Images at Librifly

Shaving Table, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 6 x 8 5/16 in. (15.2 x 21.1 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Fragment of a Standard ('alam), 17th century, Attributed to Iran, Steel; openwork, sawn, drilled, and filed, Gr. H. 9 1/2 in. (24.2 cm), Metal, This fragment is the right half of a pear-shaped steel standard which would have been originally

Kyathos fragment, Archaic, ca. 525–500 B.C., Greek, Attic, Terracotta; black-figure, 2 7/16 × 3 7/16 × 1/8 in. (6.1 × 8.8 × 0.4 cm), Vases

Birds and Narcissus, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 15/16 in. (27.8 cm); W. 8 1/16 in. (20.5 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

[Unknown Sitters], before 1865, Albumen silver prints from glass negatives, Image: 3 3/8 in. × 2 in. (8.6 × 5.1 cm) (each), Photographs, Pierre-Louis Pierson (French, 1822–1913), et al, Painted and retouched by Marck

Terracotta Hadra hydria (water jar), Hellenistic, late 3rd century B.C., Greek, Ptolemaic, Cretan, Terracotta, h. 14 5/16 in. (36.4 cm); d. 9 5/8 in. (24.5 cm), Vases, This hydria was made by a skilled craftsman: it has a thin, delicate

White Mice Playing, Edo period (1615–1868), probably 1816, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 7/16 x 7 3/16 in. (13.8 x 18.3 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Standing Figure, 3rd century B.C.–A.D. 1st century, Mexico, Mesoamerica, Chupícuaro, Ceramic, H. 15 7/8 x W. 7 1/2 in. (40.3 x 19.1 cm), Ceramics-Sculpture

Cup and Saucer, 18th century, Attributed to Turkey, Kutahya, Stonepaste; polychrome painted under transparent glaze, Cup (a): , Ceramics, This cup and saucer is typical of the objects that were stored in open niches in reception rooms of

木曽海道六拾九次之内　長久保, Nagakubo, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 14 7/8 in. (25.1 x 37.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

The Inume Pass in Kai Province (Kōshū Inume tōge), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　甲州犬目峠, Edo period (1615–1868), ca. 1831–32, Japan, Polychrome woodblock print; ink

Lekythos, Archaic, ca. 500–490 B.C., Greek, Attic, Terracotta; black-figure, white-ground, Overall: 5 7/8in. (14.9cm), Vases

Shinshu-sarashina tagoto no tsuki, 本朝名所　信州更科田毎之月, Reflections of the Moon in the Rice Fields of Sarashina in Shinshu, Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper,

Teacup and saucer, ca. 1876, Made in Brooklyn, New York, United States, American, Porcelain, Cup: H. 2 in. (5.1 cm); Diam. 2 7/8 in. (7.3 cm), Ceramics, This teacup and saucer are part of a tea set (–.14) designed for the 1876 Centennial

Bingata Panel with Chrysanthemums and Snow Circles, 20th century, Japan (Ryūkyū Islands), Cotton tabby, 18 3/4 x 15 in. (47.6 x 38.1 cm), Textiles, Mrs. Teruyo Shinohara and her pupils

“Harishchandra and his Minister Killing a Tiger, ” folio from a Harishchandra Series, 1800–1850, Western India, Maharashtra, Paithan or northern Karnataka, Opaque watercolor and ink on paper, 12 3/8 x 17 3/8 in. (31.4 x 44.1 cm),

Model Shield, Spear Case, and Spears, Middle Kingdom, Dynasty 12, ca. 1981–1802 B.C., From Egypt, Middle Egypt, Asyut (Lykopolis), Khashaba excavations, Wood, stucco, paint, h. 71.5 cm (28.1/8 in); w. 42.2 cm (16 5/8 in), Egyptian

A Samurai who Hides His Features with His Hat, Meiji period (1868–1912), Japan, Monochrome woodblock print; ink on paper, 10 1/4 x 14 11/16 in. (26 x 37.3 cm), Prints, After Okumura Masanobu (Japanese, 1686–1764

元 羅稚川 古木寒鴉圖 軸, Crows in Old Trees, Yuan dynasty (1271–1368), early 14th century, China, Hanging scroll; ink and color on silk, Image: 52 x 31 5/8 in. (132.1 x 80.3 cm), Paintings, Luo Zhichuan (Chinese, active ca.

Marble cinerary chest, Early Imperial, 1st century A.D., Roman, Marble, Overall: 6 1/2 x 8 7/8 x 6 1/2 in. (16.5 x 22.5 x 16.5 cm), Stone Sculpture, The Latin inscription was copied from a Roman funerary plaque and added to this chest during

Kneeling Virgin, ca. 1474–1500, Made in Abruzzo, Italy, Italian, Willow, paint, and gilt, Overall: 46 1/8 x 31 1/2 x 19 3/4 in., 63lb. (117.2 x 80 x 50.2 cm, 28576.6g), Sculpture-Wood, Attributed to Paolo Aquilano (Italian, Abruzzo,

Tea Pot No 8473, 1887, (none assigned) New York, New York, United States, American, Ink, graphite, and wax pencil on brown glazed paper, Overall: 13 5/8 x 15 1/2 in. (34.6 x 39.4 cm), Drawings, Tiffany & Co. (1837–present

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 3/4 x 1 1/4 in. (1.8 x 3.1 cm), Glass, Body fragment., Translucent purple, turquoise blue partially appearing green,

東海道五十三次　藤枝, Fujieda, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Limestone head of a bearded male wearing a conical helmet, Archaic, first half of the 6th century B.C., Cypriot, Limestone, Overall: 14 1/2 x 9 x 13 1/2 in. (36.8 x 22.9 x 34.3 cm), Stone Sculpture, The smooth beard with a central incision and

[House in Simla], 1850s, Albumen silver print, Image: 18.3 x 24.6 cm (7 3/16 x 9 11/16 in.), Photographs, Unknown

Bronze lamp holder, Cypro-Archaic II, 6th century B.C., Cypriot, Bronze, H. 12 11/16 in. (32.2 cm), Bronzes, This form of lamp holder was probably introduced by the Phoenicians, and it remained prevalent in Cyprus from about the eighth to the

Liberty cup and saucer, 1876, Made in Brooklyn, New York, United States, American, Porcelain, Cup: H. 4 9/16 in. (11.6 cm); Diam. 4 9/16 in. (11.6 cm), Ceramics, Union Porcelain Works (1863–ca. 1922

Terracotta Hadra hydria (water jar), Hellenistic, 3rd century B.C., Greek, Ptolemaic, Terracotta, Other: 14 x 9 1/2 in. (35.6 x 24.1 cm), Vases, On body: ivy branch and bands; on neck: bands, laurel sprays

Scene from a Drama, Edo period (1615–1868), ca. 1788, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/4 in. (38.7 cm); W. 9 3/4 in. (24.8 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Vase in the form of a head of Acheloos, Archaic, ca. 550–525 B.C., East Greek, Terracotta, Other: 3 3/4 in. (9.5 cm), Vases, Acheloos was a river god who was able to transform himself into different shapes such as a bull or a serpent. This

Jérusalem, Village de Siloam, Monolithe de forme égyptienne, 1, 1854, Salted paper print from paper negative, Image: 23.4 x 33.1 cm (9 3/16 x 13 1/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Sawamura Sojiro II and Sanogawa Ichimatsu in the IX Act of the Drama 'Chushingura', Edo period (1615–1868), ca. 1780, Japan, Diptych of polychrome woodblock prints; ink and color on paper, L. 12 3/8 x 5 3/4 in. (31.4 x 14.6 cm), Prints,

The Dance of the Beach Maidens, Edo period (1615–1868), early 19th century, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Overall: 15 1/4 x 29 1/2 in. (38.7 x 74.9 cm), Prints, Kitagawa Utamaro (Japanese,

Marble portrait bust of a man, Early Imperial, Flavian, A.D. 81–96, Roman, Marble, H. 16 1/2 in. (41.9 cm), Stone Sculpture, The carefully styled hair on this young man resembles the short coiffure combed forward in undulating waves found

Tempio della Concordia, 1848–52, Albumen print from glass negative, Image: 8 11/16 × 11 5/16 in. (22 × 28.7 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

Entrance Gateway, Queen's College, Oxford, April 9, 1843, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Grasshopper and Morning-glory Vine, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 14 1/4 x 5 in. (36.2 x 12.7 cm), Prints, Designed by Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

冨嶽三十六景　下目黒, Lower Meguro (Shimo Meguro), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, H. 9 11/16

Ghosts and Battle Scenes, Edo period (1615–1868), 19th century, Japan, Album of 18 polychrome woodblock prints; ink and color on paper, 91 in. × 10 3/8 in. × 3/8 in. (231.1 × 26.4 × 1 cm), Prints, Utagawa Kunisada (Japanese,

Helmet Crest for the Burgonet of Sforza Pallavicino (1519–1585), ca. 1560, Milan, Italian, Milan, Steel, gold, 7 5/8 x 4 1/16 x 6 1/2 in. (19.4 x 10.3 x 16.5 cm); Wt. 1 lb. 8 oz. (675 g), Helmet Crests

Mosaic glass bowl fragment, Hellenistic, 2nd–mid-1st century B.C., Greek, Eastern Mediterranean, Glass; cast, Overall: 1 3/8 x 1 3/8 in. (3.5 x 3.5 cm), Glass

Creampot, 1735–45, Made in Boston, Massachusetts, United States, American, Silver, Overall: 3 1/2 x 3 3/16 x 2 1/4 in. (8.9 x 8.1 x 5.7 cm); 3 oz. 8 dwt. (106 g), Silver, Jacob Hurd (American, Boston, Massachusetts 1702/3–1758 Boston,

Basalt mortar or plate, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Basalt, H. 1 15/16 in. (5 cm); Diam. 8 in. (20.3 cm), Miscellaneous-Stone Vases, The lip of the vessel indicates that it had a lid

Dish, 1704, Made in Delft, Netherlands, Dutch, Tin-glazed earthenware, Diam. 9 in. (22.9 cm), Ceramics, Delftware made in imitation of Chinese blue-and-white porcelain was both fashionable and affordable. It was imported in vast quantities to

[Flowers Arranged in a Glass Vase], about 1659, Engraving, Overall: 16 1/8 x 12 1/8 x 3/16 in. (41 x 30.8 x 0.5 cm), Books

Bamboo, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; ink on paper, Image: 11 1/16 in. × 9 ft. 1 7/8 in. (28.1 × 279.1 cm), Paintings, Unidentified Artist, In the style of Su Shi (Chinese, 1037–1101

Terracotta bowl, Imperial, ca. A.D. 1–300, Roman, Terracotta, H. 2 11/16 in. (6.8 cm), Vases, Orange glazed bowl with barbotine design of raised ribs

Eleven bound prints of hunts, n.d., Books

Terracotta collar-necked jar, Late Helladic IIIA-B, ca. 1400–1190 B.C., Mycenaean, Terracotta; Coarse ware, H. 4 1/4 in. (10.7 cm.), Vases, The three vertical lugs on the shoulder likely were used to tie down a lid

Three fragmentary iron fire-rakes, Late Classical or Hellenistic, late 4th or early 3rd century B.C., Etruscan, Iron, H.: 12 in. (30.5 cm), Miscellaneous-Iron, Iron utensils used to rake the charcoal embers of a fire

The Outer Prakarum, or Corridor Around the Temple of the God Sundareshawara, January–March 1858, Albumen silver print from dry collodion on glass negative, Image: 34.8 x 24.2 cm (13 11/16 x 9 1/2 in.), Photographs, Linnaeus Tripe (British,

Sutro Tunnel Shaft No. 3, 1875, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Esneh, Dattiers, Sycomore et Café Sur le Bord du Nil, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.8 x 30.5 cm. (9 3/8 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

明? 佚名 (舊傳)夏珪 長江萬里圖 (後半卷), River Landscape after Xia Gui, Ming dynasty (1368–1644), 15th century, China, Handscroll; ink and color on silk, Image: 23 3/8 in. × 16 ft. (59.4 × 487.7 cm), Paintings, Unidentified

Chess Piece in the Form of a Knight, ca. 1350–75, Western European, possibly British, Ivory (elephant), H. 2 13/32 in. (6.1 cm); L. 2 3/4 in. (6.4 cm); W. 5/8 in. (1.6 cm), Sculpture, This remarkably detailed ivory chessman––the solitary

Harness Trapping, 5th century B.C., China, Bronze, tin, H. 5 1/2 in. (14.0 cm); W. 4 3/4 in. (12.1 cm), Metalwork

東海道五十三次　土山 鈴鹿山の図, Tsuchiyama: Suzuka-yama no zu., Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige

Portrait of a Young Woman with a Fan, 1633, Oil on canvas, 49 1/2 x 39 3/4 in. (125.7 x 101 cm), Paintings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

重陽後の月宴, 十二月ノ内, Banquet of the Next Full Moon at the Chrysanthemum Festival, from the series The Twelve Months (Chōyō nochi no tsuki no en, Jūni tsuki no uchi), Edo period (1615–1868), 1854, Japan, Triptych of

L'hermine, 1860s, Albumen silver print from glass negative, Image: 12.2 x 18.6 cm (4 13/16 x 7 5/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Jasper scarab, Archaic, last quarter of 6th century B.C., Greek, Jasper, green, 0.8 in. (2 cm.), Gems, Herakles wielding the club in his right hand and holding a lion by the hind leg with his left hand

Woven Panel Fragment, 7th–10th century, Peru, Peruvian, Cotton, camelid hair, Height 18-1/2 in., Textiles-Woven

Six Gopis Seated Beneath Trees: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), 1600–10, India (Gujarat, Ahmedabad), Ink and opaque watercolor on paper, 4 1/8 x 9 5/8 in. (10.5 x 24.5 cm), Paintings, This charming

Vase fragment, Early Minoan III, Minoan, Terracotta, 2 1/2 × 1 5/8 × 1/4 in. (6.3 × 4.2 × 0.6 cm), Vases

Lid of Incense Burner, Eastern Han dynasty (25–220), 3rd century, China, Gilded bronze, H. 2 3/4 in. (7 cm); Diam. 2 in. (5.1 cm), Metalwork

Pair of seven-light candelabra (candélabres or girandoles), ca. 1790, French, Gilt bronze, griotte marble, bardiglio marble, H. 47 3/8 x W. 19 3/4 x D. 13 3/4 in. (120.3 x 50.2 x 34.9 cm), Metalwork-Gilt Bronze, Candelabra became more and

The Third Segawa Kikunojo as a Woman Walking Toward the Right, Edo period (1615–1868), 1774 or 1775, Japan, Polychrome woodblock print; ink and color on paper, 12 11/16 x 5 3/4 in. (32.2 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese,

Plate, ca. 1850–75, Made in Berks County, Pennsylvania, United States, American, Earthenware; Redware with slip decoration, 10 3/4 x 8 in. (27.3 x 20.3 cm), Ceramics

Shield Boss, 16th–17th century, probably Turkish, Steel, Diam. 9 in. (22.9 cm); H. 4 5/8 in. (11.8 cm), Shields

Queen of Clubs, from a Set of Piquet Cards, late 18th–19th century, Hand-colored woodcut, sheet: 3 3/8 x 2 1/4 in. (8.6 x 5.7 cm), Prints, Claude Fayolle (French, Vaise (Rhône) ca. 1752–1826 Lyon

松本幸四郎, Matsumoto Koshiro IV as Tsurifune no Sabu, Edo period (1615–1868), ca. 1796, Japan, Polychrome woodblock print; ink and color on paper, 10 3/4 x 5 3/4 in. (27.3 x 14.6 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo)

[Young Girl Wrapped in Cloth, Sicily, Italy], 1890s–1900s, Albumen silver print from glass negative, 21.7 x 16.3 cm. (8 9/16 x 6 7/16 in.), Photographs, Wilhelm von Gloeden (Italian, born Germany, 1886–1931

Bronze bracelet, Bronze, diameter 2 5/8in. (6.7cm), Bronzes, Open ends terminating in volutes

Limestone statuette of Dionysos holding a thyrsos, Hellenistic, 310–30 B.C., Cypriot, Limestone, H. 20 1/2 x 7 7/8 x 4 1/4 in. (52.1 x 20 x 10.8 cm), Stone Sculpture, Figure in hunting dress with staff

The Actor the Fourth Danjuro with His Chin in His Hand Leaning on the Handle of a Large Black Axe, Edo period (1615–1868), 1770, Japan, Polychrome woodblock print; ink and color on paper, 11 1/4 x 5 1/4 in. (28.6 x 13.3 cm), Prints,

Equestrian Portrait of a Noble, ca. 1775, India (Rajasthan, Devgarh), Ink and opaque watercolor on paper., 8 11/16 x 12 in. (22 x 30.5 cm), Paintings, Attributed to Bakhta, Rajput paintings are often jewel-like in their minute details and

Rope, Middle Kingdom, Dynasty 11, ca. 2030–1640 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Aashyt (DBXI.17), 1920–21, Linen, 256 cm long

La robe de taffetas, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Lithographic Plate, 1850, Paris, France, French, Lithographs, Lithographs: H. 6-1/2 in., W. 5-1/4 in., Works on Paper, Alexandre Désiré Collette (French, 1814–1876), Part of a series of 21 plates published in: Sigismond Stern, Manuel

Watercolor of musician playing yangqin, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Vase with witch ball, 1850–75, Made in East Cambridge, Massachusetts, United States, American, Free-blown colorless, red, white and blue glass, H. 13 1/2 in. (34.3 cm); Diam. 6 1/2 in. (16.5 cm), Glass, Probably New England Glass Company

Neck-amphora, Archaic, last quarter of 6th century B.C., Greek, Attic, Terracotta; black-figure, Diameter: 7 × 5 × 3 15/16 in. (17.8 × 12.7 × 9.9 cm), Vases

Wild Geese in Winter, Southern Song dynasty (1127–1279), 13th century, China, Album leaf; ink and color on silk, 12 3/8 x 11 in. (31.4 x 28 cm), Paintings, Unidentified Artist Chinese, 13th century

「文齊側五行火　花街細見合」, Courtesan by a Lantern, “Fire, ” from the series Five Elements for the Bunsai Poetry Group, a Guide to the Yoshiwara Pleasure Quarters, Edo period (1615–1868), ca. 1820, Japan, Polychrome

Inundated Ruins of a Monastery, ca. 1824, Pen and black ink, watercolor washes, sgrafitto, Sheet: 10 1/4 x 13 1/8 in. (26 x 33.3 cm), Drawings, Karl Blechen (German, Cottbus 1798–1840 Berlin), With Caspar David Friedrich and Johan

The Iliad and the Odyssey, 1834, Illustrations: line engraving, 8 3/4 x 5 11/16 x 1 5/16 in. (22.2 x 14.4 x 3.3 cm), Books, After John Flaxman (British, York 1755–1826 London

Le Fontane ne' Palazzi e ne' Giardini di Roma con li Loro Prospetti et Ornamenti, 1691 or after, Etching, Plate: 8 5/16 x 12 3/16 in. (21.1 x 31 cm), Third part of the print series on the fountains of Rome and its surroundings published by

Lobster and Vegetables, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 6 x 12 5/8 in. (15.2 x 32.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Sakura-gai, 元禄歌仙貝合, Cherry Shell, from the series Genroku Poetry Shell Games, Edo period (1615–1868), probably 1821, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/4 x 6 7/8 in. (19.7 x 17.5 cm),

Opium smoker, 1867, Albumen silver print from glass negative, Photographs, William Thomas Saunders (British, 1832–1892

Landscape with Ox Carts on a Road, Ming dynasty (?) (1368–1644), China, Miniature from album of eleven paintings; ink and color on silk, 5 x 6 3/4 in. (12.7 x 17.1 cm), Paintings, Li Xiying

Mirror disk, Classical, 5th–4th century B.C., Greek, South Italian ?, Bronze, Diameter: 4 3/4 in. (12.1 cm), Bronzes

Cupid on a lion, ca. 1675–90, Flemish, Statuette: ivory; base: wood, ebony and ivory, Height (statuette): 8 5/8 in. (21.9 cm); Height (base): 4 1/2 in. (11.4 cm), Sculpture-Miniature, Mattheus van Beveren (ca. 1630–1690), The winged Cupid

名取酒六家選　兵庫屋華妻　坂上の剣菱, 'Hanazuma of Hyōgoya, Kenbishi of Sakagami” from the series The Peers of Saké Likened to Select Denizens of Six Houses (Natori zake rokkasen: Hyōgoya Hanazuma, Sakagami no Kenbishi),

Punch bowl, 1890–1905, Made in White Mills, Pennsylvania, United States, American, Blown and cut glass, 14 3/4 x 14 1/8 in. (37.5 x 35.9 cm), Glass, Attirbuted to C. Dorflinger and Sons (American, White Mills, Pennsylviania,

Pyramides et le Sphinx, 1860s–70s, printed ca. 1870, Albumen silver print, 17.3 x 23.1 cm. (6 13/16 x 9 1/16 in.), Photographs, Félix Bonfils (French, 1831–1885

La Maritata Romana (Matron), n.d., Engraving, Sheet: 8 7/8 x 6 1/4 in. (22.5 x 15.8 cm), Prints, Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571–1621

Sword Guard, 14th–15th century, Tibetan or Chinese, Iron, gold, silver, copper, H. 3 1/4 in. (8.3 cm); W. 4 3/4 in. (12.1 cm), Swords, Depicting the face of a wrathful Tibetan Buddhist guardian deity, this extremely rare sword guard was

Vase fragment, Early Minoan II, Minoan, Terracotta, 3 1/2 × 4 7/16 × 5/16 in. (8.9 × 11.3 × 0.7 cm), Vases