Images at Librifly

Oyster plate, 1881, Made in Brooklyn, New York, United States, American, Porcelain, 8 9/16 x 6 1/2 in. (21.7 x 16.5 cm), Ceramics, Union Porcelain Works (1863–ca. 1922

Steatite bust, Early or Middle Bronze Age, ca. 3000–1600 B.C., Minoan, Steatite, H. 15/16 in. (2.4 cm), Miscellaneous-Stone, Portrait bust

清, 王翬, 溪山雨霽圖, 軸, Clearing after Rain over Streams and Mountains, Qing dynasty (1644–1911), dated 1662, China, Hanging scroll; ink on paper, Image: 44 7/8 x 17 7/8 in. (114 x 45.4 cm), Paintings, Wang Hui (Chinese,

Prayer Book: Arganonä Maryam (The Organ of Mary), late 17th century, Ethiopia, Lasta region, Amhara peoples, Parchment, pigment ink, wood, leather, fiber, H. 6 1/2 x W. 6 1/8 in. (16.5 x 15.5 cm), Hide-Documents, Attributed to Baselyos

東海道五十三次　池鯉鮒, Chiryu, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

The First Nakamura Sukegoro in the Role of Ōmi Kotōda in 'Kiku wa Mukashi Soga-monogatari', Edo period (1615–1868), 2nd month, 1746, Japan, Polychrome woodblock print; ink and color on paper, 11 15/32 x 5 7/16 in. (29.1 x 13.8 cm), Prints,

Pin, eyelet type, Bronze, Other: 5in. (12.7cm), Bronzes

Lead figure of a warrior with a helmet, shield, and spear, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 13/16 in. (4.7 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great

Peter Force, ca. 1858, Salted paper print from glass negative, Image: 34.4 × 27.2 cm (13 9/16 × 10 11/16 in.), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York), Early on, Brady set himself the task of

Pictures of Ten Styles (Jittaiga Fuzoku): A Young Woman with a Dog, Edo period (1615–1868), ca. 1790–91, Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/4 x 9 15/16 in. (37.5 x 25.2 cm), Prints, Torii Kiyonaga

An Actor Beside Water, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 14 x 8 7/8 in. (35.6 x 22.5 cm), Prints, Woodblock for a print designed by Utagawa Toyokuni I (Japanese, 1769–1825

Lamp, saucer-shaped, Bronze, Other: 5 1/4 x 5 5/16 in. (13.3 x 13.5 cm), Bronzes

Porringer, 1760–75, Made in Boston, Massachusetts, United States, American, Silver, Overall: 1 7/8 x 7 1/4 in. (4.8 x 18.4 cm); 4 oz. 14 dwt. (146.4 g), Silver, Zachariah Brigden (1734–1787

Dish with stylized flowers, ca. 1745–50, Italian, Florence, Hard-paste porcelain painted with cobalt blue under transparent glaze, Overall, irregular diameter (confirmed): 1 3/4 x 13 x 13 1/4 in. (4.4 x 33 x 33.7 cm), Ceramics-Porcelain,

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 1 3/4 x 1 15/16in. (4.4 x 5cm), Vases

Volute-krater fragment, Archaic, ca. 530 B.C., Greek, Attic, Terracotta; black-figure, greatest dimension 5.69 cm, Vases

Mountains in the Snow, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; Ink and color on silk, 8 1/2 x 56 1/8 in. (21.6 x 142.6 cm), Paintings, Unidentified Artist, After Liu Songnian (Chinese, active ca 1175–after 1195

Jasper scarab, Archaic, 6th century B.C., Greek, Sardinian, Jasper, green, Length: 1/2 in. (1.3 cm), Gems, Sphinx

Gold Coins, Edo period (1615–1868), 1813, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 x 5 3/8 in. (12.7 x 13.7 cm), Prints, Asakura Sansho (Japanese

Anne Dashwood (1743–1830), Later Countess of Galloway, 1764, Oil on canvas, 52 1/2 x 46 3/4 in. (133.4 x 118.7 cm), with strip of 7 1/8 in. (18.1 cm) folded over the top of the stretcher, Paintings, Sir Joshua Reynolds (British, Plympton

Lacquer Paintings of Various Subjects: Grasshopper on Gourd Vine, Meiji period (1868–1912), 1882, Japan, Lacquer on paper, 7 1/2 x 6 1/2 in. (19.1 x 16.5 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891), The strong color effect seen

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 1/16 × 2 5/16 × 5/16 in. (2.7 × 5.9 × 0.9 cm), Vases

Andesite mortar or plate, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Andesite, H. 1 1/8 in. (2.9 cm), Miscellaneous-Stone Vases, The bowl has a ring foot and the edge is slightly nicked

Fibula, Bronze, Other: 1 1/8 in. (2.9 cm), Bronzes

Relief of Haremhab, New Kingdom, Amarna Period, Dynasty 18, ca. 1323–1295 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Medina, Bruyère excavations 1935-1940, Limestone, H. 25.5 cm (10 1/16 in); w. 26.6 cm (10 1/2 in); th. 2 cm (13/16

Creampot, 1730–45, Made in New York, New York, United States, American, Silver, 3 1/2 x 3 11/16 x 2 1/2 in. (8.9 x 9.4 x 6.4 cm); 4 oz. 9 dwt. (138.4 g), Silver, Adrian Bancker (1703–1772

Terracotta squat lekythos (oil flask), Classical, 5th century B.C., Greek, Attic, Terracotta; black-glaze, H. 8 1/16 in. (20.5 cm), Vases, No decoration

Print, Edo period (1615–1868), Japan, Preliminary sketch for drawing intended as design for woodblock print; ink on thin paper, 14 1/4 x 30 1/2 in. (36.2 x 77.5 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865), Ichiransai Kunitsuna

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H.: 3 x 2 11/16 x 2 1/16 in. (7.6 x 6.8 x 5.2 cm), Glass, Spindle-shaped unguentarium. Translucent pale blue green. Horizontal rounded rim with slight vertical

Vase (one of a pair), ca. 1720–25, German, Meissen, Hard-paste porcelain, Overall (confirmed): 8 9/16 × 4 7/16 × 3 3/4 in. (21.7 × 11.3 × 9.5 cm), Ceramics-Porcelain

Terracotta stemless kylix (drinking cup), Hellenistic, late 4th–3rd century B.C., Greek, South Italian, Campanian, Calenian, Terracotta; black-glaze, Overall: 2 7/8 x 7 3/4 in. (7.3 x 19.7 cm), Vases, Silver cups with medallions in low

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 1/8 in. (34.6 × 23.2 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Nymph and Swan, ca. 1830–40, Italian, Rome, Agate cameo; gold mount with black enamel, Overall: 1 11/16 x 1 3/8 in. (4.3 x 3.4 cm); visible cameo: 26.9 x 18.6 mm, Lapidary Work-Gems, Cameo by Benedetto Pistrucci (Italian, 1783–1855,

Masks of Oni (Demon) and Uzume (Goddess of Good Fortune), Edo period (1615–1868), probably 1807, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 7/16 x 11 1/8 in. (13.8 x 28.3 cm), Prints, Katsushika Hokusai

東都名所　高輪の夕景, Takanawa no Yukei, Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 9 1/2 x 14 1/2 in. (24.1 x 36.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Terracotta mug with lid, Late Classical, ca. 340–320 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, 6 7/8in. (17.5cm), Vases, On the body, head of a woman, On the lid, heads of two women. The mug belongs to a class of

Pin with hooked head, Roman, Bronze, Other: 3 13/16 in. (9.7 cm), Bronzes

Malted Beans and Clams on a Red Tray, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 x 10 13/16 in. (12.7 x 27.5 cm), Prints, Hōyū (Japanese, 18th–19th century

Porringer, ca. 1800, Possibly made in Newburyport, Massachusetts, United States; Possibly made in Boston, Massachusetts, United States, American, Silver, Overall: 2 x 8 3/8 in. (5.1 x 21.3 cm); 7 oz. 10 dwt. (232.8 g), Silver, Ebenezer

[Lord Canning's Hill Pony], 1858–61, Albumen silver print, Image: 19.7 x 14.6 cm (7 3/4 x 5 3/4 in.), Photographs, Unknown

清 張宗蒼 山水 冊 紙本, Miniature landscapes, Qing dynasty (1644–1911), datable to 1751–54, China, Album of eight leaves; ink and color on paper, 1 7/16 x 1 3/4 in. (3.7 x 4.4 cm), Paintings, Zhang Zongcang (Chinese,

Folio from a Qur'an Manuscript, late 11th–12th century, Made in Eastern Islamic lands, Ink, opaque watercolor, and gold on paper, H.10 in. (25.4 cm), Codices, This folio from a Qur’an is written on paper in black new style script, with

Gournah (Thèbes), Palais Dit le Memnonium, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.5 x 30.1 cm. (9 5/8 x 11 7/8 in.), Photographs, Félix Teynard (French, 1817–1892

Asao Tamesaburo as a Stout Man with a Green Kimono, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Landscape, Qing dynasty (1644–1911), China, Album leaf; ink and color on silk, 11 7/16 x 14 5/8 in. (29.1 x 37.1 cm), Paintings, Unidentified Artist, After Cao Zhibai (Chinese, died 1355

Fragment, 4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, weft loop weave, 8 in. high 8.00 in. wide (20.32 cm high 20.32 cm wide), Textiles

[Burning Ghat, Chandanagore-a French Settlement on the Hoogly], 1858–61, Albumen silver print, Image: 15.1 x 23.2 cm (5 15/16 x 9 1/8 in.), Photographs, Unknown

Fishing Boats with Nets under Ryōgoku Bridge, Edo period (1615–1868), 1790s, Japan, Triptych of polychrome woodblock prints; ink and color on paper, a: H. 14 7/8 in. (37.8 cm); W. 9 7/8 in. (25.1 cm), Prints, Kitagawa Utamaro (Japanese,

Terracotta vase fragment with griffin, Geometric or Archaic, 8th–6th century B.C., East Greek, Lydian, Terracotta, W. 2 5/8 in. (6.65 cm.), Vases, Relief fragment in the form of a griffin head

Terracotta squat alabastron (jar), Late Helladic IIIB, ca. 13th century B.C., Mycenaean, Terracotta, H. approx. 2 1/8 in. (5.4 cm.), Vases, It has been suggested that this vessel shape was used primarily to contain honey or unguents

[Peacock's Throne Room, Teheran], 1858, Salted paper print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Chariot fragments, crossed cylinders, Archaic, ca. 500–480 B.C., Etruscan, Bronze, average: 2 × 1 13/16 in. (5.1 × 4.6 cm), Bronzes, Large collection of bronze and iron attachments once belonging to a chariot

Terracotta miniature oinochoe (jug), Early Hellenistic, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta, 3 9/16in. (9cm), Vases, Two white horizontal bands around neck, with vine leaves and tendrils

Terracotta jug, Cypro-Archaic I, 750–600 B.C., Cypriot, Terracotta, 11 1/16in. (28.1cm), Vases, The decoration consists of a bird with a lotos flower that appears to grow from between the wings and an arrow directed upward. Although all of

Terracotta conical lekythos (vase for oil), Early Protocorinthian, ca. 700 B.C., Greek, Corinthian, Terracotta, H. 3 5/8 in. (9.2 cm), Vases, The decoration combines birds, fish, horses, and a wolf in an exuberantly dynamic composition. Of

Terracotta vessel fragment with scale pattern, Late Minoan II, ca. 1450–1400 B.C., Minoan, Terracotta; Dark-on-light ware, Overall: 1 3/8 x 2in. (3.5 x 5.1cm), Vases, From Phylakopi, Melos. Fragment with scale pattern

Fragments of a Panel, 15th century, Attributed to Spain, Silk; lampas, Textile fragment a: H. 23 5/8 in. (60 cm), Textiles-Woven, These square textile fragments are made up of several horizontal bands which are ornamented with geometrical

Hawk Tied to Perch, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 5/16 x 10 7/16 in. (18.6 x 26.5 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Duck Market, ca. 1869, Albumen silver print from glass negative, Image: 8 1/8 × 11 5/16 in. (20.7 × 28.7 cm), Photographs, Lai Fong (Chinese, 1839–1890

Limestone statue fragment of a left hand holding a kid, Late Archaic–Early Classical, ca. 500–450 B.C., Cypriot, Limestone, Overall: 7 1/4 x 2 3/4 x 3 1/4 in. (18.4 x 7 x 8.3 cm), Stone Sculpture, The lifesize left hand holds, by the

Bronze bull's head, Archaic, early 7th entury B.C., Possibly Cypriot, Bronze, H. to right horn 3 9/16 in. (9.1 cm), Bronzes, Bull's head attachment from a tripod with horizontal tubular socket. Painstaking scholarship over twenty years has

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 x 1 9/16 in. (2.4 x 4 cm), Glass, Body fragment., Translucent turquoise blue mainly layered with yellow

Daisies and Two Makimono, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print (surimono); ink and color on paper, 15 x 20 in. (38.1 x 50.8 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

Penllergare; Birthday Group, Sept. 23, 1853, 1853–56, Albumen silver print, Image: 15.3 × 16.1 cm (6 in. × 6 5/16 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Jar, Edo period (1615–1868), mid-19th century, Japan, Glass, H. 1 3/4 in. (4.4 cm), Glass, The glassware known as chalcedony was developed in Renaissance Venice. Production ceased in the eighteenth century, only to be revived in the

Taiseikan Shosho Shiten, Commanders Receiving the Emperor's Drinking Cups, Meiji period (1868–1912), 1886 (Meiji 19), Japan, Triptych of polychrome woodblock prints; ink and color on paper, 13 1/8 x 29 1/8 in. (33.3 x 74 cm), Prints,

Tapestry Panel with Stars, 15th–16th century, Peru, Inca, Camelid hair, cotton, Overall: 6 3/4 x 9 3/4 in. (17.15 x 24.77 cm), Textiles-Woven

Vienne, Souterrain, ca. 1861, Albumen silver print from glass negative, Image: 33 x 43 cm (13 x 16 15/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Landscape, Qing dynasty (1644–1911), dated 1788, China, Folding fan mounted as an album leaf; ink and color on paper, 7 1/8 x 20 1/4 in. (18.1 x 51.4 cm), Paintings, Wang Chen (Chinese, 1720–1797

Sugar Bowl, ca. 1800, Made in New York, New York, United States, American, Silver, Overall: H. 9 15/16 in. (25.2 cm); 11 oz. 13 dwt. (362.1 g), Silver, Joel Sayre (1778–1818) or, John Sayre (1771–1852

T'Magazin oft Pac-huys der Loffelÿcker Penn-const (The Store Room or Ware House of the Praiseworthy Art of the Pen), 1616, plates: etching, woodcut, 9 5/8 × 14 3/4 × 13/16 in. (24.5 × 37.5 × 2.1 cm

横浜　岩亀見込の図, The Interior of the Gankiro Tea House in Yokohama, 1861 (April), Japan, Triptych of polychrome woodblock prints; ink and color on paper, Oban triptych: 14 /14 x 28 7/8 in. (35.6 x 73.3 cm), Prints, Suzuki Hiroshige

Chinese Sage Reading While Riding on a Buffalo, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/4 x 6 3/4 in. (19.7 x 17.1 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Brocade, 16th century, Attributed to Turkey, Bursa, Silk and gold, Textile: L. 71 1/2 in. (181.6 cm), Textiles-Woven

[Emperor Maximilian's Firing Squad], 1867, Albumen silver print from glass negative, Image: 11.4 x 14.2 cm (4 7/16 x 5 9/16 in.), Photographs, François Aubert (French, 1829–1906), Legend maintains that Maximilan paid each of the seven

Actor as Woman with Hobby–horse in Unidentified Role, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 6 in. (15.2 cm), Prints, Torii Kiyonobu (Japanese, 1664–1729

[Tomb of Kogin Baba], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Picture of the Eastern Beauties, Edo period (1615–1868), ca. 1782, Japan, Polychrome woodblock print; ink and color on paper, 14 3/5 x 9 7/8 in. (37.1 x 25.1 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

Camellia and Bullfinch, Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 14 15/32 x 6 11/16 in. (36.8 x 17.0 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Calamity, ca. 1545–50, Engraving, sheet: 3 1/8 x 3 1/4 in. (8 x 8.3 cm) trimmed just outside platemark, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Nicolo ring stone, Imperial, ca. 3rd quarter of the 3rd century A.D., Roman, Nicolo, L. 2.3 cm, Gems, Portrait head of a bearded man

Glass monochrome inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 7/8 x 1 7/8 in. (2.2 x 4.8 cm), Glass, Opaque yellow., Flat inlay, with two long straight sides tapering to rounded

[Railroad Wipers], Late 1850s, Salted paper print from glass negative, Image: 20.2 x 15.1 cm (7 15/16 x 5 15/16 in.), Photographs, Unknown, This elegant group portrait of a team of laborers comes from an album assembled by a Belgian businessman

Dish with 'Kaleidoscope' Design, ca. 1580–85, Made in Turkey, Iznik, Stonepaste; polychrome painted under transparent glaze, H. 2 11/16 in. (6.8 cm), Ceramics, This dynamically decorated sixteenth-century dish in cobalt blue was produced at

Lead disk with a hole in the center, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Diameter: 13/16 in. (2 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

Violets, Primroses and Other Spring Flowers, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/8 x 7 3/8 in. (20.6 x 18.7 cm), Prints, Kubo Shunman (Japanese,

Print, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/8 x 13 1/8 in. (18.7 x 33.3 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Limestone statue of Apollo, Hellenistic, ca. 3rd–1st century B.C., Cypriot, Limestone, Overall: 21 x 8 in. (53.3 x 20.3 cm), Stone Sculpture, The figure can be identified as the god Apollo. His hairstyle, with a knot above the forehead, is

The Actor Nakamura Nakazo as a Kyokaku, Edo period (1615–1868), ca. 1777, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/4 in. (31.1 cm); W. 5 3/4 in. (14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

[Piazza Navona, Rome], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Sugar bowl, ca. 1876, Made in Brooklyn, New York, United States, American, Porcelain, 4 3/4 x 4 1/2 in. (12.1 x 11.4 cm), Ceramics, The figural finials—a Chinese man on the teapot and an African sugarcane picker on the sugar bowl—allude

Bird on Branch Watching Spider, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 3/8 in. (36.2 x 26.4 cm), Paintings, Watanabe Seitei (Japanese, 1851–1918

Viewing the Bush Clover at Hagidera, Edo period (1615–1868), 1785, Japan, Polychrome woodblock print; ink and color on paper, 15 3/8 x 10 1/8 in. (39.1 x 25.7 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Bracelet, 1879–90, Made in Newark, New Jersey, United States, American, Gold, diamond, and Montana sapphires, L. 7 1/2 in. (19.1 cm), Jewelry, A. J. Hedges & Co. (1877–ca5), Nineteenth-century Newark, New Jersey, was home to some of

Set of four three-light sconces (bras de lumière), Cast by either Étienne-Jean Forestier (died 1768, master 1764), or his brother Pierre-Auguste Forestier, Chased and gilded by Pierre Philippe Thomire (French, Paris 1751–1843 Paris), 1788,

Spatula, Roman, Bronze, Other: 6 11/16 in. (17 cm), Bronzes

Marchands de Fruits, Cochinchine, 1866, Albumen silver print from glass negative, 15.3 x 20.1 cm (6 x 7 15/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Terracotta hydria (water jar), Archaic, ca. 530–520 B.C., Greek, Attic, Terracotta; black-figure, H. 13 3/4 in. (35 cm), Vases, On the body, Herakles and Triton, On the shoulder, combat of warriors between two fleeing woman, In the

Sard ring stone, Late Republican or Imperial, ca. 2nd century B.C.–3rd century A.D., Roman, Sard, Length: 1/2 in. (1.2 cm), Gems, Metalworker. The metalsmith is sitting in front of his anvil and is working with mallet and punch on the