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, 2.13 x 4.17 in. (5.41 x 10.59 cm), Ivory/Bone-Reliefs

'Portrait of Ibrahim 'Adil Shah II of Bijapur', Folio from the Shah Jahan Album, verso: ca. 1620; recto: 1534 or later, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Hashim

Le peignoir plisie (autre), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

婦女人相十品　相観歌麿考画, Woman with a Glass Noisemaker (Popen), Edo period (1615–1868), early 1790s, Japan, Polychrome woodblock print; ink and color on paper, 15 5/16 x 10 13/16 in. (38.9 x 27.5 cm), Prints, Kitagawa

Telemachus and the Nymphs of Calypso, 1782, Oil on canvas, 32 1/2 x 44 1/4 in. (82.6 x 112.4 cm), Paintings, Angelica Kauffmann (Swiss, Chur 1741–1807 Rome), Angelica Kauffmann was born in Switzerland but made her reputation in Italy and

Telescope with Its Bag, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 11/16 x 7 9/16 in. (14.4 x 19.2 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Vase fragment, Early Helladic, ca. 3000–2200 B.C., Terracotta, 1 11/16 x 1 1/4in. (4.3 x 3.2cm), Vases

Vase fragment, Neolithic, first period, Neolithic, Gonia, Terracotta, length 3 1/16in. (7.8cm), Vases

Two gold beads, Late Classical?, possibly 4th–3rd century B.C., Greek?, Gold, Other (each): 11/16 in. (1.7 cm), Gold and Silver, The cloisons were originally inlaid

La laçon de dessin. 'L'artiste', 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Jérusalem, Tombeau arabe, 1854, Salted paper print from paper negative, Image: 23.2 x 32.9 cm (9 1/8 x 12 15/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Marble head of Herakles, Imperial, 1st or 2nd century A.D., Roman, Marble, H. 10 5/8 in. (27 cm), Stone Sculpture, The head comes from a copy of a famous statue that represented the weary Herakles resting after his labors

At Pont y pair, Bettws-y-Coed, North Wales, 1856, Albumen silver print, Photographs, Francis Bedford (British, London 1816–1894 London

Bronze nose piece from a horse's trappings, Late Imperial, 4th century A.D., Roman, Bronze, L. 10 5/16 in. (26.2 cm.), Bronzes, The decoration is divided into three tiers. In the uppermost, a swan (which may allude to the myth of Leda)

Lulah Falls, Lookout Mountain, Georgia, 1864–65, Albumen silver print from glass negative, Image: 21.2 x 26.6 cm (8 3/8 x 10 1/2 in.), Photographs, Isaac H. Bonsall (American, 1833–1909), On first glance, this photograph of Lulah Falls

The Third Segawa Kikunojo as a Woman, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 3/8 in. (30.5 x 13.7 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

'Rustam Captures Rakhsh', Folio from a Shahnama (Book of Kings), mid-15th century, Attributed to India, Main support: Ink, opaque watercolor, gold on paper, 7.25 in. high 7.62 in. wide (18.4 cm high 19.4 cm wide), Codices, When he came of

小松にきじ, Pheasant and Pine-trees on Snowy Hillside, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 7/8 in. (37.8 cm); W. 6 3/4 in. (17.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Terracotta oil lamp in the shape of a boat, Mid Imperial, 2nd century A.D., Roman, Egyptian, Terracotta, length 6 1/4in. (15.9cm), Terracottas, Lamp in the form of a boat

Eastern Grey Wagtail and Rose, Edo period (1615–1868), early 1830s, Japan, Polychrome woodblock print; ink and color on paper, 13 1/2 x 4 15/32 in. (34.3 x 11.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Boy with Baseball, ca. 1925, Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), Paintings, George Luks (American, Williamsport, Pennsylvania 1866–1933 New York), Having moved from Philadelphia to New York in 1896, Luks began work for the New

南国美人合, Courtesan Holding a Fan, Edo period (1615–1868), ca. 1793, Japan, Polychrome woodblock print; ink and color on paper, 02_18_60---(Mica ground), 14 1/2 x 9 5/16 in. (36.8 x 23.7 cm), Prints, Kitagawa Utamaro (Japanese,

Terracotta calyx-krater (bowl for mixing wine and water), Late Classical, 4th century B.C., Greek, Attic, Terracotta; red-figure, H. 19 9/16 in. (49.7 cm), Vases, Obverse, the death and apotheosis of Herakles, Reverse, Amymone surprised by

The First Nakamura Tomijuro as a Woman Dancer, Edo period (1615–1868), dated October or November 1778, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 5/8 in. (32.1 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese,

[Still Life of Flowers in a Stein], 1896–1903, Trichromie, 2 13/16 × 6 9/16 in. (7.2 × 16.7 cm), Transparencies, Auguste-Marie-Louis-Nicolas Lumière (French, Besançon 1862–1954 Lyon) and, Louis-Jean Lumière (French, Besançon

Roundel with radiating palmettes, Sasanian, ca. 6th century A.D., Mesopotamia, Ctesiphon, Sasanian, Stucco, Diam. 42 in. (106.7 cm), Stucco-Reliefs

Ichikawa Ebizo IV in the role of Takemura Sadanoshin, Edo period (1615–1868), Probably late 1880s or early 1890s, Japan, Polychrome woodblock print; ink and color on paper, 14 3/4 x 10 1/8 in. (37.5 x 25.7 cm), Prints, After Tōshūsai

Terracotta guttus (flask with handle and spout), Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 3 1/2 in. (8.9 cm), Vases, The left foot wears a sandal with a thick sole—perhaps that of an

Glass mosaic and rock crystal beads, Early Imperial, 1st century A.D., Roman, Eastern Mediterranean, Glass, rock crystal, gold (?), Other: 12 1/4 in. (31.1 cm), Glass, The glass beads are decorated with faces or busts, either four or five

William Etty, R.A., 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

冨嶽三十六景　神奈川沖浪裏, Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan,

Panel with Birds, Griffins, and Animals, 11th–12th century, Attributed to Egypt, Wood; carved, L. 35 1/2 in. (90.1 cm), Wood, Later Fatimid art is characterized by the increased use of relatively naturalistic human and animal motifs. The

[Hermine, Alfons and Eugen Antoine and Mathias Höusermann on a fallen tree], 1850s–60s, Albumen silver print from glass negative, 18.6 x 23.3 cm. (7 5/16 x 9 3/16 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Flowering Cherry Trees Along the Yoshino River, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 1/2 x 10 1/4 in. (19.1 x 26 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Cypress, Pebble Beach, California, 1910s, Gum bichromate print, Photographs, Henry Ravell (American, 1860–1930

Glass beaker with inscription, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Syrian, Glass; blown in a three-part mold, H.: 3 1/4 in. (8.3 cm), Glass, Translucent pale yellow green., Outsplayed unworked rim;

La cape, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Sideboard Tables, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 7/16 x 13 9/16 in. (21.5 x 34.4 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Harpsichord, 1725, Northern, Italy, Italian, Wood, various materials, Chordophone-Zither-plucked-harpsichord

Vase fragment, Minoan, Terracotta, 5/8 × 15/16 × 1/8 in. (1.6 × 2.4 × 0.4 cm), Vases

Side Chair, 1805–15, Made in New York, New York, United States, American, Mahogany, 32 3/4 x 19 1/2 x 17 1/2 in. (83.2 x 49.5 x 44.5 cm), Furniture

Covent Garden Theatre, 1792, Etching and aquatint hand-colored with watercolor, 8 7/8 x 17 1/2 in. (22.5 x 44.5 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Wine cup, Shang dynasty (?) (ca. 1600–1046 B.C.), China, Bronze, H. 4 5/8 in. (11.7 cm); Diam. 4 in. (10.2 cm); Diam. of rim 3 3/4 in. (9.5 cm); Diam. of foot 3 1/4 in. (8.3 cm), Metalwork

Embroidered coverlet, 1844, Probably made in Maine, United States, American, Embroidered cotton, 97 3/4 x 99 1/2 in. (248.3 x 252.7 cm), Textiles, A. S. S

Furniture element carved in the round with the head of a roaring lion, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, H. 3 3/4 x W. 3 x D. 2 3/4in. (9.5 x 7.6 x 6.9cm), Ivory/Bone-Sculpture,

Enjoying the Cool Evening Breeze on and under the Bridge, Edo period (1615–1868), ca. 1800, Japan, Two sheets of a hexaptych of polychrome woodblock prints; ink and color on paper, 14 1/4 x 20 1/8 in. (36.2 x 51.1 cm), Prints, Kitagawa

Bowl, 15th century, Attributed to Iran or Central Asia, Stonepaste; painted in blue and black under transparent glaze, H. 2 15/16 in. (7.5 cm), Ceramics, Although true Chinese blue-and-white porcelain was available to elite members of Timurid

風流江戸八景　真乳山の暮雪, Evening Snow on Matsuchi Hilll, from the series Eight Fashionable Views of Edo (Furyu Edo hakkei), Edo period (1615–1868), ca. 1765–70, Japan, Polychrome woodblock print; ink and color on paper, 11

Jérusalem, Fontaine Arabe, 4, 1854, Salted paper print from paper negative, Image: 32.8 x 23.4 cm (12 15/16 x 9 3/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Limestone statuette of a female votary holding a flower, Archaic, early 5th century B.C., Cypriot, Limestone, Overall:H.: 12 11/16 x W.:4 1/4 x D.:2 3/8 in. (32.2 x 10.8 x 6 cm), Stone Sculpture, Female votary holding a flower

Two Birds on a Branch, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 5/8 in. (36.2 x 27 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Dr. Welsh, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Young Woman Carrying a Wine-Pot for the New Year Ceremony, Edo period (1615–1868), ca. 1815, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/4 x 7 1/4 in. (19.7 x 18.4 cm), Prints, Katsukawa Shuntei (Japanese,

Cuff Band with Bust of a Female, 7th–9th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 3 1/8 in. (8 cm), Textiles, The five-part design of this cuff band became popular in the sixth century and is found on garments of both

[Roses], ca. 1875, Albumen silver print from glass negative, 24.0 x 17.9 cm. (9 7/16 x 7 1/16 in.), Photographs, Eugène Chauvigné (French, 1837–1894

Enmei Jizo, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 9 11/16 in. (24.6 cm); W. 7 1/4 in. (18.4 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

A Man and Two Women at a Teahouse at Wada no Ura Overlooking the Sea, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 13/16 in. (27.5 cm); W. 8 1/8 in. (20.6 cm), Prints, Suzuki Harunobu (Japanese,

Lead figure of a winged goddess, possibly Artemis Orthia, Archaic, late 7th–6th century B.C., Greek, Laconian, Lead, Height: 1 13/16 in. (4.5 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great

Enamel from a Reliquary, early 13th century, Made in Cologne, Germany, German, Champlevé & cloisonné enamel, copper-gilt, Overall: 3 1/8 x 5/16 in. (8 x 0.8 cm), Enamels-Champlevé & Cloisonné, Workshop of the Master of the Virgin Mary's

Lead figure of a woman with wreath, Archaic, late 7th–early 6th century B.C., Greek, Laconian, Lead, Height: 2 5/16 in. (5.8 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the

Armchair, ca. 1800, Made in New York, New York, United States, American, Mahogany, ash, white pine, tulip poplar, 40 1/2 x 28 5/8 x 33 in. (102.9 x 72.7 x 83.8 cm), Furniture, Probably Duncan Phyfe (1770–1854

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 1/4 × 2 1/2 × 5/16 in. (3.1 × 6.3 × 0.7 cm), Vases

Tago Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tago no ura ryaku zu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　東海道江尻田子の浦略図, Edo period (1615–1868), ca. 1830–32,

Embroidered sampler, 1825, Made in East Haven, Connecticut, United States, American, Embroidered silk on cotton, 22 3/4 x 21 1/4 in. (57.8 x 54 cm), Textiles, Elizabeth L. Smith (1815–1841

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 1 1/16 in. (2.3 x 2.6 cm), Glass, Body fragment., Translucent purple and opaque white., Convex curving side.,

Vessel in the Shape of a Fish, 4th–6th century, Roman or Byzantine, Copper alloy, cast, Overall (vessel only standing on tail): 8 13/16 x 2 13/16 x 1 5/8 in. (22.4 x 7.1 x 4.1 cm), Metalwork-Copper alloy, The stopper has a butterfly on the

Bronze flanged axe, Middle or Late Bronze Age, 2nd millennium B.C., Helladic, Bronze, Other: 3 9/16 in., 2.1lb., 12 13/16 in. (9 cm, 1kg, 32.5 cm), Bronzes, Light green patina with blue in spots

Forsogs Stationar paa Oeu Lindholw 1905, 1905–19, Gelatin silver prints from glass negatives, Image: 3 9/16 × 4 1/2 in. (9 × 11.4 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish),

Terracotta skyphos (deep drinking cup), Archaic, ca. 600 B.C., East Greek, Terracotta, H. 3 3/4 in. (9.5 cm), Vases, Obverse and reverse, frieze of deer

[Chinese Man], 1870s, Albumen silver print from glass negative, 23.7 x 19.4 cm (9 5/16 x 7 5/8 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

Bronze arrowhead, 6th–4th century B.C. or later, Greek or Achaemenid, Bronze, Other: 1 7/16 in. (3.7 cm), Bronzes, With midrib and socket

Terracotta head of Dionysos, Late Hellenistic or Late Republican, 1st century B.C., Greek or Roman, Terracotta, H. 6 3/4 in. (17.1 cm), Terracottas, Dionysos, god of wine and the pleasures it can bring, was extremely popular during the

英吉利人, Ingirisu-jin, Edo period (1615–1868), 1863, 7th month (Bunkyu 3), Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 10 in. (35.9 x 25.4 cm), Prints, Utagawa Yoshitora (Japanese, active ca. 1850–80

Wine Goblet and Lacquer Food Box with New Year’s Meal, Edo period (1615–1868), 1811, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 11/16 x 7 1/2 in. (14.4 x 19.1 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Vase, 1894–1911, Made in East Hampton, New York, United States, American, Earthenware, H. 4 in. (10.2 cm); Diam. 5 1/2 in. (14 cm), Ceramics

Djed pillar Amulet, Late Period–Ptolemaic Period, Dynasty 26–29, 664–30 B.C., From Egypt, Faience, H. 4.5cm (1 3/4 in); w. 1.7cm (11/16 in); th. 0.9cm (3/8 in), This emblem of Osiris, god of the underworld, was a potent symbol of

Goa Stone and Gold Case, late 17th–early 18th century, Probably made in India, Goa, Container: gold; pierced, repoussé, with cast legs and finials, Goa stone: Diam. 1 3/16 in. (3 cm), Metal, Goa stones, named for the place where they

Terracotta jug, Late Cypriot I-II, ca. 1600–1200 B.C., Cypriot, Terracotta; White slip I-II ware, H. 7 5/8 in. (19.4 cm), Vases, White slipware with handle and funnel-shaped lip

Terracotta vessel fragment with ivy pattern, Late Minoan IB, ca. 1525–1450 B.C., Minoan, Terracotta; Dark-on-light ware, Overall: 1 13/16 x 3 15/16in. (4.6 x 10cm), Vases, From Phylakopi, Melos. Ivy pattern; dark-on-light ware

Monumental Bodhisattva Head, 5th century, Pakistan (ancient region of Gandhara), Stucco, H. 19 3/4 in. (50.2 cm); W. 10 in. (25.4 cm); D. 10 in. (25.4 cm), Sculpture, This head comes from a scupture that would have been more than twelve feet

Béatrix, 1856–57, Albumen silver print from glass negative, Image: 10.5 x 7 cm (4 1/8 x 2 3/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Bracelet or torque, Bronze, H.: 4 1/2 x 5 x 3/8 in. (11.4 x 12.7 x 1 cm), Bronzes

Vase, 1879, Made in Brooklyn, New York, United States, American, Porcelain, H. 8 5/8 in. (21.9 cm); Diam. 4 3/8 in. (11.1 cm), Ceramics, Union Porcelain Works (1863–ca. 1922

Terracotta juglet, Cypro-Geometric III, 850–750 B.C., Cypriot, Terracotta, H. 5 15/16 in. (15.1 cm), Vases, This vase is noteworthy for its particularly graceful shape and fine fabric