Images at Librifly

Mirror View of Cathedral Rocks, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Rev. Mr. Elder of Watts, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Terracotta rim fragment with lug and linear decoration, Late Neolithic, ca. 4300–3300 B.C., Dimini culture, Terracotta, length 3 3/8in. (8.5cm), Vases, From Thessaly. Black linear pattern on light ground

Champlevé furniture or cosmetic box plaque with a winged youth, Neo-Assyrian, ca. 8th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, H. 2 3/8 x W. 1 1/8 x D. 1 7/16 in. (5.9 x 2.8 x 3.6 cm), Ivory/Bone-Vessels,

Knee or Shoulder Defense, 13th–15th century, possibly Mongolian or Chinese, Iron, gold, silver, H. 5 1/4 in. (13.3 cm); W. 6 3/4 in. (17.1 cm), Armor Parts-Thigh and Leg Defense

Terracotta oinochoe (jug), Archaic, early 5th century B.C., Greek, Attic, Terracotta; black-figure, H. 3 13/16 in. (9.7 cm.), Vases, The representation of Herakles fighting the Nemean lion is the most common depiction in Archaic Greek art of

An Incident from the Tales of Ise (Ise Monogatari), Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, H. 8 2/4 in. (21.6 cm); W. 12 3/8 in. (31.4 cm), Prints, Kitao Shigemasa (Japanese,

商 青銅方鼎及俎蓋, Rectangular Cauldron (Fangding) with Lid (Zu), Shang dynasty (ca. 1600–1046 B.C.), 11th century B.C., China, Bronze inlaid with black pigment, H. 13 in. (33 cm); W. 9 in. (22.9 cm); D. 12 1/2 in. (31.8 cm),

Cameo glass medallion of the emperor Augustus, Early Imperial, Augustan, early 1st century A.D., Roman, Glass; cast in two layers, H.: 1 11/16 x 1 1/4 x 1/2 in. (4.4 x 3.1 x 1.3 cm), Glass, Matt cobalt blue, deep blue, almost opaque and

Reliquary in the Shape of a Stupa, ca. 4th–5th century, Pakistan (ancient region of Gandhara), Bronze, H. 22 3/4 in. (57.8 cm); W. 7 1/2 in. (19.1 cm), Sculpture, The stupa sits atop a Corinthian capital bracketed by four felines with wings

Agate lentoid seal, Late Minoan II–IIIA, ca. 1450–1375 B.C., Minoan, Agate, H.: 7/8 x 13/16 in. (2.2 x 2.1 cm), Gems, Two bulls lying side by side

色絵菊形水滴, Water Dropper in the shape of a Chrysanthemum, Edo period (1615–1868), ca. 1820, Japan, Molded porcelain with enamel (Hirado ware), Overall: L. 2 5/8 in. (6.7 cm); H. 2 1/8 in (5.4 cm); D. 3/4 in. (1.9 cm), Ceramics

丁子屋内雛鶴, The Oiran Hinazuru of Chojiya Standing upon a Pile of Futon, Edo period (1615–1868), ca. 1794, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 8 1/2 in. (30.8 x 21.6 cm), Prints, Kitagawa Utamaro

Design for window, Mr. J.C. Williams, All Saints Chapel, Atlanta, GA, 1903–15, Made in New York, United States, American, Watercolor, ink, graphite, and white gouache, 21 1/4 x 14 3/4 in. (54 x 37.5 cm), Drawings, Possibly Tiffany

Glass bottle with three feet, Early Imperial, mid-1st century A.D., Roman, Glass; blown and tooled, 2 1/8 × 1 7/16 in. (5.4 × 3.6 cm), Glass, Translucent pale blue. Solid rim with horizontal everted lip; cylindrical neck, tapering slightly

The Actor Bando Hikosaburo II Holding a Bow and Arrows, Edo period (1615–1868), 1766, Japan, Polychrome woodblock print; ink and color on paper, 15 x 7 in. (38.1 x 17.8 cm), Prints, Torii Kiyomitsu (Japanese, 1735–1785

Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence, late 15th century, Engravings, two touched with gold; woodcut, hand-colored; metalcut, hand-colored; manuscript

The Actor Iwai Hanshiro IV in Female Role, Standing Beside a Litter, Edo period (1615–1868), 1726–1792, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 5/8 in. (31.8 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese,

Print, Edo period (1615–1868), 1830, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 1/8 in. (20.3 x 18.1 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Drapery fabric, 1875–80, American, Woven cotton, cotton fringe on bottom, 116 x 93 in. (294.6 x 236.2 cm), Textiles

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 5/16 x 1 1/4 in. (3.3 x 3.2 cm), Glass, Body fragment., Translucent cobalt blue and opaque white.,

Fille de Shanghai, 1870s, Albumen silver print from glass negative, 23.7 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

A Limier Briquet Hound, ca. 1856, Oil on canvas, 14 1/2 x 18 in. (36.8 x 45.7 cm), Paintings, Rosa Bonheur (French, Bordeaux 1822–1899 Thomery), This painting, made from life about 1856, depicts a dog that belonged to a gentleman known as

Parody of Minamoto no Tametomo, Edo period (1615–1868), 1765, Japan, Polychrome woodblock print; ink and color on paper, 10 1/2 x 7 7/8 in. (26.7 x 20 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), In the picture-calendar the

Bone attachment, Late Antique or Byzantine, 4th century A.D. or later, Roman or Byzantine, Ivory or bone, H.: 1 3/8 in. (3.5 cm), Parallels found in excavations at Corinth suggest that this object served as a lid for a small spoon-like

Fibula, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, H.: 1 1/8 x 1 3/4 x 5/8 in. (2.9 x 4.4 x 1.6 cm), Bronzes

Bronze mirror, Late Classical, ca. 350 B.C., Etruscan, Bronze, diameter 6 3/8in. (16.2cm), Bronzes, Peleus, Thetis, and Galene. Pele (Greek: Peleus) surprises his bride, Thethis (Greek: Thetis), who is assisted by the nereid Calaina

Statue of the Goddess Sakhmet, New Kingdom, Dynasty 18, ca. 1390–1352 B.C., From Egypt, Upper Egypt, Thebes, Karnak, Granodiorite, h. 210 cm (82 11/16 in); w. of base 47.5 cm (18 11/16 in); d. 95.5 cm (37 5/8 in), The goddess Sakhmet,

Cock and dog, Edo period (1615–1868), probably 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 15/16 x 7 1/8 in. (20.2 x 18.1 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Peony and Cock, Edo period (1615–1868), 1854, Japan, Polychrome woodblock print; ink and color on paper, 13 1/8 x 4 3/8 in. (33.3 x 11.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

A Girl Writing a Letter, Edo period (1615–1868), 18th century, Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/2 in. (29.2 cm); W. 8 1/4 in. (21 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), The seated young

Statuette of a girl, Archaic, Greek ?, Bronze, H.: 3 13/16 in. (9.7 cm), Bronzes

Tea Caddy, 1797–ca. 1815, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 6 3/8 x 5 15/16 x 4 5/8 in. (16.2 x 15.1 x 11.7 cm); 17 oz. 3 dwt. (532.9 g), Silver, Christian Wiltberger (American, Philadelphia,

Terracotta skyphos (drinking cup), Archaic, 6th century B.C., Lydian, Terracotta, H. 3 3/16 in. (8.1 cm), Vases, White slip, with zigzag, and crosses and dots in squares

Vase fragment, Archaic, East Greek/Sardis, Lydian, Terracotta, Overall: 4 5/8 x 3 7/16in. (11.7 x 8.8cm), Vases

東海道五十三次　岡部　宇津の山, Okabe, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Glass amphoriskos (perfume bottle), Late Hellenistic, 1st century B.C., Greek, Cypriot, Glass; core-formed, Group III, 5 5/8 × 2 3/8 in. (14.3 × 6.1 cm), Glass, Translucent dark blue, appearing black; colorless handles and base-knob with

Vase fragments, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta, 2 11/16 × 3 3/4 × 3/16 in. (6.8 × 9.6 × 0.5 cm), Vases

Dr. Inglis, Halifax, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Dwelling in Landscape, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink and color on gold paper, 6 1/4 x 18 1/4 in. (15.9 x 46.4 cm), Paintings, Unidentified Artist, After Song Maojin (Chinese, active late 16th

Portrait of Madame de Pompadour (Madame Le Normant d'Estiolles), 1764, Etching; second state of three (Bocher), sheet: 7 3/4 x 5 3/8 in. (19.7 x 13.6 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas

東海道五十三次　島田　大井川, Shimada, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Chui Nang opposite Kien-yang city, ca. 1869, Albumen silver print from glass negative, Image: 7 15/16 × 11 1/4 in. (20.2 × 28.5 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Vue de la Foire de Bezons, 1750, Etching, after second state, image: 5 7/16 x 6 3/8 in. (13.8 x 16.2 cm), trimmed to image, Prints, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris

Eight Songs of the Xiao and Xiang Rivers, Ming dynasty (1368–1644), China, Album of eight painting leaves with facing sheets inscribed with poems, preceded by a four-sheet title piece; ink on paper, 8 1/4 x 7 3/4 in. (21.0 x 19.7 cm) (each

Rising Sun and Cock and Hen, Edo period (1615–1868), ca. 1800, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 1/8 x 6 5/8 in. (18.1 x 16.8 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Il vient à Bruxelles, voit un appartement place du Cologne no. 7, 1854–56, Salted paper print from paper negative, Image: 9 5/16 × 8 5/16 in. (23.6 × 21.1 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium,

Coin, dated A.H. 913/ A.D. 1507–8, Made in Iran, Kashan, Copper, Coins

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, 2 7/8 in. (7.3 cm), Glass, Colorless with pale blue green tinge. Rim folded out, over, and in; slightly funnel-shaped, cylindrical neck, with faint tooling marks

Terracotta head of a woman, Hellenistic, 3rd century B.C., Greek, Attic, Terracotta, H. 2 11/16 in. (6.8 cm), Terracottas, From a statuette

Cup in the Shape of a Blossom, Edo period (1615–1868), 1780, Japan, Porcelain with enamels (Nabeshima ware), H. 2 1/4 in. (5.7 cm); Diam. 4 3/4 in. (12.1 cm), Ceramics

Ceramic Vessel in the Shape of a Mosque Lamp, 1525–40, Made in Turkey, Iznik, Stonepaste; painted in blue under transparent glaze, H. 6 11/16 in. (17 cm), Ceramics, With its delicate spiraling stem design, this small vessel belongs to a

Louksor, Petit Bras du Nil - Barque de Voyageurs, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.4 x 30.7 cm. (9 5/8 x 12 1/16 in.), Photographs, Félix Teynard (French, 1817–1892

江戸高名会亭尽　王子　扇屋, The Ōgiya at Ōji, Edo period (1615–1868), ca. 1835–42, Japan, Polychrome woodblock print; ink and color on paper, H. 9 3/8 in. (23.8 cm); W. 14 3/16 in. (36.1 cm), Prints, Utagawa Hiroshige

Gold Neck Ring, 6th–4th century B.C., Made in Southern Russia or Black Sea Region (?), Celtic, Gold, Overall: 7 1/2 x 7 1/2 x 1/2 in., 1lb. (19 x 19.1 x 1.2 cm, 500g), Metalwork-Gold, This elegant and technically accomplished solid gold

Terracotta phiale (libation bowl), Hellenistic, 3rd century B.C., Greek, South Italian, Campanian, Calenian, Terracotta; black-glaze, diameter 3 3/8in. (8.6cm), Vases, The decoration in relief combines geese, ducks, and horses with the

Fibula, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Overall: 2 1/4 x 3 3/4 x 1 3/4 in. (5.7 x 9.5 x 4.4 cm), Bronzes

Gold disks with floral motifs and lions' heads, Archaic, late 6th century B.C., Etruscan, Gold, Overall (A): 5/8 in. (1.6 cm), Gold and Silver, In center, three lions' heads, fruits and leaves

Bronze tail of a horse, Imperial, 1st or 2nd century A.D., Roman, Bronze, Other: 16 in. (40.6 cm), Bronzes, Finely modelled, broken off from a large relief

Marble head of the so-called Barberini Suppliant, early Imperial, 1st century A.D., Roman, Marble, Overall: 10 1/8 x 8 x 7 1/8 in. (25.7 x 20.3 x 18.1 cm), Stone Sculpture, Copy of a Greek work of ca. 430–420 B.C

Lead ornament, possibly imitating jewelry, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 9/16 in. (1.4 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

[Girl with Ringlets, Seated, Three-Quarter Length], 1890s, Gelatin silver print, 14.2 x 9.7 cm. (5 9/16 x 3 13/16 in.), Photographs, Frederick Gutekunst (American, born Germany, 1832–1917

名所江戸百景　請地秋葉の境内, Inside Akiba Shrine at Ukeji, Edo period (1615–1868), 1857, Japan, Polychrome woodblock print; ink and color on paper, 13 1/4 x 8 3/4 in. (33.7 x 22.2 cm), Prints, Utagawa Hiroshige (Japanese,

Sketch for Mirror Frame of Jewels & Wirework, 1892–1902, Made in New York, United States, American, Watercolor, pen and black India ink, and graphite on white watercolor paper in warm grey original window matt, Overall: 18 5/16 x 13 7/8 in.

春秋 青銅鼎, Tripod Cauldron (Ding), Eastern Zhou dynasty, Spring and Autumn period (770–476 B.C.), late 6th–early 5th century B.C., China, Bronze, H. (at handles) 16 7/8 in. (42.9 cm); W. (at handles) 19 3/4 in. (50.2 cm),

Mamluk Carpet, early 16th century, Attributed to probably Egypt, probably Cairo, Wool, (warp, weft and pile); asymmetrically knotted pile, Rug: H. 84 in. (213.4 cm), Textiles-Rugs, Mamluk style carpets figured significantly in Mediterranean

Limestone statuette of a male votary in Egyptianizing dress, early 5th century B.C. (?), Cypriot, Limestone, Overall: 14 7/8 x 6 1/4 x 2 7/8 in. (37.8 x 15.9 x 7.3 cm), Stone Sculpture, Male figure in Egyptian style dress with elaborately

Glass pendant in the shape of Harpokrates, Hellenistic, late 2nd–1st century B.C., Greek, Eastern Mediterranean, Glass, molded; cast in a two-part mold, H.: 1 1/8 in. (2.8 cm), Glass, Translucent purple., Solid, vertical pendant, with

Ichikawa Danzo III as a Samurai Drawing a Sword, Edo period (1615–1868), ca. 1772, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Drawing for hanging dome shade, 1905–15, Made in New York, United States, American, Watercolor, gouache, pastel, and graphite on off-white wove paper mounted on board, 23 3/4 x 19 13/16 in. (60.4 x 50.4 cm), Drawings, Tiffany Studios

Qur'an Case, second half 15th century, Attributed to Spain, possibly Granada, Leather; embroidered with gilt-silver wire, 4 1/4 x 4 7/8 in. (10.8 x 12.4 cm), Leather, This pouch, decorated with the Nasrid shield and motto, 'There is no

Façade latérale du Gynecée de Rhamsès-Meiamoun, Palais de Médinet-Habou, à Thèbes, 1849–50, Salted paper print from paper negative, Image: 9 in. × 6 9/16 in. (22.8 × 16.7 cm), Photographs, Maxime Du Camp (French, 1822–1894

Rebel Works in Front of Atlanta, Georgia, No. 2, 1864, Albumen silver print, Photographs, George N. Barnard (American, 1819–1902

Bronze lion, Classical, last quarter of the 5th century B.C., Greek, Bronze, H. 4 1/16 in. (10.3 cm), Bronzes, The lion may have decorated the shoulder of a large vase

Glass beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and cut, Overall: 5 5/8in. (14.3cm), Glass, Tall, slender beaker Colorless Knocked-off, uneven, flaring rim; four-sided body; sides tapering slightly downward, with

The 42nd Gordon Highlanders, Edinburgh Castle, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Yellow chalcedony ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Chalcedony, yellow, Length: 9/16 in. (1.5 cm), Gems, Helios on a quadriga (four-horse chariot

Folio from a Qur'an Manuscript, 9th century, Attributed to Central Islamic Lands, Ink, opaque watercolor, and gold on parchment, H. 1 1/2 in. (3.8 cm), Codices, This small-scale Qur'an was used as an intimate personal object, probably worn

Shinagawa, 東海道五十三次　品川　鮫州の茶や, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese,

Dancer on pointe, ca. 1878, Charcoal, heightened with white on beige wove paper, Sheet: 17 7/8 x 11 3/4 in. (45.4 x 29.8cm), Drawings

Fragmentary faience stirrup jar, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Faience, 2 5/16in. (5.9cm), Miscellaneous-Faience, The handles and spout of this stirrup jar are missing. The shape is characteristically Mycenaean Greek, but

Mr. and Mrs. R. B. Tennent, Mrs. E. H. Yates, Mrs. Brandram, their Children and Three Nurses, 1850s, Albumen silver print from glass negative, 14.3 x 12.2 cm. (5 5/8 x 4 13/16 in.), Photographs, Unknown (British), In 1853 Edmund Hodgson

Fragment of a limestone funerary stele with a recumbent lion, Cypro-Classical, late 5th or 4th century B.C., Cypriot, Limestone, Overall: 13 1/2 x 5 1/4 x 15 in. (34.3 x 13.3 x 38.1 cm), Stone Sculpture, The lion is recumbent to the right,

The Watchers and the Watched, Edo period (1615–1868), 1764–72, Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/8 in. (28.3 cm); W. 8 1/4 in. (21 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), Harunobu, who is

Dish, ca. 1430–1470, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 17 3/4 x 3 in. (45.1 x 7.6 cm), Ceramics

Mosque Lamp for the Mausoleum of Amir Aydakin al-'Ala'i al-Bunduqdar, shortly after 1285, Made in Egypt, probably Cairo, Glass, brownish; blown, folded foot, applied handles; enameled and gilded, H. 10 3/8 in. (26.4 cm), Glass, This

Fragment of a limestone votive relief, Early Hellenistic ?, Cypriot, Limestone, Overall: 7 3/8 x 4 1/4 x 1 1/2 in. (18.7 x 10.8 x 3.8 cm), Cesnola Inscriptions, Two votaries, with their right hands raised, appear in front of a rounded altar

Bottle, Skeletal Couple with Child, 3rd–7th century, Peru, Moche, Ceramic, H. 6 7/8 x W. 5 5/8 x D. 6 3/8 in. (17.5 x 14.3 x 16.2cm), Ceramics-Containers, Moche ceramic vessels were made in specialized workshops where every step of ceramic

Terracotta bridge-spouted jar, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta; Dark-on-light ware, H. 6 7/8 in. (17.5 cm.), Vases, Tubular spout and three handles, with bands and spirals, dark on light ware

Card Table, 1760–90, Made in New York, New York, United States, American, Mahogany, white oak, tulip poplar, white pine, 27 7/8 x 35 x 17 3/4 in. (70.8 x 88.9 x 45.1 cm), Furniture, The most sophisticated New York Chippendale-style card

Terracotta plaque, Classical, ca. 450 B.C., Greek, Melian, Terracotta, 7 1/8 × 9 11/16 in. (18.1 × 24.6 cm), Terracottas, Phrixos carried over the sea by a ram. Phrixos and his sister, Helle, were threatened with death by their

Vase fragment, Greek, Lydian, Terracotta, Overall: 2 3/4 x 11/16in. (7 x 1.8cm), Vases

Gooldar House, 1850s, Albumen silver print, Image: 17.5 x 25 cm (6 7/8 x 9 13/16 in.), Photographs, Captain R. B. Hill

四季の花, A Child Lighting Fireworks, from the illustrated book Flowers of the Four Seasons, Edo period (1615–1868), 1801, Japan, Polychrome woodblock print; ink and color on paper, 6 3/4 × 9 7/8 in. (17.1 × 25.1 cm), Prints,

A Cherry-Viewing Excursion by a Noble Lady and Attendants, Edo period (1615–1868), ca. 1797, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 15 7/32 x 30 in. (38.7 x 76.2 cm), Prints, Chōbunsai Eishi (Japanese,

Length of Atlantic Cable, ca. 1858, Made in New York, United States, American, Steel and brass, H. 4 1/8 in. (10.5 cm); Diam. 3/4 in. (1.9 cm), Metal, Tiffany & Co. (1837–present

The Jewel River at Chōfu (Chōfu no Tamagawa), Edo period (1615–1868), ca. 1768, Japan, Polychrome woodblock print; ink and color on paper, 10 5/8 x 7 3/4 in. (27 x 19.7 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), Tatsukuri (or

Medinet Habou, 2me cour cote sudouest, 1870s, Albumen silver print from glass negative, Photographs, Antonio Beato (British, born Corfu, 1834–1906

[Countess de Castiglione, from Série des Roses], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Terracotta miniature oinochoe (jug), Early Hellenistic, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta, 3 1/16in. (7.8cm), Vases, On the neck, a wreath. The body is ribbed