Images at Librifly

Figured flask, 1822–38, Made in Zanesville, Ohio, United States, American, Blown-molded glass, H. 6 5/8 in. (16.8 cm), Glass

Nail, Bronze, Other: 3 1/2in. (8.9cm), Bronzes

Portrait of Walter Devereux (1539–1576), First Earl of Essex, dated 1572, British, Oil on wood, 41 1/8 x 31 1/2 in. (104.5 x 80 cm), Miscellaneous-Paintings & Portraits, British Painter, Walter Devereux succeeded his grandfather as Viscount

東海道五十三次 藤沢, Fujisawa, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Fragmentary marble inscription, Early Imperial, Julio-Claudian, mid-1st century A.D., Roman, Cypriot, Marble, blue, Overall: 8 5/8 x 7 in. (21.9 x 17.8 cm), Cesnola Inscriptions, Probably part of an honorific inscription, but the

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Old View of the Boat-bridge at Sano in Kōzuke Province (Kōzuke Sano funabashi no kozu), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), 諸國名橋奇覧　かうつけ佐野ふなはしの古づ, Edo

Terracotta one-handled cup, Geometric, late 8th century B.C., Greek, Attic, Terracotta, H. 2 1/2 in. (6.3 cm), Vases, From the Hymettos deposit

Beauty with Butterflies, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on silk, 40 3/4 x 12 1/2 in. (103.5 x 31.8 cm), Paintings, Katsukawa Shunshō (Japanese, 1726–1792

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 1/2 × 1 7/8 × 3/16 in. (3.8 × 4.7 × 0.4 cm), Vases

Vase fragment, Early Helladic, ca. 3000–2000 B.C., Aegean, Terracotta, Other: 3/4in. (1.9cm), Vases

Two fragments of a limestone sarcophagus lid with snakes, Classical, first half of the 5th century B.C., Cypriot, Limestone, Overall: 8 x 11 1/2 x 8 1/4 in. (20.3 x 29.2 x 21 cm), Stone Sculpture, The two nonjoining fragments belong to the lid

Costigliole, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Pitcher, 1875, Made in Brooklyn, New York, United States, American, Parian porcelain, H. 8 3/16 in. (20.8 cm), Ceramics

Pilgrim flask, ca. 1680–1700, German, Leipzig, Parcel gilt, Overall (confirmed, wt. not confirmed): 16 5/16 x 8 3/8 x 5 1/4 in., 3.9lb. (41.4 x 21.3 x 13.3 cm, 1.75kg), Metalwork-Silver

Lekythos, Archaic, 1st quarter of 5th century B.C., Greek, Attic, Terracotta; black-figure, H. 13 5/8 in. (34.6 cm), Vases, Procession of lyrists and castanet players

Basketry Work: By the Craftsman Ichida Shōshichirō of Naniwa (Kagosaiku Naniwa saikujin Ichida Shōshichirō), 「籠細工　浪花細工人一田庄七郎」, Edo period (1615–1868), 1819, Japan, Polychrome woodblock print; ink and color

Marble statue of a bound goat, Imperial, 1st–2nd century A.D., Roman, Marble, Pentelic, h. 15 1/2 in. ( 39.4 cm); w. 20 3/8 in. (51.7 cm), Stone Sculpture, This sensitively rendered goat with bound feet realistically evokes the widespread

[Ivy Covered House], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

George Gilfillan and Samuel Brown, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

Skyphos, Late Classical, ca. 350–325 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, Overall: 4 1/8in. (10.5cm), Vases

雪中芦に鴨, A Wild Duck near a Snow-laden Shore, Edo period (1615–1868), ca. 1843, Japan, Polychrome woodblock print; ink and color on paper, H. 14 7/8 in. (37.8 cm); W. 6 3/4 in. (17.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

River View, Sentinel, 3270 Feet, 1861, Albumen silver print from glass negative, Image: 20 1/4 × 16 7/16 in. (51.5 × 41.7 cm), Photographs, Carleton E. Watkins (American, 1829–1916

Robe de Style, 1922, French, silk, glass, metallic thread

The Actor Matsumoto Koshiro 2nd as a Samurai, Edo period (1615–1868), 1771–72, Japan, Polychrome woodblock print; ink and color on paper, H. 12 13/16 in. (32.5 cm); W. 5 13/16 in. (14.8 cm), Prints, Katsukawa Shunshō (Japanese,

Design for a Frame Surmounted by a Lamp, Showing Two Alternative Ideas, 17th–18th century, Pen and gray ink, 8 1/8 x 6 5/8 in. (20.6 x 16.8 cm), Drawings, Anonymous, Italian, 17th or 18th century

Judith, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Covered Box, ca. 1905–13, Made in New York, New York, United States, American, Wood; European walnut (?), glass, H. 2 5/8 in. (6.7 cm), Natural Substances, Tiffany Studios (1902–32), This object forms part of a group of glass vessels

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 1 1/4 x 1in. (3.2 x 2.5cm), Vases

Kohl Container Decorated with Bes-images, New Kingdom, mid-Dynasty 18, ca. 1400 B.C., From Egypt, Steatite, glazed, H. 6 cm (2 3/8 in); w. 4 cm (1 9/16 in); d. 3.6 cm (1 7/16 in), As a measure for preventing disease, eye paint was second

Tomoe Gozen Killing Uchida Saburo Ieyoshi at the Battle of Awazu no Hara, Edo period (1615–1868), ca. 1750, Japan, Polychrome woodblock print; ink and color on paper, H. 7 1/4 in. (18.4 cm); W. 11 3/8 in. (28.9 cm), Prints, Ishikawa Toyonobu

Coriolanus Vows Eternal Hatred to Rome, n.d., Pen and brown ink, brush and brown wash, heightened with white, over black chalk underdrawing, 14 13/16 x 17 1/8 in. (37.6 x 43.5 cm), Drawings, Henri Lérambert (French, ca. 1550–1609

Creamer, 1760–75, Made in Newport, Rhode Island, United States, American, Silver, 3 15/16 x 4 1/8 in. (10 x 10.5 cm); 4 oz. 1 dwt. (126.2 g), Silver, Thomas Arnold (baptized 1739–1828

Camellia Flower and Yokan (a sort of bean jelly) Wrapped in Bamboo Skin, Edo period (1615–1868), 1811, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 4 1/6 x 7 7/16 in. (10.6 x 18.9 cm), Prints, Ryūryūkyo

Glass stirring rod, Imperial, ca. 1st–4th century A.D., Roman, Glass, Overall: 5 9/16in. (14.1cm), Glass, Uncertain color. Solid, cylindrical rod, slightly thickened at either end into small knobs. Intact; thick, black enamel-like

東海道五十三次　戸塚, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Headband, 7th–10th century, Peru, Wari, Cotton, camelid hair, Height (a) 4 in., Textiles-Woven

Titmouse and Camellias (right), Sparrow and Wild Roses (center), and Black-naped Oriole and Cherry Blossoms (left), Edo period (1615–1868), ca. 1833, Japan, Uncut triptych of polychrome woodblock prints; ink and color on paper, 9 1/4 x 14

Burner (Ranlu), Western Han dynasty (206 B.C.–A.D. 9), China, Bronze, H. 3 7/8 in. (9.8 cm); W. 3 1/4 in. (8.3 cm); D. 7 5/8 in. (19.4 cm), Metalwork

The City of New York: Longworth's Explanatory Map and Plan, 1817, Hand-colored engraving, plate: 19 1/8 x 19 1/8 in. (48.6 x 48.6 cm), Prints, James DeForest Stout (American, New York 1783–1868 New York

Nissaka-sayo no Naka Yama, 東海道五十三次之内　日坂　佐夜の中山, Station Twenty-six: Nissaka, Sayo no Nakayama, from the Fifty-three Stations of the Tokaido, Edo period (1615–1868), ca. 1833–34, Japan, Polychrome

Embroidered Mantle Fragment, 3rd–2nd century B.C., Peru, Paracas, Camelid hair, cotton, Overall: 5 x 5 in. (12.7 x 12.7 cm), Textiles-Woven

The Grand Stand, Foochow, ca. 1869, Albumen silver print from glass negative, Image: 7 15/16 × 11 5/16 in. (20.2 × 28.8 cm), Photographs, Lai Fong (Chinese, 1839–1890

東海道五十三次　阪之下, Sakanoshita, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa

Teapot, ca. 1720, Made in New York, New York, United States, American, Silver, 7 3/16 × 9 5/16 in., 563.5g, 4 7/8 in. (18.3 × 23.7 cm, 18 oz., 12.4 cm), Silver, Peter Van Dyck (1684–1750

3/10 26 Yl El Illk[?], 1905–19, Gelatin silver prints from glass negatives, Image: 3 1/4 × 4 1/4 in. (8.2 × 10.8 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the Wright

[View from Himalayas], 1850s, Albumen silver print, Image: 20.2 x 26 cm (7 15/16 x 10 1/4 in.), Photographs, Unknown

Hier beghit tsomer stuc vande passiole (Legenda aurea in Dutch), 1505, Overall: 9 13/16 x 7 7/8 x 2 5/8 in. (24.9 x 20 x 6.7 cm), Books

Bassoon, 1870, Paris, France, French, Maple, grenadilla, brass with gold wash, H. 130.8 cm (51 1/2 in.), Aerophone-Reed Vibrated-double reed, Frederic Triebert (1810–beginning 20th century

6 Arrows, Middle Kingdom–Early New Kingdom, Dynasty 12–17, ca. 1981–1550 B.C., From Egypt, Reed, wood, flint, pitch, feathers, Length of a, 77 cm (30 5/16 in); b, 73.1 cm (28 3/4 in); c, 73.8 cm (29 1/16 in); d, 75 cm (29 1/2 in);

Print, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/4 x 7 1/8 in. (19.7 x 18.1 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Glass aryballos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 2 7/8 in. (7.3 cm), Glass, Translucent blue, with same color handles; trails in opaque yellow,

A Lady Applying Henna to Her Raised Foot, ca. 1725, India (Rajasthan, Bikaner), Ink, opaque watercolor, and gold on paper, 5 11/16 x 2 1/4 in. (14.4 x 5.7 cm), Paintings, Attributed to Ustad Mohamed, son of Murad

Four Women Passing a Group of Trees, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 10 1/4 x 14 5/8 in. (26 x 37.1 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 8 3/4 x 2 15/16in. (22.2 x 7.5cm), Vases

[Botanical Gardens, Calcutta], 1850s, Albumen silver print, Image: 19.4 x 24.3 cm (7 5/8 x 9 9/16 in.), Photographs, Captain R. B. Hill

Village de Murols, 1854, Salted paper print from paper negative, Image: 33 x 43.5 cm (13 x 17 1/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

St. Andrews. The Spindle Rock, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Mosaic glass bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 1/2 x 1 7/16 in. (3.8 x 3.7 cm), Glass

LeRoy Beaulieu, ca. 1901, Platinum print, Image: 7 7/16 × 5 11/16 in. (18.9 × 14.5 cm), Photographs, Mounted by Frederick H. Evans (British, London 1853–1943 London

Portrait of Ushioda Masanojo Takano, Edo period (1615–1868), 1852, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 7/8 in. (25.1 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

[Leaf], ca. 1840, Photogenic drawing negative, Sheet: 3 1/8 × 3 13/16 in. (8 × 9.7 cm), Negatives, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Glass jar, Late Imperial, 4th–5th century A.D., Roman, Syrian, Glass; blown and trailed, H.: 3 1/4 in. (8.3 cm), Glass, Colorless; trails and base in translucent cobalt blue. Everted rim, folded over and in, pressed flat on upper surface

Sculptor's model / votive relief with two sides: side one, two registers with a right foot on each; side two, a royal-like figure, Late Period–Ptolemaic Period, 400–200 B.C., From Egypt, Limestone, H. 13 cm (5 1/8 in.); W. 16 cm (6 5/16

St. Andrews. Madras College, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Terracotta vessel fragment with three bands and a scale pattern, Late Helladic IIIA, ca. 1400–1300 B.C., Mycenaean, Terracotta, Other: 1 1/8 x 1 in. (2.9 x 2.5 cm), Vases, Three red bands and scale pattern

The Servants of Absalom killing Amnon (2 Samuel 13, 28-29); verso: Sketch of a seated woman, late 16th–early 17th century, Pen and brown ink, brown wash; verso: black chalk. Two framing lines in pen and brown ink, sheet: 9 15/16 x 6 3/8 in.

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Rivaulx Abbey. Doorway of the Refectory, 1850s, Albumen silver print, Image: 28.1 x 23.4 cm (11 1/16 x 9 3/16 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry Delamotte (British,

Shōkei, Celebrated Waterfall, Edo period (1615–1868), 1820–1830, Japan, Polychrome woodblock print; ink and color on paper, 13 x 6 3/4 in. (33 x 17.1 cm), Prints, Yanagawa Shigenobu (Japanese, 1787–1832

Fragmentary terracotta kylix (drinking cup), Archaic, late 6th century B.C., Greek, Attic, Terracotta; red-figure, Other: 3 7/8 x 4 1/8 in. (9.8 x 10.5 cm), Vases, Interior, fight, Exterior, lower part of a female figure. Additional

Man with a Beard, Oil on canvas, 28 7/8 x 25 1/4 in. (73.3 x 64.1 cm), Paintings, Style of Rembrandt (17th century or later), Though generally accepted by Rembrandt scholars until about 1940, this canvas was considered an eighteenth-century

Scene from a Ghost Story: The Okazaki Cat Demon, Edo period (1615–1868), ca. 1850, Japan, Diptych of polychrome woodblock prints; ink and color on paper, A: H. 14 3/8 in. (36.5 cm); W. 10 in. (25.4 cm), Prints, Utagawa Kuniyoshi (Japanese,

Temple with Figure, 1st–8th century, Mexico, Mesoamerica, Guerrero, Mezcala, Stone, H. 6 1/4 x 5 1/2 in. (15.9 x 14 cm), Stone-Sculpture

Bronze statuette of Hermes, Late Hellenistic or Early Imperial, 1st century B.C.–1st century A.D., Greek or Roman, Bronze, H. 11 7/16 in. (29.1 cm), Bronzes, Hermes—messenger of the gods, the cattle rustler, the inventor of the lyre,

Electrotype copy of a gold bracelet, Archaic or Classical, 6th–5th century B.C., Cypriot, Gold, Diam. of the shank: 9.66 mm, Gold and Silver

Red Carp Ascending a Waterfall, 鯉の滝登り, Edo period (1615–1868), late 1820s, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 1/4 x 6 9/16 in. (18.4 x 16.7 cm), Prints, Yashima Gakutei (Japanese,

The Fruit Sellers, ca. 1845, Salted paper print from paper negative, 17.1 x 21.1 cm (6 3/4 x 8 5/16 in. ), Photographs, Possibly by William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), Possibly by Calvert Richard Jones (British,

Buildings of Sutro Tunnel, 1875, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Footstool, 1810–20, Made in New York, New York, United States, American, Mahogany, gilt brass, 7 x 13 3/4 x 8 7/8 in. (17.8 x 34.9 x 22.5 cm), Furniture, Attributed to Duncan Phyfe (1770–1854

Terracotta kylix (drinking cup), Archaic, ca. 510 B.C., Greek, Attic, Terracotta; red-figure, H. 5 3/16 in. (13.2 cm); diameter 12 1/2 in. (31.7 cm); width with handles 15 13/16 in. (40.1 cm), Vases, Interior, diskos-thrower., Exterior,

Palm Sunday in Spain, 1873, Watercolor, 20 1/4 x 13 3/4 in. (51.4 x 34.9 cm), Drawings, Jean-Georges Vibert (French, Paris 1840–1902 Paris

Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie, Plate 5, 1660–1713, Etching, Plate: 6 1/4 × 9 5/16 in. (15.9 × 23.7 cm), Alexis Loir (French, 1640–1713), Plate 5 of a series

Terracotta jug in the shape of a siren, Archaic, ca. 550–500 B.C., Etruscan, Terracotta; bucchero pesante, H. 11 7/16 in. (29.1 cm), Vases, The siren, a mythological creature that was part woman and part bird, was a popular motif for

Mother Ape, 1595–96, Italian, Pesaro, Bronze, Overall (confirmed): H. 25 1/8 x W. 13 x D. 20 5/8 in., 192lb. (63.8 x 33 x 52.4 cm, 876kg), Sculpture-Bronze, A tailless barbary ape performs a mother’s balancing act. With her long arms she

Carnelian flat scaraboid, Classical, 2nd half of the 4th century B.C., Greek, Carnelian, H.: 1 1/16 in. (2.7 cm), Gems, quadriga (four-horse chariot) with prancing horses

Ingrain carpet piece, ca. 1870, American, Wool, 35 x 35 in. (88.9 x 88.9 cm), Textiles

Print, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 6 3/4 in. (21 x 17.1 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Stone votive relief of an ear with earring, Late Classical–Hellenistic, 4th–3rd century B.C., Cypriot, Limestone, H. 3 9/16in. (9 cm.); W. 3 1/4 in. (8.3 cm.), Miscellaneous-Stone, The lower part of the small plaque comes to a point. On

Legendary Strongman Sakata Kinpira (Kintoki) Drinking Sake, Edo period (1615–1868), ca. 1750, Japan, Polychrome woodblock print; ink and color on paper, H. 7 1/4 in. (18.4 cm); W. 11 3/8 in. (28.9 cm), Prints, Ishikawa Toyonobu (Japanese,

Forearm Guard for the Left Arm, possibly 15th–16th century, Tibetan or Mongolian, Leather, shellac, gold, pigment, L. 12 1/4 in. (31.1 cm), Armor Parts, The ornament on this arm guard is very similar to that seen on Tibetan horse armor,

Mt. Broderick in Distant Centre, Piroyac, Falling Chrystals, Vernal Fall, 1861, Albumen silver print from glass negative, Image: 42.4 x 51.5 cm (16 11/16 x 20 1/4 in.), arch-topped, Photographs, Carleton E. Watkins (American, 1829–1916

Thirty-four gold dress ornaments, Late Republic or Early Imperial, 1st century B.C.–1st century A.D., Roman, Gold, average size: 7/16 × 1/2 in. (1.1 × 1.3 cm), Gold and Silver, Each piece is in the form of two addorsed peltas. The

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 5/8 × 1 5/16 × 3/16 in. (4.1 × 3.3 × 0.4 cm), Vases

Fish M'ts Sugar N° 3737, 1876, (none assigned) New York, New York, United States, American, Ink and graphite on off-white heavy wove paper, Overall: 8 1/4 x 12 3/4 in. (21 x 32.4 cm), Drawings, Tiffany & Co. (1837–present

近代, 陳衡恪, 秋山蕭寺, 扇面, Remote Temple on the Autumn Mountain, dated 1920, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 15/16 x 22 in. (20.2 x 55.9 cm), Paintings, Chen Hengke (Chinese,

Head-back, including ear, Bronze, Other: 7 1/8 in. (18.1 cm), Bronzes

Side Chair, 1791–1818, Made in New York, New York, United States, American, Mahogany, brass, 32 3/4 x 17 3/4 x 16 3/8 in. (83.2 x 45.1 x 41.6 cm), Furniture, Attributed to Duncan Phyfe (1770–1854

Multi-Plate Helmet of Thirty-Two Lames, possibly 14th–16th century, Mongolian or Tibetan, Iron, silver, gold, brass or copper alloy, H. 6 3/4 in. (17.1 cm); W. 9 1/4 in. (23.5 cm); D. 10 5/8 in. (27 cm); Wt. 3 lb. 9.7 oz. (1635.8 g),

Bracelet, Cypriot, Bronze, Other (Greatest Diameter): 3 1/8in. (8cm), Bronzes