Images at Librifly

未月, The Seventh Month (Fumizuki), Edo period (1615–1868), ca. 1865, Japan, Polychrome woodblock print; ink and color on paper, 14 x 3 in. (35.6 x 7.6 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), One of a series of calendar

Buckle, Han dynasty (206 B.C.–A.D. 220), China, Bronze, L. 5 1/8 in. (13 cm), Metalwork

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Hunting cup with cover, ca. 1741, German, Meissen, Hard-paste porcelain, Overall (confirmed): 14 11/16 x 5 3/4 x 6 in. (37.3 x 14.6 x 15.2 cm); Overall ht. of cup (confirmed): 9 3/16 in. (23.3 cm), Ceramics-Porcelain

Hodogaya, 東海道五十三次　程ヶ谷　かたびら橋　かたびら川, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, 8 23/32 x 13 23/32 in. (22.2 x 34.9 cm), Prints, Utagawa Hiroshige

Terracotta miniature one-handled cup, Late Minoan IA, ca. 1600–1525 B.C., Minoan, Terracotta, H. 15/16 in. (2.4 cm), Vases, Miniature vessels used as votives have been discovered in shrines within settlements as at Knossos and also at peak

Bowl, 11th–12th century, Made in Egypt, Stonepaste; incised and glazed, H. 3 in. (7.6 cm), Ceramics

Conventual Buildings, Bury, 1858, Albumen silver print from paper negative, 20.2 x 26.9 cm. (7 15/16 x 10 9/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), ca. 1630–50, India (Rajasthan, possibly Mewar), Ink and opaque watercolor on paper, Overall: 6 1/2 x 13 1/8 in. (16.5 x 33.3 cm), Paintings

L'Ecstase, 1860s, Albumen silver print from glass negative, 5.1 x 8.6 cm (2 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

The Fourth Iwai Hanshirō as a Woman, Edo period (1615–1868), ca. 1779, Japan, Polychrome woodblock print; ink and color on paper, 11 7/8 x 5 5/8 in. (30.2 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Ryogoku Kanjin Ōsumō sei-ten oatari hanjo no zu, Edo period (1615–1868), ca. 1778, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 17 1/5 in. (31.1 x 43.7 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Statuette of an actor, Late Classical, mid-4th century B.C., Greek, Terracotta, H. 3 7/16 in. (8.7 cm), Terracottas

Shoe for a Child, possibly 16th century, British, Leather, L. 7 in. (17.7 cm), Miscellaneous-Leatherwork

Actor Sanokawa Ichimatsu as Young Samurai riding on Horse-back, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 7/8 in. (37.8 cm); W. 10 5/16 in. (26.2 cm), Prints, Ishikawa Toyonobu (Japanese,

Ichikawa Eibizo (Former Name: Danjuro V) in the Role of Iwafuji, Edo period (1615–1868), 1793, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 5/8 in. (31.8 x 14.3 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Carnelian scarab, Hellenistic, 3rd century B.C., Etruscan, Carnelian, H.: 3/8 x 9/16 in. (1 x 1.4 cm), Gems, Hippocamp

Watermouth, 1870s, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

清, 石濤, (朱若極), 山水圖, 扇頁, Landscape, Qing dynasty (1644–1911), dated 1699, China, Folding fan mounted as an album leaf; ink and color on gold-flecked paper, 6 7/8 x 17 1/2 in. (17.5 x 44.5 cm), Paintings, Shitao (Zhu

Glass perfume bottle, Mid Imperial, ca. 2nd century A.D., Roman, Glass; blown, Overall: 2 1/2in. (6.4cm), Glass, Spindle-type unguentarium. Colorless with yellow tinge. Tubular rim folded out, over and in, and pressed into broad, flaring

Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie, Plate 3, 1660–1713, Etching, Plate: 6 1/4 × 9 3/16 in. (15.9 × 23.3 cm), Alexis Loir (French, 1640–1713), Plate 3 of a series

Bronze oinochoe (jug), Archaic, mid-6th century B.C., Greek, Bronze, H. 13 1/8 in. (33.4 cm), Bronzes, This jug belongs to a type that first appeared in the late seventh century B.C. and, during the sixth, was popular in the area of the

Plaque fragment, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 0.71 x 0.08 in. (1.8 x 0.2 cm), Ivory/Bone-Reliefs

Carpet, 17th century, Attributed to Iran, Wool (warp, weft and pile); asymmetrically knotted pile, Textile: L. 164 in. (416.6 cm), Textiles-Rugs

Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, ca. 1485–95, Oil on wood; (verso: oil and gold on wood), Overall 4 x 2 7/8 in. (10.2 x 7.3 cm); recto and verso, painted surface 3 3/4 x 2 1/2 in. (9.5 x 6.4 cm),

Tobacco Box, 1800–1830, Made in New York, New York, United States, American, Silver, 1 x 3 7/16 x 2 1/2 in. (2.5 x 8.7 x 6.4 cm); 2 oz. 15 dwt. (86.3 g), Silver, Garret Forbes (1785–1851

[Humayun's Tomb, Delhi], 1850s, Albumen silver print, Image: 13.9 x 21.8 cm (5 1/2 x 8 9/16 in.), Photographs, Captain R. B. Hill

Terracotta kantharos (drinking cup with high handles), Geometric, 7th century B.C., Greek, Attic, Terracotta, H. 2 11/16 in. (6.8 cm), Vases, From the Hymettos deposit

Shahnama (Book of Kings) of Firdausi, A.H. 1014/A.D. 1605–7, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper; lacquer binding, H. 14 3/4 in.. (37.5 cm), Codices

Skyphos fragments, 4, Late Archaic, ca. 500–475 B.C., Greek, Attic, Terracotta; black-figure, H. 3 in. (7.6 cm), Vases

Beads, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Shell, stone, 29.92 in. (76 cm), Shell-Ornaments, Three different types of beads have been strung together in this necklace: long tubular stone beads, smaller circular spacers,

Case (étui) with an amorous inscription, 1450–1500, Made in Italy, Italian, Leather (Cuir bouilli), wood core, red cord, Overall (case only): 8 1/4 x 3 1/8 x 3 1/4 in. (20.9 x 8 x 8.2 cm), Leatherwork, Etui in medieval inventories and

Scene from a Drama, Edo period (1615–1868), ca. 1700–1703, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 13 23/32 in. (25.7 x 34.9 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

David Roberts, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Terracotta stemmed plate, Classical, 5th century B.C., Greek, Attic, Terracotta; black-glaze, H. 2 3/8 in. (6.1 cm); diameter 6 9/16 in. (16.7 cm), Vases, Reserved circle on top; black circle on underside of foot

Jambhala in White Manifestation (Bai cai bao shen), 19th–20th century, Mongolia, Brass with pigment, inlaid with copper and silver; lost-wax cast, H. 5 1/4 in. (13.3 cm), Sculpture

Ramkali Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1605–06, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, 6 1/2 × 4 3/4 in. (16.5 × 12.1 cm), Paintings, The texts related to this ragini tell of a

東海道五十三次　舞坂, Maizaka, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

The Actor Ichikawa Danjuro V standing inside of a house and in front of an engawa, Edo period (1615–1868), ca. 1772, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints, Katsukawa Shunshō

Five-light candelabrum (one of a pair), ca. 1785, French, Gilt and patinated bronze, serpentine marble, H. 45 3/8 x W. 16 7/8 x D. 14 1/4in. (115.3 x 42.9 x 36.2cm), Metalwork-Gilt Bronze

Terracotta vessel fragment, Middle Neolithic, ca. 4000 B.C., Greek Neolithic, Terracotta; Red-brown on gray-black painted ware (?), length 2 7/16in. (6.2cm), Vases, From Nemea in the Peloponnese

Design for the Central Altar for Scottish Rite, N.Y., late 19th–early 20th century, Made in New York, United States, American, Watercolor, glaze medium, and graphite on artist board, 20 1/2 x 14 15/16 in. (52 x 37.9 cm), Drawings,

Terracotta fragment from the rim of a vase, Late Imperial, 2nd half of the 3rd century A.D., Roman, Terracotta; black-glaze, W. 4 15/16 in. (12.5 cm.), Vases, According to myth, Zeus fell in love with Europa, the daughter of a Phoenician

Two Men Wearing Brown Coats, also Straw Hats with Brown Bows, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/16 x 7 3/16 in. (18.9 x 18.3 cm), Prints, Yashima Gakutei (Japanese,

風流七小町, Visiting, Edo period (1615–1868), ca. 1769, Japan, Polychrome woodblock print; ink and color on paper, 25 31/32 x 4 1/4 in. (66.0 x 10.8 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), The twelfth-century

[untitled], ca. 1869, Albumen silver print from glass negative, Image: 8 1/8 × 10 15/16 in. (20.7 × 27.8 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Phoenix Flying Over a Paulownia Tree, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 28 1/2 x 4 3/5 in. (72.4 x 11.7 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

[Nadar with His Wife, Ernestine, in a Balloon], ca. 1865, printed 1890s, Gelatin silver print from glass negative, Image: 9 x 7.8 cm (3 9/16 x 3 1/16 in.), Photographs, Nadar (French, Paris 1820–1910 Paris

Pair of gold disk earrings with pendant Erotes, Hellenistic, 3rd–2nd century B.C., Greek, Gold, Other: 1 5/8 in. (4.1 cm), Gold and Silver, Disc enclosing flower with pendant in the form of a winged Eros

Bed-clothing, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 11/16 x 7 1/2 in. (14.4 x 19.1 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

China Shelf, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 5/8 x 12 9/16 in. (21.8 x 31.9 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Leaf from a Book Entitled: Wakoku Hiaku-jo: One Hundred Japanese Women, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 6 5/16 in. (16 cm); W. 6 7/16 in. (16.4 cm), Prints, Hishikawa Moronobu (Japanese, died 1694

Bronze fibula (safety pin), Geometric, ca. 8th century B.C., Cypriot, Bronze, length 3 5/8in. (9.2cm), Bronzes, Bow bent up at an angle, knob on top slightly flattened with a small collar; head formed by a spiral of one turn. Fibulas of this

Page from a Book of Omens, ca. 1800, India, Ink and opaque watercolor on paper, 3 3/16 x 4 1/2 in. (8.1 x 11.4 cm), Paintings

Helmet, late 16th century, Turkish, Copper alloy (tombak), gold, leather, textile, H. including nasal 14 1/4 in. (36.2 cm); H. excluding nasal 9 7/8 in. (25.1 cm); W. 9 in. (22.9 cm); D. 11 in. (27.9 cm); Wt. 2 lb. 13.7 oz. (1295.6 g),

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 1 1/16 × 13/16 in. (2.7 × 2.1 cm), Glass, Miniature perfume bottle Translucent pale light blue. Rim folded out, over, and in; flaring mouth; short,

[British Gentleman with Group of Eastern Potentates], 1860s, Albumen silver print from glass negative, Photographs, Unknown (British

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 3 15/16in. (10cm), Glass, Translucent pale green with bluish tinge. Rounded rim; flaring mouth; cylindrical neck, tapering downwards, with

Still Life with Strawberries in a Compote, 1865–70, Made in United States, Oil on board with gold leaf frame, Oval: 16 x 20 in. (40.6 x 50.8 cm), Paintings, Severin Roesen (American (born Prussia), Boppard-am-Rhein 1816–72

Funeral of the Grand Condé, ca. 1687, Pen and brown ink, brush and brown wash, 14 1/2 x 11 15/16 in. (36.8 x 30.3 cm), Jean Berain (French, Saint-Mihiel 1640–1711 Paris), Decoration and arc de triomphe for the funeral of the Grand Condé

Glass bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H. 4 1/8 in. (10.5 cm), Glass, Translucent pale yellow green. Rim folded out, over, and in; broad, almost horizontal mouth; cylindrical neck expanding downwards; squat

Torino Aosta, September 1, 1893, Albumen silver print from glass negative, Image: 14.9 x 9.9 cm (5 7/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Vase with Immortals Offering the Peaches of Longevity, Qing dynasty (1644–1911), Kangxi period (1662–1722), China, Porcelain painted with overglaze enamels, H. 29 in. (73.7 cm); W. 8 in. (20.3 cm); Diam. of rim: 6 1/8 in. (15.6 cm); Diam. of

匕, Ritual Spoon (Bi), mid-Zhou dynasty (1046–256 B.C.), China, Bronze, W. 2 1/2 in. (6.4 cm); L. 12 3/4 in. (32.4 cm); Wt. 1 lb. (0.5 kg), Metalwork

Terracotta miniature jar with two handles, Archaic, 7th–6th century B.C., Greek, Laconian, Terracotta, H. 1 3/4 in. (4.5 cm), Vases, Two handles, traces of white paint

Life of Nichiren: Rock Suspended by the Power of Prayer, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13 3/4 in. (22.5 x 34.9 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Terracotta skyphos (deep drinking cup), Late Classical, mid-4th century B.C., Etruscan, Faliscan, Terracotta; red-figure, H. 9 1/4 in. (23.5 cm), Vases, Obverse, youth with Eros. Reverse, winged female figure

Glass beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H.: 3 1/4 in. (8.3 cm), Glass, Translucent pale blue green. Thickened, flaring rim, with rounded lip; undulating side to body, tapering in to folded tubular foot ring;

Water Scene, Edo period (1615–1868), 1840, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 15/16 x 7 1/8 in. (20.2 x 18.1 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861), In Japanese prints, beautiful women

[Eastern Man with Beard and Sabre], 1860s, Albumen silver print from glass negative, Photographs, Unknown (British

Elevation of the Gallery in the Palazzo Doria-Pamphilj, Rome, ca. 1650, Pen and black ink with watercolor, 6 5/8 x 18 1/4 in. (16.9 x 46.4 cm), Drawings, Anonymous, Italian, 17th century

Amethyst ring stone with a bust of Dionysos, Early Imperial, 1st–2nd century A.D., Roman, Amethyst, Overall: 7/8 x 5/8in. (2.2 x 1.6cm), Gems, The god of wine is depicted as an older man with a full beard and wearing a wreath of vine leaves

Nakamura Nakazo I, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 12 1/4 x 5 3/4 in. (31.1 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Openwork faience ring, Third Intermediate Period, ca. 1090–900 B.C., Egyptian, Faience, H.: 1 in. (2.5 cm), Gold and Silver, Ring with openwork faience

Vase (one of a pair), ca. 1725, Austrian, Vienna, Hard-paste porcelain, Height: 5 5/8 in. (14.3 cm), Ceramics-Porcelain

Patrick Byrne, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

Karasaki ya'u, 近江八景　唐崎夜雨, Pine Tree at Karasaki, Edo period (1615–1868), 1857, Japan, Polychrome woodblock print; ink and color on paper, 14 3/4 x 10 in. (37.5 x 25.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Daoist Immortal Laozi, Ming dynasty (1368–1644), dated 1438, China, Gilt brass; lost-wax cast, H. 7 1/2 in. (19 cm); W. 4 3/4 in. (12 cm); D. 2 3/4 in. (7 cm), Sculpture, Chen Yanqing (active 15th century), The full beard helps to identify

Fibula, Certosa type, Bronze, Other: 1 7/8 in. (4.8 cm), Bronzes

Beaker with Figure Displaying a Shell, A.D. 900–1100, Peru, North Coast, Lambayeque (Sicán), Gold, H. 10 3/8 x Diam. 8 in. (26.4 x 20.3 cm), Metal-Containers, This gold drinking vessel in the shape of a figure displaying a shell comes from

Terracotta Megarian bowl, Republic, ca. 150–75 B.C., Roman, Terracotta; mold made, h. 2 7/8 in. (7.3 cm);d. 3 15/16 in. (10 cm), Vases, The decorative motifs on this unglazed, hemispherical bowl are hallmarks of the workshop of C. Popilius:

The Trojan Women Setting Fire to Their Fleet, ca. 1643, Oil on canvas, 41 3/8 x 59 7/8 in. (105.1 x 152.1 cm), Paintings, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), The Trojan women set fire to their ships in an

Symbols of the Chakravartin: Folio from a Digambara Manuscript, Possibly the Shalibhadra, late 17th century, India (Rajasthan, Marwar), Ink and opaque watercolor on paper, 4 1/4 x 9 15/16 in. (10.8 x 25.2 cm), Paintings, Jina's are routinely

Terracotta bell-krater (mixing bowl), Late Classical, ca. 380–360 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 12 in. (30.5 cm), Vases, Obverse, satyr and maenad. Reverse, two youths. The representation is interesting

Nakamura Riko in the Role of Oiso no Tora, Edo period (1615–1868), 2nd month, 1782, Japan, Polychrome woodblock print; ink and color on paper, 11 7/8 x 5 5/8 in. (30.2 x 14.3 cm), Prints, Katsukawa Shunjō (Japanese, died 1787

名所江戶百景　両国花火, Fireworks at Ryōgoku Bridge, from the series One Hundred Famous Views of Edo, Edo period (1615–1868), 1858, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 1/4 × 8 3/4 in. (33.7 ×

Gold earring with two bulls' heads and glass bead, Hellenistic, 3rd?2nd century B.C., Greek, Gold, Diam.: 3/4 in. (1.9 cm), Gold and Silver, One of the glass beads is lost

A Treatise on Silhouette Likenesses, 1835, Illustrations: lithography, 9 x 5 11/16 x 11/16 in. (22.8 x 14.5 x 1.8 cm), Books

Furniture plaque carved in relief with a winged, falcon-headed sphinx, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 4.37 x 3.23 x 0.24 in. (11.1 x 8.2 x 0.61 cm), Ivory/Bone-Reliefs, This

Asao Jujiro as a Cake Seller and Ikushima Shingoro as Bushi (Samurai) Seated on the Peddler's Lacquer Box Containing His Wares, Edo period (1615–1868), probably 1709, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 14 3/4

Glass cup, Early Imperial, 1st century A.D., Roman, Glass; blown and cut, Overall: 2 1/8 in. (5.4 cm), Glass, Colorless with greenish tinge. Uneven, knocked-off rim; slightly convex, vertical side, then turned in to bottom with slightly

Tile with Floral and Cloud-band Design, ca. 1578, Made in Turkey, Iznik, Stonepaste; polychrome painted under transparent glaze, H. 9 13/16 in. (24.9 cm), Ceramics-Tiles, Restorations to Istanbul’s Topkapi Palace after 1574 resulted in major

The Exile of Yukihira at Suma, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, 9 1/4 x 14 3/5 in. (23.5 x 37.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Like his younger brother,

[Grindley and Company Building, Calcutta], 1850s, Albumen silver print, Image: 19.2 x 24.8 cm (7 9/16 x 9 3/4 in.), Photographs, Captain R. B. Hill

Chariot fragments, parts of rectangular frame, Archaic, ca. 500–480 B.C., Etruscan, Bronze, 1: 8 × 5 9/16 in. (20.3 × 14.1 cm), Bronzes, Large collection of bronze and iron attachments once belonging to a chariot

Giorgio de Castiglione, 1861, printed 1895–1910, Gelatin silver print from glass negative, Image: 36 x 27.9 cm (14 3/16 x 11 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Prince Genji and Three Young Women, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 1/2 in. (24.1 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829

[View of the rooftops and cathedral of Vienna], ca. 1853, Albumen silver print, Photographs, Alois Auer (Austrian, Wels 1813–1869 Vienna

清 王鑑 仿古山水圖 冊 紙本, Landscapes in the styles of old masters, Qing dynasty (1644–1911), dated 1668, China, Album of ten paintings; ink and color on paper, Each leaf: 10 1/8 x 6 1/2 in. (25.7 x 16.5 cm), Paintings, Wang