Images at Librifly

Folio from a Buddhist Manuscript of Pancavimsatisahasrika Prajnaparamita, Pala period, ca. 1090, India (Bengal) or Bangladesh, Opaque watercolor on palm leaf, 2 1/4 x 22 1/2 in. (5.7 x 57 cm), Paintings

Gabbro mace head, Early Bronze Age, ca. 2500–1900 B.C., Cypriot, Gabbro, H. 2 3/16 in. (5.5 cm), Miscellaneous-Stone, Spherical with a hole through the center

Bronze statuette of Minerva, Mid-Imperial, 2nd century A.D., Roman, Bronze, Overall: 5 x 2 3/4 x 1 13/16 in. (12.7 x 6.9 x 4.6 cm), Bronzes, With dark patina

Pilgrim Sudhana (Shancai tongzi), 明 彩繪木雕善財童子像（椴木胎）, Ming dynasty (1368–1644), late 15th–early 17th century, China, Wood (linden) with pigment; single woodblock construction, H. 27 1/2 in. (69.9 cm); W. 12 in.

Satyr, 1869–72, Albumen silver print from glass negative, Image: 28 x 21.8 cm (11 x 8 9/16 in.), Photographs, Stephen Thompson (British, active 1870s

Design for Ceiling with Allegorical Figure of Astronomy., 1605–15, Pen and brown ink, brush and gray wash, over construction in leadpoint, sheet: 14 1/8 x 14 3/8 in. (35.8 x 36.5 cm), Drawings, Giovanni Battista Crespi ('Il Cerano')

Glass jug, Late Imperial, 3rd–4th century A.D., Roman, Rhenish, Glass; blown and trailed, H.: 4 1/2 in. (11.4 cm), Glass, Translucent cobalt blue; trail and base ring in semi-opaque yellowish white. Rim folded over and in, and smoothed

Pierced Bowl Signed by Hasan al-Qashani, late 11th–early 12th century, Made in Iran, Stonepaste; molded and pierced, monochrome decoration under transparent glaze, H. 4 1/4 in. (10.8cm), Ceramics, The auspicious words “glory, prosperity,

Spearhead and Ferrule, 17th–18th century, Tibetan, Iron, gold, silver, L. of spearhead 27 1/8 in. (68.9 cm); L. of ferrule 13 5/8 in. (34.6 cm), Shafted Weapons

Scene from the Chushihgura (Vendetta of the 47 Loyal Retailers), Edo period (1615–1868), ca. 1820, Japan, Triptych of monochrome woodblock prints; ink on paper, H. 15 in. (38.1 cm); W. 30 in. (76.2 cm), Prints, Torii Kiyomine (Japanese,

東海道五十三次之内　蒲原　夜の雪, A Snowy Evening at Kambara Station, Edo period (1615–1868), ca. 1833–34, Japan, Polychrome woodblock print; ink and color on paper, Image: 9 1/2 × 14 1/8 in. (24.1 × 35.9 cm), Prints,

Sallet, ca. 1470–80, Milan, Italian, Milan, Steel, H. 9 1/2 in. (24.1 cm); W. 8 3/16 in. (20.8 cm); D. 10 in. (25.4 cm); Wt. 3 lb. 9 oz. (1625 g), Helmets

Terracotta statuette of a woman wearing a hat and holding a fan, Hellenistic, 3rd century B.C., Greek, Boeotian, Terracotta, H. 8 5/8 in. (21.8 cm), Terracottas, Standing, draped, wearing hat, right hand enveloped, fan held up in left

[Portrait of Two Girls], 1850s–60s, Albumen silver print from glass negative, 20.4 x 14.5 cm. (8 x 5 11/16 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Pomegranates, Ming (1368–1644)–Qing (1644–1911) dynasty, China, Album leaf; ink and color on silk, 10 3/4 x 10 3/4 in. (27.3 x 27.3 cm), Paintings, Unidentified Artist, In the Style of Ma Lin (Chinese, ca. 1180– after 1256

Pair of silver bracelets ending in snake's heads, Classical, late 6th–5th century B.C., Greek, Silver, diameter 4in. (10.2cm), Gold and Silver, Bracelet with snakes' heads

Two Women with a Baby who is Playing on the Floor, Edo period (1615–1868), ca. 1793, Japan, Polychrome woodblock print; ink and color on paper, 20 3/4 x 7 5/8 in. (52.7 x 19.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Two

Designs of Fans for Dance, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 7 1/4 in. (20.6 x 18.4 cm), Prints, Ishikawa Kazan (Japanese, active 1810–1823

An Unidentified Actor in the Onna (Woman) Shibaraku (Wait-a-Moment) Act, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 3/4 in. (30.5 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese,

Carnelian ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Carnelian, Length: 9/16 in. (1.5 cm), Gems, Muse seated on a cippus (tomb marker) holding a mask

Terracotta base of cup with marine design, Late Minoan IB, ca. 1525–1450 B.C., Minoan, Terracotta; Dark-on-light ware, Overall: 3 5/8in. (9.2cm), Vases, From Phylakopi, Melos. Fragment of base of cup, floral (?) design

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 5/8 x 1 5/16 in. (1.7 x 3.3 cm), Glass, Thin-walled body fragment., Translucent purple, cobalt blue, honey yellow, turquoise

Carnelian oval, Hellenistic, 3rd century B.C., Greek, Carnelian, H.: 1 7/16 in. (3.6 cm), Gems, portrait of a woman, possibly Arsinoe II

名所江戸百景　亀戸天神境内, In the Kameido Tenjin Shrine Compound, Edo period (1615–1868), 1856, Japan, Polychrome woodblock print; ink and color on paper, 14 1/4 x 9 3/4 in. (36.2 x 24.8 cm), Prints, Utagawa Hiroshige

Portrait of Pietro Aretino, ca. 1517–20, Engraving; second state of two, Sheet: 8 3/8 × 5 7/8 in. (21.3 × 15 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After (?) Titian (Tiziano Vecellio)

Limestone funerary stele with antithetical sphinxes, Classical, ca. 475–450 B.C., Cypriot, Limestone, Overall: 13 1/2 × 22 1/4 × 5 3/4 in. (34.3 × 56.5 × 14.6 cm), Stone Sculpture, The sphinxes of this gravestone, while modeled on

Game Piece with an Eagle Attacking a Hare, ca. 1100–1200, Made in Cologne, Germany, German, Walrus ivory, Overall: diam. 2 x 3/8 in. (diam. 5.1 x 1 cm), Ivories-Walrus, The subject may refer to falconry, the most noble hunting pastime

Visiting a Friend, Meiji period (1868–1912), 1892, Japan, Album leaf; ink and color on silk, 13 7/8 x 10 1/2 in. (35.2 x 26.7 cm), Paintings, Seki Shūkō (Japanese, 1858–1915

Bottle, probably Sui dynasty (581–618), China, Porcelaneous ware with clear glaze, H. 8 1/2 in. (21.6 cm); Diam. 4 1/2 in. (11.4 cm); Diam. of foot: 2 3/4 in. (7 cm); Diam. of rim: 2 5/8 in. (6.7 cm), Ceramics

Study for The Lictors Bringing Brutus the Bodies of his Sons, 1787, Black chalk, pen and black and brown ink, brush and gray and brown wash, heightened with white gouache, Sheet: 13 1/16 x 16 9/16 in. (33.2 x 42.1 cm), Drawings, Jacques Louis

Objects Representing the Ceremony of Exorcising Demons, One of the New Year Performances, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 15/16 x 7 1/8 in. (20.2 x 18.1 cm),

Textile, 10th–11th century, Attributed to Egypt, Linen, ink, gold; plain weave, block printed, painted, Textile: L. 6 1/2 (16.5 cm), Textiles-Painted and/or Printed, This dyed linen fragment is hand-blocked with a repeating inscription in

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 5 1/16 in. (12.9 cm), Glass, Translucent blue green. Flaring, uneven rim, with beveled lip; cylindrical neck expanding downwards with tooling marks around base;

Orandajin, A Dutch Couple, Edo period (1615–1868), 1863 (Bunkyu 3), Japan, Polychrome woodblock print; ink and color on paper, 14 3/8 x 9 15/16 in. (36.5 x 25.2 cm), Prints, Utagawa Yoshitora (Japanese, active ca. 1850–80

Vase, ca. 1884–93, Made in Trenton, New Jersey, United States, American, Porcelain, H. 13 9/16 in. (34.4 cm), Ceramics, Greenwood Pottery Company (American, Trenton, New Jersey, 1861–1933

Mother and Son, Edo period (1615–1868), ca. 1769, Japan, Polychrome woodblock print; ink and color on paper, 10 3/4 x 7 15/16 in. (27.3 x 20.2 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), The relationship of mother and son in

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

James Ballantine, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Carnelian ring stone, Early Imperial, perhaps Flavian, ca. A.D. 69–96, Roman, Carnelian, Length: 5/8 in. (1.6 cm), Gems, Head of a child in three-quarter view Inscribed Tuxia

Scene from a Drama, probably 'Musume Dojoji', Edo period (1615–1868), ca. 1744, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/8 in. (30.8 cm); 5 5/8 in. (14.3 cm), Prints, Torii Kiyonobu (Japanese, 1664–1729

Bronze statuette of Herakles, Hellenistic, 3rd–1st century B.C., Italic, Bronze, H 4 1/8 in. (10.5 cm), Bronzes, With club in the right hand, lion's skin over left arm

Limestone votive pine cone, Hellenistic, 3rd–1st century B.C., Cypriot, Limestone, Overall: 10 1/2 in. (26.7 cm), Stone Sculpture, The pinecone ends in a square tenon, for insertion into a funerary cippus. The scales are represented by a

Sugar bowl, 1820–45, Probably made in Ohio, United States, American, Blown-molded glass, H. 6 in. (15.2 cm), Glass

The Second Ichikawa Monnosuke in the role of Soga no Juro Sukenari, Edo period (1615–1868), 2nd month, 1785, Japan, Polychrome woodblock print; ink and color on paper, 10 31/32 x 5 1/2 in. (27.9 x 14 cm), Prints, Katsukawa Shunshō

Vielle mendiant, 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

歌撰恋之部　夜毎に逢恋, A Young Woman Reading A Letter, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 10 1/8 in. (36.8 x 25.7 cm), Prints, Kitagawa Utamaro (Japanese,

東海道五十三次　藤澤, Fujisawa, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Bronze pilos (helmet of conical shape), Classical, 5th century B.C. or later, Greek, Bronze, 8 1/16in. (20.5cm), Bronzes, The type of helmet known as a pilos is derived from a felt cap of similar shape, often included in depictions of

Terracotta kernos (vase for multiple offerings), Cypro-Archaic I, 750–600 B.C., Cypriot, Terracotta, H. 4 1/8 in. (10.5 cm); diameter 7 1/8 in. (18.1 cm), Vases, Annular body on which are five miniature vases

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 2 15/16 x 1 5/16in. (7.5 x 3.4cm), Vases

Candelabrum (one of a pair), ca. 1740, Austrian, Vienna, Hard-paste porcelain, 6 15/16 × 6 7/16 in. (17.6 × 16.4 cm), Ceramics-Porcelain

Worcester. From the Severn, 1870s, Albumen silver print from glass negative, Photographs, Francis Bedford (British, London 1816–1894 London

Terracotta beaker, Early Imperial, late 1st century B.C., Roman, Terracotta; thin-walled ware, H. 4 3/8 in. (11.1 cm); diameter of mouth 3/16 in. (0.5 cm), Vases, Deep cup of thin clay without decoration

Bell on Base, Qin (221–207 B.C.)–Western Han (206 B.C.–A.D. 220) dynasty, China, Bronze, wood, H. 6 3/8 in. (16.2 cm); W. (base) 5 in. (12.7 cm); Diam. (base) 3 9/16 in. (9 cm), Metalwork

Sleeping Dog, ca. 1921–26, Crayon and charcoal on paper, 11 1/4 x 9 1/8 in. (28.6 x 23.2 cm), Drawings, Joseph Stella (American (born Italy) Muro Lucano 1877–1946 New York, New York

The Causeway Across the Vaigai River, January–March 1858, Albumen silver print from waxed paper negative, Image: 24.9 x 35 cm (9 13/16 x 13 3/4 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport

Terracotta jug, Late Bronze Age, ca. 1600–1050 B.C., Mycenaean, Terracotta, H. 4 in. (10.2 cm.), Vases, Handle and broad and narrow bands

Bronze ring, Classical, late 5th–4th century B.C., Greek, Bronze, L. 2.5 cm, Bronzes, Herakles standing with one foot resting on a rock

京都名所之内　四条河原夕涼, Cooling off in the Evening at Shijogawara, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, Image: 8 5/8 x 13 7/8 in. (21.9 x 35.2 cm), Prints, Utagawa

Ichikawa Komazo I, Edo period (1615–1868), ca. 1769, Japan, Polychrome woodblock print; ink and color on paper, Hosoe; 12 x 5 3/4 in. (30.5 x 14.6 cm), Prints, Ippitsusai Bunchō (Japanese, active 1760–1794

Covered jar, 1883–88, Made in East Cambridge, Massachusetts, United States, American, Blown Amberina glass, H. 8 3/8 in. (21.3 cm); Diam. 4 1/4 in. (10.8 cm), Glass, New England Glass Company (American, East Cambridge, Massachusetts,

Vase fragment, Early Helladic, ca. 3000–2200 B.C., Terracotta, 1 9/16 × 1 9/16 × 3/16 in. (3.9 × 4 × 0.5 cm), Vases

Chafing Dish, ca. 1719, Made in Boston, Massachusetts, United States, American, Silver, Overall: 3 3/8 x 6 3/8 in. (8.6 x 16.2 cm); 15 oz. 12 dwt. (485.5 g), Silver, John Coney (1655/56–1722

[Man in Red Sweater], 1907, Autochrome, 17.9 x 12.8 cm (7 1/16 x 5 1/16 in.), Transparencies, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Terracotta siphon, Archaic, 6th century B.C., Lydian, Terracotta, H. 6 5/8 in. (16.8 cm), Vases, The siphon is in the shape of a jug with the mouth in the form of a ram's head. The underside of the vase is punctured by small holes. When the

Belt Hook, 錯金銀嵌松石螭龍紋青銅帶鈎, Eastern Zhou dynasty, Warring States period (475–221 B.C.), 5th–3rd century B.C., China, Bronze with sheet gold and silver and inlaid turquoise, L. 9 3/4 in. (24.8 cm), Metalwork

Terracotta kylix: Siana cup (drinking cup), Archaic, ca. 560 B.C., Greek, Attic, Terracotta; black-figure, H. 5 3/8 in. (13.7 cm), Vases, Interior, rooster, Exterior, obverse and reverse, male head; at the handles, deer and panthers.

'Senneh' Prayer Rug, late 18th–early 19th century, Attributed to Northwestern Iran, Sanandaj, Cotton (warp), wool (weft); tapestry-woven, Rug: L. 64 1/2 in. (163.8 cm), Textiles-Rugs, This tapestry-woven prayer rug is an example of the fine

The First Nakamura Nakazo as the Yakko (Servant) Tobahei, Edo period (1615–1868), 1769, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 3/4 in. (31.8 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Elise Höusermann, Hermine, Marie and Marie Antoine, 1850s–60s, Albumen silver print from glass negative, 19.0 x 21.9 cm. (7 1/2 x 8 5/8 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Calyx-krater, toy, Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta; black-glaze, 2 5/16 × 2 11/16 × 1 11/16 in. (5.8 × 6.8 × 4.2 cm), Vases, No decoration

Marble statue of Herakles seated on a rock, Imperial, 1st or 2nd century A.D., Roman, Marble, total H. 49 3/4 in. (126.4 cm), Stone Sculpture, Adaptation of a Greek statue of the late 4th or early 3rd century B.C.. The great hero was shown

Obsidian seal set in a gold ring, Classical, ca. 450–400 B.C., Greek, Jasper, gold, bronze, Length: 11/16 in. (1.7 cm), Gems, Sleeping dog tethered to a tree trunk

Love Cup No 11184, 1892, (none assigned) New York, New York, United States, American, Ink, wax pencil, and graphite on brown board, backed with linen, 20 1/4 x 18 in. (51.4 x 45.7 cm), Drawings, Tiffany & Co. (1837–present

東海道五十三次　蒲原　富士川渡舟, Kambara, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Tray with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 2 3/4 in. (7 cm); W. 8 1/4 in. (21 cm), Lacquer, This tray, part of a wedding trousseau, comprised

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 3/4 × 9 1/2 in. (34.9 × 24.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

[Colonel Vincent Eyre C.B. Bengal Artillery, 'The Hero of Arrah' and Mrs Eyre], 1858–61, Albumen silver print, Image: 15.5 x 10.4 cm (6 1/8 x 4 1/8 in.), Photographs, Unknown

Mosquée de Haou (Diospolis parva), 1849–50, Salted paper print from paper negative, Image: 5 11/16 × 7 7/8 in. (14.5 × 20 cm), Photographs, Maxime Du Camp (French, 1822–1894

Vase fragment, Early Helladic, ca. 3000–2200 B.C., Terracotta, 1 9/16 x 1 1/4in. (3.9 x 3.2cm), Vases

Milton's L'Allegro and Il Penseroso, 1855, Illustrations: etching on steel, 10 7/8 x 7 5/16 x 3/4 in. (27.6 x 18.6 x 1.9 cm), Books

Glass mosaic panel, Early Imperial, mid-1st century A.D., Roman, Glass, H.: 17 x 1/4 x 10 in., Glass, Since this revetment panel with its colorful floral design is said to have been found on the Palatine in Rome, it may have formed part of

東海道五十三次　関, Seki, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese,

Furansukoku (France), Edo period (1615–1868), 1861, Japan, Polychrome woodblock print; ink and color on paper, H. 14 in. 35.6 cm); W., 9 1/2 in. ( 24.1 cm), Prints, Utagawa Yoshikazu (Japanese, active ca. 1850–1870

Gold spiral, Late Bronze Age, ca. 1600–1100 B.C., Cypriot, Gold, Length: 15/16 in. (2.4 cm), Gold and Silver, Of plain wire with one turn

諸國瀧廻　東都葵ヶ岡の瀧, Fall of Aoiga Oka, Yedo, Edo period (1615–1868), ca. 1827, Japan, Polychrome woodblock print; ink and color on paper, H. 14 3/4 in. (37.5 cm); W. 10 3/16 in. (25.9 cm), Prints, Katsushika Hokusai

Limestone head of a bearded male with a wreath of flowers, Archaic, 6th century B.C., Cypriot, Limestone, Overall: 14 x 11 x 12 1/4 in. (35.6 x 27.9 x 31.1 cm), Stone Sculpture, Bearded head wearing frontlet of flowers

北宋 徽宗 竹禽圖 卷, Finches and bamboo, Northern Song dynasty (960–1127), early 12th century, China, Handscroll; ink and color on silk, Image: 13 1/4 × 21 13/16 in. (33.7 × 55.4 cm), Paintings, Emperor Huizong (Chinese,

東都名所　芝増上寺山内の図, Shiba Zōjōji Sannai no Zu, Edo period (1615–1868), ca. 1833–34, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 14 7/8 in. (25.7 x 37.8 cm), Prints, Utagawa Hiroshige

Spring Garden in Bloom, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold-flecked paper, 6 x 19 1/16 in. (15.2 x 48.4 cm), Calligraphy, Mo Shilong (Chinese, 1537–1587

The Pride of the Forest - Calaveras Grove, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

The First Nakamura Denkuro and the First Otani Hiroemon in a Scene from a Soga Play, Edo period (1615–1868), probably 1709, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 14 3/4 in. (26.4 x 37.5 cm), Prints, Okumura

Bearded Man with a Velvet Cap, 1645, Oil on wood, 23 3/4 x 20 5/8 in. (60.3 x 52.4 cm), Paintings, Govert Flinck (Dutch, Cleve 1615–1660 Amsterdam), Surely a live model served for this dashing character in romantic costume and a brilliantly

Uchikawa Bosetsu, Edo period (1615–1868), ca. 1768, Japan, Polychrome woodblock print; ink and color on paper, 10 x 7 7/32 in. (25.4 x 18.4 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Señora de Sorolla (Clotilde García del Castillo, 1865–1929) in Black, 1906, Oil on canvas, 73 1/2 x 46 3/4 in. (186.7 x 118.7 cm), Paintings, Joaquín Sorolla y Bastida (Spanish, Valencia 1863–1923 Cercedilla), Sorolla’s wife Clotilde

Hinge, 1700–1750, Made in New York, United States, American, Wrought iron, 1 3/16 x 2 9/16 x 14 7/8 in. (3 x 6.5 x 37.8 cm), Metal

Kylix Fragment, Archaic, ca. 510–500 B.C., Greek, Attic, Terracotta; red-figure, greatest dimension: 17.81 cm, Vases, Interior, youth; exterior, fight

Limestone statuette of a beardless male votary in Greek dress, Archaic, 6th century B.C., Cypriot, Limestone, Overall:H.:15 1/2 x W.:4 7/16 x D.:3 1/4 in. (39.4 x 11.3 x 8.3 cm), Stone Sculpture, Male votary with frontlet and unmodeled

東海道五十三次之内　庄野　白雨, Shower at Shōno, Edo period (1615–1868), 1834, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13 5/8 in. (22.5 x 34.6 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

A Young Woman Reading, Oil on canvas, 7 3/4 x 5 3/4 in. (19.7 x 14.6 cm), Paintings, Imitator of Johannes Vermeer (ca. 1925–27