Images at Librifly

St. Peter Healing the Sick with His Shadow (Acts 5:15-16), ca. 1675, Red chalk, squared in black chalk on beige paper; contours incised. A sheet measuring 39.1 x 28.8 cm has been affixed to the center of the larger sheet. Verso blackened for

Terracotta stemmed dish, Archaic, 6th century B.C., Etruscan, Terracotta, Other: 6 x 10 in. (15.2 x 25.4 cm), Vases, The rim is decorated with four heads in relief. It is interesting to compare this object with its Attic counterpart of about a

Evening Snow on the Nurioke, from the series Eight Parlor Views, Edo period (1615–1868), ca. 1766, Japan, Polychrome woodblock print; ink and color on paper, 10 5/8 x 8 1/16 in. (27 x 20.5 cm), Prints, Suzuki Harunobu (Japanese,

Glass beaker with inscription, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; blown in a three-part mold, H. 2 3/4in. (7cm), Glass, Colorless with pale yellow green tinge. Outsplayed unworked rim; cylindrical body

Glass cameo bowl fragment, Early Imperial, Augustan or Julio-Claudian, late 1st century B.C.–mid-1st century A.D., Roman, Glass; cast and cut, Overall: 2 7/16 in. (6.2 cm), Glass, Translucent cobalt blue with overlay in opaque white.,

Terracotta strainer, Late Classical, early 4th century B.C., Greek, Attic, Terracotta; red-figure, H. 1 3/8 in. (3.5 cm), Vases, In relief, spout in the form of a lion's head. In red-figure, body of the lion, two birds, head of a woman.

Fibula, Cypriot, Bronze, Other: 1 3/4in. (4.5cm), Bronzes

Basin, Old Kingdom, Dynasty 6, ca. 2323–2150 B.C., From Egypt, Memphite Region, Saqqara, Teti Pyramid Cemetery, Tomb of Tjeteti, Egyptian Antiquities Service excavations, 1920–21, copper, H. 10 cm (3 15/16 in); greatest diam. 20 cm (7

Ocarina, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; La Aguja Style, Ceramic, 2 11/16 × 1 15/16 in. (6.8 × 4.9 cm), Aerophone-Whistle Flute-vessel flute

Glass flask in the shape of a pine cone, Early Imperial, 2nd half of 1st century A.D., Roman, Glass; blown in a two-part mold, Diam.: 2 1/2 x 3 x 1 1/2 in. (6.4 x 7.6 x 3.8 cm), Glass, Translucent light green., Plain everted rim; short

Ruines d'un Arc-de-triomphe Romain, à Philae, April 1850, Salted paper print from paper negative, Image: 6 3/16 in. × 8 in. (15.7 × 20.3 cm), Photographs, Maxime Du Camp (French, 1822–1894

Table cover with fringe, ca. 1885, American, Cotton, woven, 65 x 65 in. (165.1 x 165.1 cm), Textiles

Beauty Looking at Shinobazu Pond', illustration from Bugei Kurabu (Literary Club), Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 11 9/16 in. (22.5 x 29.4 cm), Prints, Watanabe Seitei

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 3/16 x 7/8 in. (3 x 2.2 cm), Glass, Rim fragment. Translucent cobalt blue, light blue, turquoise blue, purple,

Samme Motor i Marine Flyvebaad., 1905–19, Gelatin silver prints from glass negatives, Image: 3 5/16 × 4 5/16 in. (8.4 × 10.9 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware

Bronze disc-type fibula (safety pin), Iron Age, 10th century B.C., Italic, Bronze, length 7 1/2in. (19cm), Bronzes, Disc fibulae, in which the clasp is enlarged into an ovoid disc, have been found in both male and female burials throughout

The Actor Ichimura Kamezo in the Role of Sogo no Juro Sukenari, in the Drama 'Edo Murasaki Kongen Soga', Edo period (1615–1868), ca. 1761, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/4 in. (31.1 cm); 5 7/8 in. (14.9

Bronze cylindrical cup, Imperial, ca. 1st–2nd century A.D., Roman, Bronze, H. 2 in. (5.1 cm), Bronzes, Decorated with five moulded bands on the outside; on the bottom, moulded concentric circles

The Passing of King Arthur, 1874, Albumen silver print from glass negative, 35 x 27.3 cm (13 3/4 x 10 3/4 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), In 1874 Tennyson asked Cameron

The Warrior Miura-no-suke Confronting the Court Lady Tamamo-no-mae as She Turns into an Evil Fox with Nine Tails, 玉藻前と三浦介, Edo period (1615–1868), late 1820s, Japan, Polychrome woodblock print (surimono); ink and color on paper,

Terracotta shallow bowl, Early Minoan II, ca. 2900–2300 B.C., Minoan, Terracotta; Dark-on-light ware, Greatest diameter 7 7/8 in. (20 cm.), Vases, The rolled rim is decorated with zigzag lines

Terracotta amphora (jar), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; red-figure, 18 1/16 × 11 3/4 in. (45.9 × 29.8 cm), Vases, Obverse and reverse, the death of Priam. Priam, king of Troy, has taken refuge at the altar of Zeus

Green Court, Raglan, 1858, Albumen silver print from paper negative, 21.0 x 27.0 cm. (8 1/4 x 10 5/8 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 1/4 × 2 1/2 × 9/16 in. (3.2 × 6.4 × 1.4 cm), Vases

四季の花, The Coming Thunderstorm, from the illustrated book Flowers of the Four Seasons, Edo period (1615–1868), 1801, Japan, Polychrome woodblock print; ink and color on paper, 6 7/8 x 9 7/8 in. (17.5 x 25.1 cm), Prints, Kitagawa

Terracotta hydria: kalpis (water jar), Classical, ca. 420 B.C., Greek, Attic, Terracotta; red-figure, H. 6 13/16 in. (17.3 cm); diameter 4 13/16 in. (12.2 cm); width with handles 6 in. (15.3 cm), Vases, Two women. This domestic scene depicts

Le noeud de dentelle. 'Ritrosetta', 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Cooling at Nakazu/ Kabuki Theater, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 4 1/2 in. (11.4 cm); W. 12 3/8 in. (31.4 cm), Prints, Utagawa Toyoharu (Japanese, 1735–1814

Shrimp and Udo Plant, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/8 x 7 in. (13 x 17.8 cm), Prints, Uematsu Tōshū (Japanese, active late 1810s–20s

Tea Ceremony Apparatus, Edo period (1615–1868), Japan, Album leaf; lacquer on gold paper, 4 3/4 x 3 1/2 in. (12.1 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Our House, Dum Dum, 1850s, Albumen silver print, Image: 18.9 x 24.6 cm (7 7/16 x 9 11/16 in.), Photographs, Captain R. B. Hill

Limestone male head, Imperial, 30 B.C.–A.D. 330, Roman, Cypriot, Limestone, Overall: 9 1/4 × 5 1/2 × 7 in. (23.5 × 14 × 17.8 cm), Stone Sculpture, The expression is severe. A wrinkle runs obliquely from each side of the nose and another

Terracotta one-handled cup, Geometric, late 8th century B.C., Greek, Attic, Terracotta, H. 1 15/16 in. (5 cm), Vases, From the Hymettos deposit

Terracotta jug with barbotine decoration, 1st century A.D., Roman, Terracotta; eastern sigillata ware, H. 5 11/16 in. (14.5 cm), Vases, One-handle with sprays of foliage in relief

Rest, 1644, Oil on wood, 17 x 13 1/2 in. (43.2 x 34.3 cm), Paintings, Nicolaes Berchem (Dutch, Haarlem 1621/22–1683 Amsterdam

Kanjo (Court Lady) Seated, and a Tsurikoro Hanging near Her Head, Edo period (1615–1868), ca. 1825, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/2 x 7 3/16 in. (21.6 x 18.3 cm), Prints, Totoya Hokkei (Japanese,

Veduta di Castel St Angelo. S. Pietro, 1848–52, Albumen print from glass negative, Image: 8 11/16 × 11 5/16 in. (22 × 28.7 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

風流六玉川　紀伊　高野の玉川, The Kōya no Tamagawa, Province of Kii, Edo period (1615–1868), ca. 1806, Japan, Polychrome woodblock print; ink and color on paper, H. 13 7/8 in. (35.2 cm); W. 8 7/8 in. (22.5 cm), Prints,

The First Bando Mitsugoro as an Unarmed Man, Edo period (1615–1868), 1774 or 1775, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 3/8 in. (31.4 x 13.7 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Design Drawing, 1875–76, (none assigned) New York, New York, United States, American, Watercolor, ink, and graphite on gray wove paper, Overall: 18 9/16 x 15 7/16 in. (47.1 x 39.2 cm), Drawings, Tiffany & Co. (1837–present

明 傳仇英 十六羅漢圖 卷, The Sixteen Luohans, Ming dynasty (1368–1644), 16th century, China, Handscroll; ink on paper, Image: 13 9/16 x 206 3/8 in. (34.4 x 524.2 cm), Paintings, Attributed to Qiu Ying (Chinese, ca. 1495–1552),

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass, Overall: 4 1/8in. (10.5cm), Glass, Translucent pale blue green. Rim folded out, over, and in, flattened on upper surface; tall cylindrical neck, expanding

Limestone statuette of a male votary with Cypriot shorts and an Egyptian crown, Archaic, first half of the 6th century B.C, Cypriot, Limestone, Overall: 17 1/2 x 8 3/8 x 3 3/8 in. (44.5 x 21.3 x 8.6 cm), Stone Sculpture, Male votary with

Terracotta rim fragment with horizontal rolled handle, Middle Neolithic, ca. 4000 B.C., Greek Neolithic, Terracotta; Monochrome red ware, length 1 7/8in. (4.8cm), Vases, From Nemea in the Peloponnese

Kakemono and Its Box, 18th–19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 3/16 in. (20.3 x 18.3 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Glass lentoid aryballos (perfume bottle), Hellenistic, 4th–3rd century B.C., Greek, Glass; core-formed, Group II, H. 2 in. (5.04 cm); D. 1 5/8 in. (4.17 cm), Glass, Semi-opaque yellowish green, with same color handles and cord; trails and

近江八景之内　堅田落雁, Geese Flying Down to Katada, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 13 3/8 x 8 5/8 in. (34 x 21.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Tumbler, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 1/16 in. (7.8 cm); Diam. 2 15/16 in. (7.5 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Vue du Village d'Edfou, 1849–50, Salted paper print from paper negative, Image: 5 13/16 × 8 1/8 in. (14.8 × 20.6 cm), Photographs, Maxime Du Camp (French, 1822–1894

Bronze lampstand, Late Imperial, ca. 4th century A.D., Roman, Bronze, H. 5 13/16 in. (14.7 cm), Bronzes, The stand is associated with the bronze lamp that fits on the tapering pricket at the top, but such stands could also be used as

Dr. Livingstone, 1857, Albumen silver print, Photographs, John Jabez Edwin Mayall (British, Oldham, Lancashire 1813–1901 West Sussex

Multnomah Falls, Oregon, 1867, printed later, Albumen silver print from glass negative, Image: 52.1 x 38.7 cm (20 1/2 x 15 1/4 in.), Photographs, Carleton E. Watkins (American, 1829–1916

St. Theresa, ca. 1614–22, Engraving, Overall: 4 1/2 x 2 3/4 in. (11.4 x 7 cm), Prints, Antonius Wierix III (Dutch, 1596–1624

Interno del Colosseo, 1850s, Albumen silver print from glass negative, Image: 19.1 x 24.9 cm (7 1/2 x 9 13/16 in.), oval, Photographs, Giovanni Battista Altadonna (Italian, Borgo Valsugana 1824–1890 Trento), The Roman Colosseum ranks beside

Statuette of a man, Bronze, H.: 2 1/8 in. (5.4 cm), Bronzes

諸國瀧廻リ　木曽路ノ奥 阿彌陀ヶ瀧, The Amida Falls in the Far Reaches of the Kisokaidō Road (Kisoji no oku Amida-ga-taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), Edo period (1615–1868),

Furniture plaque carved in relief with standing woman, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 9.96 x 3.74 in. (25.3 x 9.5 cm), Ivory/Bone-Reliefs, This ivory panel was found in a

Faience amulet of Isis and Horus, Late Dynastic or Hellenistic, 664–30 B.C., Egyptian, Clay, glazed, H.: 1 9/16 in. (3.9 cm), Gold and Silver, Amulet, Isis

Pin, 14th–15th century, Peru, Chimú or Inca, Silver (hammered), Length 10-1/4 in. (26 cm), Metal-Ornaments

Figured flask, 1827–32, Made in Pittsburgh, Pennsylvania, United States, American, Free-blown molded glass, H. 5 7/8 in. (14.9 cm), Glass

Fragment of a terracotta architectural tile, Archaic, 6th century B.C., Lydian, Terracotta, 5 3/4 in. x 6 7/8 in. (14.6 cm x 17.5 cm), Terracottas, Lotus-palmette frieze

Mrs. Charles Frederick (Martha Rigden, died 1794), Oil on canvas, 29 3/4 x 24 3/4 in. (75.6 x 62.9 cm), Paintings, George Romney (British, Beckside, Lancashire 1734–1802 Kendal, Cumbria

Vase Nº 2979, 1872, (none assigned) New York, New York, United States, American, Ink, graphite, and wax pencil on heavy cream card, Overall: 10 1/2 x 6 3/8 in. (26.7 x 16.2 cm), Drawings, Tiffany & Co. (1837–present

Mando, 子供遊に和賀　万度, Lantern Float, Edo period (1615–1868), early 1800s, Japan, Polychrome woodblock print; ink and color on paper, H. 9 1/2 in. (24.1 cm); W. 7 in. (17.8 cm), Prints, Kitagawa Utamaro (Japanese,

Pheasants in the Snow on a Pine Branch over a Waterfall, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 26 3/8 x 4 3/5 in. (67.0 x 11.7 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Ichikawa Danjūrō II in the Scene 'Wait a Moment' (Shibaraku), Edo period (1615–1868), ca. 1715, Japan, Woodblock print; ink and hand-painted color (tan-e) on paper, 11 1/4 x 6 in. (28.6 x 15.2 cm), Prints, Torii Kiyotada (Japanese, fl.

Terracotta pyxis (box), Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. with cover 2 1/2 in. (6.3 cm), Vases, The lid and bowl are inscribed

Limestone statue of a lion, Hellenistic, ca. 3rd century B.C., Cypriot, Limestone, H. 5 1/2 x 6 3/4 x 11 3/4 in. (14 x 17.1 x 29.8 cm), Stone Sculpture, The mane, jutting above the forehead, consists of irregular, flamelike tufts

Brick fragment with the head of an ibex, Neo-Assyrian, ca. 9th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ceramic, glaze, H. 4 7/8 x W. 3 5/8 in. (12.4 x 9.2 cm), Ceramics, As well as reliefs in stone, Assyrian palaces

[Gardens, Government House, Allahabad], 1858, Albumen silver print, Image: 7 x 7.8 cm (2 3/4 x 3 1/16 in.), Photographs, John Constantine Stanley (British, 1837–1878

Allegorical Design for a Tomb, n.d., Pen and brown ink, brown wash over graphite, oval: 17 5/8 x 14 in. (44.8 x 35.6 cm), Drawings, André Lebrun (French, Paris 1737–1811 Wilna

Fête, Avenue de Breteuil, 1913, Matte albumen silver print from glass negative, Image: 17.5 x 23 cm (6 7/8 x 9 1/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Daigensui Heika gaisen Gokigyo (?), Arrival of the Emperor at Tokyo after the Victory (Russo-Japanese War), Meiji period (1868–1912), May 1895, Japan, Polychrome woodblock print; ink and color on paper, 14 13/16 x 28 3/8 in. (37.6 x 72.1 cm),

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, 4 1/2 in. (11.5 cm), Glass, Translucent greenish yellow. Uneven rim folded out, round, and in; cylindrical neck, slightly tooled in around base; elongated piriform

Box with scene depicting Roman hero Gaius Mucius Scaevola before the Etruscan king Lars Porsena, Chased by George Michael Moser (1706–1783), 1741, British, London, Gold, Overall (confirmed): 1 3/4 × 4 9/16 × 3 5/8 in. (4.4 × 11.6 × 9.2

Terracotta amphora (jar), Archaic, ca. 520 B.C., Greek, Attic, Terracotta; black-figure, H. 21 5/16 in. (54.2 cm), Vases, Obverse, Athena mounting chariot, with Herakles and gods, Reverse, warriors' departure. The scene on the reverse is

Glass alabastron (perfume bottle), Late Hellenistic, 2nd–1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 5 1/16 in. (12.8 cm), Glass, Translucent blue, with handles in same color; trails in opaque yellow

Agate barrel, Classical, 2nd half of the 5th century B.C., Greek, Agate, H.: 1 1/8 in. (2.9 cm), Gems, heron

東海道五十三次之内　四日市　三重川, Mie River at Yokkaichi, Edo period (1615–1868), 1834, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13 3/4 in. (22.5 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese,

Bracelet, Bronze, Diam.: 2 1/8 in. (5.4 cm), Bronzes

Annual event - the third month (Ukiyo nenjū gyōji: Yayoi), Edo period (1615–1868), mid-19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/8 × 10 1/2 in. (36.5 × 26.7 cm), Prints, Utagawa Kunisada

The Third Segawa Kikunojo in the Role of Maizuru, Edo period (1615–1868), 2nd month, 1789, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 7/8 in. (32.1 x 14.9 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Colonnade occidental du Temple de Jupiter, à Baâlbek (Héliopolis), September 15, 1850, Salted paper print from paper negative, Image: 6 11/16 × 8 11/16 in. (17 × 22 cm), Photographs, Maxime Du Camp (French, 1822–1894

Print, Edo period (1615–1868), 1861, Japan, Polychrome woodblock print; ink and color on paper, 14 x 9 in. (35.6 x 22.9 cm), Prints, Utagawa Yoshifuji (Japanese, 1828–1887

Limestone statuette of a boy holding a bird and a branch of leaves, Classical, 5th–4th century B.C., Cypriot, Limestone, Overall: 18 x 6 3/8 x 3 1/2 in. (45.7 x 16.2 x 8.9 cm), Stone Sculpture, Figure holding bird and a spray of leaves

Ike Bana (Flower Arrangement) in the Ike-no-bo Style, Edo period (1615–1868), probably 1765, Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/8 in. (28.3 cm); W. 8 3/8 in. (21.3 cm), Prints, Suzuki Harunobu (Japanese,

Glass unguentarium (perfume bottle), Hellenistic, 3rd century B.C., Greek, Eastern Mediterranean, possibly Alexandrian, Glass; core-formed, Group II, H.: 3 11/16 in. (9.4 cm), Glass, Translucent cobalt blue, with opaque turquoise blue

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Overall: 4 3/4in. (12cm), Glass, Translucent pale blue green. Rim folded out, over, and in; cylindrical neck; piriform body; small, flat bottom. Intact; pinprick

Design for hanging light fixture, late 19th–early 20th century, Made in New York, United States, American, Colored pencil, gouache, graphite, and blue green ink stamp on off-white tracing paper on paper board, Overall: 22 1/16 x 15 1/16

Terracotta oinochoe: chous (jug), Classical, ca. 350–325 B.C., Greek, South Italian, Paestan, Terracotta; red-figure, H. 5 1/8 in. (13 cm), Vases, Head of Dionysos wearing an ivy wreath

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, probably Italian, Glass; cast and tooled, Other: 1 7/8 x 2 1/8 in. (4.8 x 5.4 cm), Glass, Rim fragment., Translucent honey brown,

Ladle, 1800–1830, Made in New York, New York, United States, American, Silver, Overall: L. 14 7/16 in. (36.7 cm); 5 oz. 13 dwt. (175.6 g), Silver, Roe and Stollenwerck (active ca. 1800

Kitai taihora, The Spiraling (Effect) of the Fundamental Law on the Fearful Party (Russians), Meiji period (1868–1912), September 1904, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 9 7/8 in. (36.8 x 25.1 cm), Prints,

Glass amphoriskos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 4 5/8 in. (11.8 cm), Glass, Opaque white, with handles and base-knob in same color; trails in

The Creation of Durga: Page from a Dispersed Markandeya Purana: (Stories of the Sage Markandeya), ca. 1810–20, India (Punjab Hills, Guler), Ink and opaque watercolor on paper, Within borders: 6 7/8 x 9 1/8 in. (17.5 x 23.2 cm), Paintings,

The Flying Down of Wild Geese at Yoshiwara, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 9 1/2 in. (24.1 cm); W. 7 7/16 in. (18.9 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

[Ship in Ice, Greenland Expedition], ca. 1859, Albumen silver print from glass negative, Photographs, Isaac Israel Hayes (American, 1832–1881

Snuffbox, Noël Hardivillers (French, master 1729, died 1779), 1753–54, French, Paris, Gold, enamel, 1 1/2 × 3 1/16 × 2 5/16 in. (3.8 × 7.8 × 5.9 cm), Metalwork-Gold and Platinum, Noël Hardivillers (French, master 1729, died

Monkey Hanging from Grapevines, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and red on silk, 14 1/8 x 10 3/4 in. (35.9 x 27.3 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

近代, 高邕, 楊柳, 扇面, Willow, Qing dynasty (1644–1911), dated 1895, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 1/4 x 19 3/8 in. (18.4 x 49.2 cm), Paintings, Gao Yong (Chinese, 1850–1921),