Images at Librifly

Jérusalem, Vallée de Hinnom, Tombeau antique à fronton triangulaire et à crossettes, 1854, Salted paper print from paper negative, Image: 32.6 x 23.4 cm (12 13/16 x 9 3/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/16 x 1 3/8 in. (2.6 x 3.4 cm), Glass, Body fragment., Translucent blue, turquoise blue, purple appearing

Terracotta fragment of the bottom of a cup with polychrome decoration, Middle Minoan II, ca. 1800–1700 B.C., Minoan, Terracotta; Kamares ware, Overall: 1 1/8 x 1 15/16in. (2.9 x 4.9cm), Vases, From Knossos, Crete. Bottom of cup decorated in

Lead ornament in the form of a branch, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 3/8 in. (3.4 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

Preparations for a Hunt, ca. 1680, Attributed to India, Opaque watercolor on paper, H. 6 5/8 in. (16.8 cm), Codices, The painting depicts preparations for a royal hunt. A group of four nilgais, or blue bulls, are feeding in scrubland near a

Glass pendant in the form of a miniature jug, Late Imperial, 4th–5th century A.D., Roman, Glass; rod-formed, tooled, and trailed, 1 1/16 × 9/16 × 1/2 in. (2.8 × 1.5 × 1.3 cm), Glass, Semi-opaque dark green, appearing opaque black;

Faience ram's head amulet, 25th Dynasty, 712–664 B.C., Egyptian, Clay, glazed, H.: 1 3/4 in. (4.4 cm), Gold and Silver, Amulets representing animals were attributed to a deity: a hawk for Ra, the Sun God, a lion for Sakhmi, the War

Glass hexagonal bottle, Early Imperial, 1st century A.D., Roman, Glass; blown in a four-part mold, H.: 3 in. (7.6 cm), Glass, Opaque white. Plain rim with slight inward lip and flattened top edge; funnel-shaped neck, with pinched tooling

Bird, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, H. 6 1/16 in. (15.4 cm), Metalwork

Vase fragment, Helladic, Greek, Laconian, Terracotta, 1 3/4 x 15/16in. (4.4 x 2.3cm), Vases

Ameto's Discovery of the Nymphs, ca. 1410, Tempera on wood, Twelve-sided, 21 1/8 x 22 1/8 in. (53.7 x 56.2 cm), Paintings, Master of 1416 (Italian, Florentine, early 15th century), This panel and its companion originally formed the front and

Study for 'The Enrollment of the Volunteers of 1792', ca. 1848–51, Black chalk, 17 1/4 x 21 1/4 in. (43.8 x 54cm), Drawings, Thomas Couture (French, Senlis 1815–1879 Villiers-le-Bel

Pohono, Bridal Veil, 900 Feet, Yosemite, 1861, Albumen silver print from glass negative, Image: 16 1/2 × 20 9/16 in. (41.9 × 52.3 cm), Photographs, Carleton E. Watkins (American, 1829–1916

Group of Three Chinese Men on a Cliff by the Sea, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 7/8 in. (25.4 x 37.8 cm), Prints, Kuwagata Keisai (Japanese, 1764–1824

Terracotta vase in the shape of a boar, Archaic, ca. 570–560 B.C., Greek, Boeotian, Terracotta, maximum length 5 9/16in. (14.2cm), Vases, Thanks to a similar piece in Berlin, this one can be reconstructed as a figure of a boar standing on

Woman in Night Robe Reading a Letter, Edo period (1615–1868), 1764–72, Japan, Polychrome woodblock print; ink and color on paper, H. 26 1/2 in. (67.3 cm); W. 4 7/16 in. (11.3 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), In his

A Famous Actor of Women's Roles, Edo period (1615–1868), ca. 1764, Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/8 in. (28.3 cm); W. 5 1/8 in. (13 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

Terracotta cup, Imperial, ca. A.D. 100, Roman, Terracotta, 2 7/16in. (6.2cm), Vases, Cup of light red clay with floral decoration in relief. Barbotine drinking cups originated in Italy but were soon copied by a number of provincial workshops,

The Port of Rouen, 1885, Etching, aquatint, and drypoint on laid paper; second state of two, sheet: 8 15/16 x 10 15/16 in. (22.7 x 27.8 cm), Prints, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris

Procession, Qing dynasty (1644–1911), late 19th century, China, Handscroll; ink and color on silk, 9 3/4 x 25 1/2 in. (24.8 x 64.8 cm), Paintings, Unidentified Artist Chinese

Mrs. Robert Shurlock (Henrietta Ann Jane Russell, 1775–1849) and Her Daughter Ann, 1801, Pastel on paper, laid down on canvas, 23 7/8 x 17 3/4 in. (60.6 x 45.1 cm), Pastels & Oil Sketches on Paper, John Russell (British, Guildford

Terracotta amphoriskos (oil flask), Late Classical, 4th century B.C., Greek, Attic, Terracotta; black-glaze, H. 6 9/16 in. (16.7 cm), Vases, Ribbed with incised pattern on body and shoulder

Shore Scene Showing European Influence, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 15/16 in. (25.4 x 37.9 cm), Prints, Shotei Hokuju (Japanese, active 1790–1820

Entrée du Robinet, ca. 1861, Albumen silver print from glass negative, Image: 33.3 x 43.2 cm (13 1/8 x 17 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889), In July 1861 the board of directors for the southern region of

Wall painting on black ground: Egyptianizing scene and pair of swans, from the imperial villa at Boscotrecase, Early Imperial, last decade of the 1st century B.C., Roman, Pompeian, Fresco, Overall: 91 3/4 x 20 1/8in. (233.1 x 51.1cm),

Flagon, 1800–1830, Made in Boston, Massachusetts, United States, American, Silver, Overall: 16 7/16 x 7 1/2 in. (41.8 x 19.1 cm); 45 oz. 19 dwt. (1428.6 g), Silver, Rufus Farnam (active ca. 1796–1833), Henry Farnam (1773–ca. 1833

[Mr. Cecil Beadon, Foreign Secretary to Government of India], 1859, Albumen silver print, Image: 19.8 x 13.2 cm (7 13/16 x 5 3/16 in.), Photographs, Unknown

和田原甚四郎　花項山五郎吉, The Sumo Wrestlers Wadagahara Jinshirō and Kachōzan Gorokichi, Edo period (1615–1868), ca. 1783, Japan, Polychrome woodblock print; ink and color on paper, 12 1/32 x 5 3/32 in. (30.6 x 12.9 cm),

Terracotta vessel fragment with floral design, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta; Dark-on-light ware, H. 2 1/8 in. (5.4 cm), Vases, From Phylakopi, Melos. Fragment with floral (?) design

Glass oil lamp, Early Imperial, ca. 2nd half of 1st century A.D., Roman, Glass; blown in a closed mold, 1 1/2 × 4 3/8 × 3 1/8 in. (3.8 × 11.1 × 8 cm), Glass, Translucent blue green; applied trail in same color. Projecting oval nozzle with

Terracotta skyphos (deep drinking cup), Archaic, 6th century B.C., Lydian, Terracotta, H. 4 9/16 in. (11.5 cm), Vases, Red ware with horizontal bands of white

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 4 5/8 x 7/8in. (11.7 x 2.3cm), Glass, Translucent blue green. Rim folded out, round, and in, with irregular downward projection on one side; concave

Emperor Henry IV at Canossa, ca. 1770–75, Italian, Bologna, Terracotta, Overall (confirmed): H. 23 7/8 x W. 9 1/4 x D. 7 1/8 in. (60.6 x 23.5 x 18.1 cm), Sculpture, Pope Saint Gregory VII excommunicated Emperor Henry IV for his interference

Glass jug, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Height: 4 in. (10.2 cm), Glass, Translucent pale blue green, with same color handle. Tubular rim, folded out, round, and in, and pressed into top of mouth;

Porringer, 1750–75, Made in Newport, Rhode Island, United States, American, Silver, Overall: 1 7/8 x 8 in. (4.8 x 20.3 cm); 8 oz. 7 dwt. (259.8 g), Silver, John Tanner (1713–1785

Shoulder or Knee Defense, probably 15th–17th century, Tibetan or Mongolian, Leather, iron, L. 9 in. (22.9 cm); W. 5 1/2 in. (14 cm), Armor for Man

Robe de Style, 1922, French, silk, glass, metal

Ceiling Fragment, Tomb of Amenemhat Surer, New Kingdom, Dynasty 18, ca. 1390–1352 B.C., From Egypt, Upper Egypt, Thebes, Tempera on paper, Facsimile H. 35 cm (13 3/4 in); w. 35 cm (13 3/4 in), Hugh R. Hopgood

(9) Untitled, 1840s–60s, Albumen silver print, Photographs, Luigi Pesce (Italian, 1818–1891

Charette devant l'entrée d'un abri au toit de chaume, 1850–53, Salted paper print (Blanquart-Évrard process) from paper negative, 17.9 x 22.4 cm (7 1/16 x 8 13/16 in.), Photographs, Unknown (French

Marseille, ca. 1860, Albumen silver print from glass negative, Image: 27.6 x 42.9 cm (10 7/8 x 16 7/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

The Marriage of the Virgin, ca. 1430, Tempera and gold on wood, 25 5/8 x 18 3/4 in. (65.1 x 47.6 cm), Paintings, Michelino da Besozzo (Michelino de Mulinari) (Italian, Lombardy, active 1388–1450), Among the most celebrated painters of his

[Tree Study], 1880s–90s, Albumen silver print, Photographs, Unknown (American

The Smoker, ca. 1623–25, Oil on wood, Octagonal, 18 3/8 x 19 1/2 in. (46.7 x 49.5 cm), Paintings, Frans Hals (Dutch, Antwerp 1582/83–1666 Haarlem), The loose brushwork on this octagonal panel—its original shape—captures the bustle of

Five Nude Infants in Various Poses, ca. 1500, Metalpoint, traces of charcoal or black chalk, on pale pinkish gray prepared paper., 9 3/8 x 7 7/16 in. (23.8 x 18.9 cm), Drawings, Circle of Raphael (Raffaello Sanzio or Santi) (Italian, Urbino

Lid and end panels of a lead sarcophagus, Imperial, late 2nd–mid 3rd century A.D., Roman, Lead, Overall: 18 3/4 x 63 3/4 x 17 1/4 in. (47.6 x 161.9 x 43.8 cm), Miscellaneous-Lead, This coffin has been attributed to a workshop at Tyre on the

Glass alabastron (perfume bottle), Classical, 5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 4 3/16 in. (10.6 cm), Glass, Translucent light blue, with handles in same color; trails in opaque yellow and

The Actor Ichikawa Danjuro V as a Samurai Ready to Fight, Edo period (1615–1868), ca. 1771, Japan, Polychrome woodblock print; ink and color on paper, H. 12 13/16 in. (32.5 cm); W. 5 9/16 in. (14.1 cm), Prints, Katsukawa Shunshō (Japanese,

Bronze hoof, Archaic, early 7th century B.C., Possibly Cypriot, Bronze, H. 5 1/2 in. (14 cm), Bronzes, Painstaking scholarship over twenty years has discovered that these pieces and others now in Berlin originally belonged to one bronze and

Sash Fragment, 7th century, Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 1 x 151 in. (2.54 x 383.54 cm), Textiles-Woven

A Woman Cooking, Plate 3 from Five Feminine Occupations, ca. 1640–57, Engraving, Plate: 8 1/4 x 6 5/8 in. (20.9 x 16.8 cm), Prints, Geertruydt Roghman (Dutch, Amsterdam 1625–1651/57 Amsterdam (?)), Roghman, from an Amsterdam family of

Terracotta pyxis (box), Middle Corinthian, ca. 590–570 B.C., Greek, Corinthian, Terracotta, H.: 6 3/8 in. (16.2 cm), Vases, Frieze with animals and two women. Sirens, sphinxes, panthers and two women

Ceremonial Mace, 18th century, Indian, Rock crystal, gold, copper alloy, ruby, L. 21 in. (53.4 cm); Diam. of head 2 in. (5 cm); Wt. 1 lb. 6 oz. (636 g), Shafted Weapons

Le Chat Momifié (trouvé dans les fouilles de Saint-Germain-en-Laye), ca. 1862, Albumen silver print from glass negative, Mount: 19 13/16 × 9 15/16 in. (50.3 × 25.3 cm), Photographs, Charles Marville (French, Paris 1813–1879 Paris

Bowl with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 5 3/8 in. (13.7 cm); W. 12 1/2 in. (31.8 cm), Lacquer, This bowl, part of a wedding trousseau,

Banded agate ring stone, Hellenistic, 3rd–2nd century B.C., Italic, Agate, banded, Other: 5/16 x 1/16 x 1/2 in. (0.8 x 0.2 x 1.3 cm), Gems, This banded agate ring stone represents Hermes wearing a chlamys, a winged cap and holding the

Seated Woman with a Child on her Lap (Study for a Mystic Marriage of St. Catherine of Alexandria), 18th century, Black chalk heightened with white., 20 1/4 x 15 15/16 in. (51.5 x 40.5 cm), Drawings, Étienne Parrocel (French, Avignon

[Countess Canning with Guests, Government House, Allahabad], 1858, Albumen silver print, Image: 7.1 x 7.5 cm (2 13/16 x 2 15/16 in.), Photographs, John Constantine Stanley (British, 1837–1878

実競色乃美名家見　紙屋次兵衛　紀ノ国屋小春, Jihei of Kamiya Eloping with Koharu of Kinokuniya, Edo period (1615–1868), early 1800s, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 3/4 x 10 in. (34.9 x

[Excavations near the Sphinx], 1853, Salted paper print from paper negative, Image: 22.3 x 30.2 cm (8 3/4 x 11 7/8 in.), Photographs, John Beasley Greene (American, active France, 1832–1856

江戸近郊八景之内 羽根田落雁, Haneda Rakugan, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 13 27/32 in. (24.1 x 35.2 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Terracotta neck-amphora (jar), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; black-figure, Height: 8 7/8 in. (22.5 cm), Vases, Obverse, Hera sending out Iris with the Nemean lion, Reverse, Herakles wrestling the Nemean lion. The very

Glass footed beaker, Early or Mid Imperial, late 1st–mid-2nd century A.D., Roman, Glass; blown and cut, Height: 3 1/4 in. (8.3 cm), Glass, Translucent pale blue green. Ground, horizontal rim; short, flaring neck; straight sides expanding

Print, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 5/8 x 12 3/8 in. (21.9 x 31.4 cm), Prints, Tomioka Eisen (Japanese, 1864–1905

Medal cabinet, Attributed to William Vile (British, Somerset 1700/05–1767 London), Attributed to John Cobb (British, ca. 1715–1778 London), 1760–61, British, Mahogany, Overall: 79 × 27 × 17 1/4 in. (200.7 × 68.6 × 43.8 cm),

Pendant: recumbent bull, Classical, mid-5th century B.C., Italic or Etruscan, Amber, Overall: 15/16 x 2 3/4 x 1/2 in. (2.4 x 7 x 2.4 cm), Miscellaneous-Amber, Pendant of a crouching bull

Pavilion on a Lake, Ming (1368–1644) or Qing dynasty (1644–1911), China, Fan mounted as an album leaf; ink and color on silk, 11 1/2 x 12 in. (29.2 x 30.5 cm), Paintings, Unidentified Artist

Pocket bottle, 1815–45, Possibly made in Pennsylvania, United States; Possibly made in Ohio, United States, American, Blown, pattern-molded glass, H. 5 7/16 in. (13.8 cm), Glass

Portrait of a Man with a Shell, ca. 1625–26, Oil on wood, 9 3/8 x 6 3/4 in. (23.8 x 17.1 cm), Paintings, Thomas de Keyser (Dutch, Amsterdam (?) 1596/97–1667 Amsterdam), The man is a shell collector, in an age when foreign trade opened up

Antefix, Etruscan, Terracotta, 6 x 6 in. (15.2 x 15.2 cm), Terracottas

Cutting the Toenails; the Toilet after the Bath, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 7/8 in. (37.8 cm); w. 9 7/8 in. (25.1 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Mold for a Buddha's Head, ca. 3rd century, Pakistan (ancient region of Gandhara), Terracotta, 5 x 3 17/32 in. (12.7 x 9 cm), Sculpture

Watercolor of musician playing xiao, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

View of Swatow Harbour, ca. 1869, Albumen silver print from glass negative, Image: 7 11/16 × 10 11/16 in. (19.6 × 27.2 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Tumbler, 1889–90, Made in Findlay, Ohio, United States, American, Blown-molded Onyx glass, H. 3 1/2 in. (8.9 cm); Diam. 2 3/8 in. (6 cm), Glass, Dalzell, Gilmore and Leighton (1885–1898

Fibula, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, H.: 1 1/4 x 1 11/16 x 9/16 in. (3.2 x 4.3 x 1.4 cm), Bronzes

Viaduc de la Voulte, 1861 or after, Albumen silver print from glass negative, Image: 25.4 x 42.5 cm (10 x 16 3/4 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

A New Year's Scene, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Overall: 28 1/4 x 4 13/16 in. (71.8 x 12.2 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Lamp, Greek or Roman, Terracotta, Overall: 3 1/4 in. (8.3 cm), Terracottas

Temple, 1st–8th century, Mexico, Mesoamerica, Guerrero, Mezcala, Stone, Height 4-15/16 in., Stone-Sculpture

Print, Edo period (1615–1868), ca. 1788, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 8 3/4 in. (32.1 x 22.2 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Fan-Box with Fans, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 3/4 x 7 7/16 in. (14.6 x 18.9 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Vase, 1885–90, Made in Trenton, New Jersey, United States, American, Porcelain, Approx. H. 18 in. (45.7 cm), Ceramics, Ott and Brewer (1871–1893

Food Vessel (Li), early Shang dynasty (ca. 1600–1046 B.C.), China, Bronze, H. 5 3/4 in. (14.6 cm); Diam. 7 7/8 in. (20 cm), Metalwork

Methamorphoseos vulgare, March 7, 1501, Printed book with woodcut illustrations, 11 3/4 × 8 1/8 × 7/8 in. (29.8 × 20.6 × 2.3 cm), Books, The first illustrated Italian edition of Ovid's Metamorphoses was published in Venice in 1497 and

諸國名橋奇覧　摂洲阿治川口天保山, Tenpōzan at the Mouth of the Aji River in Settsu Province (Sesshū Ajikawaguchi Tenpōzan), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Edo period

Silver ring, Classical, ca. late 5th or early 4th century B.C., Greek, Silver, Length: 5/8 in. (1.6 cm), Gems, Maenad with thyrsos (fennel stalk topped with ivy) and sword in an ecstatic dance

元 佚名 臨王振鵬 金明池圖 卷, Dragon Boat Regatta on Jinming Lake, Yuan dynasty (1271–1368), 14th century (?), China, Handscroll; ink on silk, Image: 13 1/2 x 17 ft 6 in. (34.3 cm x 53.8 m), Paintings, After Wang Zhenpeng

Terracotta dinos (deep round-bottomed bowl), Late Classical, ca. 375–350 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 9 in. (22.9 cm), Vases, Banquet scene. The scene depicts the male guests reclining on couches and

[Minaret of the Chief Mosque at Damghan, 1026–1029], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Winter, from the series 'Elegant Play in the Four Seasons' (Fūryūshiki asobi), Edo period (1615–1868), ca 1773–75, Japan, Polychrome woodblock print; ink and color on paper, H. 10 3/8 in. (26.4 cm); W. 7 5/8 in. (19.4 cm), Prints, Isoda

Faustina Bordoni and Fox, ca. 1743, German, Meissen, Hard-paste porcelain, Overall (confirmed): 6 x 11 x 6 3/4 in. (15.2 x 27.9 x 17.1 cm), Ceramics-Porcelain, This figure group expresses on several levels the great popularity of opera in

Terracotta jug, Archaic, 6th century B.C., Lydian, Terracotta, total H. 8 9/16 in. (21.8 cm), Vases, Archaic Lydian pottery shows a predilection for special effects such as marblizing, slips, and, as here, a combination of burnishing and

明, 張瑞圖, 後赤壁賦圖, 卷, Second Ode on the Red Cliff, Ming dynasty (1368–1644), dated 1628, China, Handscroll; ink on satin, Image: 11 in. x 10 ft. 6 in. (27.9 x 320 cm), Paintings, Zhang Ruitu (Chinese, 1570–1641),

清, 胡遠, 芍藥, 扇面, Herbaceous Peony, Qing dynasty (1644–1911), China, Folding fan mounted as an album leaf; ink and color on gold paper, 7 1/8 x 20 3/4 in. (18.1 x 52.7 cm), Paintings, Hu Yuan (Chinese, 1823–1886), This

Glass ribbed bowl, Early Imperial, Augustan or Julio-Claudian, late 1st century B.C.–mid-1st century A.D., Roman, Glass; cast, tooled, and cut, Diam.: 5 1/16 in. (12.9 cm), Glass, Translucent blue green., Vertical rim with angular top

Rev. Dr. Andrew Sutherland, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Bag, 16th century (?), Peru, Quechua, Camelid hair, Height 7-3/4 in., Textiles-Woven

Miyanoshita (Name of One of the Hot Springs at Hakone), Edo period (1615–1868), ca. 1779, Japan, Polychrome woodblock print; ink and color on paper, H. 10 3/8 in. (26.4 cm); W. 7 1/2 in. (19.1 cm), Prints, Torii Kiyonaga (Japanese,

Abside de Saint-Pierre, Caen, 1852–54, Salted paper print from glass negative, 34.2 x 25.3 cm (13 7/16 x 9 15/16 in. ), Photographs, Edmond Bacot (French, 1814–1875