Images at Librifly


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松竹梅家紋散し蒔絵文箱, Letter Box with Pine, Bamboo, Plum Blossom, and Family Crests, Edo period (1615–1868), 19th century, Japan, Lacquered wood with gold and silver hiramaki-e, cut-out gold foil on nashiji ground (part of a
Wood statuette of Hekate, Hellenistic, 304–30 B.C., Egyptian, Ptolemaic, Wood, Juniper, H.: 9 3/16 in. (23.4 cm), Miscellaneous-Wood, Carved out of juniper wood, the statuette was originally painted
Jasper intaglio in a gold mount set with pearls and glass, Mid-Imperial, Antonine or Severan, 2nd–3rd century A.D., Roman, Gold, jasper, pearl, glass, H. 3.00 cm., Gold and Silver, The intaglio, depicting a horseman spearing a boar, is
Elevation and Plan of a Small Building from the series Russian Palaces and Gardens, n.d., Engraving printed on blue paper, sheet: 21 5/8 x 29 7/16 in. (55 x 74.7 cm), Prints, Ivan Kuvakin (Russian, born 1751
Fibula, Cypriot, Bronze, Other: 1 9/16in. (4cm), Bronzes
Glass beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and cut, H.: 4 3/4 x 3 1/4 in. (12 x 8.3 cm), Glass, Colorless Knocked-off, uneven rim; bulging collar below rim; four-sided body; sides tapering slightly downward, with
Police Superintendant's Party: A Gift of Food and Drink, Meiji period (1868–1912), September 1877, Japan, Polychrome woodblock print; ink and color on paper, 13 1/2 x 28 1/2 in. (34.3 x 72.4 cm), Prints, Tsukioka Yoshitoshi (Japanese,
Close-Helmet for the Field and Tourney, ca. 1560–65; front collar lames, 1544, Brescia; Augsburg, Italian, probably Brescia; front collar lames, German, Augsburg, Steel, gold, copper alloy, H. 13 1/2 in. (34.3 cm), W. 8 3/4 in. (22.2
Costume Plate: Peasant Woman from Spain, ca. 1555–58, Engraving, Sheet (trimmed to plate): 6 in. × 4 1/2 in. (15.3 × 11.4 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara
Silvered bronze roundel with satyr head (one of a pair), Hellenistic, ca. 325–300 B.C., Greek, Bronze, Diam.: 3 9/16 in. (9.1 cm), Bronzes, The head of an old satyr, facing front, with moustache, long beard and wavy hair
Three Actors, Edo period (1615–1868), Japan, Monochrome woodblock print (probably hand colored); ink and color on paper, 12 x 6 1/4 in. (30.5 x 15.9 cm), Prints, Torii Kiyomasu II (Japanese, 1706–1763
Eighteen-light chandelier, ca. 1790, French, Gilt bronze, rock crystal, Height: 58 in. (147.3 cm); Diameter: 37 1/2 in. (95.3 cm), Metalwork-Gilt Bronze
Alexander Thompson, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,
Happy Improvisations on a Riverboat Journey, Edo period (1615–1868), ca. 1767, Japan, Handscroll; woodblock print; ink on paper, 11 3/16 x 39 ft. 7/16 in. (28.4 x 1189.9 cm), Prints, Itō Jakuchū (Japanese, 1716–1800), This scroll
明 佚名 (舊傳)吳炳 枇杷 扇, Bird on a Loquat Tree, probably mid- to late Ming dynasty (1368–1644), China, Fan mounted as an album leaf; ink and color on silk, 10 1/2 x 10 3/4 in. (26.7 x 27.3 cm), Paintings, Unidentified
[The Countess Canning, Calcutta], 1861, Albumen silver print from glass negative, Image: 23.6 x 22.4 cm (9 5/16 x 8 13/16 in.), Photographs, Josiah Rowe (British, ca. 1809–1874
Terracotta bell-krater (mixing bowl), Late Classical, ca. 360–330 B.C., Greek, South Italian, Campanian, Terracotta; red-figure, H. 12 1/8 in. (30.8 cm), Vases, Obverse, Eros driving biga (two-horse chariot), Reverse, two youths. A:
Hippopotamus figurine, Middle Kingdom, Dynasty 12–13, ca. 1981–1640 B.C., From Egypt, Aragonite, paint, L. 8.2 cm (3 1/4 in.); W. 3.2 cm (1 1/4 in.); H. 4.3 cm (1 11/16 in
Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 2 5/16in. (5.9cm), Vases
Bag, 7th century, Peru, Nasca, Camelid hair, cotton, H. 7 1/4 x W. 13 3/8 in. (18.4 x 34 cm), Textiles-Woven
Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 11 1/4 x W. 10 1/2 in. (29.2 x 26.7 cm), Textiles-Featherwork
Terracotta side-spouted jug, Early Minoan IIB, ca. 2600–2400 B.C., Minoan, Terracotta; Burnished red ware, H. 5 1/2 in. (14 cm.), Vases, This shape, sometimes referred to as a teapot with an exaggerated spout, was one of the most
Chlorite mortar or plate, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Chlorite, Overall: H. 1 1/16 x D. 6 3/8 in. (2.7 x 16.2 cm), Miscellaneous-Stone Vases, The plate or mortar has a ring foot and the rim curves up
Tropical Scenery, Cascade, Limon River, 1871, Albumen silver print from glass negative, Image: 27.3 x 20 cm (10 3/4 x 7 7/8 in.), Photographs, John Moran (American (born England), Bolton, Lancashire 1821–1903 Pennsylvania
Ryogoku Bridge, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 11 5/8 x 16 5/8 in. (29.5 x 42.2 cm), Prints, Kuwagata Keisai (Japanese, 1764–1824
Creamer, ca. 1800, Made in New York, New York, United States, American, Silver, Overall: 6 1/4 x 4 5/16 in. (15.9 x 11 cm); 6 oz. 17 dwt. (212.8 g), Silver, Hugh Wishart (active ca. 1793–1824
Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 1/2 in. (34.6 × 24.1 cm), Prints, Utagawa Sadakage (Japanese, active mid-19th century
Alto Flute, ca. 1880, Munich, Germany, German, Silver, gold, L. 84.8 cm (33 3/8 in.), Aerophone-Blow Hole-side-blown flute (transverse), Boehm & Mendler, German
Miya Atsuta Shinji, 東海道五十三次之内 宮 熱田神事, Festival at Atsuta Temple, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 5/8 x 14 1/4 in. (24.4 x 36.2 cm), Prints,
Gold pendant with tassels, Archaic, 7th–6th century B.C., Cypriot, Gold, Diam.: 1 3/16 in. (3 cm), Gold and Silver, Crescents and clusters of flowers
[Young Girl in Checked Dress with Roses, Sicily, Italy], 1899, Albumen silver print from glass negative, 22.5 x 17.0 cm. (8 7/8 x 6 11/16 in.), Photographs, Wilhelm von Gloeden (Italian, born Germany, 1886–1931
Terracotta rim of a cup with spirals and band, Middle Minoan II, ca. 1800–1700 B.C., Minoan, Terracotta; Kamares ware, Overall: 1 1/8 x 1 1/4in. (2.9 x 3.2cm), Vases, From Knossos, Crete. Polychrome fragment, white spiral ornament, and
Glass bowl in blue and colorless bands, Late Hellenistic, 1st century B.C., Greek, Glass; cast and cut, 10 1/2 in. (26.7 cm), Glass, Translucent cobalt blue and colorless., Plain rounded rim; slightly convex side tapering diagonally downward;
Bodhisattva Avalokiteshvara (Guanyin), 五代 青銅鎏金觀音菩薩像, Five Dynasties (907–960), China, Gilt bronze, H. 9 3/4 in. (24.8 cm); W. 3 1/4 in. (8.3 cm); D. 2 5/8 in. (6.7 cm), Sculpture
Brown glass oval set in a gilt bronze ring, Hellenistic, 3rd–2nd century B.C., Greek, Glass, brown, Overall: 9/16 x 3/4 in. (1.4 x 1.9 cm), Gems, Apollo playing the lyre
Terracotta bell-krater (bowl for mixing wine and water), Classical, late 5th century B.C., Greek, Attic, Terracotta; red-figure, H. 12 5/8 in. (32.1 cm), Vases, Obverse, sacrifice at an altar, Reverse, three youths. The altar is stacked
'When the Sands are Running Low', ca. 1901, Platinum print, Photographs, Frederick H. Evans (British, London 1853–1943 London
Ring Handle, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, W. 2 1/2 in. (6.4 cm); L. 3 5/8 in. (9.2 cm), Metalwork
Head of a Bodhisattva, Northern Wei dynasty (386–534), late 5th century, China, Sandstone with traces of pigment, H. 14 in. (35.6 cm); W. 7 1/2 in. (19.1 cm), Sculpture
Two men sitting and another man holding a staff kneeling on a rock, from the series 'Figurine', ca. 1656–1657, Etching, Sheet: 5 5/8 × 3 11/16 in. (14.3 × 9.4 cm), Prints, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome
An Oiran Accompanied by Two Kamuro, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/4 in. (38.7 cm); W. 10 5/16 in. (26.2 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815
青銅尊, Ritual Wine Container (Zun), Western Zhou dynasty (1046–771 B.C.), late 11th century B.C., China, Bronze, H. 13 3/4in. (34.9 cm); Diam. of rim: 11 1/8 in. (28.3 cm); Diam. of foot: 6 7/8 in. (17.5 cm); Wt. 16 lb. (7.3 kg),
Bag, 15th–16th century, Peru, Inca, Camelid hair, cotton, W. 8-1/4 in., Textiles-Woven
Portrait of a Woman, Her Head Turned to the Right, Wearing an Earring, ca. 1770–72, Pastel on blue laid paper, sheet: 15 7/8 x 11 in. (40.3 x 28 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby), One of the
[Manuscript Letter from W. H. Fox Talbot to Antonio Bertoloni], 1839, Ink on paper (manuscript), Sheet: 22.7 x 37.2 cm (8 15/16 x 14 5/8 in.), Manuscript Materials
Bando Hikosaburo III as Sugawara no Michizane, from the Kabuki play, 'Sugawara's Secrets of Calligraphy' (Sugawara Denju Tenarai Kagami), Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, 15 1/4 x
The Glorification of the Royal Hungarian Saints, ca. 1772–73, Oil on canvas, 27 1/2 x 19 7/8 in. (70 x 50.5 cm), Paintings, Franz Anton Maulbertsch (Austrian, Langenargen am Bodensee 1724–1796 Vienna), This oil sketch is preparatory for a
Tea House waitress, 1870s, Albumen silver print from glass negative, 25.1 x 20.2 cm (9 7/8 x 7 15/16 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919
Interior of a Palace with Noblemen Conversing, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 5/8 in. (21 x 19.4 cm), Prints, Totoya Hokkei (Japanese, 1780–1850
Hanging, 18th century, Attributed to Armenia, Silk, gold, and silver; brocaded, Rug: L. 97 in. (246.4 cm), Textiles-Woven
George Harley Drummond (1783–1855), ca. 1808–9, Oil on canvas, 94 1/4 x 58 in. (239.4 x 147.3 cm), Paintings, Sir Henry Raeburn (British, Stockbridge, Scotland 1756–1823 Edinburgh, Scotland), The sitter, dressed in riding clothes, is
清中期 玉壽星, God of longevity, Qing dynasty (1644–1911), 18th century, China, Jade (nephrite), H. 3 5/8 in. (9.2 cm); W. 1 11/16 in. (4.3 cm); D. 1 3/8 in. (3.5 cm), Jade
唐 螺鈿梳背, Comb Top, Tang dynasty (618–907), 8th–9th century, China, Mother-of-pearl, L. 4 in. (10.2 cm), Jewelry, From the late eighth to the tenth century, it was fashionable for Chinese women to wear decorated combs as part of
東海道五十三次 蒲原, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo
Lamp shade pattern, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on off-white wove paper, 13 7/16 x 11 3/16 in. (34.2 x 28.4 cm), Drawings, Possibly Tiffany Glass Company (1885–92),
Harness or bridle fitting in the form of a claw, Achaemenid, ca. 6th–4th century B.C., Iran, Achaemenid, Bronze, 0.71 x 1.61 in. (1.8 x 4.09 cm), Metalwork-Equestrian
Banded agate ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Agate, banded, Length: 3/8 in. (0.9 cm), Gems, Eros with a lion
Interior of a Kitchen, ca. 1642–44, Oil on wood, 10 1/2 x 12 1/2 in. (26.7 x 31.8 cm), Paintings, Willem Kalf (Dutch, Rotterdam 1619–1693 Amsterdam
Taima Mandala, 当麻曼荼羅, Edo period (1615–1868), 1750, Japan, Hanging scroll; ink, color, and gold on silk, 41 13/16 x 37 1/16 in. (106.2 x 94.1 cm), Paintings, The Taima Mandala represents the Pure Land of the Buddha Amida
Terracotta statuette of a draped woman, Hellenistic, ca. 315–285 B.C., Greek, Attic, Terracotta, H. 7 1/16 in. (18 cm), Terracottas, The hairstyle on this figure is a variant of the so-called melon coiffure visible on many statuettes seen
Glass cup, Imperial, 1st–2nd century A.D., Roman, Glass; blown and cut, H.: 1 5/8 in. (4.1 cm), Glass, Translucent pale blue. Short, slightly everted, knocked-off rim; straight side expanding downwards, then curving sharply inwards;
Street Scene in the New Year Season, Edo period (1615–1868), 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 1/4 in. (21.1 x 18.4 cm), Prints, Utagawa Kuninao (Japanese, 1793–1854
Bear Hunt, from the series Venationes Ferarum, Avium, Piscium..., 16th century, Engraving, image: 7 3/8 x 10 1/4 in. (18.7 x 26 cm), Prints, After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523–1605 Florence
Portrait of George II (reigned 1727–60), Weaver John van Beaver (active 1727–50), Workshop of Robert Baillie (active 1727–35) , possibly, 1732–37, Irish, Dublin, Wool, silk (21-22 warps per inch, 9 per cm.), 29 3/4 x 23 3/4in. (75.6
蛍狩, Catching fireflies (Hotaru gari), Edo period (1615–1868), ca. 1796–97, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (triptych): 13 7/8 x 28 5/8 in. (35.2 x 72.7 cm), Prints, Kitagawa Utamaro
Eight Horses, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; ink and color on silk, 11 5/8 x 104 1/4 in. (29.5 x 264.8 cm), Paintings, Attributed to Zhao Mengfu (Chinese, 1254–1322), Copy after Shi Daoshi (Chinese,
Hanging, 16th–17th century, Attributed to India, Silk; plain-weave, embroidered, 131 in. high 92.00 in. wide (332.7 cm high 233.7 cm wide), Textiles-Embroidered, Embroidered textiles with central medallions surrounded by flowers and vines
南宋 傳李唐 晉文公復國圖 卷, Duke Wen of Jin Recovering His State, Southern Song dynasty (1127–1279), mid-12th century, China, Handscroll; ink and color on silk, Image: 11 9/16 in. × 27 ft. 2 in. (29.4 × 828 cm), Paintings,
Glass cup, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and cut, Height: 2 1/2 in. (6.4 cm), Glass, Colorless with blue green tinge. Knocked-off, uneven rim; slightly bulging collar below rim; side expanding downward, then
『春雨集』 摺物帖, Edo period (1615–1868), early to mid-1810s, Japan, Privately published woodblock prints (surimono) mounted in an album; ink and color on paper, 7 7/8 x 7 1/8 in. (20 x 18.1 cm), Prints, Kubo Shunman (Japanese,
Kabuki Actor in a Female Role Standing with a Fan, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 7 1/6 in. (21 x 18.2 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865
Vase fragment, Greek, Lydian, Terracotta, Overall: 1 1/8 x 9/16in. (2.8 x 1.5cm), Vases
Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 3/4 x 1 3/16 in. (1.9 x 3.1 cm), Glass, Rim fragment., Translucent cobalt blue, purple, opaque white and yellow,
Storm, n.d., Gouache on gray paper, 14 1/8 x 24 3/4 in. (35.9 x 62.9 cm), Drawings, Attributed to Joseph Vernet (French, Avignon 1714–1789 Paris
Vase fragment, Early Minoan II, Minoan, Terracotta, 2 1/2 × 2 1/4 × 5/16 in. (6.3 × 5.7 × 0.7 cm), Vases
Derelitta, 1860s, Albumen silver print from glass negative, 7.8 x 9.5 cm. (3 1/16 x 3 3/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913
Spoon or tongue depressor, Bronze, Other: 4 7/16 in. (11.3 cm), Bronzes
Bowl and plate, ca. 1908–12, Made in White Mills, Pennsylvania, United States, American, Blown and etched glass, Bowl:, Glass, The glass factories founded by Alsatian émigré Christian Dorflinger were arguably among the most significant
Terracotta tankard, Geometric, late 8th century B.C., Greek, Attic, Terracotta, H. as preserved 3 3/4 in. (9.5 cm), Vases, From the Hymettos deposit
The Second Yamashito Kinsaku as a Courtesan Standing in a Room, Edo period (1615–1868), ca. 1779, Japan, Polychrome woodblock print; ink and color on paper, 12 9/16 x 5 13/16 in. (31.9 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese,
Nine Dragons, Ming dynasty (?) (1368–1644), China, Handscroll; ink on silk, Overall: 15 5/8 x 115 1/4 in. (39.7 x 292.7 cm), Paintings, Unidentified Artist, Copy after Chen Rong (active 1235–62
東海道五十三次 箱根, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo
南宋 楊皇后 楷書瀹雪凝酥七絕 團扇, Quatrain on yellow roses, Southern Song dynasty (1127–1279), early 13th century, China, Round fan mounted as an album leaf; ink on silk, 9 1/4 x 9 5/8 in. (23.5 x 24.5 cm); with mat: 14 1/2 x
Second Yamashita Kinsaku as a Woman Standing in a Room, Edo period (1615–1868), ca. 1774, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 3/4 in. (30.5 x 14.6 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812
Glass inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/16 x 15/16 in. (1 x 2.4 cm), Glass, Translucent cobalt blue and opaque white., Fragment of thin, flat strip with beveled edges
Cuneiform tablet case impressed with four cylinder seals, Middle Bronze Age–Old Assyrian Trading Colony, ca. 20th–19th century B.C., Anatolia, probably from Kültepe (Karum Kanesh), Old Assyrian Trading Colony, Clay, 5.6 x 4.6 x 2.5 cm (2
Painting, Qing dynasty (1644–1911), 20th century, China, Leaf from an album; ink on paper, H. 9 11/16 in. (24.6 cm); W. 12 in. (30.5 cm), Paintings, Unidentified Artist
Vase, 1906, Made in Clifton, New Jersey, United States, American, Earthenware, H. 5 5/8 in. (14.3 cm); Diam. 3 1/2 in. (8.9 cm), Ceramics, Clifton Art Pottery (1905–11
Inscribed Linen Sheet from Tutankhamun's Embalming Cache, New Kingdom, Dynasty 18, ca. 1336–1327 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Embalming Cache of Tutankhamun (KV 54), Davis/Ayrton excavations, 1907–08,
Terracotta bust of a female figure, Archaic, 6th–5th century B.C., Greek, Cretan, Terracotta, 3 1/8 in. x 2 in. (7.9 cm x 5 cm), Terracottas, The figure wears a headdress, large earrings, and a garment whose folds emphasize her breasts.
Dr. Inglis, Halifax, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,
Pottery Whistle, Pre-Columbian, ca. 900–1521, Mexico?, Mexican, Clay, L. 91 mm.; W. 47 mm.; D. 36 mm.; Wt. 47 g., Aerophone-Whistle Flute-whistle
Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 「富嶽三十六景 神奈川沖浪裏」, Edo period (1615–1868), ca. 1830–32, Japan,
Lead figure of a warrior with a spear and shield, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 15/16 in. (4.9 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the
Faience aryballos (oil flask) in the form of a hedgehog, Archaic, 6th century B.C., East Greek, Faience, H. as restored 2 1/4 in. (5.7 cm), Miscellaneous-Faience, Hedgehogs are among the most common forms of faience oil flasks. The center of
西周 青銅匕, Spoon (Bi), Western Zhou dynasty (1046–771 B.C.), late 9th–early 8th century B.C., China, Bronze, W. 2 1/2 in. (6.4 cm); L. 12 3/4 in. (32.4 cm); Wt. 1 lb. (0.5 kg), Metalwork
Burgonet, ca. 1540–50, Nuremberg, German, Nuremberg, Steel, leather, textile, H. 12 1/2 in. (31.8 cm); W. 7 7/8 in. (20 cm); D. 12 1/4 in. (31.1 cm); Wt. 3 lb. 15 oz. (1786 g), Helmets
Pair of Stirrups (Yob), possibly 12th–14th century, Tibetan or Mongolian, Iron, gold, silver, H. 6 1/2 in. (16.5 cm), Equestrian Equipment-Stirrups, This pair of stirrups is without equal in style, form, and construction. In particular,
Plaque fragment, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory, 1.34 x 0.91 in. (3.4 x 2.31 cm), Ivory/Bone-Reliefs
Musical Instruments for the Noh Dance, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 3/4 x 6 7/8 in. (14.6 x 17.5 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca.

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