Images at Librifly

William Etty, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Crane and Their Young in Their Nest in the Branches of a Pine-tree, Edo period (1615–1868), ca. 1790, Japan, Triptych of polychrome woodblock prints (surimono enriched with gold); ink and color on paper, Aiban; H. 13 7/8 in. (35.2 cm); W. 9

Vasant Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1630–40, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 7 5/8 x 5 3/4 in. (19.4 x 14.6 cm), Paintings, Here Krishna dances to the beat of a drum

東海道五十三次　二川, Futagawa, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, H. 8 11/16 in. (22.1 cm); W. 6 7/16 in. (16.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 2 3/4 x 2 1/4in. (7 x 5.7cm), Vases

Scene From a Drama: Ichikawa Raizo in the Role of Yaoya Kajuro, Edo period (1615–1868), probably 1767, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 7/8 in. (31.1 x 14.9 cm), Prints, Torii Kiyomitsu (Japanese,

Queen Guinevere, 1874, Albumen silver print from glass negative, 34.1 x 25.5 cm (13 7/16 x 10 1/16 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), In 1874 Tennyson asked Cameron to

[Woman with Black Shawl], 1857, Salted paper print, Photographs, Unknown (American

Danjuro V, in chain-mail, Edo period (1615–1868), 1786 (?), Japan, Polychrome woodblock print; ink and color on paper, 12 7/8 x 5 3/4 in. (32.7 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Terracotta statuette base, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 1 3/8 in. (3.5 cm), Terracottas, For statuette

Bronze statuette of Hercules, Imperial, ca. 1st–2nd century A.D., Roman, Bronze, H. 4 1/4 in. (10.8 cm), Bronzes, Weight on right leg, right arm extended, left hand holds club. Figure is nude with lion's skin draped over left forearm;

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 5/8 × 10 1/16 in. (37.1 × 25.6 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Terracotta kylix (drinking cup), Archaic, ca. 510 B.C., Greek, Attic, Terracotta; red-figure, H. with handles 5 1/16 in. (12.8 cm), Vases, Interior, seated youth holding fruit (quinces?), Exterior, obverse, flute girl peering into amphora

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Short-necked bottle, 12th–13th century, Attributed to Iran, Glass, colorless with brown tinge; blown, impressed with tongs, applied blue rim and decoration, H. 4 1/2 in. (11.4 cm), Glass, The molded decoration, including pairs of simple

Sardonyx ring stone, Imperial, ca. 1st century A.D., Roman, Sardonyx, L. 1.1 cm, Gems, Portrait of a woman, perhaps Antonia, wife of Nero Drusus

Worosiiazin yuko, 魯西亜人遊行, Russians Strolling, Edo period (1615–1868), February 1861, Japan, Polychrome woodblock print; ink and color on paper, 14 x 9 1/2 in. (35.6 x 24.1 cm), Prints, Utagawa Yoshifuji (Japanese, 1828–1887

Statuette of Aphrodite with apple, Bronze, H.: 6 3/8 in. (16.2 cm), Bronzes

雪の桟橋, Landing-stage in the Snow (Yuki no sanbashi), Edo period (1615–1868), 1800, Japan, Polychrome woodblock print; ink and color on paper, H. 20 1/2 in. (52.1 cm); W. 7 7/16 in. (18.9 cm), Prints, Kitagawa Utamaro (Japanese,

Alabastron, Archaic, 6th century B.C., Italic, Etruria, Terracotta, Diam.: 3 7/8 x 4 7/8 in. (9.8 x 12.4 cm), Vases

Gate of Ptolemy Philomeder, B.C. 180, Karnac, ca. 1856, Albumen silver print, Image: 9 1/8 × 7 3/8 in. (23.2 × 18.7 cm), Photographs, Attributed to Robert Murray (British, Edinburgh 1822–1893 Plymouth

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 3/4 x 1 1/8 in. (1.9 x 2.8 cm), Glass, Rim fragment of shallow dish or lid., Translucent honey brown and opaque white., Rounded

Hairpin, 19th century, probably Italian (Venice); possibly Innsbruck, Lamp-worked colorless glass, gilt, wth clear trailed decoration and green and red 'jewels, ' and copper wire., L.15.7 cm, diam. of larger ball 2.6 cm

Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 15 1/8 in. (25.4 × 38.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Terracotta fragment of a pithos (?) with impressed zigzag pattern, Early Helladic III, ca. 2300–2100 B.C., Helladic, Terracotta; Coarse ware, Overall: 2 11/16 x 1 3/4in. (6.8 x 4.5cm), Vases, From Zygouries, Greece. Fragment, incised

Niagara Falls, ca. 1888, Albumen silver print from glass negative, Image: 49.1 x 42.5 cm (19 5/16 x 16 3/4 in.), Photographs, George Barker (American, born Canada, 1844–1894

The Visit, 1746, Oil on canvas, 24 x 19 1/2 in. (61 x 49.5 cm), Paintings, Pietro Longhi (Pietro Falca) (Italian, Venice 1701–1785 Venice), Here an elegant woman, accompanied by her family chaplain and possibly her husband, receives an

En soirée - janvier 1856, 1856, Salted paper print from paper negative, Image: 9 3/8 × 6 13/16 in. (23.8 × 17.3 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872

Entrance to the Thousand Pillared Mundapam in the Great Pagoda, January–March 1858, Albumen silver print from waxed paper negative, Image: 33 x 30.7 cm (13 x 12 1/16 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock)

東海道五十三次　三島, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Fragment of a Panathenaic prize amphora (jar), Late Classical, 2nd quarter of 4th century B.C., Greek, Attic, Terracotta; red-figure, length 6 1/2 in. (16.5 cm), Vases, Reverse, shield of a participant in the race in armor. The race in armor

The Indian Triumph of Bacchus, ca. 1542, Engraving, sheet: 12 3/8 x 18 1/2 in. (31.5 x 47 cm) Print trimmed 1/8 in. below, Prints, Attributed to Enea Vico (Italian, Parma 1523–1567 Ferrara) , after an ancient relief sculpture

Bronze statuette of a mouse, Imperial, ca. 1st–3rd century A.D., Roman, Bronze, H. 2.16 cm, Bronzes, Statuette of a mouse from a lamp

Miniature Tunic, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 9 3/4 in. (24.8 cm), Textiles-Featherwork

Surcoat (Jinbaori), 17th century, Kyoto, Japanese, Silk, felt, metallic thread, wood, lacquer, H. 38 3/8 in. (97.3 cm); W. 25 in. (63.3 cm), Surcoat, A high-ranking samurai would have worn a jinbaori like this over his armor for protection

Procession of People from Five Countries: Holland, Russia, France, England and America, Edo period (1615–1868), 1861, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Oban 14 1/4 x 28 5/8 in. (36.2 x 72.7 cm),

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

Terracotta askos (flask with a spout) in the form of a cock, Hellenistic, 2nd half of 3rd century B.C., Italic, Terracotta; Magenta Ware, h. 3 5/8 in (9.2 cm); w. 5 5/8 in (14.3 cm), Vases, Askoi shaped like animals were commonly used as lamp

Wine glass, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 4 5/16 in. (11 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had

Mail Shirt, 16th century or later, possibly Iranian, Iron, H. 31 7/8 in. (81.0 cm); W. 54 in. (137.0 cm); W. of chest 15 11/16 in. (40.0 cm); Diam. (outside) of body links 9/16 in. (14.3 mm); Diam. (inside) of body links 13/32 in. (10.2 mm);

Terracotta female head, Hellenistic, 3rd–2nd century B.C., Greek, Terracotta, H. 1 3/4 in. (4.4 cm), Terracottas, Wearing a sphendone

Flower Vendor, Ming (1368–1644)–Qing (1644–1911) dynasty, China, Album leaf; ink and color on silk, 9 5/8 x 7 3/4 in. (24.4 x 19.7 cm), Paintings, Unidentified Artist

Limestone incense burner on three legs, Hellenistic or Roman, 330 B.C.–300 A.D., Cypriot, Limestone, Overall: 3 15/16 x 4 1/8 in. (10 x 10.5 cm), Miscellaneous-Stone, The three feet, in the shape of lion’s paws, support a circular base

[Amateur Snapshot Album], 1890–92, Cyanotypes; gelatin silver prints, 28.3 x 36.8 x 2.8 cm (11 1/8 x 14 1/2 x 1 1/8 in.), Albums, Unknown (American), The Kodak Number One camera, first marketed in 1888, made photography a viable hobby for

江戸高名会亭尽　柳島の図　橋本, Yanagishima no Zu, Edo period (1615–1868), ca. 1835–42, Japan, Polychrome woodblock print; ink and color on paper, H. 9 5/16 in. (23.7 cm); W. 14 3/16 in. (36 cm), Prints, Utagawa Hiroshige

Givors, Viaduc, ca. 1861, Albumen silver print from glass negative, Image: 27.1 x 43 cm (10 11/16 x 16 15/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Bracelet, Bronze, Diam.: 2 7/16 in. (6.2 cm), Bronzes

Sugar bowl, 1862–63, Made in New York, New York, United States, American, Silver, 9 1/16 x 6 1/4 in. (23 x 15.9 cm), Silver, Wood and Hughes (1845–99), Presented to Christian Dorflinger upon his retirement from the Long Island Flint

A Holy Man Seated on a Terrace, ca. 1850, India (Punjab Hills, Kangra), Ink and opaque watercolor on paper, 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm), Paintings, The artist has masterfully used the sparse setting to highlight his subject. The figure

Ichikawa Danjuro V in a Shibaraku Performance from the Play Mutsu no Hana no kata age, Edo period (1615–1868), ca. 1786, Japan, Polychrome woodblock print; ink and color on paper, 14 1/3 x 10 in. (36.4 x 25.4 cm), Prints, Katsukawa Shunkō

2637 Ft. Yosemite Fall, Front View, 1861, Albumen silver print from glass negative, Image: 40.9 x 51.3 cm (16 1/8 x 20 3/16 in.), arch-topped, Photographs, Carleton E. Watkins (American, 1829–1916

Twenty-five Bust Portraits of Scholars, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; ink and color on paper, 11 1/4 x 123 3/4 in. (28.6 x 314.3 cm), Paintings, Unidentified Artist

Scarab seal and modern impression: Osiris flanked by protective deities, Iron Age, ca. 6th–5th century B.C., Levant or Syria, Jasper, green, Seal Face: 1.87 x 1.39 cm, Stone-Stamp Seals, Around the beginning of the first millennium B.C.,

金沢八景 乙艫帰帆, Otomo Kihan, Edo period (1615–1868), ca. 1836, Japan, Polychrome woodblock print; ink and color on paper, 9 1/4 x 14 15/32 in. (23.5 x 36.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Cameo, ca. 1835, Made in New York, New York, United States, American, Helmet-conch shell, gold, and enamel, 2 1/2 x 2 1/4 in. (6.4 x 5.7 cm), Jewelry, Cameo by George W. Jamison (American, New York 1810–1868 Yonkers, New York),

Jérusalem, Tour de David, 1854, Salted paper print from paper negative, Image: 23.4 x 32.9 cm (9 3/16 x 12 15/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Pottery Whistle, date uncertain, Costa Rica, Costa Rican, Clay, Diam. (greatest): 36 cm (14-3/16 in.); H. 52 cm (20-7/16 in.); Wt. 24 gm, Aerophone-Whistle Flute-whistle

Red Blossom Plum, Edo period (1615–1868), ca. 1847, Japan, Polychrome woodblock print; ink and color on paper, 13 5/8 x 4 1/2 in. (34.6 x 11.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Statuette of a bull, Greek, Laconian, Lead, Height: 1 7/16 in. (3.7 cm), Miscellaneous-Lead

Three Wrestlers Out Walking, Edo period (1615–1868), 1743–1812, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 8 5/8 in. (32.4 x 21.9 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/4 x 1 5/8 in. (3.3 x 4.1 cm), Glass, Body fragment., Translucent purple, blue, opaque white, and yellow.,

St. Osyths, Essex, 1856, Albumen silver print from paper negative, 20.8 x 26.8 cm. (8 3/16 x 10 9/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Molded Appliqué Ornament, ca. 2nd–5th century, West China, Khotanese earthenware, 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Sculpture, This appliqué of a floret and streamers issuing from an ornamental disk comes from the distinctive unglazed

Terracotta neck-amphora of Panathenaic shape (jar), Archaic, ca. 550–540 B.C., Greek, Attic, Terracotta; black-figure, H. 7 3/8 in. (18.7 cm), Vases, Obverse, Athena at altar, flautist, and woman, Reverse, seated man between 2 men and

Covered Wine Vessel, Shang (ca. 1600–1046 B or early Zhou (ca. 1523–900 B.C.) dynasty, China, Bronze, H. 7 in. (17.8 cm); Diam. of rim 3 1/16 in. (7.8 cm); Diam. of foot 2 1/2 in. (6.4 cm), Metalwork

Fox Warrior Bottle, 4th–6th century, Peru, Moche, Ceramic, H. 10 1/2 in. (26.7 cm), Ceramics-Containers, This stirrup spout bottle shows Moche warrior attributes represented in two and three dimensions. Clubs, lances, and helmet strings

Pendant: addorsed lotus blossoms/ thunderbolt?, Classical, 5th century B.C., Italic, Amber, Other: 2 1/16 in. (5.2 cm), Miscellaneous-Amber, Amber-working was a highly developed art in ancient Italy. The special qualities of the material must

Ring, Bronze, diameter 2.21 cm., Bronzes

Girdle with gold and lapis wallet-shaped beads, New Kingdom, Dynasty 18, ca. 1479–1425 B.C., From Egypt; Probably from Upper Egypt, Thebes, Wadi Qabbanat el-Qurud, Tomb of the 3 Foreign Wives of Thutmose III (Wadi D, Tomb 1), Gold, lapis

Limestone statuette of a temple boy, Classical, 4th century B.C., Cypriot, Limestone, Overall: 11 3/4 x 7 x 4 7/8 in. (29.8 x 17.8 x 12.4 cm), Stone Sculpture, Seated figure with elaborate necklace, holding a bird

Two Japanese Women and One Japanese Man Posing with Water Bucket and Baskets], 1870s, Albumen silver print from glass negative, 20.1 x 25.2 cm (7 15/16 x 9 15/16 in.), Photographs, Unknown

Lamp, Roman, Cypriot, Terracotta, Overall: 1 x 3 5/8 in. (2.5 x 9.2 cm), Terracottas

Young Lady with Lamp; Man and Woman on Veranda of Tea-House, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 6 5/16 x 12 7/16 in. (16 x 31.6 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo)

Standing Hippopotamus, Middle Kingdom, Dynasty 12–13, ca. 1810–1700 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, pit tomb CC 25, burial of Reniseneb, back of mummy, Carnarvon/Carter excavations, 1910, Faience, L. 11.7 cm

Glass ribbed bowl, Early Imperial, late 1st century B.C.–mid 1st century A.D., Roman, Glass; cast, tooled, and cut, 1 13/16in. (4.6cm), Glass, Translucent blue green. Vertical rim with rounded top edge; plain band sloping obliquely outward

Joseph Interpreting the Dreams of Pharaoh, ca. 1534–47, Distemper on linen, 67 5/8 x 57 1/4 in. (171.8 x 145.4 cm), Paintings, Attributed to Jörg Breu the Younger (German, Augsburg ca. 1510–1547 Augsburg), This unfinished painting may

Glass bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and trailed, 4 in. (10.2 cm), Glass, Translucent pale blue green, with same color trail. Collared rim, folded out, down, round, out, and up, tooled in a level of

Box with a Lacquer Comb, 蒔絵櫛, Edo period (1615–1868), 1812, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 3/8 x 6 7/8 in. (13.7 x 17.5 cm), Prints, Uematsu Tōshū (Japanese, active late 1810s–20s

Sash Fragments, 14th–early 16th century, Peru, Peruvian, Cotton, Length (a) 21 in., Textiles-Woven

[The Countess Canning, The Earl Canning, G.G. and Lord Clyde C.in C., Simla], 1860, Albumen silver print from glass negative, Image: 25.6 x 20.7 cm (10 1/16 x 8 1/8 in.), Photographs, Unknown

View of the N. E. Angle of the Tirambur Pagoda., January–February 1858, Albumen silver print from waxed paper negative, Image: 24.2 x 36.2 cm (9 1/2 x 14 1/4 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902

Panniers, late 18th century, French, silk, cane, metal

Nuji (Japanese: Joki; female attendant who compiled writings by Daoist sages); Paper (Kami), from Four Friends of the Writing Table for the Ichiyō Poetry Circle (Ichiyō-ren Bunbō shiyū), 「一陽連文房四友　紙　女凢」, Edo period

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, 1 11/16 in. (4.3 cm), Glass, Small perfume bottle Translucent pale blue green. Uneven rim, folded out, over, and in; funnel-shaped neck, tooled in around base;

Drapery Study for 'Castor and Pollux Freeing Helen', 1817, Black chalk, stumping, white chalk, and black crayon on buff laid paper, sheet: 17 15/16 x 12 in. (45.6 x 30.5 cm), Drawings, Joseph-Ferdinand Lancrenon (French, 1794–1874), This

Saint Matthias, ca. 1317–19, Tempera on wood, gold ground, Overall, with arched top and engaged frame, 11 5/8 x 8 5/8 in. (29.5 x 21.9 cm); painted surface 10 1/4 x 7 3/4 in. (26 x 19.7 cm), Paintings, Workshop of Simone Martini (Italian,

Funerary Portrait of Jacques Damala, ca. 1889, French, Paris, Marble, Overall (wt confirmed): 11 x 18 1/8 x 12 1/4 in., 97lb. (27.9 x 46 x 31.1 cm, 439kg), Sculpture, Sarah Bernhardt (French, Paris 1844–1923 Paris), Few realize that the

Opaque blue glass oval engraved gem, Late Republican, 1st century B.C., Roman, Glass, opaque blue paste, Other: 11/16 x 5/8 x 1/8 in. (1.7 x 1.6 x 0.2 cm), Gems, The sheperd Faustulus leans on his staff and watches the Roman she-wolf suckle

[Still Life with Fruit], 1860, Albumen silver print from glass negative, 35.2 x 43.1cm (13 7/8 x 16 15/16in.), Photographs, Roger Fenton (British, 1819–1869

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

六玉川　扇屋内　花扇, The Oiran Hanaogi of Ogiya, Edo period (1615–1868), ca. 1796, Japan, Polychrome woodblock print; ink and color on paper, 15 1/8 x 10 in. (38.4 x 25.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

[Ishapoor], 1858–61, Albumen silver print, Image: 9.9 x 14.6 cm (3 7/8 x 5 3/4 in.), Photographs, Unknown

Glass perfume bottle, Early or Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, 1 15/16 × 1 5/8 in. (4.9 × 4.1 cm), Glass, Colorless with many translucent purple streaks. Rim folded out, over, and in, with uneven, beveled upper

Terracotta tankard, Geometric, late 8th century B.C., Greek, Attic, Terracotta, H. 2 1/4 in. (5.7 cm), Vases, From the Hymettos deposit

Visite d'un collègue de Bruxelles, 1854–56, Salted paper print from paper negative, Image: 9 5/16 × 7 1/2 in. (23.7 × 19.1 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872

William Leighton Leitch, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Portrait of a Man with a Watch, 1657, Oil on canvas, 33 x 27 3/4 in. (83.8 x 70.5 cm), Paintings, Cornelis Jonson van Ceulen the Younger (Dutch, London 1634–1715 Utrecht

Lion, Qing dynasty (1644–1911), 18th century, China, Brass, H. 1 1/2 in. (3.8 cm); L. 2 1/2 in. (6.4 cm), Metalwork

Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 0.51 x 0.83 x 0.31 in. (1.3 x 2.11 x 0.79 cm), Ivory/Bone-Reliefs

Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 15 1/8 in. (25.4 × 38.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806