Images at Librifly

Terracotta rattle (?), Late Cypriot IB, 1600–1450 B.C., Cypriot, Terracotta; White painted ware, H. 3 7/8 in. (9.9 cm), Vases, Handle, bird-like face and bands of black paint

Terracotta vase in the form of a swan, Archaic, 6th century B.C., Greek, Corinthian, Terracotta, H. 4 1/16 in. (10.4 cm), Vases, This example possibly may be an Etruscan imitation of the Corinthian type

Glass head pendant, Late Classical, mid-4th to 3rd century B.C., Carthaginian, Glass; rod-formed and trailed, H.: 1 1/16 in. (2.7 cm), Glass, Semi-opaque deep turquoise blue, with additions in opaque yellow and white, and translucent cobalt

Entrée de la première Cataracte près d'Assouan, 1849–50, Salted paper print from paper negative, Image: 5 15/16 × 8 11/16 in. (15.1 × 22 cm), Photographs, Maxime Du Camp (French, 1822–1894

L'Apparition, 1850–83, Brush and gray wash over black chalk, 18 15/16 x 14 11/16 in. (48.1 x 37.3cm), Drawings

Mimasu Tokujuro as a Woman Standing Near a Winding Stream, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 11 3/5 x 5 3/8 in. (29.5 x 13.7 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Ivory disk with rosette, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Ivory, Diameter 2 3/16 in. (5.6 cm), Ivory was imported to Cyprus from the Near East or Egypt. The rosette was a popular decorative motif originally inspired by designs on

Eagle Attacking Fish, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 3/4 in. (36.2 x 27.3 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Breast Defense (Peytral) from a Horse Armor, 15th–17th century, Tibetan or Mongolian, Leather, iron, brass or copper alloy, silver, gold, shellac, pigments, textile, hair, H. 22 1/2 in. (57.2 cm); W. 25 5/8 in. (65.1 cm), Armor for

Terracotta one-handled skyphos (deep drinking cup), Geometric, late 8th century–early 7th century B.C., Greek, possibly Boeotian, Terracotta, 2 1/2 x 4 3/4in. (6.4 x 12.1cm); diameter 3 13/16in. (9.7cm), Vases, Around the lip, seven

The First Nakamura Nakazo as a Samurai Dressed in Kamishimo, Edo period (1615–1868), ca. 1775, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 5/8 in. (31.8 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese,

Two Ladies on a Verandah, One with Fan, the Other Threading a Needle, Edo period (1615–1868), early 19th century, Japan, Diptych of polychrome woodblock prints (surimono); ink and color on paper, a) 8 7/16 x 7 3/8 in. (21.4 x 18.7 cm),

Yaoya O Shichi Standing, Holding a Love Letter and a Battledore, Edo period (1615–1868), ca. 1748, Japan, Polychrome woodblock print; ink and color on paper, 27 5/8 x 9 7/8 in. (70.2 x 25.1 cm), Prints, Okumura Masanobu (Japanese,

Two Women Seated in a Parlor, Meiji period (1868–1912), Japan, Monochrome woodblock print; ink on paper, 10 1/4 x 14 11/16 in. (26 x 37.3 cm), Prints, After Okumura Masanobu (Japanese, 1686–1764

Page of Calligraphy from a Shahnama (Book of Kings), 1562–83, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Codices

Hodogaya on the Tōkaidō (Tōkaidō Hodogaya), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　東海道保土ケ谷, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink

Jérusalem, Saint-Sépulcre, Bas-relief (porte d'entrée), 1854, Salted paper print from paper negative, Image: 23.4 x 31.6 cm (9 3/16 x 12 7/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Silver ring with glass paste scarab, Archaic, 6th–5th century B.C., Greek or Cypriot, Silver, glass paste, Other: 1 5/16 in. (3.3 cm), Gold and Silver, Pendant ring, with blue glass paste scarab; decayed; the gold mount has a cable border

Ryugu Tamatori Hime no su, Recovering the Stolen Jewel from the Palace of the Dragon King, Edo period (1615–1868), 1853, Japan, Triptych of polychrome woodblock prints; ink and color on paper, A: H. 14 3/8 in. (36.5 cm); W. 9 3/4 in. (24.8

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Height: 2 5/8in. (6.6cm), Glass, Small unguentarium. Translucent light blue. Rim folded out, over, and in; flaring mouth; slender cylindrical neck with

Mrs. George Horsley (Charlotte Mary Talbot, died 1828), Oil on canvas, 30 x 24 7/8 in. (76.2 x 63.2 cm), Paintings, Attributed to John Westbrooke Chandler (British, 1763?–?1807 Edinburgh

The Spinner, 1653, Oil on wood, 19 x 25 1/4 in. (48.3 x 64.1 cm), Paintings, Quirijn van Brekelenkam (Dutch, Zwammerdam (?), after 1622–ca. 1669 Leiden

東海道五十三次　鞠子, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Buddha Shakyamuni with attendant bodhisattvas, Southern Song (1127–1279)–Yuan (1271–1368) dynasty, 12th–14th century, China, Mammoth ivory, H. 9 1/4 in. (23.5 cm), Sculpture, This extraordinary group is a rare example of Buddhist

[Group of People Posing near River], ca. 1869, Albumen silver print from glass negative, Image: 7 3/16 × 9 1/2 in. (18.2 × 24.1 cm), Photographs, Lai Fong (Chinese, 1839–1890

Gold beads, perhaps from a necklace, Possibly Archaic, 6th century B.C., Cypriot, Gold, Other: 11 1/8 in. (28.3 cm), Gold and Silver, Beads, spindle, with spherical controls

江戸近郊八景之内　玉川秋月, Autumn Moon on the Tama River, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, H. 9 3/8 in. (23.8 cm); W. 14 5/16 in. (36.4 cm), Prints, Utagawa Hiroshige

Lake Suwa from Shiojiri Pass, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 14 3/4 in. (37.5 cm), Prints, Keisai Eisen (Japanese, 1790–1848

遼 青銅鎏金五髻文殊菩薩像, Manjushri, Bodhisattva of Wisdom, with Five Knots of Hair (Wuji Wenshu), Liao dynasty (907–1125), mid-11th century, China, Gilt bronze; lost-wax cast, H. 6 1/4 in. (15.9 cm); W. 4 1/4 in. (10.8 cm); D.

Ichikawa Danjūrō V in the Role of Shiromasu-baba, Edo period (1615–1868), 12th month, 1786, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 1/2 in. (31.1 x 14.0 cm), Prints, Katsukawa Shunshō (Japanese,

Kalki Avatar, the Future Incarnation of Vishnu: Page from a Dispersed Manuscript, ca. 1760–70, India (Punjab Hills, Guler), Ink and opaque watercolor on paper, 6 1/4 x 8 3/8 in. (15.9 x 21.3 cm), Paintings, It is interesting to compare this

Mottled yellow jasper scaraboid seal, Late Classical, 4th century B.C., Greek, Jasper, yellow, Length: 1 1/16 in. (2.7 cm), Gems, Bearded herm of Dionysos with thyrsos (fennel stalk topped with ivy

Rosso antico torso of a centaur, Imperial, 1st –2nd century A.D., Roman, Marble, Rosso antico, H. 17 1/2 in. (44.4 cm), Stone Sculpture, Copy of a Greek statue of the 2nd century B.C.. During the Classical period, centaurs—mythical

Oboe, ca. 1830, Germany, German, Boxwood, ivory, silver, L. 54.6 cm (21 1/2 in.), Aerophone-Reed Vibrated-double reed, Possibly by Johann Adam Heckel (Adorf, Germany 1812–1877 Biebach, Germany), Possibly by August Jehring (German,

Panel fragment, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, 0.98 x 2.17 in. (2.49 x 5.51 cm), Ivory/Bone-Reliefs

Furniture support: female sphinx with Hathor-style curls, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory (hippopotamus), gold foil, 5 x 1.5 in.

Lady Maitland (Catherine Connor, died 1865), Oil on canvas, 49 3/4 x 39 3/4 in. (126.4 x 101 cm), Paintings, Sir Henry Raeburn (British, Stockbridge, Scotland 1756–1823 Edinburgh, Scotland

Terracotta miniature volute-krater (mixing bowl), Late Classical, ca. 325–300 B.C., Greek, South Italian, Apulian, Gnathian, Terracotta; applied color, H. 5 7/8 in. (14.9 cm), Vases, Ribbing characterizes the latest Gnathian pottery

Section of an ivory cylinder with a hole, Archaic, 7th–6th century B.C.?, Greek, Laconian, Ivory, Other: 3 1/16 in. (7.8 cm), Semi-cylindrical section of ivory with hole pierced through center

Mr. MacDowell, 1880s, Albumen silver print , Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

元 佚名 對月圖 軸, Monk Reading a Sutra by Moonlight, Yuan dynasty (1271–1368), ca. 1332, China, Hanging scroll; ink on paper, Image: 29 3/8 x 13 in. (74.6 x 33 cm), Paintings, Unidentified Artist, Paintings of monks reading sutras

Le beau bras, 1860s, Albumen silver print from glass negative, 5.1 x 8.6 cm. (2 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

China Shelf, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 9 x 13 1/8 in. (22.9 x 33.3 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Statuette of a woman votary, ca. 625–425 B.C., Greek, Laconian, Lead, Height: 1 3/8 in. (3.5 cm), Miscellaneous-Lead

Openwork furniture plaque with sphinx striding through a floral landscape, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 8.74 x 4.53 x 0.75 in. (22.2 x 11.51 x 1.91 cm), Ivory/Bone-Reliefs,

東海道五十三次之内　箱根　湖水図, Hakone; Kosui, Edo period (1615–1868), ca. 1833–34, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/8 in. (24.1 x 35.9 cm), Prints, Utagawa Hiroshige (Japanese,

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Shield, late 15th century, Turkish or Mamluk, Steel, copper alloys, Diam. 18 3/8 in. (46.7 cm), Wt. 3 lb. 7 oz. (1546 g), Shields, This shield, engraved with large cartouches enclosing floral arabesques, may have originated in

Snowy Landscape, Edo period (1615–1868), 1850, Japan, Polychrome woodblock print; ink and color on paper, 9 1/4 x 7 in. (23.5 x 17.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Glass lentoid bottle, Late Imperial or Early Byzantine, 4th–6th century A.D., Roman, Glass; blown, 8 3/4 x 6 9/16in. (22.2 x 16.7cm), Glass, Translucent blue green., Everted rim, folded over and in, flattened on top and protruding inwards

Lead figure of a warrior with a helmet and shield, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 2 1/8 in. (5.4 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the

「富嶽三十六景　凱風快晴」, South Wind, Clear Sky (Gaifū kaisei), also known as Red Fuji, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock

Gold earring with head of a lion, Classical or Hellenistic, 4th?3rd century B.C., Greek, Gold, Diam.: 13/16 in. (2.1 cm), Gold and Silver, Circlet of gold wire, which tapers from the animal's head at the front end to a point

Sallet and Buff for a Rennzeug in the Saxon Fashion, ca. 1570–1600, German, Steel, leather, H. 20 in. (50.8 cm); W. 8 3/4 in. (22.2 cm); D. 14 3/4 in. (37.5 cm); Wt. 10 lb. 3 oz. (4598 g), Helmets

Faience astragalos (knucklebone), Ptolemaic, 3rd–2nd century B.C., Greek, Egyptian, Faience, H.: 1 in. (2.5 cm), Miscellaneous-Faience, Astragal

The Actor Sawamura Sōjūrō 3rd (Kinokuniya), Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper; mica background, 14 3/4 x 10 in. (37.5 x 25.4cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, Other: 7/8 x 1 in. (2.2 x 2.5 cm), Glass, Body fragment., Translucent cobalt blue and opaque white., Convex curving side,

Glass bowl, Early Imperial, Augustan, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, Overall: 1 9/16in. (3.9cm), Glass, Translucent very pale blue green. Vertical, rounded rim; convex upper sides, then turned in

Terracotta lentoid flask, Late Helladic III, ca. 1400–1050 B.C., Mycenaean, Terracotta, H. 5 in. (12.7 cm.), Vases, Globular bottle with two handles, concentric circles and two chains of loops

Old Age Drives the Stag out of a Lake and the Hounds Heat, Grief, Cold, Anxiety, Age, and Heaviness Pursue Him: (from The Hunt of the Frail Stag), ca. 1500–1525, South Netherlandish, Wool warp, wool and silk wefts, embroidered with wool,

Illustration of Noh Dance Scene, Meiji period (1868–1912), ca. 1910, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 19 15/16 in. (36.8 x 50.6 cm), Prints, Tsukioka Kōgyo (Japanese, 1869–1927

Green Peas in a Measure and Sprays of Hollyhock with Heads of Sardines; Symbols Representing the Ceremony of Exorcising Demons, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x

The Rustic Pavilion, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, H. 27 1/4 in. (69.2 cm); W. 4 5/8 in. (11.7 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Shaffron (Horse's Head Defense), dated A.H. 1026/A.D. 1617–18, Golconda, Andhra Pradesh, Indian, Deccan, Golconda, Steel, copper alloy (brass), H. 23 7/8 in. (60.7 cm); W. 8 in. (19.6. cm); Wt. 1 lb. 13 oz. (820 g), Equestrian

五十三次名所図会　鳴海　名產有松しぼり店, Narumi, Meisan Arimatsu Shibori Mise, Edo period (1615–1868), 7th month Hare year 1855, Japan, Polychrome woodblock print; ink and color on paper, Aiban; 13 23/32 x 9 1/4 in.

Egon Schiele, 1914, Gelatin silver print, Image: 22.6 x 15.3 cm (8 7/8 x 6 in.), Photographs, Anton Joseph Trcka (Austrian, 1893–1940), Between the turn of the twentieth century and the outbreak of World War I, Vienna was a city of

Sard ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Sard, Length: 1/2 in. (1.2 cm), Gems, Nike driving a galloping quadriga (four-horse chariot

Mahavira Preaching to Monks and Nuns: Folio from a Kalpasutra Manuscript, 1461 (Samvat 1519), India (Gujarat), Ink, opaque watercolor, and gold on paper, 4 3/8 x 10 1/8 in. (11.1 x 25.7 cm), Paintings

Glass bowl, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, H.: 2 1/16 in. (5.2 cm), Glass, Colorless with pale yellow tinge and purplish streaks Rounded vertical rim; slightly convex sides,

Ile de Fîleh (Philæ), Colonnade Occidentale - Ruines Vues du Point L, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.2 x 30.0 cm. (9 1/8 x 11 13/16 in.), Photographs, Félix Teynard (French, 1817–1892

Ichikawa Danjuro IV in the Role of Okazaki Akushiro, Edo period (1615–1868), ca. 1755, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 5/8 in. (31.1 x 14.3 cm), Prints, Torii Kiyomitsu (Japanese, 1735–1785

Two terracotta rim fragments from a closed vase, Early Minoan II, ca. 2900–2300 B.C., Minoan, Terracotta; Vasiliki ware, Other (.a): 7 13/16 in. (19.9 cm), Vases, From Vasiliki, Crete. Two rim fragments from a closed vase

Maharana Jagat Singh II in Procession, ca. 1745, India (Rajasthan, Mewar), Ink and opaque watercolor on paper, Excl. borders: 15 7/16 x 11 1/2 in. (39.2 x 29.2 cm), Paintings

Ring Brooch, ca. 1340–49, Made in Midde Rhine, Germany, German, Gold, spinels, and sapphires, Overall: 7/8 x 3/16 in. (2.2 x 0.5 cm), Metalwork-Gold, This brooch comes from a hoard found in 1969 in the village of Lingenfeld, in the Rhine

Ensemble, 1912, French, a) silk, fur; b) silk

Fibula, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Other: 1 3/4 in. (4.5 cm), Bronzes

The Holy Family with St. Anne and St. Catherine, 1542, published 1627–50, Engraving, state IV, plate: 14 1/2 x 9 1/2 in. (36.8 x 24.2 cm), Prints, Enea Vico (Italian, Parma 1523–1567 Ferrara), After Rosso Fiorentino (Italian, Florence

Moonlight View of Suihiro Bridge, Tempozan, Edo period (1615–1868), 1838, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/8 in. (25.7 cm); W. 14 15/16 in. (37.9 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Furniture plaque carved in relief with a “woman at the window”, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Ivory, glass, H. 2 1/2 x W. 1 3/4 x Th. 1/2 in. (6.4 x 4.5 x 1.2 cm),

Gold ring with plasma ring stone, Classical, 5th century B.C., Greek, Gold, plasma, Base: 15/16 in. (2.4 cm), Gold and Silver, Gold filigree ring with plain stone of plasma

Spring in the Rice Fields, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, H. 9 9/16 in. (24.3 cm); W. 14 7/16 in. (36.7 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo

劍環紋圓漆盒, Box with pommel-scroll design, Yuan dynasty (1271–1368), late 13th–14th century, China, Ivory, H. 1 7/8 in. (4.8 cm); Diam. 3 1/2 in. (8.9 cm), Ivories, The decoration covering the surface of this box is sometimes

Terracotta statuette of woman with bird face, Late Cypriot II, ca. 1450–1200 B.C., Cypriot, Terracotta; hand-made, H. 8 3/16 in. (20.80 cm), Terracottas, This figurine is typical of Cypriot coroplastic art of the Late Cypriot II and III

Palestine. Jérusalem. Partie occidentale des Murailles, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

Miniature Tunic, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 8 x W. 7 in. (20.3 x 17.8 cm), Textiles-Featherwork

Helmet, 14th–17th century, probably Mongolian, Iron, gold, silver, turquoise, H. 7 1/2 inches (19.1 cm); W. 8 3/4 in. (22.2 cm); D. 9 3/4 in. (24.8 cm); Wt. 1 lb. 11.7 oz. (785.3 g), Helmets

Procession, Qing dynasty (1644–1911), late 19th century, China, Handscroll; ink and color on silk, 9 5/8 x 25 in. (24.4 x 63.5 cm), Paintings, Unidentified Artist Chinese

Purple Magnolia and Hornbill, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print; ink and color on paper, 14 3/5 x 4 29/32 in. (37.1 x 12.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Three Women on a Bridge, Edo period (1615–1868), ca. 1785, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 × 9 3/4 in. (36.8 × 24.8 cm), Prints, Katsukawa Shunchō (Japanese, active ca. 1783–95

Glass head pendant, Classical, 5th century B.C., Phoenician or Carthaginian, Glass; rod-formed, trailed, and tooled, 1 7/16 × 1 1/8 × 3/4 in. (3.6 × 2.8 × 1.9 cm), Glass, Semi-opaque cobalt blue, with additions in opaque yellow,

[Portrait of an Elderly Woman], 1850s–60s, Albumen silver print from glass negative, 16.7 x 13.4 cm. (6 9/16 x 5 1/4 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Plaque fragment, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory, 0.88 x 1.25 in. (2.24 x 3.18 cm), Ivory/Bone-Reliefs

The Viravasuntarayan Munapam, January–March 1858, Albumen silver print from waxed paper negative, Image: 29.5 x 37 cm (11 5/8 x 14 9/16 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport

Terracotta lekythos (oil flask), Classical, ca. 450–440 B.C., Greek, Attic, Terracotta; white-ground, H. 15 1/8 in. (38.4 cm), Vases, Two figures at a tomb. Only the figure to the left of the tomb is preserved. She approaches with a wreath

Terracotta amphora (jar), Archaic, ca. 510 B.C., Greek, Attic, Terracotta; black-figure, H. 23 1/4 in. (59.1 cm); diameter 14 5/8 in. (37.2 cm), Vases, Obverse, Athena and Herakles in chariot with gods, Reverse, Dionysos, Artemis,

Overhanging Cliff, Edo period (1615–1868), Japan, Album leaf; lacquer on paper, 4 1/2 x 3 1/2 in. (11.4 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Limestone cornice with a lion’s head, Early Roman, ca. 1st century A.D., Cypriot, Limestone, Overall: 16 x 9 x 6 in. (40.6 x 22.9 x 15.2 cm), Stone Sculpture, The fragment belongs to a cornice (sima), possibly where it meets the slope of a

Terracotta oinochoe: olpe (jug), Archaic, 1st half of 6th century B.C., Greek, Attic, Terracotta; black-figure, 6 3/4in. (17.1cm), Vases, Two panthers

Candlestick, 1830–55, Made in New Jersey, United States, American, Blown glass, H. 9 1/8 in. (23.2 cm), Glass